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Biggest sellouts in funk Whats your pick?
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Not this shit again Love is just like the faucet
It turns off and on Sometimes when you think it's on baby It has turned off and gone Lady Day | |
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nWo (aka FUNK 3.0): bboy87 - timmy84 - muthafunka - littleBLUEcorvette - phunkdaddy - christopher
SUBSCRIBE 2 MY CHANNEL - http://www.youtube.com/user/timmy841212 "Love doesn't know nothing about orientation, race or gender but love." | |
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thebanishedone said: Whats your pick?
i'll go with: Lionel Richie Kool and a Gang Isley brothers Goin' by this, everyone who did FUNK sold out. -Cameo -Prince -The Jacksons -James Brown -Earth, Wind and Fire MICHAEL JACKSON: Always and Forever
This Ya Boy from that H-Town ----- **Wolfpac** It's a new WORD order here at the org, the nWo - Red & Black! bboy87 - Timmy84 - phunkdaddy - MuthaFunka - Christopher - LittleBLUECorvette ... nWo ... 4Life ... | |
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The biggest screwup that Prince did was selling out to WB and signing that 10 album contract or whatever it was in 1989. It was an obviously dumb move to everyone but him. | |
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Harlepolis said: Not this shit again
Exactly. Didn't we all agree last year that it was a tie between Lionel Richie & Kenneth "Babyface" Edmonds? Tupac "Makaveli" Shakur (RIP 1971-1996) & Michael Jackson (RIP 1958-2009)
2 men that had their lives taken away the moment they were speaking out AND rebelling against the dark side of the music industry once too often. | |
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TonyVanDam said: Harlepolis said: Not this shit again
Exactly. Didn't we all agree last year that it was a tie between Lionel Richie & Kenneth "Babyface" Edmonds? Yep. nWo (aka FUNK 3.0): bboy87 - timmy84 - muthafunka - littleBLUEcorvette - phunkdaddy - christopher
SUBSCRIBE 2 MY CHANNEL - http://www.youtube.com/user/timmy841212 "Love doesn't know nothing about orientation, race or gender but love." | |
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Timmy84 said: TonyVanDam said: Exactly. Didn't we all agree last year that it was a tie between Lionel Richie & Kenneth "Babyface" Edmonds? Yep. I always thought Lionel and Babyface were R&B/pop guys rather than "funk". They each had big hits with ballads in each of their bands (The Commodores and the Deele) before they went solo. ...anyway, to me, it's not about "selling out", it's about "cashing in"! There's nothing wrong with musicians getting paid well for what they do. | |
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DerekH said: Timmy84 said: Yep. I always thought Lionel and Babyface were R&B/pop guys rather than "funk". They each had big hits with ballads in each of their bands (The Commodores and the Deele) before they went solo. ...anyway, to me, it's not about "selling out", it's about "cashing in"! There's nothing wrong with musicians getting paid well for what they do. Exactly. I'm not a big fan of "pop" music, but how many "pure" musicians starve? If you can make a career, if you can feed your family by playing music, then you play music. You do what you have to do to make sure you are not forgotten when your Art is no longer popular. Some people tell me I've got great legs... | |
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DerekH said: Timmy84 said: Yep. I always thought Lionel and Babyface were R&B/pop guys rather than "funk". They each had big hits with ballads in each of their bands (The Commodores and the Deele) before they went solo. ...anyway, to me, it's not about "selling out", it's about "cashing in"! There's nothing wrong with musicians getting paid well for what they do. Yeah that's true. nWo (aka FUNK 3.0): bboy87 - timmy84 - muthafunka - littleBLUEcorvette - phunkdaddy - christopher
SUBSCRIBE 2 MY CHANNEL - http://www.youtube.com/user/timmy841212 "Love doesn't know nothing about orientation, race or gender but love." | |
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DerekH said: Timmy84 said: Yep. I always thought Lionel and Babyface were R&B/pop guys rather than "funk". They each had big hits with ballads in each of their bands (The Commodores and the Deele) before they went solo. ...anyway, to me, it's not about "selling out", it's about "cashing in"! There's nothing wrong with musicians getting paid well for what they do. But it's still very disappointing when funk musicians have to turn their backs on The Funk in order to "cash in" with crossover pop success. Tupac "Makaveli" Shakur (RIP 1971-1996) & Michael Jackson (RIP 1958-2009)
2 men that had their lives taken away the moment they were speaking out AND rebelling against the dark side of the music industry once too often. | |
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Yeah but you have artist who followed their muse
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TonyVanDam said: DerekH said: I always thought Lionel and Babyface were R&B/pop guys rather than "funk". They each had big hits with ballads in each of their bands (The Commodores and the Deele) before they went solo. ...anyway, to me, it's not about "selling out", it's about "cashing in"! There's nothing wrong with musicians getting paid well for what they do. But it's still very disappointing when funk musicians have to turn their backs on The Funk in order to "cash in" with crossover pop success. I guess Lionel felt the music he and the Commodores were making prior to "Just to Be Close to You" wasn't doing it and after seeing how successful Marvin's ballads were, he decided to go for it...and so did the Commodores, since it wasn't uncommon for funk bands to do pop ballads. In fact, the Commodores remained with a pop sound following Lionel's departure. nWo (aka FUNK 3.0): bboy87 - timmy84 - muthafunka - littleBLUEcorvette - phunkdaddy - christopher
SUBSCRIBE 2 MY CHANNEL - http://www.youtube.com/user/timmy841212 "Love doesn't know nothing about orientation, race or gender but love." | |
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But Lionel didn't wrote balads only .
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Timmy84 said: TonyVanDam said: But it's still very disappointing when funk musicians have to turn their backs on The Funk in order to "cash in" with crossover pop success. I guess Lionel felt the music he and the Commodores were making prior to "Just to Be Close to You" wasn't doing it and after seeing how successful Marvin's ballads were, he decided to go for it...and so did the Commodores, since it wasn't uncommon for funk bands to do pop ballads. In fact, the Commodores remained with a pop sound following Lionel's departure. Sure, the song Nightshift was a major hit. But The Commodores still had uptempo tracks like Going To The Bank & Animal Instincts. Some of the funk was still there, but in bite-sized. Tupac "Makaveli" Shakur (RIP 1971-1996) & Michael Jackson (RIP 1958-2009)
2 men that had their lives taken away the moment they were speaking out AND rebelling against the dark side of the music industry once too often. | |
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TonyVanDam said: Timmy84 said: I guess Lionel felt the music he and the Commodores were making prior to "Just to Be Close to You" wasn't doing it and after seeing how successful Marvin's ballads were, he decided to go for it...and so did the Commodores, since it wasn't uncommon for funk bands to do pop ballads. In fact, the Commodores remained with a pop sound following Lionel's departure. Sure, the song Nightshift was a major hit. But The Commodores still had uptempo tracks like Going To The Bank & Animal Instincts. Some of the funk was still there, but in bite-sized. That's what I meant. I don't know if I could call those songs "funk", maybe "dance-pop". nWo (aka FUNK 3.0): bboy87 - timmy84 - muthafunka - littleBLUEcorvette - phunkdaddy - christopher
SUBSCRIBE 2 MY CHANNEL - http://www.youtube.com/user/timmy841212 "Love doesn't know nothing about orientation, race or gender but love." | |
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Alasseon said: DerekH said: I always thought Lionel and Babyface were R&B/pop guys rather than "funk". They each had big hits with ballads in each of their bands (The Commodores and the Deele) before they went solo. ...anyway, to me, it's not about "selling out", it's about "cashing in"! There's nothing wrong with musicians getting paid well for what they do. Exactly. I'm not a big fan of "pop" music, but how many "pure" musicians starve? If you can make a career, if you can feed your family by playing music, then you play music. You do what you have to do to make sure you are not forgotten when your Art is no longer popular. Hookers do the same thing but get bashed for it. I'm fine with them though because the more money they make, they funkier they get. Andy has spoken dammitt. | |
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Timmy84 said: TonyVanDam said: Sure, the song Nightshift was a major hit. But The Commodores still had uptempo tracks like Going To The Bank & Animal Instincts. Some of the funk was still there, but in bite-sized. That's what I meant. I don't know if I could call those songs "funk", maybe "dance-pop". You're right. If you listened to the Nightshift album it sounded like the soundtrack to a cheesy 80's flick. The song Going to the Bank may have been alright if it weren't for the cheesy lyrics. Animal Instinct was serious cheese. Bone made me stand up and get into the groove | |
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Apart from the George Clinton camp, most funk bands from the seventies and early eighties have sold out, or simply disappeared.
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Timmy84 said: ![]() What time is it? | |
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Timmy84 said: ![]() there is another great gif of a little kid who was scared while using the computer ??I loved that one | |
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