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Thread started 05/28/15 2:07pm

OldFriends4Sal
e

Around the World in a Day opus 1985 (A Reappraisal)

author of the article is Joseph Stannard

the link is provided in post #1 11 15

photos in posts # 0 2 3 4 15 taken by Doug Henders painter of the ATWIAD album cover

.

Bobby Z, Dr Fink, Lisa Coleman, Brown Mark, Wendy Melvoin
David Coleman, Brad Marsh, Jonathon Melvoin, Eddie M
Suzi Katayama, Novi Novog, Brad Marsh

Jeff Katz, Doug(las) Henders, Susan Rogers, David Tickle, David Leonard, Susannah Melvoin, Jill Jones, Sheila E

P R I N C E

"I suppose we were aware that Prince would not repeat himself artistically.
There were new clothes, new colors, new personnel, and a new way of working.
While the Paisley Park studio complex was in the planning I recorded the band from their rehearsal stage in our leased warehouse. This allowed him to record the whole band easily, so Prince could stay home for longer stretches of time. His personal and recording lives were more coincidental than perhaps he chose to make them in the past." -Susan Rogers

"Like I said b4 I sat 4 the artist all day like that..." Susannah Melvoin

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Reply #1 posted 05/28/15 2:19pm

OldFriends4Sal
e

More Info .... hopefully 2 come

The Red Bull Music Academy Daily is the online publication by the Red Bull Music Academy, a global music institution committed to fostering creativity in music. Just...
daily.redbullmusicacademy.com

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Reply #2 posted 05/28/15 2:21pm

OldFriends4Sal
e

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Reply #3 posted 05/28/15 2:22pm

OldFriends4Sal
e

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Reply #4 posted 05/28/15 2:35pm

iZsaZsa

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She might be me!
What?
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Reply #5 posted 05/28/15 2:37pm

tatocorcu

Wow, i Love this thread smile
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Reply #6 posted 05/28/15 2:44pm

OldFriends4Sal
e


"...astonishing and largely improvised -ambient coda to the albums title track" -Novi Novog

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Reply #7 posted 05/28/15 2:59pm

OldFriends4Sal
e

iZsaZsa said:

[img:$uid]http://scontent-ord1-1.xx.fbcdn.net/hphotos-xpt1/v/t1.0-9/11018112_830054150381114_3303182395366939422_n.jpg?oh=e20c313b7ca51d69947466d7127af5c6&oe=56039387[/img:$uid] She might be me!

U R being timide, lascif and vilain ...

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Reply #8 posted 05/28/15 3:06pm

OldFriends4Sal
e

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Reply #9 posted 05/28/15 3:08pm

OldFriends4Sal
e

ARCADE CARD - EXHIBIT SUPPLY COMPANY - MOVIE STAR - RENEE ADOREE - IN BERET AND FUR - 1920s

ARCADE CARD - EXHIBIT SUPPLY COMPANY - MOVIE STAR - RENEE ADOREE - IN BERET AND FUR - 1920s

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Reply #10 posted 05/28/15 3:16pm

OldFriends4Sal
e

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Reply #11 posted 05/28/15 3:24pm

OldFriends4Sal
e

http://daily.redbullmusicacademy.com/2015/05/prince-around-the-world-in-a-day

I've been having issues with cut n paste for a while
Sometimes it goes sometimes it does not.

All the images/photos Susan Rogers opening quote (not the album images nor the Clara Bow images) come from

the site link posted here.

As I said in post #1 hopefully I will be able to update this will all the information about ATWIAD

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Reply #12 posted 05/28/15 3:34pm

OldFriends4Sal
e

Clara Bow

There was a woman from the ghetto
Who made funny faces just like
Clara Bow, how was I 2 know
That she would wear the same
Cologne as U and giggle the same
Giggle that U do?

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Reply #13 posted 05/28/15 3:44pm

OldFriends4Sal
e

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Reply #14 posted 05/28/15 4:22pm

thedance

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wow just amazing.. woot! cool

and some people say they don't like this wonderful album...? eek eek


that is a mystery to me, its a masterpiece...... and beautiful ext and b-side versions as well..!

I just love Around The World In A Day...... just wow.. music

Prince 4Ever. heart
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Reply #15 posted 05/28/15 5:52pm

CocoRock


Prince’s Around The World In A Day: A Reappraisal

http://daily.redbullmusic...d-in-a-day

Moderators Note * the article has been edited to focus on the ATWIAD music direction and photos/artwork
please visit the redbullmusicacademy site to read the rest of the article

Released only two weeks after the conclusion of the Purple Raintour at the Orange Bowl in Miami, Prince’s seventh studio albumAround the World in a Day occupies a curious position in his discography...

...

Much of the music that made it onto Around the World in a Day had been completed prior to the release of Purple Rain. The remainder of the album was recorded prior to and in some cases during the tour at a variety of locations including Sunset Sound in Los Angeles and a mobile audio truck taken on the road. Engineer Susan Rogers witnessed the rapid evolution of Prince and The Revolution’s sound and visual aesthetic while working on new tracks at Flying Cloud Drive Warehouse, Eden Prairie, in 1984.

...

Rogers notes the conspicuous absence of the colour purple in the band’s new wardrobe around this time, as well as the growing cast of auxiliary players that included David Coleman and Michael Melvoin (siblings of The Revolution’s Lisa Coleman and Wendy Melvoin) along with cellist Suzi Katayama, violinist Novi Novog and saxophonist Eddie Minnifield aka Eddie M. As Rogers suggests, Prince was indeed seeking to expand his palette. He had already employed Novog and Katayama on Purple Rain, most notably on the astonishing - and according to Novog, largely improvised - ambient coda to the album’s title track.

“He was serious, but it was fun,” says Novog of the sessions. “Because when you see someone with total focus and the energy that he exuded, it wakes you up and makes you concentrate. You all get on the same wavelength. A couple of times when he wasn’t there and it was just Wendy and Lisa, it was still focused but it was maybe a little more light and frivolous. There was a different attitude. Although those guys got a lot of work done.”

The greater involvement of string players marked a development that would be further advanced in association with veteran bandleader, composer and arranger Clare Fischer. This long distance collaboration (the pair never met) began during recording sessions for the debut album by Prince proteges The Family in late 1984 and lasted until 2006’s 3121. Significantly, The Family were co-fronted by Wendy Melvoin’s twin sister and Prince’s on-off girlfriend, Susannah Melvoin, who contributed backing vocals to Around the World in a Day and reputedly inspired its highlight “Condition of the Heart.”

British engineer David Tickle was also involved in the recording of the new material. Tickle had worked front-of-house sound for the Purple Rain tour and mixed some of the singles taken from the soundtrack. As with Susan Rogers, this was the first time he had been involved in a Prince album from its inception.

“There was no clear objective with what the next album was going to be,” says Tickle. “It wasn’t like it started out and it was gonna be this specific focus. Prince would literally write a song a day and every three days or so we would go and do a full production on something. If you listen to the album, there’s actually quite a difference in the context of the songs themselves, and even in production and sonic value. That’s because when you worked with Prince what happened was he would say, ‘David. I’ve got a song. Get a studio’ - maybe after a show one night, or we may have a couple of days off. We’d start with the drum machine and I wouldn’t leave the studio until it was mixed. Right from the first bass drum being printed. That could be 24, 48 hours, and on a couple of occasions we got into about 72, 76 hours. Without going to sleep. That was his thing. You go in, you start it, and you don’t leave until it’s done. And that moment in time is encapsulated.”

...

As Susan Rogers explains, there were technical issues that contributed to the album’s spontaneous feel: “Prince owned a fantastic multitrack tape machine, the Ampex MM1100, that finally reached the end of its life, so we replaced it with an MCI JH24. It couldn’t compete with the Ampex sonically but it was more reliable. For much of the album we were recording in a warehouse with no isolation between sound sources and an inferior signal path, compared to what we had at Sunset Sound in Los Angeles.”

In contrast to the logical sequencing and narrative flow ofPurple Rain, the new album was, as its title suggests, all over the place. The opening title track was originally composed and recorded by David Coleman and is notable for its non-Western instrumentation. Oud, darbuka and finger cymbals are layered atop a booming Linn M-1 machine rhythm while Prince promises “a wonderful trip through all time.” Coleman was well-versed in Middle Eastern musics but most critics of the time traced these sounds as far back as (cough) The Beatles. Close behind, the ostensibly positive message of “Paisley Park” is delivered in a nursery rhyme lilt over mogadon beats and sheets of feedback. It’s one of Prince’s eeriest tunes and least remembered singles, “The mission is easy / Just say U believe” sounding more like a Jim Jones-like invitation to imbibe the Kool Aid than anything remotely comforting.

The album’s biggest hit, the lascivious but sweetly nostalgic “Raspberry Beret,” finds Prince at his most winsome and whimsical. Its scenario recalls “Little Red Corvette” but also finds time for a subtle acknowledgement of racism in the first verse: “He told me several times that he didn’t like my kind / ‘Cause I was a bit 2 leisurely,” sings Prince of his old boss, Mr McGee. The line is lent a piquant irony by the fact that it’s delivered by one of pop’s most infamous workaholics. The video for the song is a mini-classic in which Prince avoids eye contact with the camera for the duration and prefaces his vocal intro with a coughing fit. “I just did it to be sick, to do something no one else would do,” he toldRolling Stone, gesturing at the wayward urges that fuelled the entire album project and his subsequent career.

Perhaps the most impressive of the album’s nine tracks is “Condition of the Heart.” The ballads on Prince’s first two albums approached love from the adolescent perspective of one who had yet to experience it; from Controversy onward, they tended to be erotically charged and laden with irony or, like “The Beautiful Ones” and “Purple Rain,” set pieces with a dramatic purpose. Here, Prince sounds genuinely bereft: “There was a dame in London who insisted that he love her / Then left him 4 a real prince from Arabia / Now wasn’t that a shame / That sometimes money buys U everything and nothing / Love, it only seems to buy a terminal condition of the heart.” Lyric aside, the song’s backing track – a florid fusion of piano, minimal percussion and synthesizer – sounds like nothing less than heartache itself.

An experimental album released in the wake of mainstream success, it’s no surprise that Around the World in a Day is flawed. The political orientation of a couple of tracks subvert the popular idea that the album has anything to do with the LSD-fuelled radicalism of the 1960s: the taut, bouncy “Pop Life” may be one of his best singles and feature one of his funniest lyrics (especially in its extended 12-inch form, which incorporates additional verses) but its central assertion that “Everybody can’t be on top” conjures up the wholly unappealing concept of Prince as a funky Ayn Rand; the uptempo jam “America” meanwhile takes great pleasure in its unironic denunciation of Communism, pushing the patriotism of1999’s “Free” into even less palatable territory.

Less contentiously, “The Ladder” seems designed to be the album’s centrepiece but is in fact a big red herring, a hollow inflation of “Purple Rain”s epic neo-gospel balladry which gives the impression of lasting three times its length. “Temptation” is too self-consciously raunchy, a sax-assisted bump ‘n’ grind accompanied by a lyric unusually devoid of wit or charm; it’s damning (no pun intended) that the song only becomes interesting with the entrance of God, who sentences his subject to death for his inability to distinguish love from lust. The album concludes with Prince condemned to Hell, addressing his audience in pitiful tones: “I have 2 go now… I don’t know when I’ll return… goodbye.” Though hard to love, “The Ladder” and “Temptation” are crucial to Prince’s extended mythos, foreshadowing the conflict and resolution between the carnal and the spiritual that provided 1988’s Lovesexy with its central theme.

The tracks which found their way onto b-sides are superior to some included on the album. The unusually candid “Hello,” addresses Prince’s critics on subjects including his bodyguards (“I call them my friends”), his non-participation in USA For Africa’s “We Are The World” charity single (“I tried 2 tell them that I didn’t want 2 sing / But I’d gladly write a song instead”) and the paparazzi (“Up yours! That’s right! You’re a star!”). Later covered by D’Angelo, “She’s Always In My Hair” is considered not only one of Prince’s greatest b-sides but one of his finest songs, reputedly written about collaborator, Purple Rain co-star and former girlfriend Jill Jones; best of all, “Girl” is an erotic synth fantasia as tender as it is pornographic (“If I was anything else I’d be the water in your bath, darlin’”).

Thanks to their memorable roles in Purple Rain, guitarist Wendy Melvoin and keyboard player Lisa Coleman had become the most identifiable members of The Revolution aside from Prince himself. More importantly they were increasingly responsible for the character of the music. The duo’s advanced musicality and distinctive harmonic approach meant that they were being called on to enhance and in some cases complete Prince’s compositions (a reversal of the process depicted in Purple Rain). Those who wonder where the sound of The Revolution escaped to following the band’s dissolution are encouraged to investigate the duo’s own discography. “Wendy and Lisa had the years of formal musical training that Prince lacked so they brought new harmonies and chord progressions to his work,” says Susan Rogers. “Prince wisely gave them opportunities to write string and backing vocal arrangements, as well as their own guitar and keyboard parts.”

“They had more input,” agrees David Tickle. “Prince would put down a drum machine, do some kind of guide vocal, because he may not have figured out all of his vocal moves yet, then say to Wendy and Lisa, ‘Hey, you go and put background vocals on this’ and we’d build the thing up for him.”

Critical reception to the album was mixed. Much of it hinged on the perception that Prince was attempting a naked homage to late-period Beatles, while the Jimi Hendrix comparisons invited by his guitar heroism and flamboyant appearance circa Purple Raincontinued unabated. New York Times rock critic Robert Palmer wrote at the time that “Prince is risking charges of imitation and excessive eclecticism by deliberately invoking so many icons of ’60s rock.” In truth, it’s a struggle to find anything on the album that sounds much like “Tomorrow Never Knows,” “I Am the Walrus” or “A Day in the Life,” not least because so much of it is underpinned by the precise thud and snap of the Linn M-1. Neither does the album resemble the psychedelic soul and funk of the The Temptations, Funkadelic or The Undisputed Truth. If this was psychedelia, then it had more in common with the variety peddled by US bands like The Rain Parade, The Three O’Clock (who released their fourth album Vermilion on Paisley Park in 1988) and The Bangles (who released their version of Prince’s “Manic Monday” in 1986), all of whom had been grouped into a movement known as The Paisley Underground.

“There are these little calliope sounds and instruments that may remind you of a couple of things that the boys and George Martin did,” says Alan Leeds. “But I’m 68 years old, my life experience with popular music goes back to the late ‘50s. I knew what [The Beatles and Hendrix] meant culturally to my generation and it wasn’t nearly the same thing as what Prince meant. First of all, we were all stoned the entire time! Whether you were making the music, playing on stage or in the audience. Everybody was fucked up! And nobody in the Prince camp was stoned!”

It’s true that the album’s sleeve art – a colourful depiction of characters and images taken directly from the songs – did little to dispel this impression. Artist Doug Henders, who worked on thePurple Rain movie and tour, providing the Pierrot-like faces that adorned both The Kid’s basement and the stage set, as well as taping each live show for Prince’s later inspection, confesses that his cover painting for the gatefold sleeve was indeed inspired bySgt. Pepper’s Lonely Hearts Club Band.

“Prince gave me a laundry list,” says Henders. “Old woman crying; a clown juggling the earth; a ladder going to heaven. So I could do it two ways: a collage or a surrealistic landscape, and [the latter] is what I chose, kind of a la Sgt. Pepper’s. I did that on the road, while I was on the Purple Rain tour. I would go early to the arena, arrange the stage, because a lot of the artwork was on the stage, set up my camera, shoot the show and the videos would go to him right after the show. Then he would have parties in his hotel suite in whatever city, and some people were prisoners and some people were guests. I ended up going back to my hotel room and painting all night long. After two weeks I got pretty burned out and I hired someone to take my place shooting video. I rented a hotel in Los Angeles and finished the painting. I made Prince’s management buy it an airline seat because we couldn’t trust them to put it below.”

There was no tour to support the new album, but the process of its creation would prove catalytic for The Revolution live and in the studio. The use of additional musicians like Eddie M, Suzi Katayama and Novi Novog demonstrated to Prince what might be possible were he to loosen the restrictions placed upon his music by the six-piece rock ensemble format, and awakened him to the tonal and textural possibilities of brass and string instruments.

“He was clearly thinking outside the box of The Revolution,” says Alan Leeds. “The six-piece band that had been his template since he first organised it with [bass guitarist and childhood friend] Andre Cymone, the instrumentation of which had remained the same throughout the personnel changes from Dez [Dickerson, ex-Revolution guitarist] to Wendy and so on, it was clear that he had outgrown that format. He had Eddie M on saxophone, not really playing a significant part, but certainly a hint that there would be a space for that kind of texture and flavour in the music he wrote. I think that those of us who were paying attention could see what was next.”

...

...

It’s not that Around the World in a Day deserves to be hailed as a lost classic. Rather that it deserves to be recognised as the genesis of deeper and darker work to come. The textural and structural innovations that would come to fruition with the spectacular late ‘80s trilogy of Parade, Sign O’ the Times andLovesexy have their origins within this curious artefact. It’s equally arguable that this was the point at which Prince’s artistic impulses first began to chafe against the expectations of his record company.

“My hunch is that Prince conceived of the album as a gesture sketch because he wanted to experiment stylistically,” says Susan Rogers. “Purple Rain represented a new point in his commercial success and so its follow up needed to promote a new direction if longevity was the goal. Around the World in a Day was the interim record while later works were incubating.”

Prince told Detroit DJ The Electrifying Mojo in June 1985, “I was making something for myself and my fans.” For his fans? Perhaps. For himself? Definitely. This album, more than any other in Prince’s discography, offers a rare glimpse of an artist figuring out his future.

By Joseph Stannard on May 28, 2015

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Reply #16 posted 05/28/15 5:56pm

controversy99

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Great album. Cool artwork. SNIP -OF4S
"Love & honesty, peace & harmony"
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Reply #17 posted 05/28/15 5:58pm

OldFriends4Sal
e

OldFriends4Sale said:

Clara Bow (Condition of the Heart)

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Reply #18 posted 05/28/15 6:05pm

CocoRock

Snip -OF4S 1st

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Reply #19 posted 05/28/15 6:08pm

CocoRock

SNIP -OF4S 2nd

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Reply #20 posted 05/28/15 6:51pm

CocoRock

SNIP -OF4S 3rd

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Reply #21 posted 05/28/15 6:59pm

controversy99

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CocoRock said:


SNIP -OF4S 3rd


CocoRock,
SNIP -OF4S

I will mention, on the other hand, that unless you have the permission of the publication and/or author (which you might have), it's illegal to post an entire article from one source onto another website, even with attribution. Typically, 2-3 paragraphs is a rule of thumb for how much can be quoted. Then a link can be provided to the complete article.
"Love & honesty, peace & harmony"
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Reply #22 posted 05/28/15 7:01pm

CocoRock

controversy99 said:

CocoRock said:

SNIP -OF4S 3rd

CocoRock,

SNIP -OF4S
I will mention, on the other hand, that unless you have the permission of the publication and/or author (which you might have), it's illegal to post an entire article from one source onto another website, even with attribution. Typically, 2-3 paragraphs is a rule of thumb for how much can be quoted. Then a link can be provided to the complete article.

Much appreciated controversy99. Peace. wink

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Reply #23 posted 05/28/15 7:30pm

thedance

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OF4S I love your posts, please keep posting...... heart

Don't let the negative orgers bring you down...

If there's rules aginst your threads, the rules are meant to be broken, amen.. smile

Prince 4Ever. heart
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Reply #24 posted 05/28/15 8:01pm

Doozer

avatar

Such an awesome read. Though, the lyrics for Paisley Park?

"A mission is easy," the article reads.

It's "Admission is easy," is it not?
Check out The Mountains and the Sea, a Prince podcast by yours truly and my wife. More info at https://www.facebook.com/TMATSPodcast/
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Reply #25 posted 05/28/15 11:40pm

Averett

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OF4S - such an awesome post - thank you for sharing worship

A robin sings a masterpiece that lives and dies unheard...
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Reply #26 posted 05/29/15 2:16am

KoolEaze

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" I´d rather be a stank ass hoe because I´m not stupid. Oh my goodness! I got more drugs! I´m always funny dude...I´m hilarious! Are we gonna smoke?"
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Reply #27 posted 05/29/15 2:17am

KoolEaze

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I forgot to give credit and a source to that alternate album cover. It´s by Jim Warren, and from what I recall it was planned to be the album cover at first, but Prince decided against it and used the Doug Henders version. But I think he also like Jim Warren´s version a lot and bought it.

http://jimwarren.com/portfolio/around-world-day/

" I´d rather be a stank ass hoe because I´m not stupid. Oh my goodness! I got more drugs! I´m always funny dude...I´m hilarious! Are we gonna smoke?"
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Reply #28 posted 05/29/15 3:37am

HatrinaHaterwi
tz

avatar

thedance said:

wow just amazing.. woot! cool

and some people say they don't like this wonderful album...? eek eek


that is a mystery to me, its a masterpiece...... and beautiful ext and b-side versions as well..!

I just love Around The World In A Day...... just wow.. music

nod clapping yeahthat

I knew from the start that I loved you with all my heart.
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Reply #29 posted 05/29/15 3:38am

HatrinaHaterwi
tz

avatar

Doozer said:

Such an awesome read. Though, the lyrics for Paisley Park? "A mission is easy," the article reads. It's "Admission is easy," is it not?

nod

I knew from the start that I loved you with all my heart.
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