Exactly. You have to get through this first episode, but for me, as a Beatles fan, this was very very moving. ANd the 50 year old secret is now revealed; all band suffer at some point, and it wasn't any different 50 year ago. McCartney is the standing out here, not always in a good way; the way he treated George. And Ringo is the silent invisible force that'll save the day. i am so greatful for this. It is absolutely fantasticly done !!! - Another thing, just imagine if the final concert took place in Tripoli, as proposed and pushed by the entourage... Actually happy that it didn't happen.
[Edited 11/26/21 5:34am] "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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I see they only added part 1. I found it a bit boring in some parts, but generally liked it. Paul was a bit annoying. John seemed a bit low key maybe he was high as was Paul(Blunt or cigar) too. š Just Music-No Categories-Enjoy It! | |
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"We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F | |
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I am loving it.
I do feel for George and when he leaves i dont blame him. Paul was being a dick right from the start and talked down to all of them...esp George. George looks PISSED and DONE (mad) the morning before he left.
HOWEVER, Paul's talent is really amazing to watch. He is on such a creative high. Its so cool how they are all talking about the "show" and where to have it...while Paul is on piano working on the song Let it Be. Same thing with the Long and Winding Road. Get Back was wild how he's strumming and the song starts coming together.
John is so absent and looks high as a kite a lot of the time. At the same time, he seems to be having fun and the musical connection with Paul is still there throughoout. This also confirms for me Yoko DID add to the tension they were feeling at the time. Why was she there??
Ringo is definitely the peacemaker and Mel's face while hitting "Maxwells Silver Hammer" is priceless.
I also don't see anyone caring about this outside of the hardcores. My husband fell asleep 10 minutes into it (mind you it was post-turkey coma... | |
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Paul is the greedy Beetle. All you others say Hell Yea!! | |
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Just watching the previews, I'm sorta creeped out that Yoko is just lurking all the time, sitting there, offering nothing much except a shadow to Paul. I don't see any other spouses taking up space like that. It almost (visually) supports the old adage about her breaking up the Beatles. I guess as a creative person, the last thing I'd want is someone's spouse just skulking around my studio. haha [Edited 11/26/21 13:35pm] Sorry, it's the Hodgkin's talking. | |
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I have to disagree about Paul because this group was along its direction and not musically it just seemed everyone wanted to be somewhere else but he had to be in charge or else who knows what would have happened. Itās already been said that John is absent I think he was enamored so with Yoko he seemed like a kid with a big crush who can not concentrate, George I donāt think wanted to keep the band going, he had material and no outlet pretty much. But I also hope this film dispels the nonsense that Yoko broke them up she isnāt even talking she actually sits in when George leaves just to be a noisy voice, but itās often been played as if Yoko had a say in Beatles music or direction she had zero . They were heading different ways they all had something to offer solo and they just couldnāt do it together anymore. "We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F | |
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The whole āYoko is the pariah that broke the bandā notion to me has always seemed like it came from a bunch of disgruntled and super racist white fans and critics. She took the brunt of that lashing because she was visible due to John, he was the one who pushed her to the forefront more than anyone of the band did with their girlfriends/wives. Naturally, there was little emphasis on the over inflated egos within the band and how everyone of them was spent from being in that group, god forbid any of them wanted to leave, that would be absurd, so letās all blame the Asian girlfriend because she was there all the damn time, oh & btw, she ate one of Georgeās biscuits *clutches pearls* | |
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Yoko is Japanese and this was not all that long after WWII. Look at the mainstream entertainment in the USA during the time. There's the Mickey Rooney Japanese character in Breakfast At Tiffany's, and similar ones in an episode of Gilligan's Island, cartoon shorts (.eg Bugs Bunny), Three Stooges, etc. Many of them were played by white actors, same with Chinese & Native Americans (aka Indians in westerns). Even John Wayne played Genghis Khan. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit whoās never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Though it may be part of it, I think given the Beatles popularity which has never been closely matched long term, I feel that ANY person that was there all the time, especially during this time which is viewed as the beginning of the break up. But truth is the band was coming apart once it stopped playing live and now were growing very quickly artistically as they were producing more complex works. I mean you can also site JOHN as being so "not there" at times, many times as being the culprit, so naturally people will say WHY are you suddenly not interested in this anymore, well they looked at someone that was very vocal and also always at his side in everything. So i think if Linda was in the studio everyday with Paul and she was not but also if Paul was taking on other things outside the band she would have been viewed as the one. Look at PRINCE what two people are really disliked most by fans of his, Mayte and Larry G they view LARRY as the one that got him "off" being risky and the use of language and guiding him in religious views, and Mayte they didnt like her because they felt there were "better" women for him. So I dont doubt this at some level, but anyone that was in the picture that much would be. The band was breaking for many reasons as Paul said then and also Ringo said in an interview from 1978, all things were part of it, we all had other interests that simple. "We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F | |
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Can't wait to see this thing and have been watching every minute and a half clip they put on youtube.
[Edited 11/27/21 9:07am] | |
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Let It Be the movie came out in 1970 along with the Album, but the film was done January 1969 and shelved with the album, that was when George Martin said "this band is over" and the beatles got together and felt we need a solid album together as an ending so they went to George Martin to produce this new album and agreed, he even said they seemed together probably because they knew it was over. After their annoucement of the break up the album and film were released. "We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F | |
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I don't think Yoko Ono was the reason The Beatles broke up, but I do think her continued presence must have been annoying to the others. I mean what was she doing there, sitting in the inner circle with the band? RIP Prince: thank U 4 a funky Time... | |
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I'm not sure someone blaming Yoko for the breakup of the group is racism. I think had it been Linda McCartney sitting there, she'd have been the target. People idolized the guys, so anyone else would've been the de facto scapegoat. It just happened to be Yoko here. Sorry, it's the Hodgkin's talking. | |
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- Just binge-watched the three episodes. One word : WAAAAW ! Props to Peter Jackson. Everything is handled and showed with so much respect. The end is so absolutely well assembled, a long good ending. And the joy of these 4 loose Liverpoodlians, who did not change once they played together. - To me, the true heros of this 3 part documentary are the camera men, the sound men. For some strange reason they filmed ''everything''. I mean every move, every second. And how the magic of a band and all that comes with it is nearly exposed. - Fantastic to see the boys having so much banale fun. ''Boys'', that's what they were, in their late twenties... Not really grown-up men yet. And that is the reason why everything went the way it did. The recognisable age of being in your twenties. They were not 'grown'-up' enough to comprehend the feel and need of respect when there were troubles. Foru fantastic egos. At least three of 'm. I have to say, Ringo came off as a true great nearly invisible gentleman, being able to make the others talk to each other. He constantly undisturbedly payd attention when the others were improvising, creating the beat, without interfearings. Paul had a complete other view of his Beatles. A more commercially, big/dramatic, pompous band even. Which could've been great if all four were on the same wave. But he lacked the empathy to feel what really was going on, and welled over the others feelings, unknowingly mostly. Actually John (heavenly in love) still was spot on in whatever he said, when they had a serious talk. Ringo basically never pushed or even gave his opinion. George was so honest, and even then Paul welled over him. Also great to see George Martin amongst his 'boys'. He kept enough distance,waiting for the magic to happen so he could be the wizzard behind the console. - Once they were on the roof, you can so clearly see they were ready for more. To me it seems like they love 'the stage', 'the performace'... playing live. Paul went wild, John went serious, Geroge watched both, and Ringo did what he had to do, with m-pleasure - banging the skins. It was also super great to hear the people's opinions on the street too. As if 50/60 years ago seemed only yesterday. How FANTATSICALLY everything was cleaned by the equipe of Peter Jackson. I'm really thrilled. And certainly going to watch it again... as if still in a dream that The Beatles are alive and kicking. - And it seems that bands nowadays don't differ so much. Struggles, writing together, performing together, and all the troubles that come with it. The search for ideas, randomly choosing one, and there they go. -
"The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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George Martin was truly a wizard, I would love to watch a documentary with him being the sole subject. Iām curious to know about his musical background, his development and how he became the curator for such amazing & mad ideas when it came to recording The Beatles in their latter years. He was a true musical world builder than a producer to me, just like Charles Stepney, Phill Spector, Brian Wilson and even to some extent Sly Stone were, in the sense that he treated the studio as a portal to another dimension, as opposed to a means for recording. His intuitive ear for innovation was a jewel on his crown. | |
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- From the 'over 60 hours of film' Jackson could get his hands on, I'm pretty much convinced will we see more. This time all was focused on the four boys and the final performance. The building up to that momentum. It seems impossible that George Martin wouldn't have had more to say. For some reason i'm pretty convinced he had a bigger role in this (last idea of documenting the recordings for an album). George Martin was there bascially dayli, as we can see form the footage. I don't see why else he was there. They had enough recording engineers just doing to basic recording. Funny enough they recorded everything, not alone when Paul or John asked the engineers to puch 'record'. There also was just one single mention of Brian epstein in the first part... another thing not much talked about so far it seems. My gguess is that there is so much more stuff. As John says, halfway the documentary, ''we have enough materiaal for six films by now''. - "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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George is literally like "hey I have this tune ALL THINGS MUST PASS" which will become the title track of his solo album because Paul and John show no interest in his contribution. | |
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The interesting thing to me is the time line of it all because Abbey Road came out in 1969 and then Phil Spector's Let It Be was released in 1970, apparently because they were trying to sync the album's release with the problematic documentary. | |
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Hamad said: George Martin was truly a wizard, I would love to watch a documentary with him being the sole subject. Iām curious to know about his musical background, his development and how he became the curator for such amazing & mad ideas when it came to recording The Beatles in their latter years. He was a true musical world builder than a producer to me, just like Charles Stepney, Phill Spector, Brian Wilson and even to some extent Sly Stone were, in the sense that he treated the studio as a portal to another dimension, as opposed to a means for recording. His intuitive ear for innovation was a jewel on his crown. There was a documentary I saw on PBS on George Martin. It was good. I think they played it before he passed. Just Music-No Categories-Enjoy It! | |
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Paul & John did try to record some songs in the early 1970s. Stevie Wonder & Linda McCartney are on it too. Nothing became of it because John & Harry Nilsson were too high or drunk. This was during the period John & Yoko were separated and he was with girlfriend May Pang. The songs came out on a bootleg called Toot & Snore In '74. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit whoās never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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This documentary puts ALOT to rest. One the whole Yoko thing is not even an issue, the band was breaking up and no matter who was there a lot they would be blamed. Also put to rest is that they hated each other and this was all about a break up . NO NO NO, the original film was shot edited and structured to focus on one moment, George and Paul fighting or debating. In all this other footage which there were hundreds of hours the Harrison walk out was it. We also are forgetting the age of these guys . When things started getting rocky with this band say the sgt pepper days or white album days, George was 23 going on 24. When the Beatles broke up John and Paul weren't even 30 yet. They had this huge career between 64-70 with tons of hits and mania and money and marriage and kids all while they were in their early 20's to late 20's, I think some people think "oh they were old and fighting etc..." no they were at that age when you want to branch out , George was at this age of 23 and 24 trying to grow and being in a group with Lennon and Mcartney I mean where you going to go. So this whole they hated each other is BS, they actually got along better than most bands do that actually stay together, but it had run its course, as George said before Abbey Road , "we'd done it all, it ran its course" "We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F | |
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I never heard about them recording in 74. That's interesting...esp with Stevie Wonder being involved.
Paul actually started the whole song feud thing with Too Many People on Ram (You took your lucky break and broke it in two...). Then John responded, of course being way more direct, on How Do You Sleep? which George contributed slide guitar on (Ringo wasn't involved on that song). Then Paul responded one more time with Silly Love Songs. But like all close friends they all got over it and moved on. Who knows what would've happened if John wasn't killed. | |
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I started to watch the first episode. First conclusion, Paul McCartney is a living legend! | |
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..and a driving force in the Beatles, what I have seen so far! Even more than Lennon. [Edited 11/30/21 9:30am] | |
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I love...love...love this Beatles documentary! It would be a shame if nothing similar will ever be released from Prince. Fingers crossed for the Netflix documentary. Because it is part of Music History and should be documented and available for future en current generations. I hope we will experience it! If done well it will support his legacy. | |
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George Harrison was not appreciated that much in this time. He wrote some really great Beatles songs, like Here Comes The Sun, Something and I Me Mine | |
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also Isn't it a pity and My sweet lord which are released on his solo album | |
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Nah, The Beatles have this unnmaed British thing where shame is not a wrong thing to show or being wrong is not a crime the way it would be in a Prince camp (imho). I hardly can imagine this happening for any Prince documentary really. Or.... they should handle it to Peter Jackson. Yes that's it ! Peter Jackson up for the Prince documentary. Well, I can dream, can i. "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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