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Black and White: how Dangerous kicked off Michael Jackson's race paradox As the King of Pop’s skin got lighter his music became more politicised, and 1991’s overlooked album encapsulated this radical moment in music Joseph Vogel Sat 17 Mar 2018 06.00 EDTLast modified on Sat 17 Mar 2018 12.07 EDT All the king’s men... Michael Jackson on the set of Black or White. Photograph: Sam Emerson/Polaris/Eyevine
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What 1991 overlooked album? 'Dangerous'? 7,000,000 copies in the US alone!? GIRL, BYE!!! | |
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Thanks, interesting article Keep Calm & Listen To Prince | |
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lool said: What 1991 overlooked album? 'Dangerous'? 7,000,000 copies in the US alone!? GIRL, BYE!!! It seems overlooked because of the success of Thriller and also because of Nirvana, 2Pac, and the whole grunge and gangsta rap scene which immediately followed its release. Michael Jackson was considered a pop artist trying to appeal to everybody while most of the grunge and gangsta rap artists clearly stated they were only appealing to a core group of fans, and those who didn't like them could f#%& off. Even Janet was considered to be more relevant during the 1990's than Michael was, even though Michael was still successful through the decade, as well as Prince and Madonna, though they had to share the spotlight with other artists. | |
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After reading the article I felt the author meant overlooked as in underappreciated - that Dangerous is a better album then it is given credit for. | |
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Mike put the pop crown on himself. That was his choosing. Whatever "street cred" or relevancy he lacked in the age of hip-hop and grunge was what it was. Less successful than 'Thriller'? OK. Less cultural impact than the 'Thriller' era? Fine. But to say 'Dangerous' was "overlooked"... He was still all over the radio and video channels and the public and media and press were just as unhealthily obsessed with everything he did (and didn't do) as they ever were. And again...7x platinum in the US alone. [Edited 3/19/18 11:21am] | |
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728huey said: lool said: What 1991 overlooked album? 'Dangerous'? 7,000,000 copies in the US alone!? GIRL, BYE!!! It seems overlooked because of the success of Thriller and also because of Nirvana, 2Pac, and the whole grunge and gangsta rap scene which immediately followed its release. Michael Jackson was considered a pop artist trying to appeal to everybody while most of the grunge and gangsta rap artists clearly stated they were only appealing to a core group of fans, and those who didn't like them could f#%& off. Even Janet was considered to be more relevant during the 1990's than Michael was, even though Michael was still successful through the decade, as well as Prince and Madonna, though they had to share the spotlight with other artists. It seems like the 90s were anti 80s and Prince, MJ and Madge suffered in the press but still did well worldwide | |
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He was massive in Canada during Dangerous, so all this talk is foreign to me when I look at feedback on forums about the US audience. | |
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"Some five years before Remember the Time's daring nugget of powerful representationalist activo-tainment had been crafted, Susanna Hoffs had made a similarly trenchant afrocentric statement when she enjoined the Western masses to 'Walk Like an Egyptian'. The neo-Garveyite lyric cleverly reverses the colonialist civilised-uncivilised paradigm, insisting that the Western pop listener rise to her feet in mimetic imitation of, and thus deference to, her Kemetic master. That Hoffs's group's name paid tribute to accessories enjoyed by the dusky ladies of the sub-Saharan regions made the statement all the more weighty, and came very close to getting Jesse Jackson elected in '88." [Edited 3/18/18 7:34am] "Not everything that is faced can be changed; but nothing can be changed until it is faced." - James Baldwin | |
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good article...i always thought this was Michael Jackson's greatest album, and Teddy Riley's greatest music outside of Guy's 2nd LP, "The Future"... | |
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Uh, Dangerous was not overlooked... "Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything." --Plato
https://youtu.be/CVwv9LZMah0 | |
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Damn, Mike just couldn’t win. He sold a gazillion copies of the Dangerous album and people call it an overlooked album? Da Hell? | |
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The article isn't talking about the commercial success but the racial politics of Dangerous which go underappreciated. It is important to note he proudly proclaimed his blackness in his interview with Oprah Winfrey and chose a producer in Teddy Riley, as opposed to white people in the same role. | |
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I always thought Dangerous took the sounds of Rhytmn Nation heavier(Teddy Riley tracks) while making the politics lighter. To All the Haters on the Internet
No more Candy 4 U | |
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Well Dangerous was over shadowed by the allegations of MJ canoodling with little boys. | |
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"Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything." --Plato
https://youtu.be/CVwv9LZMah0 | |
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thedoorkeeper said: Well Dangerous was over shadowed by the allegations of MJ canoodling with little boys. thats exactly what happened | |
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Thanks 2 this thread I've been listening 2 Dangerous anew. Mostly struck by the differences in the production styles. Love the Teddy Riley songs. Haven't really formed an opinion of the non-Teddy Riley songs except do not like Heal The World. I'm amazed how little I listened to it when it first came out. Only really listened to maybe 4 tracks off the CD & ignored the rest. I was missing out on some good shit. Its really nice rediscovering it. | |
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I don't think Dangerous was overlooked. It was a huge album at the time even in the midst of the allegations against him. I always thought Michael wanted to create his own Rhythm Nation with this album. | |
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Quite frankly, I heard the Dangerous album everywhere back then...and wasn't aware of any allegations. Not that I was really paying attention to news items back then. Too busy with real life... "Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything." --Plato
https://youtu.be/CVwv9LZMah0 | |
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For those who weren't alive or of age at the time or don't remember or just want to rewrite history, the album and first single were released in November 1991. After almost 2 years of heavy promotion which included 8 singles that all went Top Ten (if not #1) somewhere in the world, the abuse allegations were made public in August 1993. #notoverlooked | |
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A great album, to me better than Bad. | |
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Definitely! | |
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Dangerous, for me, comes in a close second behind OTW. It pretty much musically had that fresh vibe as like did the first time Quincy Jones and MJ first collaborated. | |
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Although it coud have been a much better album had it included Someone Put, Do You Know and Monkey Business. | |
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His greatest album
It's a flawless spin. I never skip a track on it. And I love the duality of the album. 1st side being NJS and the second side more classic MJ then bring it full circle with the the title track at the end.
Also it's probably his most diverse album with elements of NJW, Pop, Rock, RNB, HipHop, Gospel and Classical and still manages to sound cohesive. And it's also his greatest album artwork.
I can rave about this album forever. It's probably my favorite record by anyone | |
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I didn't like that much the article, it's good but there's not much about the album itself, more like the context surrounding it. | |
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