independent and unofficial
Prince fan community
Welcome! Sign up or enter username and password to remember me
Forum jump
Forums > Music: Non-Prince > Music+Tours+Film+TV+Tech+Watch Tonight?|TV/CD's|Fiona Apple|Trixie Whitley|3/28/2016 Pt. 12
« Previous topic  Next topic »
Page 6 of 7 <1234567>
  New topic   Printable     (Log in to 'subscribe' to this topic)
Reply #150 posted 03/11/16 4:30pm

Identity




Gwen Stefani Releases "Misery" Lyric Video with Hand-Drawn Images
03/2016


Just days before she’s set to drop This Is What the Truth Feels Like, her first solo album in ten years, Gwen Stefani has released another new song from the project.

The latest tune is called “Misery.” Gwen shared a lyric video for the catchy song, which features her own hand-drawn illustrations. "I got so used to being 'round you boy/I'm trying not to care, but where'd you go?/I'm doing my best to be sensible/I'm trying not to care," she sings. "You're like drugs, you're like drugs to me/I'm so into you totally." “Misery” is the third song Gwen has released from This Is What the Truth Feels Like. Her previous single, “Make Me Like You,” was believed to be inspired by her relationship with Blake Shelton.


This Is What the Truth Feels Like comes out March 18.

  - E-mail - orgNote - Report post to moderator
Reply #151 posted 03/12/16 6:07am

JoeBala

cool Lookout for this this artist!

Trixie Whitley Learns Some Musical Lessons

Trixie Whitley, daughter of the late blues guitarist Chris Whitley, talks about keeping her musical independence

Trixie Whitley
Trixie Whitley PHOTO: RENATA RAKSHA

When Trixie Whitley’s late father, the revered blues guitarist Chris Whitley, died a decade ago at age 45, the singer-songwriter was reluctant to pick up his instrument, not wanting to follow his footsteps. A few years later, Daniel Lanois, the famed producer who helped Mr. Whitley get signed, recruited her to sing for his group Black Dub. It was a big break, but one that left her with a record deal she regretted.

Now, on the eve of a North American tour, Ms. Whitley, 28, is releasing her second solo album, “Porta Bohemica,” on Feb. 5. (The name comes from a trans-European train.)

Her music is an eclectic mix of blues, pop, and R&B. She has a powerful voice, but also prides herself on playing drums and piano as well as guitar.

Music executives “would literally say, ‘We want to turn you into the next Amy Winehouse, or we want to turn you into the next Adele’,” Ms. Whitley says. Many wanted her to drop her instruments, saying they interfered with doing R&B ballads. “I’ve had to continuously stand my ground,” she says. “It’s definitely made the process a little slower.”

The Belgian-born singer’s growing popularity is driven by her live performances. While some of her catchiest songs, including “Pieces,”move languidly, Ms. Whitley’s shows crackle with nervous energy. At a gig in November at Le Poisson Rouge in New York, her band—playing together for the first time—delivered loud, guitar-driven numbers along with hushed moments that highlighted her crooning.

Being a musical nomad comes naturally for Ms. Whitley. Her Texas-bred father moved around when young, as did her Belgian mother. Ms. Whitley moved back and forth between New York and Belgium when growing up.

When she was young, her father briefly met with commercial success with 1991’s “Living With The Law,” and the single “Big Sky Country,” but his popularity continues as fans today see him as an unappreciated talent.

At age 10, Ms. Whitley, then in Belgium, started playing drums. In her teens she performed around Europe in avant-garde dance and theater productions, before dropping out of school and leaving for the U.S. at 17 and writing songs.

In New York she met with major record labels such as Def Jam and Interscope and entertained offers, but she was hesitant. At the late age of 20, she started playing guitar. Then she connected with Mr. Lanois, who is known for his atmospheric production work with acts such as U2 and Emmylou Harris and his own solo albums, which often use moody synthesized sounds. At a music festival where he and Ms. Whitley’s drumming hero, Brian Blade, were performing, she and her mother passed her first EP to Mr. Lanois through a security guard.

‘I’d Rather Go Blind’ performed by Trixie Whitley with Brian Blade and Daniel Lanois

The producer called Ms. Whitley, then working in a New York restaurant, and invited her to front his new band, Black Dub. A label, Jive Records, signed Black Dub on the condition that Ms. Whitley also sign a separate solo deal. But after the band released an album in 2010, Ms. Whitley’s album was shelved amid a shuffle between labels. She got out of the deal in late 2012.

The next year, Ms. Whitley went to an independent label for her solo debut LP, “Fourth Corner.” She has striven to avoid being pigeonholed by labels ever since.

In April, she plays her first arena show, in Antwerp, Belgium. “I’m starting to see the fruits of my own labors,” she said.

Trixie Whitley

PORTA BOHEMICA

Words like “mystery,” “silence,” “tainted” and “darkness” recur through Trixie Whitley’s second album, “Porta Bohemica” (Strong Blood Music/Unday), in songs about love striving to overcome deep, unhealed wounds. The melancholy haze in Ms. Whitley’s voice and the cutting tone of her electric guitar reflect the blues of her father, Chris Whitley (who died in 2005), but Ms. Whitley carries that haunted spirit into the torchy, obsessive realm of songwriters like Fiona Apple and Cat Power. Ms. Whitley can lash out, as she does in “Hourglass”: “You told your story and you played along/Now you’re hiding from the damage that’s been done.” But most of the songs on “Porta Bohemica” are slow, sparse and enigmatic. “The Visitor,” which ends the album, is a glacial dirge, just Ms. Whitley and a few piano chords, that concludes, “I just want to be with those who know secrets, or else alone.”

-

By Andy Daglas

What to watch on Saturday, March 12...


MOVIE PREMIERE, 9pm, HBO
Lady Day at Emerson’s Bar and Grill
Audra McDonald reprises the role that secured her sixth Tony Award in this adaptation of the 2014 Broadway hit about Billie Holiday. Centered on a 1959 performance in Philadelphia shortly before her death, the show explores key moments the life of the music icon. Songs include “God Bless the Child,” “Strange Fruit,” “T’aint Nobody’s Business If I Do,” and “What a Little Moonlight Can Do.”


9pm, Starz
Black Sails
A prisoner transfer proves dangerous for Rogers, while the Walrus sees a spot of violence itself. Meanwhile, Silver and Madi are put to the test, and Billy harbors ambitions for himself in the battle ahead.


SERIES PREMIERE, 9:30pm, Nickelodeon
School of Rock
Hard-luck rocker Dewey finagles his way into a substitute teaching gig at a tony prep academy in this musical comedy based on the eponymous 2003 movie. “Come Together” kicks off the set with Dewey inspiring his new students to form a secret rock ‘n’ roll band.


10pm, Esquire
Beowulf
Wedding bells are ringing for Slean and Keta, but will the emergence of shocking secrets spur them to call the whole thing off? Abrecan faces a tough choice of his own: whether to accept his sister’s rule, or to take up arms and by opposing end it.


SERIES PREMIERE, 11pm, Fox
Party Over Here
Nicole Byer, Jessica McKenna, and Alison Rich lead the cast of this sketch comedy series, executive produced by the Lonely Island and Paul Scheer.


11:30pm, NBC
Saturday Night Live
Ariana Grande performs double duty as host and musical guest. Will the writers be able to resist a “backstage” sketch in which she licks the donuts at the craft services table?

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #152 posted 03/12/16 7:37am

JoeBala

Mental a New Web Series Needs a Kickstart!

Mental is the brainchild of Shirin (Najafi) and Julie (Lake) – from Orange is the New Black – who have been best friends since they meet their freshman year in high school. Mental tells the story of two neurotic best friends who struggle to navigate life’s challenges while battling anxiety and depression. They have already filmed the first episode which is available on their Kickstarter page.

The episode deals with the two friends trying to negotiate a détente while sharing a hotel room. I laughed my ass off. Both Shirin and Julie do a great job of portraying people who are held captive by their own minds while at the same time, showing us the humor that can be found in everyday life when we choose to look for it. Even when we feel paralyzed by our own anxieties and depression.

While some people might find it insensitive for anyone to write, direct and act in a comedy that revolves around mental illness, I think it’s refreshing to see two women dealing with and talking about something other than problems with men. In addition, by making anxiety and depression funny the show can actually empower people to want to talk about their own struggles, help them see that they are not alone and that their mental struggles are no longer a taboo topic.

Shirin and Julie hope to film a total of six episodes which will each run 5 to 12 minutes long. Their Kickstarter page gives a brief synopsis of the next three episodes and the situations described should prove to be very entertaining. As with all crowdfunding efforts, there are a variety of perks offered for various levels of support and every dollar helps. They have reached at total of $5,166 out of the $11000 that they are hoping to raise.

Shirin and Julie celebrating Shirin's birthday at the Beverly Hills Hotel in 2011. Not pictured: Shirin's sister's boyfriend who was also present and paid for their drinks, since they had roughly zero dollars in their bank accounts at the time.

Take a few minutes out of your day today and check out their first episode “Palm Springs”. I guarantee it will make your day a little brighter and help it pass a little faster. If you like what you see go ahead and donate at least the amount you’d spend on coffee every day and help these talented women get their project funded.

You can find Shirin and Julie on social media at:

Twitter

Shirin , Julie

Facebook

Shirin , Julie

Sarah Wayne Callies Returns to “Prison Break”

Sarah Wayne Callies (“Colony,” “The Walking Dead”) will reprise her role as Dr. Sara Tancredi in the all-new event series “Prison Break”, which is set to premiere during the 2016-2017 season on FOX.

prison-break-Sarah-Wayne-Callies

Callies joins series stars Wentworth Miller and Dominic Purcell, who reprise their roles as brothers Michael Scofield and Lincoln Burrows, respectively. In the drama’s new chapter, which picks up after Michael’s apparent death, Sara has moved on with her life, raising her and Michael’s child with her new husband (previously announced guest star Mark Feuerstein, “Royal Pains”). When clues surface that suggest Michael may be alive, Sara teams with Lincoln to engineer the series’ biggest escape ever. Additional casting to be announced.

150806-news-prison-break

An immediate critical and ratings hit when the original series premiered in the fall of 2005, the new event series will hit the ground running, reuniting the original producing team, including series creator Paul T. Scheuring (“Klondike”), Neal Moritz (“The Fast and the Furious” franchise), Marty Adelstein (“Aquarius,” “Last Man Standing”) and Dawn Olmstead (“The Whispers,” “Girlfriends’ Guide to Divorce”), who return to executive-produce the new series, with Scheuring serving as showrunner/writer.

The original action drama “Prison Break” centered on a young man (Miller) determined to prove his convicted brother’s (Purcell) innocence and save him from death row by hatching an elaborate plan to escape from prison. A breakout success in its premiere season, garnering Golden Globe Award nominations for Best Television Series – Drama and Best Performance by an Actor in a Television Series – Drama (Miller), as well as winning the People’s Choice Award for Favorite New TV Drama, “Prison Break” thrilled audiences for four heart-pounding seasons, ending its run in May 2009.

The CW Renewals: 11 Series Are Set to Return

ARROW DC'S LEGENDS OF TOMORROW IZOMBIE THE FLASH TV NEWS TV PREMIERE DATES

BY

ON MARCH 11, 2016

Here's the full list of The CW renewals.

Did you favorite series make The CW renewals list? Find out below!

The CW has given early renewals to 11 of its primetime series for the 2016-2017 season! The CW renewals list includes the shows Arrow, Crazy Ex-Girlfriend, DC’s Legends of Tomorrow, The Flash, iZombie, Jane The Virgin, The Originals, Reign, Supernatural, The Vampire Diaries andThe 100.

“The CW has become home to some of the most critically-acclaimed shows on broadcast television,” says The CW’s President, Mark Pedowitz, “with a wide array of fantastic scripted series across the week, ranging from musical comedy, to superhero action, to gritty sci-fi dramas. As we continue to further our strategy of more year-round original programming, picking up these 11 series for the 2016-2017 season puts us in a great position of having proven, high-quality shows to launch in the fall as well as midseason and summer of 2017.”

These CW renewals mean that the network’s small screen DC Comics universe will continue to expand. Arrow moves into its fifth season, The Flash into its third and DC’s Legends of Tomorrow into its second. iZOMBIE, based on the comic book series released under DC’s Vertigo imprint, will meanwhile be gearing up for its third season.

The other CW renewals give the musical comedy Crazy Ex-Girlfriend a second season and the soap opera satire Jane the Virgin a third. The Vampire Diaries, then, moves into its eighth season with its spinoff series, The Originals, prepping for its fourth. Reign, the network’s 16th century fantasy romance, will also head into a fourth season as will the science fiction drama The 100. Supernatural, finally, closes out the list of CW renewals as the long-running series looks forward to season 12.

Specific premiere dates for each of the 11 series will be announced at a later time, so check back for updates as they become available.


Barbershop: The Next Cut Posters Released

BARBERSHOP: THE NEXT CUT MOVIE NEWS

BY

ON MARCH 12, 2016

Barbershop: The Next Cut

8 Barbershop: The Next Cut posters released

New Line Cinema and MGM have released eight new Barbershop: The Next Cut posters that you can view in the gallery below! Ice Cube and Cedric the Entertainer lead a cast that also includes Regina Hall, Common, Sean Patrick Thomas, Eve, Anthony Anderson, Jaszmine Lewis, JB Smoove and Nicki Minaj.

Barbershop: The Next Cut

It’s been more than 10 years since our last appointment at Calvin’s Barbershop. Calvin (Ice Cube) and his longtime crew, including Eddie (Cedric the Entertainer), are still there, but the shop has undergone some major changes. Most noticeably, our once male-dominated sanctuary is now co-ed. The ladies bring their own flavor, drama and gossip to the shop challenging the fellas at every turn. Despite the good times and camaraderie within the shop, the surrounding community has taken a turn for the worse, forcing Calvin and our crew to come together to not only save the shop, but their neighborhood.

Barbershop: The Next Cut

Ride Along helmer Tim Story directed the original 2002 comedy with Cube starring as Calvin Palmer, Jr., a man who inherited a South Side Chicago barbershop from his father. He spends his normal days working in the s hop, interacting with co-workers and the surrounding community.

Barbershop: The Next Cut

Cube and Cedric the Entertainer starred in both the original film and the 2004 sequel,Barbershop 2: Back in Business, directed by Kevin Rodney Sullivan. That film also featured a “guest appearance” by Queen Latifah, who then headlined the Barbershop franchise spinoff,Beauty Shop, in 2005.

Barbershop: The Next Cut

Cube is producing Barbershop: The Next Cut alongside Matt Alvarez, Bob Teitel and George Tillman Jr.


Barbershop: The Next Cut

Thora Birch Discusses “Colony,” Her Character Morgan and Her Love for Intellectual Sci-Fi in New Interview

Photo Credit: Isabella Vosmikova/USA NetworkPhoto Credit: Isabella Vosmikova/USA Network

Over the course of her career, actress Thora Birch has had the opportunity to work with some of the industry’s greatest talents, including Kevin Spacey, Annette Bening, Harrison Ford, Harvey Keitel and Jeremy Irons. However, her first claim to fame was as the chubby-cheeked child in the Quaker Oats commercials, starring alongside the company’s spokesman Wilford Brimley. From there, she was cast as a regular on the shows Day by Day and Parenthood and began to land roles in a multitude of movies, including Hocus Pocus, Monkey Trouble, Clear and Present Danger, Now and Then and Alaska. In 1999, she scored her most notable part to date: that of Jane Burnham in American Beauty.


Afterwards, she continued to accumulate film credits, playing memorable characters in Smokers, Dungeons & Dragons, The Hole, Ghost World, Silver City, Slingshot, Dark Corners, Winter of Frozen Dreams, Deadline, and Petunia. In addition, she did guest spots on the shows Night Visions and My Life as a Teenage Robot. Now, she is starring in the new sci-fi series Colony as software engineer Morgan, who makes her debut in the episode airing tonight. Talk Nerdy With Us recently had the opportunity to participate in a conference call in which Birch chatted about her new role on Colony, her upcoming filmThe Etruscan Smile and what she’d do in the event of an actual occupation. Check it out below!

You’ve done a lot of movies over the years but you haven’t done much TV. What was it about “Colony” that made you take the leap into something that might have more of a commitment? And, did you have any reservations in doing it?

Well, I think when somebody is considering TV they always have a few reservations because, number one, time commitment is always an issue. But, at the same time, the premise of “Colony” was so interesting to me because it’s right in—it walks that very fine line of being completely sci-fi, but at the heart of it, it is a family drama. And so marrying the two worlds of the interpersonal relationship with the big, high concept was something that I was really interested in.


You play Morgan, a laidback software engineer with a conscience. How did you prepare for this role?

So, I don’t have a lot of experience in the whole tech world, but I responded to my character’s determination to have an impact and to make her presence known in one way or another. And so she’s got—she’s kind of the complete package. She’s got the know-how and she’s got the balls to pull off some amazing stuff.

You said that your character is a software engineer. Besides that, what more can you tease about your character and how she’s going to fit in into the overall show, starting in Thursday’s episode?

Okay, so I’m not 100% completely clued in as far as my character’s trajectory, either. But she is working on the Resistance side of things. She is not a Collaborator. She’s definitely a Resister. And her journey is only just starting. Like these two episodes that you’re going to see this coming week and next week, it’s only the beginning.

Okay, so it’s more than just a recurring role? Should we possibly expect to see the character more in…

No, it is recurring. I have no idea how it’s all going to wind up. But it is a recurring role. But she’s playing a part in a major operation that kind of wraps up the season really nicely and kind of leaves the audience, you know, really wanting more.


What is it like for you as an actress coming into a show towards the end of its season?

There’re two major benefits. One is everyone, by the time I got on set, everyone had a really good feel for what they were doing and where they were going.

The other thing is, as I come in at a story point which is, it’s the tail end of one era in the show and it’s the beginning of another. So I really get to come in during that transitionary section where things are really shifting and really changing. And I don’t know that much about where my character is going, but I can’t wait to find out.

What do you find similar to your character Morgan, and what do you feel are you different from your character?

So Morgan is a little bit more Type A. She is—you know, she’s got this whole knowledge in a world that I personally don’t share. I don’t share her set of skills. But, she does have a determination. And she’s very passionate, which is something that I can completely relate to.

With Quayle dead, this is a different cell. What do you believe they can accomplish?

I think they’re kind of limitless. They—it’s a trifecta of skillsets. So you’ve got me as a software engineer. You have an Avionics guy, and you have even more of a tech person. So we really are a unit. Without going into what happens too much, I’ll just say that probably our characters could not exist outside of each other. Like the three of our characters and ourselves is pretty – like we rely on each other big time.

Colony

Okay, in a real world invasion by aliens or otherwise, do you think that you would be on the invader’s side or the Resistance side, and why?

I’m going to have to go with Resistance on this because it’s just a personal thing. But seriously, nobody invades my country or my city. Like that just doesn’t happen on my watch without me doing something about it. Like that’s just kind of how I am.

Would you ever be a double agent?

Oh, hell yes. In a heartbeat.

What did you enjoy the most working with the cast? And do you have any behind-the-scenes funny moments that you can share?

Yes. So I kind of love this whole thing that’s very new to me and which is, just being thrown in the middle of something, not really having a great sense of where I’m going with the character.

Usually, I’m pretty well-informed. I know where I’m going and what I’m doing and how it’s all going to wind up. This time, I don’t have that. I really don’t know what’s going to happen with Morgan.

And also, on the first day, my first day was the worse first day ever. They literally just throw me—threw me in like a pile of gravel. I was rolling around in rocks and like running. Like I haven’t run in forever. So I get on set and they’re like “Great, here’s your kneepads.” And I’m like, “Okay sounds good.”


Would you say that you’re a sci-fi fan? And if you are, what shows, movies, or books bring out the nerd in you?

Okay, so I’m a little bit more of an intellectual kind of science fiction fan. My favorite story ever—my favorite short story is “Harrison Bergeron.” So that’s kind of where I live, just emotionally. But getting to work on something like this is so much fun because, like I said, it’s completely unpredictable. You never know what’s going to be hitting you.

Definitely. That’s a great choice too. I love that short story.

Yes, it’s great. It’s phenomenal.

You have done a lot of work in movies, TV, and some plays and some in theater. What would you say is different and similar about working in the three different media forms?

I mean, every single medium is completely different. So television has its own world. Movies have their own life, and then something like this, the theater where you’re blessed to be rehearsing, mainly the bulk of your work is rehearsing. But on something like “Colony,” it’s really fun because I have no expectations. I have to come in with no game plan. I don’t know where I’m going. The character is built behind me and I have to constantly play catchup. So that’s one thing that’s really fun about working on Colony. Like you just don’t know where you’re going.

Do you have a preference on any medium?

It’s all an exercise. So for me, it’s about variety more than anything. Like kind of changing it up is the best part. I’m really lucky to be able to do that creatively.


What have you kind of taken away from your experiences being a part of this project, and what has this project meant to you?

So my character is completely—she’s immersed in a collaborative process. She does not exist on her own. She really, heavily relies on the other characters to be there. And for me, working on the show has actually been quite the same. You know I come in, I don’t really know where I’m going or what the next day is going to look like. But you have the support team of Carlton and Ryan and Sarah and Cory, and just these amazing people who, even on your first day they kind of make you feel really welcome. And so that sense of community has been really nice. You don’t always develop that on a project. And on this one, I did.

And I know that you’re a part of social media. Are you looking forward to the instant fan feedback and connection through that as well, for the episode?

I kind of avoid it. I kind of avoided the whole social media aspect for many, many years. I kind of enjoyed not being a Twitter member. And it was explained to me that that outlook just really needs to end. That you can engage with your fans more directly and it’s actually a really fulfilling thing. So I’m enjoying being new to that whole world. I’m kind of just getting started and I’m loving it.

Do you have any theories on what’s going on in the show?

Oh, my theories would be so dangerous. Like if I actually—if I actually shared every thought that I have about where this could be going, I’d probably get sued. Like it would be legal action taken against me. I know one thing. Whatever I think – whatever I think right now, it’s not going to be that. Whatever I think, it’s going to be something completely different. So I could tell you my theories, but they’re all going to be wrong.


The switch to film – to TV, we’re seeing a lot more actors and actresses make that move. Is that something that, now that you’ve kind of broken through and done it, that you’re looking forward to doing again? And can you tell us a little bit about what else you’ve got going on in the near future?

So I’m in San Francisco right now. I’m on production on a film called “The Etruscan Smile” with Brian Cox, Street Williams, Peter Coyote, and J.G. Field and me. So—and that’s a lovely little—it’s based on the book by Juan Luis San Pedro. It’s a Spanish novel and it’s really fun. It’s a small little ending but it’s got a story with a great heart. And what’s nice is being able to go back and forth between a small, intimate little story like this, and something much more high-concept, which is “Colony.” And, I love being a part of it because I don’t exactly know where I’m going. They’re literally just like, show up here, say these lines today and tomorrow. Something could be completely different.

Given your busy schedule, are you able to watch Colony from the beginning as a fan, or is it kind of, I’ve done that and now I’m moving on to something else?

Me and my boyfriend, we make a point to watch “Colony” every Thursday. Like that’s our thing, like no matter what we’re doing or where we’re going, we always find time to just catch the new episode. It’s nice because I actually had advanced copies of the script, but I didn’t read them. Like I’m only just watching as a fan. So, I’m right ahead with you guys.

Can you say how it was that you came to get this role in the first place? And also, what is it that you would say makes Colony unique?

So the script just appeared in my inbox one day. It was “Hey, take a look at this part. Take a look at the show.” And I saw that Carlton and Ryan were involved and I was like completely, immediately interested. And getting into the script, it’s one of those things where it seems really simple. It seems really simple when you first look at it. Like oh, it’s an invasion. Los Angeles is completely blocked off. But the further you get into it, the more elaborate it gets. But at the end of the day it’s still a family drama, and I love that. I love that it’s still about an emotional, real house of people. So it has this huge, high concept but it’s still all about people.

How do you compare Colony to other occupation narratives such as World War II narratives or other types of like alien invasions like “District 9” or something like that?

Okay, so “District 9” was a video game before it was a movie, correct? That was – it was a completely different…I mean, it was high concept in a different way. You literally have people turning into cockroaches you know, right in front of your very eyes. This story is so much more focused on how these events impact the individual? How does this colonized nearly post-apocalyptic scenario play out in your everyday life? And that’s what this show focuses on, which I think is a refreshing take on it. I mean, we always see World War II stories that are all about the war. They’re about the war and nothing else. This is about “How does somebody wake up in the morning, comfort their children, send them off to school, and then go carry out their like everyday lives? How does that happen in an occupied world?” It’s kind of fascinating.

Do you have a favorite type of alien?

The ones that you never see are completely fine with me (laughs). Like I have a theory that aliens completely exist, but they’re so busy they just don’t care about us and, I like it that way. They can stay out of my life. I’ll stay out of theirs. It’s all good.

Besides your character, who is your favorite character on Colony and why?

For me, it’s really all about Katie. I mean she is just—she’s not only completely following her gut as far as just being the mom, the matriarch. Like she’s totally in control of the entire situation. You are not messing with her, ever. And I love that strength. That feminine power that she has. I mean she manages to be vulnerable and powerful all in one second and I love that in a female character. But also she actually embodies that in real life.

Yes, and I think she does too. I mean all of her roles, I think she plays—she manages to portray…

She’s one strong cookie. She is a tough woman. I love her.

New episodes of Colony air on Thursdays at 10:00 pm ET/PT on USA.

Marvel’s Luke Cage Premiere Set for September on Netflix!

LUKE CAGE NETFLIX NETFLIX ORIGINAL SERIES STREAMING TV NEWS TV PREMIERE DATES

BY

ON MARCH 11, 2016

Marvel's Luke Cage Premiere Set for September on Netflix!

Marvel’s Luke Cage premiere set for this September!

Netflix and Marvel Entertainment have officially announced that everyone’s favorite hero for hire will be making his way to Netflix later this year as Marvel’s Luke Cage will premiere September 30 on the streaming service!

After a sabotaged experiment leaves him with super strength and unbreakable skin, Luke Cage becomes a fugitive trying to rebuild his life in modern day Harlem, New York City. But he is soon pulled out of the shadows and must fight a battle for the heart of his city–forcing him to confront a past he had tried to bury.

Mike Colter leads a cast that also includes Simone Missick as Misty Knight, Frank Whaley as Rafael Scarfe, Mahershala Ali as Cottonmouth, Theo Rossi as Shades, Alfre Woodard as Mariah Dillard, and the return of Rosario Dawson as Claire Temple.

Cheo Hodari Coker (Notorious, “NCIS: Los Angeles”) will serve as executive producer and showrunner of the anticipated series, Marvel’s Luke Cage. Coker is writing the first two episodes of the series that will premiere everywhere that Netflix is available.

Created by Archie Goodwin and John Romita, Sr., Luke Cage is one of the most popular street level heroes in the Marvel Universe who possesses superhuman strength and impenetrable skin. He’s also a friend and frequent business partner with Danny Rand aka Iron Fist, who will also be getting his own series on Netflix starring Finn Jones as the title hero.

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #153 posted 03/12/16 9:06am

JoeBala

Today, March 12, 2016

Diane Birch: Kings of Queens

See another side of the Portland-based chanteuse

Supposedly discovered by Prince while she was playing piano at the Beverley Hills Hotel, Diane Birch has since won fans the world over with her quietly defiant soul-infused pop. For the first release from Birch's third album, Nous, director Meshakai Wolf captured a surreal portrait of the American singer-songwriter. “The song, to me, is about unrequited devotion, a causal relationship between hope and memory,” explains the New York-based director. “The video shows the king and the queen as overlapping sensibilities of sternness and sensuality.”

Video Link: https://www.nowness.com/s...-of-queens

NBC Orders Live Variety Series Starring Maya Rudolph and Martin Short

Rob MoynihanMarch 11, 2016 3:19 pm
The Maya Rudolph Show, aya Rudolph, Sean Hayes, Fred Armisen, Andy Samberg

NBC/GettyImages

Maya Rudolph and Martin Short will be live from New York this summer.

NBC has announced a series order for Maya and Marty in Manhattan, an hour-long live variety series that stars the two Saturday Night Live alums and is executive produced by SNL creator Lorne Michaels. Current SNL cast member Kenan Thompson will also star in the series, slated to premiere on Tuesday, May 31 at 10/9c on NBC.

"With their cumulative expertise and experience in live comedy, we couldn’t ask for a better trio to deliver what we know will be a fantastic show," said Paul Telegdy, President, Alternative and Late Night Programming, NBC Entertainment. "Their respective accomplishments on Saturday Night Live and beyond are extraordinary."

The weekly live series will feature spoofs of current events and celebrities, as well as musical performances. Rudolph already had some variety show experience under her belt, having curated the NBC special The Maya Rudolph Show in 2014.

Rudolph and Short, who will also produce, are joined by Matt Roberts, Erin David, Dave Becky, Marc Gurvitz, Sandy Wernick and John Lieberman as producers.

What Goes Into Blindspot's Tattoos? Find Out the Crazy Long Process

Gregory E. MillerMarch 7, 2016 11:30 am
Blindspot, jaimie alexander, upfront

Giovanni Rufino/NBC

Stephanie Pasicov, blindspot, what i do

As makeup artist on NBC’s Blindspot, Stephanie Pasicov (right) has one of the show’s most crucial jobs. She draws and/or applies the full-body tattoos—each teasing a yet-to-be-committed crime—that cover Jane Doe’s (Jaimie Alexander) body. Pasicov explains her process.

How are the tattoos applied?
We have a number of methods. For the most part, it’s a transfer, sort of a backward sticker. It has adhesive on it, and you apply it with water. We also have been working with a fruit-based ink from Peruvian jungles—those are hand-drawn on and 100 percent natural. We use that for the bird on her neck.

Is applying them like a puzzle?
The show’s creator [Martin Gero] worked with a puzzle maker to design each tattoo. They cast Jaimie’s body and designed the tattoos to fit exactly. So as we’re applying them, everything has to line up perfectly. If one of them is off, it doesn’t work.

How long does it take to do the full body?
Now we have it down to a science. We can get it in, like, four hours. I also do Jaimie’s regular beauty makeup.

How do you remove the tattoos and protect her skin?
One of the ingredients in the remover is alcohol. It helps to break down adhesive, [but] over time, skin can get really dry. We use things that are going to protect and keep her skin supple, like plant-based oils. We treat her skin as we would treat a burn victim, with moisturizer.

What is your background?
I didn’t go to makeup school or beauty school. My father is a big film collector, so I’ve been surrounded by the different genres of film. I knew very early on that I wanted to go into special-effects makeup. I called or emailed everybody who was doing what I wanted to do and asked them if they needed an apprentice. I identified people who I would see as a mentor. I’ve worked on shows like Game of Thrones and, recently, The Knick. It was an old-fashioned way of [getting into the business].

Blindspot, Mondays, 10/9c, NBC

Rearranging the Alphabet: Why ABC Made a Big Change, and Which of Your Favorite Shows Are in Danger

Michael SchneiderMarch 10, 2016 2:00 pm
CHIP, GLORIA ESTEFAN THE PENGUIN, LIPS, MISS PIGGY, KERMIT THE FROG, ANIMAL, SCOOTER, FOZZIE BEAR, LEW ZEALAND, upfront, the muppets, upfront

ABC

The broadcast networks' cable envy may be over.

At the start of the decade, a new wave of network presidents stormed the executive ranks with plans to save primetime via bold, buzzy cable-like programming.

NBC tried it with shows like Smash and Hannibal; CBS added limited-run summer series Under the Dome and Extant; and ABC launched edgy, serialized dramas, like Scandal, American Crimeand Quantico.

Most of NBC's big swings didn't pan out (it was able to rely on NFL Sunday Night Football to mask some of those disappointments), and starting in 2012, the network began shifting to more mainstream fare with procedural drama Chicago Fire (which begat Chicago P.D. and Chicago Med)and The Blacklist, an action-adventure with weekly self-contained stories.

The success of those shows helped convince NBC to stop chasing cable and start appealing to the traditional (and yes, slightly older) primetime crowd. NBC now looks a bit more like CBS, which never forgot that a broadcast network must rely on populist shows like NCIS to keep the ratings strong.

It's not that easy at ABC. The Alphabet network is the only major broadcaster without NFL games to help boost ratings.

In good times, ABC could tout the fact that its viewership is pure, without the added support of pro football, and that its success extends far beyond ratings, reaching the pop-culture audience. (Hey, it works for cable and streaming TV: Orange Is the New Black is considered a hit based on buzz alone, since no one’s seen actual ratings on Netflix shows.)

And ABC had the most success reinventing itself as the home of shows that took giant leaps. That’s due particularly to uber-producer Shonda Rhimes, whose “TGIT” triumvirate (Grey’s Anatomy, Scandal, How to Get Away with Murder) helped define ABC as the home to serialized dramas that attracted the same cult-like devotion as some shows on cable and streaming media receive. Critics also applauded ABC’s Rhimes-inspired move to develop even heavier dramatic fare like John Ridley’s American Crime, which would have been considered a hit on cable.

On the comedy side, ABC has the most-defined brand of any network, succeeding by duplicating the success of unconventional family comedy Modern Family with shows like The Middle, The Goldbergs and black-ish, which just earned raves for an episode that touched on police brutality.

But in down times, the collapse stings. And this year was down. Way down. ABC has lost the most audience of any broadcast network this season, averaging 6.6 million viewers—down from 7.9 million last year. The network has also dropped to fourth place (behind CBS, NBC and Fox) in the advertiser-coveted key adults 18-49 and 25-54 demos.

“Who doesn’t have failures?” asks one ABC insider. But by January, ABC’s ratings further dipped as its hit shows went on hiatus, and critically-acclaimed but low-rated replacement series likeAmerican Crime and Agent Carter failed to deliver. “The narrative got away,” that insider says.

Behind the scenes, ABC Entertainment Group president Paul Lee–the architect of the network’s strategy to program upscale, prestige shows that generate heavy word of mouth–was waging a battle with his new boss, Disney-ABC Television Group president Ben Sherwood, about the direction of the network.

Sherwood, who is a novelist in his spare time, wanted more plot-driven (rather than serialized or character-driven) mass-appeal shows, while Lee believed in his vision of carving out unique intellectual properties for ABC in a world where ratings matter less.

CHANNING DUNGEY, upfront, abc

ABC

Dungey

That difference of opinion, ABC’s ratings drops, and a personality clash between the two (Lee bristled at Sherwood’s meddling) eventually led to Lee’s exit in February. Lee was replaced by the n...ing Dungey, who is now the first African American executive to lead a major broadcast network as entertainment president.

“She has an excellent story sense,” says Betsy Beers, who runs Rhimes’ Shondaland production company. “She speaks her mind, she’s honest and she’s straightforward. She wants the best work with the least drama.”

Dungey will now be in a position to speak her mind quite a bit in the coming months, as she and Sherwood map out ABC’s programming direction. ABC’s future will become more clear this May, when the networks announce their fall lineups. But if some of the speculation is true, that schedule might look a bit more mainstream than in recent years. Says one studio exec: “Broadcast networks will have to act more like broadcast networks to survive.”

In the meantime, here’s what to look out for at ABC:

BELLAMY YOUNG, KERRY WASHINGTON, scandal upfront

ABC

Scandal

Thank God for TGIT

Dungey is one of Rhimes’ biggest champions, and Shondaland has a deal with ABC Studios through 2018—so the "Thank God It's Thursday" triumvirate of Grey's Anatomy, Scandal and How to Get Away with Murder is a sure bet (and have all been renewed for next year), despite some ratings declines this year. The Catch, a new Rhimes-produced drama, premieres March 24, but ABC can only count on so many of her products. “They haven’t been able to clone her," jokes a rival network executive.

Shondaland pilots on tap for next season at ABC include Still Star-Crossed (a sequel of sorts toRomeo & Juliet) and Toast, a comedy from Greg Grunberg and Scott Foley.

nashville, hayden panettiere, abc, upfront

ABC

Nashville

Serialized Shows Like Nashville and American Crime Are in Trouble

Buzz and prestige are great–as long as the viewers show up. Nashville stuck around because of ABC’s interest in country music (it airs the CMA Awards) and the fact that the network had other timeslots to worry about. But this year, Nashville was likely on the chopping block, regardless of the executive shuffle. Meanwhile, shows like Agent Carter and American Crime are experiencing great reviews but terrible ratings in their sophomore seasons (leading many to criticize ABC for renewing one too many shows), and it’s unlikely Sherwood will have patience for either. As forCastle, it’s ABC’s one procedural—but ratings are down, and neither star has yet to s...her season.

Besides the TGIT shows, ABC has also already renewed dramas Marvel’s Agents of S.H.I.E.L.D., Once Upon a Time and Quantico.

Muppets Woes

ABC was stuck with a damned-if-they-do/damned-if-they-don’t choice this past fall, when it decided to schedule The Muppets without much prep time for the show’s producers. To be fair, ABC didn’t want to sit on a show that could potentially help its fall ratings; but by rushing it on the air too soon, The Muppets wound up feeling uneven to viewers, who sampled the show and then disappeared. ABC retooled The Muppets with a new showrunner, who gave it a lighter tone.

But audiences so far haven’t checked out the version. The Muppets, like ABC, are owned by Disney and remain an important franchise for the company. But The Muppets don’t quite fit into ABC’s family comedy milieu of Modern Family, Fresh Off the Boat, The Goldbergs, black-ish and The Middle (all of which have been renewed), making a return questionable. (Galavant is also on the bubble.)

20/20, ABC, DAVID MUIR, ELIZABETH VARGAS

ABC

20/20

Good News for News

Sherwood ran ABC News before taking on oversight of the entire network, and insiders say he’s keen on giving the division–which continues to narrowly win the morning news race in total viewers with Good Morning America–more exposure in primetime. That could mean more hours for longtime newsmagazine 20/20, as well as reality series produced by ABC News, includingWhat Would You Do?

the don't miss list, MARK CUBAN, DAYMOND JOHN, KEVIN O'LEARY, BARBARA CORCORAN, CHRIS SACCA, shark tank

ABC

Shark Tank

Reality Is Back

Staples Shark Tank, The Bachelor and Dancing with the Stars should remain an important part of the schedule, and Steve Harvey’s Celebrity Family Feud has given ABC a strong summer show to further expand its unscripted plate. Up next: $100,000 Pyramid, hosted by Michael Strahan, and To Tell the Truth, with Anthony Anderson. Sherwood’s ideal well-rounded ABC schedule would likely include more unscripted series. Game on!

'It was shocking... especially for my mom!' Lupita Nyong'o reveals she shaved her hair off 'on a whim' as she covers InStyle

It was a bold move - especially for a working actress.

But Lupita Nyong'o has revealed that her decision to shave off her hair was taken 'on a whim'.

And the Star Wars: The Force Awakens actress admitted in the April issue of InStyle magazine that she wasn't sure she could pull it off at first.

'It was shocking... especially for my mom!' Lupita Nyong'o reveals she shaved her hair off 'on a whim' as she covers InStyle

'It was shocking... especially for my mom!' Lupita Nyong'o reveals she shaved her hair off 'on a whim' as she covers InStyle

She explained: 'I wasn't sure if I could pull off [the bald look]. Because hair is the frame of the face, right?

'And we spend so much time on it, trying to get it perfect. It often defines one's beauty and feminine value.

'Almost on a whim, I was like, 'What if I didn't have it?' And so I shaved it all off - I was a complete baldy!'

Freeing: Lupita says cutting off her hair stopped her from 'obsessing' about it

Freeing: Lupita says cutting off her hair stopped her from 'obsessing' about it

Lupita Nyong'o is ready for spring in green and white dress
Before and after: Lupita's changed style
Before and after: Lupita's changed style

Before and after: Lupita said she prefers her new look, especially as she is no longer 'fussing over my hair'

But it took Lupita a while to adjust to her new look.

'It was shocking at first, especially for my mom,' said the 33-year-old. 'But I learned to embrace my features. And I like myself a lot more now that I'm not constantly fussing over my hair.'

Lupita triumphed in the Best Performance by an Actress in a Supporting Role category at the 2014 Academy Awards for her role in 12 Years a Slave, but told the magazine she didn't realise it would have such a profound effect on her life.

She said: 'Right after the Oscars, I had no idea what I was going to do next. Zero clue.

'There's part of me that thought my life would go back to normal. Like at school. But it didn't. I did not get out of that unscathed, you know?'

'Shocking': Lupita with her parents while out in New York City on Monday, the day after her Broadway debut in Eclipsed

'Shocking': Lupita with her parents while out in New York City on Monday, the day after her Broadway debut in Eclipsed

Eva Longoria flashes her underwear and stunning curves in racy sheer mesh dress for girl power magazine shoot with Bella Thorne and Isla Fisher

She recently confessed she'd love to get her 20-year-old body back.

But Eva Longoria, 40, is looking better than ever on the cover of VVV magazine’s Spring/ Summer 2016 issue.

The TV and film star shows off her sensational curves under a sheer mesh dress for the racy cover shoot, which sees her team up with Bella Thorne, Isla Fisher and Paula Patton for the magazine's four separate covers.

Va va voom! Eva Longoria, 40, is looking better than ever on the cover of VVV magazine ’s Spring/ Summer 2016 issue, posing in a racy mesh dress

Va va voom! Eva Longoria, 40, is looking better than ever on the cover of VVV magazine ’s Spring/ Summer 2016 issue, posing in a racy mesh dress

Be racy in a Michael Costello mesh dress like Eva

Eva Longoria confessed that she wanted her 20 year old body back. It looks like she got her wish!

Eva is pictured here on the cover of VVV Magazine spring/summer 2016 wearing this fabulous black mesh lingerie inspired dress by the L.A based designer Michael Costello.

Worn by the likes of Laverne Cox, Lil' Kim and even Beyonce, Costello's designs have all the flamboyancy of a drag queen mixed with the look of 80's Barbie doll clothes.

Although this dress is neither, it looks like it is better suited to the bedroom than the street. Either way, we're loving it.

Unfortunately, Eva's dress is unavailable for purchase right now but you can nab a similar style from Costello's website by clicking to the right.

Want to shop around? Check below at our sexy picks from Missguided,

A pair of black briefs and carefully placed paneling on the mesh dress preserve her modesty, but the sheer number still shows off the star's amazing body.

Eva's long dark locks are slicked back into a sexy wet-look style for the cover shot, while her stunning features are highlighted with bold smoky eye makeup and a nude lip.

Eva is joined by three other gorgeous ladies for the four special covers of the magazine's 'Control Issue'.

Strike a pose: Eva is joined by three other gorgeous ladies for the four special covers of the magazine's 'Control Issue', with Paula Patton, 40, channelling a glam superhero in her shot

Strike a pose: Eva is joined by three other gorgeous ladies for the four special covers of the magazine's 'Control Issue', with Paula Patton, 40, channelling a glam superhero in her shot

Paula Patton, 40, is seen in a stunning full length shot, flaunting her incredibly long legs in a leather playsuit and a dramatic cape.

The Fast & Furious star poses with her hands on her hips to complete the superhero vibe, while like Eva her locks are slicked back off her face and bold eye makeup completes her look.

18-year-old Bella Thorne meanwhile is dressed in strappy black lingerie teamed with a feathered jacket.

Isla Fisher. 40, completes the lineup, posing in a glitzy black and gold jacket, while rocking glam red lips and matching nails, with her red locks styled into tumbling curls.

Cover star: 18-year-old Bella Thorne  is dressed in strappy black lingerie teamed with a feather jacket for her glam cover shot

Cover star: 18-year-old Bella Thorne is dressed in strappy black lingerie teamed with a feather jacket for her glam cover shot

Eva recently gushed to Us Weekly about her milestone 40th birthday, citing that she had 'always known' that she'd love her age.

'I always say I want my 40-year-old mind with my 20-year-old body. That would be perfect!' she joked.

The recently engaged star credits genetics and a healthy lifestyle for her ageless beauty. 'Genetics has a lot to do with it. My dad barely has any wrinkles,' she noted, 'But I got my grey hair from my mom.'

'Like all the clichés that you've heard, I do. I exercise. I try to eat right I get a lot of sleep. And it seems to be working,' Eva pointed out.

VVV magazine’s Spring/ Summer 2016 issue, on newsstands soon.

What a beauty: Isla Fisher. 40, completes the lineup, posing in a glitzy black and gold jacket, while rocking glam red lips and matching nails, with her red locks styled into tumbling curls

What a beauty: Isla Fisher. 40, completes the lineup, posing in a glitzy black and gold jacket, while rocking glam red lips and matching nails, with her red locks styled into tumbling curls

Evil is coming home

The Darkness is coming...

By Matt Loftus ⋅ Posted on March 11th, 2016 at 9:58am

Blumhouse productions deliver their latest horror venture in the form of The Darkness which stars Kevin Bacon and Radha Mitchell.

The studio that previously brought us The Purge, Insidious and The Visit, looks set to bring another nightmare to life this year. I love a good Haunted House movie, see ...p ten here.

Can&apos;t even chill at bath time?...
Can't even chill at bath time?...

Here's the plot:

The film is based on what are said to be "actual events" about a family who visit the Grand Canyon, upon returning home, it seems they have brought a Native American curse back with them that feeds off their fears and takes over their lives.

what you been eating boy?what you been eating boy?

Heard enough?

Gives me chills, i'll be sure to check this out, i mean, i haven't seen Kevin Bacon in a real horror film since 1999's Stir of Echoes!.......hopefully after this he'll be also doing the long rumored Tremors film/TV Show.

The Darkness hits theaters everywhere May 13th.......wait a second that's a Friday...AAARGH!

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #154 posted 03/13/16 4:15pm

JoeBala

Al Pacino’s All time Favourite Movie has been revealed, and the answer may surprise you…

Hollywood icon Al Pacino has starred in some of the most memorable movies of all time, including Scarface, the Godfather and Heat. Recently he was asked by Access Hollywood to name his favourite movie of all time. He did pick one of his own movies but Al Pacino’s all time favourite movie still caused quite a surprise!

“Jack and Jill was the one that really changed everything,” Pacino said. “It was the type of film I always wanted to make. I had always been typecast into these complex, mysterious and challenging roles. Adam really took a chance on me and gave me the belief and self-confidence to, not only play myself in a movie, but also be attracted to Adam Sandler in a dress.”

Pacino claims the role changed his life and led to the actor finally realizing a “long-held dream”. “My entire career, all I’ve ever wanted was to break into the gross-out comedy genre but no one was willing to give me a break. Since Adam offered me the role in Jack and Jill, my career has literally not been the same.”

During the interview, Pacino slammed critics of the movie and of Pacino’s role in the movie, saying, “I think I really changed people’s perception of me. Jack and Jill has made a huge impact on my legacy.”

When asked about the film’s disastrous box-office numbers, Pacino claimed the audience did not understand the complex relationship between the two characters. “Adam and I, or Jill as I still call him, had great chemistry together. Real raw, animalistic, sexual chemistry. None of that Michelle Pfeiffer bullshit.”

Al Pacino’s all time favourite movie has been revealed, and the answer may surprise you…Al Pacino’s all time favourite movie revealed…

Apparently the Academy Award winner’s only regret is not having worked with Sandler sooner. “If only it had been Adam in Heat, instead of Bob,” he said, “we would have swept the Oscars that year.”

Up next for Pacino, will be the lead role in the latest in the prestigious “Van Wilder” franchise,’ Van Wilder: Old folks home’. “It’s set in a senior’s home and follows the love story between Van Wilder’s dad and a beautiful 100-year-old woman,” he said. “I play both the grandfather and his love interest. The Sandman thinks I’m ready.”

Phil Collins plays first solo live show in six years - watch

Collins played a seven-song set in Miami last night (March 11)

JAMES HENDICOTT, 12TH MARCH 2016
Phil Collins has played his first public solo show in six years, performing a seven-song set at a charitable event in Miami last night (March 11).

Collins returned to music in October, stating that he's "no longer officially retired" and is working on a new album as well as making live plans, partly in order to show his kids what their dad does.

Collins' announcement was greeted with a petition asking him not to return, which gathered more than 4,000 signatures before being abandoned by its creator.

According to Rolling Stone, last night's show featured five Collins originals ('Another Day in Paradise', 'Against All Odds (Take a Look at Me Now)', 'In the Air Tonight', 'Easy Lover' and 'Take Me Home') as well as covers of The Temptations' 'My Girl' and Bob Dylan's 'Knockin' on Heaven's Door.'

Some fan-shot footage of the concert can be seen via YouTube, below:



The creator of the 'Phil Collins must be stopped' petition was left explaining his joke back in November, closing the petition with the following message:

"People who signed this get that it was a joke. Some others didn't. It very obviously wasn't a serious petition. Surely no one could think this was going to be sent to the UN?"

He continued: "It was lowbrow satire, a farcical jest that I shared with some friends. It would have remained that way, and been forgotten about very quickly, as all silly jokes are, had someone in the news media not seen it and thought it newsworthy. That anyone saw it as newsworthy is puzzling. How so many saw it as newsworthy is far more puzzling. It must have been a very slow news week."



By Andy Daglas

What to watch on Sunday, March 13...


7:30pm, Fox
Bob’s Burgers
No scalp is safe when a lice infestation breaks out at Wagstaff in “Lice Things Are Lice,” snaring volunteer Tina and Nurse Liz in the midst of a scandal. Back at the restaurant, Bob’s efforts to entice customers backfire completely.


U.S. MINISERIES PREMIERE, 8pm, Lifetime
And Then There Were None
This BBC adaptation of Agatha Christie’s classic 1939 mystery gathers 10 strangers on an isolated island off England’s Devon coast, amid swirling secrets, rueful recriminations, and....muuurrrder! The dapper cast includes Douglas Booth, Charles Dance, Anna Maxwell Martin,Sam Neill, Miranda Richardson, and Aidan Turner. The conclusion airs tomorrow night at 9pm.


8pm, ABC
Once Upon a Time
The heroes get a tip that Hook is being held captive in “Labor of Love,” but rescuing him will mean besting a beastly prison sentry. While Mary Margaret tracks down a childhood chum who may hold the key to success, an Enchanted Forest flashback shows a young Snow White fighting to hold her kingdom together.


8pm, Fox
The Simpsons
After Lisa signs up for a future one-way mission to Mars, a peeved Marge tries to dissuade her by joining the voyage herself in “The Marge-ian Chronicles.” The Best Show’s Tom Scharpling andJon Wurster guest star.


TIMESLOT PREMIERE, 10pm, NBC
Little Big Shots
A 4-year-old piano prodigy, a pair of salsa dancers, a 6-year-old choir conductor, a superlative storyteller, and a 5-year-old animal hypnotist are among the kids showcasing their gifts as theSteve Harvey-hosted variety show moves to its regular night.


TIMESLOT PREMIERE, 9pm & 9:30pm, NBC
The Carmichael Show
After Maxine refuses to join Jerrod at a Bill Cosby concert in “Fallen Heroes,” he presents the tickets as an anniversary gift for his parents. That sets off a debate about whether any of them should attend the show at all. Then in “The Funeral,” the family rallies around Joe in the wake of his father’s passing and discusses the best way to approach the funeral services.


9pm, ESPN
30 for 30
“Fantastic Lies,” directed by Marina Zenovich, chronicles the 2006 Duke University lacrosse case, in which allegations of sexual assault against team members and the subsequent legal investigation sparked nationwide controversies and damaged numerous lives.


9pm, ABC
The Family
“Of Puppies and Monsters” sees an FBI agent joining the investigation and triggering friction with Nina, who also follows up on potential lead. Meanwhile, Hank tries to right his ship, Adam revisits the bunker in hopes of jogging his memory, and John’s reluctance to supply details about his missing time puts a dent in his relationship with Claire.


9pm, AMC
The Walking Dead
“The Same Boat” introduces the gang to a whole new world. A new fantastic point of view, if you will. No one to tell them no, or where to go, or say they’re only nope wait hang on, there’s still a crapload of zombies that want to eat them. Never mind.


9pm, Showtime
Shameless
Fiona attempts to make things right with Sean, but gets only a cold shoulder. Elsewhere in “A Yurt of One’s Own,” Debbie and Queenie visit a rural commune, and Frank tags along in an effort to evade his latest victim.


9pm, HBO
Vinyl
Devon dines with Richie, Hannibal, and Cece as part of an effort to retain a key client. Elsewhere in “He in Racist Fire,” Kip is in a jam that could cost a prime gig opening for the New York Dolls, and Richie pursues a former personal and professional associate who now works for Jackie Jervis.


9pm, Fox
Family Guy
Upon taking a job at a retirement community, Meg begins robbing the residents in “The Heartbreak Dog.” It’s not long before Chris becomes her partner in crime—and it’s even less not long before they both have to face the music.


9:30pm, Fox
The Last Man on Earth
As the gang grieves for the one they lost in “Valhalla,” Melissa and Todd reshape their relationship in the wake of her surprise proposal.


SEASON 2 FINALE, 10pm, CBS
CSI: Cyber
A hacker swipes millions of federal employee files in “Legacy.” But investigating the largest classified-data breach of all time doesn’t stop the squad from also hashing out their romantic lives, as Avery and her ex have a frank discussion and D.B. mulls a future with Greer.


NEW NIGHT, 10pm, NBC
Hollywood Game Night
Jason Biggs, Bree Turner, Peter Facinelli, Chris Jericho, Tyson Beckford, and Melissa Etheridge all agreed to spend their Sunday night playing party games for your amusement rather than watching The Walking Dead. Isn’t indulging them the least you can do?


10pm, ABC
Quantico
The NATS learn the ropes of working with confidential informants in “Clear,” but their real-world test-runs prove more challenging than expected. And speaking of challenges, Future Alex lands in hot water when she and another agent are forced to spill classified information with potentially lethal ramifications.


10pm, Showtime
Billions
A new tip puts the case at risk in “Boats and Rails,” while secrets from Axe’s past emerge. I won’t give too much away about those secrets, but they involve an embarrassing incident from third grade when Axe was but a wee Butter Knife.


10pm, HBO
Girls
“Old Loves” finds Hanna and Fran at odds over teaching styles, Marnie irate with Desi after he renovates their pad, and Elijah getting cozy with Dill Harcourt.


10:30pm, HBO
Togetherness
Michelle strikes a bond with her new charter-school campaign ally in “Changetown,” while Alex remains far less cordial with Christy. Meanwhile, Tina receives a harsh education in the parenting arts.


SEASON 8B PREMIERE, 11:30pm, Cartoon Network
Robot Chicken
Optimus Prime tries to get out of jury duty and the Teenage Mutant Ninja Turtles receive sex ed as “Fridge Smell” shapes up to be the Robot Chicken-est Robot Chicken that ever Robot Chicken-ed.


12am, Cartoon Network
The Venture Bros.
In “A Party for Tarzan,” Dr. Venture’s soiree for a new friend is sullied when the Guild marks him for assassination.

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #155 posted 03/14/16 3:50am

Identity




Rihanna’s ANTI World Tour is here. The North American leg of the 60-date trek, which was postponed due to production delays, finally arrived on Saturday (Mar. 12) and she did not disappoint, according to show reviews and fan videos.

  - E-mail - orgNote - Report post to moderator
Reply #156 posted 03/14/16 7:37pm

JoeBala

cool cool cool nod omfg woot! headbang excited

Andrew Bird and Fiona Apple Star in "Left Handed Kisses" Video

Last month, Andrew Bird shared the Fiona Apple collaboration "Left Handed Kisses" from his upcoming album Are You Serious, due out April 1 via Loma Vista. Now, the two have released the video for the song, which features them sitting by a window, singing to each other and playing instruments. It was directed by Phil Andelman. See the video and Bird's upcoming tour dates below. He will also appear on "The Ellen DeGeneres show" on March 16.

Video Link: https://www.facebook.com/...;src=video

Andrew Bird:

03-29 Savannah, GA - Savannah Music Festival
03-30 Nashville, TN - The Ryman *
04-01 Knoxville, TN - Big Ears Festival
04-02 Atlanta, GA - The Tabernacle *
04-04 Philadelphia, PA - Electric Factory *
04-05 Washington, DC - 9:30 Club *
04-07 Brooklyn, NY - Kings Theatre #
04-08 New York, NY - Terminal 5 *
04-09 Boston, MA - Citi Wang Theatre *
04-11 Montreal, Quebec - Virgin Mobile Corona Theatre *
04-13 Toronto, Ontario - Danforth Music Hall *
04-14 Detroit, MI - Royal Oak Musi

c Theatre *
04-15 Columbus, OH - Lifestyle Communities Pavilion *
04-16 Cleveland, OH - House of Blues *
04-18 Milwaukee, WI - The Riverside Theater $
04-19 Minneapolis, MN - First Avenue $
04-21 Kansas City, MO - Arvest Bank Theatre at The Midland $
04-22 St. Louis, MO - The The Pageant $
04-30 Dublin, Ireland - Vicar Street
05-02 Edinburgh, Scotland - Queen's Hall
05-03 Manchester, England - Cathedral
05-04 London, England - Roundhouse
05-06 Amsterdam, Netherlands - Paradiso
05-08 Brussels, Belgium - Cirque Royale
05-09 Paris, France - Trianon
05-13 San Diego, CA - The Observatory North Park !
05-14 Los Angeles, CA - Ace Theatre !
05-15 Los Angeles, CA - Ace Theatre !
05-16 San Francisco, CA - The Masonic !
05-18 Portland, OR - Arlene Schnitzer Concert Hall !
05-19 Seattle, WA - The Showbox !
05-21 Vancouver, British Columbia - Orpheum Theatre !
05-23 Salt Lake City, UT - The Depot !
05-24 Denver, CO - Paramount Theatre !

* with Boogarians
# with Sinkane
$ with Dawn of Midi
! with John Grant

Watch Tonight!

LATE-NITE:
– Melissa Harris-Perry on The Daily Show with Trevor Noah, 11pm, Comedy Central
– Jurnee Smollett-Bell on The Nightly Show With Larry Wilmore, 11:30pm, Comedy Central
– Shailene Woodley, Eugene Levy & Catherine O’Hara, and Aurora on The Tonight Show Starring Jimmy Fallon, 11:35pm, NBC
– John Oliver, Jordan Spieth, and New Order on Late Show with Stephen Colbert, 11:35pm, CBS
– Ben Higgins & the winner of The Bachelor, and Sia on Jimmy Kimmel Live, 11:35pm, ABC
– Lupita Nyong’o, Hayes MacArthur, Chris Janson, and Matt Cameron on Late Night with Seth Meyers, 12:35am, NBC
– Amanda Peet, Gary Sinise, Max Greenfield, and Panic! At The Disco on The Late Late Show with James Corden, 12:37am, CBS

.

.

.

[Edited 3/14/16 19:46pm]

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #157 posted 03/15/16 6:09am

Identity

[img:$uid]http://i.imgur.com/qVw4DXe.jpg?1[/img:$uid]

Scream Queens to Return with Season One Cast Intact
03/2016



The cast of the Fox series Scream Queens will remain intact for season two.


Jamie Lee Curtis revealed during a PaleyFest panel in Los Angeles over the weekend that she'll return in the new season, along with Billie Lourd, Abigail Breslin, Emma Roberts, Keke Palmer, Lea Michele and Niecy Nash, Variety reports.


Executive producer Brad Falchuk reiterated that the show will shift its setting to a hospital.


Fox announced last January that Scream Queens was renewed for a second season, though there's no word yet on a premiere date.

  - E-mail - orgNote - Report post to moderator
Reply #158 posted 03/15/16 5:14pm

JoeBala

Mariah Carey Mariah's World Docuseries

Mariah Carey Teaming With E! ForMariah's World Docuseries

Mariah Carey and E! will soon be as one, babe, for a moment in time.

The cabler has greenlit Mariah’s World, an eight-episode docuseries that will offer unprecedented access to Carey’s career and personal life.

Each one-hour episode will focus on the Grammy-winning songstress as she prepares for her upcoming “Sweet Sweet Fantasy” world tour and plans her wedding to Australian businessman James Packer.

“Mariah is one of the most captivating pop superstars of our time and one of the rare artists whose first name alone is instantly recognized around the globe,” Jeff Olde, E!’s executive vice president of programming and development, said via statement. “The series will present a unique, vulnerable and surprisingly humorous side to Mariah that her fans have never before seen while showcasing her unparalleled celebrity lifestyle filled with true glamour, maximum luxury and ultimate stardom.” (I mean, we’re all still thinking about her MTV Cribs episode, right?)

Added Carey: “I’m excited to bring my fans into my life for the next journey I’m about to embark on. I’m already having so much fun with this documentary and I know you will, too. There is nothing like capturing these moments.”

MICKALENE THOMAS ON MUSES, MODELS, AND MENTORS

ANTWAUN SARGENT
CHRISTIAN HÖGSTEDT

03/10/16

MICKALENE THOMAS IN HER STUDIO, BROOKLYN, NEW YORK, FEBRUARY 2016. PORTRAITS: CHRISTIAN HOGSTEDT.


Brooklyn-based artist Mickalene Thomas is known for her large-scale, rhinestone-encrusted, highly stylized collaged portraits of everyday black women, whom she calls her muses. However, in a new solo show entitled "Mickalene Thomas: Mentors, Muses, and Celebrities," opening today at the Aspen Art Museum, Thomas turns to black celebrity women found in films and on the stage to explore the relationships of black sisterhood.

"The inspiration behind the show is mainly love," Thomas says. "I was thinking of how, as a woman of color, I have developed to be the woman that I am and how I see myself in others." She then adds, "We look at each other in this sisterhood way and it defines who we are—our sense of confidence, our sense of worth."

When she began thinking of images and films that portray women of color, Steven Spielberg's 1985 adaptation of Alice Walker's novel The Color Purple immediately came to mind. For Thomas, the complicated and liberating portrayal of a forged sisterhood, found in both the film and book, between Ms. Celie and Shug Avery reflects an enduring story about black women everywhere. It's a relationship that depicts sexuality, femininity, and power—all of which are themes consistently found in the artist's photography and painting.

For the collage painting Sister: Shug Avery's Breakfast, Thomas extracts an image from the film of Ms. Celie, played by Whoopi Goldberg, during the scene in which Celie sits, hands resting on her face, watching as her husband attempts to make his mistress, Shug Avery, breakfast. "I was interested in making the audience see these women not just as characters, but as signifiers," Thomas explains. In the exhibition, she continues, "they are no longer characters, but representations of women throughout different generations."

Further inspiration for the new video and film works on view was gathered from an Eartha Kitt performance of Angelitos Negros, or, Little Black Angels (1948). Dressed in all black against a white backdrop, staring into a camera as tears slide down her face, Kitt sings in a way that questions both the cannon of history and representation: "How don't you paint our skin if you put love in your art?"

"Eartha Kitt is passionately singing and speaking about the lack of positive black images in the world," explains Thomas, who had her first solo museum exhibition at the Brooklyn Museum in 2012. "I was sort of like, ‘This song is everything!' It's so timely and it says everything that I am trying to say. I'm putting these black angels out there—I'm doing it."

Last month, as she was putting the finishing touches on the artworks now in Aspen, we met with the artist in her Brooklyn studio.


ANTWAUN SARGENT: In what ways do you think The Color Purple embodies the relationships you explore in this exhibition?

MICKALENE THOMAS: I started reading The Color Purple again and thinking about what scenes were very profound and represented pivotal moments where the characters really transformed. For me, that was the relationship between Celie and Shug Avery—how Celie saw the potential of herself through someone else and how that relationship gave her strength, how she learned of her own beauty by Shug holding a mirror up to her face and saying, "Look at yourself and understand your beauty." Then this love affair developed between the two, a love affair of two women who admired each other for their differences, strengths, creativity, and talent. They persevered in their own way. What Shug did for Celie, Celie did for Shug in a whole different way.

SARGENT: So the collaged portraits in the exhibition function as mirrors of womanhood?

THOMAS: Yes, I'm using these scenes by abstracting them from the film and claiming and presenting them as these mirror images of who we are and how we related one another. In Ms. Celie's Blues, I show the moment when they are at the club and Shug is singing to Celie, and she is siting at the table like a little girl feeling lost and out of place. Then suddenly the room parts because Shug is focused on her and she is saying, basically, "You are everything." For me, that moment goes toward philosophies like [Jacques] Lacan's notions of beauty, which basically says we don't necessarily see ourselves until we look into a mirror; we can be those mirrors when we see ourselves in each other and have a sense of validation.

SARGENT: In what ways do Celie and Shug hold that mirror up to you?

THOMAS: I can understand their relationship. I can relate to both of these women for different reasons. I've seen myself in different aspects of my life as a Celie, where my sense of self becomes insecure in some ways, like growing up, not feeling as beautiful as most people, and how my levels of desires were prevented by how people related to me.

SARGENT: In what other women do you find the relationship that Celie and Shug Avery shared?

THOMAS: In the film Singers and Comedians that I am showing, there are comedians and singers that range from Moms Mabley, Josephine Baker, Nina Simone, Whitney Houston, and Eartha Kitt to Whoopi Goldberg herself—all women who I grew up with and was inspired by because of my mother and grandmother. In the film, I am projecting two channel screens, where on one side it's the comedians and on the other side it's the signers. They are connected in the sense of their lyrics and sound. It's not a cacophony of sound; we exacted their lyrics and lines, and together the thread of the music and the jokes tell this story of being a black woman. It's sort of like, who is a black woman? What is a black woman? The film ends with Eartha Kitt asking, "Why aren't there any black angels?"

SARGENT: You also use laughter in Comedians and Singers as an expression of black womanhood.

THOMAS: That's what I love. They use the language of laughter, which is sort of a male dominated platform, to share their lives. I remember when I first saw Whoopi Goldberg doing standup and she was wearing a sheet on her head, basically pretending to be this little white girl with long luxurious blonde hair. Everyone can relate to that. It's an oral history of black women's lives through laughter. Yeah, it was funny, but it was also horrific because that's how we define beauty.

SARGENT: Do you see telling a story of being a black woman as one of your roles as an artist?

THOMAS: I hope, yeah. I actually didn't see that as one of my roles until it was pointed out to me by Carrie Mae Weems. She and I had a conversation, and she was like, "Mickalene, I really think you need to recognize what you are doing. You need to own it." I knew what I was doing, but I never really considered the magnitude of how my images were transformative to people.

SARGENT: If had to explain it, what do you think your images have done in the world?

THOMAS: I think what I have done is claimed the space and pushed it forward as much as I can in relationship to who I am and how I live my life. I have used my opportunity to allow these images to be seen. It's like what Beyoncé is doing withFormation: She has a major platform and I am giving her high fives and saying, "Yes, we have been needing you to do this for a long time." So that's what I am doing. I am saying, "Here's this opportunity to see women differently."

SARGENT: How is the series of the screen tests of your muses different thanSingers and Comedians?

THOMAS: The women in the screen tests are the women I generally work with, but they are not posing for one of my photo shoots. They are natural, they've come as they are, and they are just sitting in the space looking into the camera.

SARGENT: Did you learn something new about your muses in letting them be without direction?

THOMAS: It depends on the woman. With some of them I learned that they felt the need to portray someone when they were in their natural form. With others, when they were dressed up, they became more of themselves. It's like they see themselves in the lens, and the lens becomes the mirror, and for me that is very beautiful. I grew up with a lot of brothers and I don't have any sisters, so for me it's really important to develop my sisterhood. It's something I've always coveted.

SARGENT: There's a video of you nude as an Odalisque...

THOMAS: That's about black feminism and vulnerability and me giving you everything. Here I am, the artist, the person, the black woman, and the stereotype. I'm using myself and it has nothing to do with my muses or other women. It has to do with me. You see parts of my body moving, very collage like, flashing, and not speaking, just laying on a couch, looking out at the viewer.

SARGENT: What attracted you to video for this show?

THOMAS: This show allowed me to think about video and film as a tool of expression for portraiture. I got really excited about finding new ways of using video, and the immediacy is different, in a way, than painting and photography. The creativity comes with the editing. You can layer and cut and paste. I really love that it's like another form of making my smaller collages but in video form.

SARGENT: The grid format used throughout the films and videos seem to also continue your exploration of collage.

THOMAS: I'm using the grid as formation. I wanted a relationship between the paintings and videos so that way when you are looking at the videos there's a direct relationship to the paintings. I think in grids there's a multiplicity of many parts that make up a whole. Things can be moved around, they are not fixed, there's still a notion of collage—the painting is collaged together. It's about constructing the image.

For me, these works are meant for the viewer to sit and be with—not just walk in and out. The sound and lyrics are all metaphors of messages, the visuals are another layer, the intimacy of being in the space is an added layer, and the two-dimensional objects are yet another layer. So you are able to be consumed by the space and be with the women and try to ascertain these relationships.


"MICKALENE THOMAS: MENTORS, MUSES, AND CELEBRITIES" OPENS TODAY AT THE ASPEN ART MUSEUM AND WILL BE ON VIEW THROUGH JUNE 12, 2016. FOR MORE ON THE ARTIST, VISIT HER WEBSITE.

MARY ELIZABETH WINSTEAD: FROM MERCY STREET TO CLOVERFIELD LANE

EMMA BROWN
DAVID NEEDLEMAN

03/09/16

MARY ELIZABETH WINSTEAD AT THE GRAMERCY PARK HOTEL IN NEW YORK CITY, MARCH 2016. PHOTOS: DAVID NEEDLEMAN. STYLING:SAVANNAH WHITE. HAIR: CHARLIE TAYLOR/HONEY ARTISTS USING HAIRSTORY. MAKEUP: SUZY GERSTEIN/HONEY ARTISTS USING CHARLOTTE TILBURY. SPECIAL THANKS: PR CONSULTING.


In the 2010 film Scott Pilgrim vs. the World, Mary Elizabeth Winstead plays Ramona Flowers, the alluring Amazon Canada employee whose evil ex-boyfriends (and girlfriend) Scott Pilgrim must defeat. Six years on, Winstead has many more projects to her name—from indie movies like Smashed, The Spectacular Now,A.C.O.D., and Alex of Venice to bigger-budget action films like A Good Day to Die Hard. Scott Pilgrim, however, remains a fan favorite. "The audience for it keeps growing even after all these years, which is so great," she explains at The Gramercy Park Hotel in New York. "I'm really happy that that continues to follow me."

Born in North Carolina and raised in Salt Lake City, Utah, Winstead has been acting professionally since she was 12. Her first paid role was a guest spot onTouched By An Angel. "I specifically remember being terrible," she says with a laugh. "Not even good on a child actor's scale." As the youngest of five children, Winstead grew up watching classic musicals like West Side Story and Gypsy and '80s films such as Working Girl. "Sigourney Weaver was big in my house," she recalls. "There's just such an energy and personality to those films and those roles. That's what I want to do."

This year things are shifting for the 31-year-old actress. In January, Winstead traveled to Sundance to promote two new films: the infamous "farting corpse" movie Swiss Army Man (A24) with Daniel Radcliffe and Paul Dano, and the dramedy The Hollars (Sony Pictures Classics) with Anna Kendrick and John Krasinski. Last month, her six-part miniseries Mercy Street concluded on PBS. Set during the Civil War, Mercy Street follows widowed New England nurse Mary Phinney (Winstead) as she treats both Union and Conferdate soldiers at a hotel-turned-hospital in Alexandria, Virginia. A second season has just been confirmed. Today, 10 Cloverfield Lane, the ultra-secretive J.J. Abrams-produced thriller in which Winstead plays one of three principal characters, opens across the U.S. If all that wasn't enough, Winstead has also just started working on a new CBS showBrainDead.

In addition to acting, Winstead is one half of the musical project Got A Girl with legendary producer Dan the Automator (Gorillaz, Deltron 3030, Handsome Boy Modeling School). In 2014, the duo released their first album, I Love You But I Must Drive Off This Cliff Now.


EMMA BROWN: I know that you've been working consistently since you were a teenager, but it seems like you're particularly busy at the moment.

MARY ELIZABETH WINSTEAD: It's kicked up the past couple of years. I think my drive to work has gone up a bit since I've gotten older. The more I work the happier I am. I'm also finding a lot more roles that are exciting and challenging for me on a more regular basis.

BROWN: Was there a project in particular that felt like a turning point?

WINSTEAD: I think this independent film I did called Smashed with James Ponsoldt, who is the loveliest, most talented director who really gave me a chance to spread my wings a little bit. Even though that was a small movie, I think that when people saw it they were able to see more of a range of what I can do. From that I've done a lot of different types of things—TV or genre films or whatever it may be, but a lot of those parts come back to Smashed because somebody saw that I did good job. I'm thankful to that film.

BROWN: I think of you very much as an indie actress because of Sundance films like Smashed and The Spectacular Now and Swiss Army Man, but you've done a lot of bigger budget projects as well.

WINSTEAD: My first movie was a movie that had a bunch of people dying in it—the typical popcorn movie. That's where I got my start. I found my way into the indie world a bit late in my career, but it was something that I was really passionate about doing.

BROWN: Were people in the indie world critical of the fact that you'd done big budget films in the past?

WINSTEAD: No. I was worried about that when I first found myself in that environment. I was kind of embarrassed by some of the films I had done. I was like, "Oh, they're going to think I don't have street cred." But the reality is a lot of them want to be doing bigger things. They're finding their voice in this independent community but they're looking for studios and people to give them a voice on a bigger scale. There are obviously people who want to be very niche, but I think for the most part everybody is trying to reach a larger audience. They were like, "What was it like working on a big film? What was it like working with a studio?" It was different than what I was expecting.

BROWN: Is anyone else in your family in the arts? I know your sister is a neurologist.

WINSTEAD: My oldest sister is a neurologist. My brother is an electrical engineering professor. I have a sister who was huge into arts in school and majored in graphic design and then I have another sister who is a dancer and dance teacher. That's the closest. We grew up dancing together. I wanted to become a ballerina when I was a kid, so she and I were always at ballet conservatories and going to school with our hair in buns. I'm the only one who got into acting—I don't really know why that happened.

BROWN: I read that you were too tall to be a ballerina.

WINSTEAD: It's surprising to a lot of people because ballerinas look so long, but it's more of a proportion thing. Their legs are long in proportion to their body but in reality they're very tiny. I actually came to New York when I was 12 and did ballet school for a little while. I was being groomed to be professional, and a lot of the professors and teachers there were drawn to me and thought that I could become a professional ballerina. Then, literally the next year, I went and auditioned for them again and they were so disappointed with how my body had changed and grown. Just having that experience, I very quickly went, "I don't know if I want to continue this. I don't really want to continue to put myself in [these] situations..." You're literally sized up with measuring tape as a 13- or 14-year-old girl. I wanted to opt out of that experience.

BROWN: But in acting you're sized up by your appearance as well.

WINSTEAD: I guess I didn't really feel that with acting. It was something that I didn't really come to experience until much later. I had to go through that a little bit, but I always felt that my talent would trump everything. In ballet, I felt that no matter how good I was, if I didn't have the right body type or if I didn't fit a certain mold there was nothing I could do.

BROWN: Do you remember the first time you got positive feedback as an actor?

WINSTEAD: When I was 10, my school did Romeo and Juliet. I was Juliet, and that was, like, the biggest deal ever. I was completely obsessed with the role. I watched the Olivia Hussey [Franco Zeffirelli] film everyday. [laughs] It was my life, playing Juliet. From that moment on I was convinced I was going to be an actress. That was all I really wanted to do. I would continue to dance and after that and sing—I was always a performing arts kid in general—but I felt like my ultimate goal was to be an actress and be in films. I grew up in a big movie house, we watched movies all the time, so I had an awareness at a very young age that that was a job that you could have. I realized that the people weren't just characters but they were people and they were getting to do something that was so fun and I wanted to be a part of it.

BROWN: You posted a picture from when you ran for student president as a child on your Instagram. Did you win?

WINSTEAD: Oh, I think I did. I really ran a strong campaign; I really went for it. [laughs] I was that overachieving, annoying kid who was always trying to win some contest or win the role. I look back on it now and I'm like, "Chill, man." [laughs] Calm down.

BROWN: When I first looked you up on the internet, there were a lot of things about roles you almost got...

WINSTEAD: I know. It's crazy how those things get out. Some of them are true and some of them are completely not true and some of them are half true. Some of those things come out and you don't know where they came from—somebody's leaking totally false information. They follow you for years and you have to be like, "I don't know anything about that."

BROWN: Have you ever found out that you were considered for a role via internet rumors and it turned out to be true?

WINSTEAD: There's actually a time when I got cast in something and it was announced that someone else was cast. I hadn't been told yet if I had the role and I had a breakdown because I really wanted it and it was announced on this website that this other girl had gotten it. I was so sad and called my agents and said, "You guys didn't tell me this other person got the role!" They were like, "No, they haven't decided yet." Then two hours later I got the call that said I had the role.

BROWN: How did you get involved in 10 Cloverfield Lane?

WINSTEAD: It was an odd thing. The first conversation, it wasn't a full-out offer but it was sort of, "They're really interested in you for this part in this top secret J.J. Abrams-produced movie. They want you to read the script and see what you think before they officially offer it to you." So it already came to me shrouded in secrecy and was already very hush-hush.

BROWN: But they let you read the actual script?

WINSTEAD: They let me read the script, but they didn't let my agents read it or anyone around me read it. It was sent to me as a file that would destruct after you read it once. I was really taken in by the character, [but] before I gave any official word, I wanted to talk to the director, Dan Trachtenberg, who was lovely. I eventually talked to J.J. as well and by the time I talked to everybody I was so on board and that's when they offered it to me.

BROWN: When get a script, would you normally have your agent read it? Or would you talk to your family or friends?

WINSTEAD: Normally it's just the agent and we have the conversation. Sometimes I open it up if I want a bit more of an opinion—sometimes my husband will read it, my mom will read it, my sister will read it. But usually it's after the fact. Once I've accepted a role, I'll let my parents and my sisters read it because they find it entertaining. If you let too many cooks in the kitchen it could cloud your vision of what you want to do.

BROWN: Was anyone else involved when you signed on?

WINSTEAD: John Goodman was cast already, which was a huge plus for me because he's been such a huge part of my upbringing—he's so iconic and so talented. So to act opposite of him was something that I wanted to do for a long time.

BROWN: I saw the Super Bowl commercial for the film and was like "Oh, John Goodman plays her dad and he's trying to protect her." But that is not at all the case...

WINSTEAD: I love that they don't give much away [in the trailer,] they just leave you feeling: "What is this? I want to know what is going on." It's so different from typical marketing. Normally you see a trailer and go: "Oh, okay I know exactly what that is: this is what happens, this is how it starts, this is where it ends." The way they have marketed this film just keeps things so open-ended. I love seeing movies blind. I feel like this movie is less about trying to keep secrets from everybody and more about trying to keep that experience pure of going to the movie and not knowing everything that's going to happen and actually experiencing it when you're in the theater.

BROWN: But occasionally it backfires and you end up watching a movie about cannibals.

WINSTEAD: Wait, have you seen this movie? No, I'm joking. [laughs]

BROWN: When you agreed to do the film, what were you told to say to other people?

WINSTEAD: There was nothing explicitly laid out, it was more of a feeling that was given—the fact that the scripts were handed out in a very secretive way. If there was a revision it was usually handed to us on set and not passed out to everybody—very on a need-to-know basis. So it was more that you could tell by the way things were being handled that this wasn't something we were going to talk about in a very open way. Also the very nature of the film, there are so many mysterious elements to it, you know when you read the script, "I want to keep this a secret purely for the sake of the audience and their experience and the entertainment factor of the movie."

BROWN: I wanted to talk about your music. How did you meet Dan the Automator?

WINSTEAD: He actually did some work on the film Scott Pilgrim vs. the World. He did a couple of songs so he came to set once or twice. I was a big fan of his, so when he came to set I would just go up to him. Then we met again at the film's premiere and he had been talking to Kid Koala about me, and I guess Kid Koala showed him the video of me singing and told him, "You should check this out." So he came up to me at the premiere and said, "I heard you sing and I think you're really good. Maybe we should try and write something together." We started this slow, several year-spanning collaboration where he would write stuff and send it to me and I would write the melody and the lyrics and send it back to him and he would tell me if it was good or not. We would go back and forth that way and I would fly up to see him every once in a while to record vocals and slowly piece things together.

BROWN: Would you have done a musical project had he not reached out to you?

WINSTEAD: I don't know if I would have pursued it necessarily. If a musical film had come along, I would have loved the chance to sing in it, [but] I wasn't sure I could write so I had a lot of fear in terms of making music. [Dan the Automator] forced me to try and write and I discovered that I actually could. Now I can hopefully branch out and write stuff for myself. Before I had no aspirations to be a songwriter because I didn't know that I had the ability.

BROWN: Was he very honest in his feedback?

WINSTEAD: He's very honest and very straightforward. The first song we did I think he really liked, which is why it jumped into more songs. But as we started really working together he would be very blunt. I would write a line and he would be like, "No, that's terrible." [laughs] Then I would write another line and he'd be like, "Yeah that's good." He wouldn't feed me things to say, he'd just say, "That's not good, try again." Even with melodies, we would sit in the recording studio and he would play a track and I would just start singing melodies and sing and sing and sing until he'd say, "Yeah that's it. You got it now." It was this very freeform thing.

BROWN: You also have a new show BrainDead. When you join a TV show is the first thing you do the table read?

WINSTEAD: It depends. In this case, the first thing I did was the fitting, which was incredible. I've never worn incredible clothes—I'm not used to playing someone so put together and fashionable. But Dan Lawson, who's the costume designer, has such an incredible eye. I'm fully embracing the fashion aspect of the character. So that was the start, which is great because it really helps you to get inside the mind of the character once you start wearing the clothes and understanding what this person is going to look like. It's a nice window.


10 CLOVERFIELD LANE COMES OUT TODAY, MARCH 9.


What to watch on Tuesday, March 15...


SEASON 6 FINALE, 8pm, Freeform
Pretty Little Liars
The stalker has issued a lethal ultimatum, so it’s up to the ladies to settle their latest adversary’s hash once and for all. But murder and the avoidance thereof aren’t all that’s on the agenda in “Hush, Hush, Sweet Little Liars,” as Ezra and Aria stir up old feelings, Spencer and Toby team up to nab Sara, Caleb protects Hanna, and Alison fears for her sanity.


8pm, CBS
NCIS
Six months after a group of Special Ops snipers were ambushed in Iraq, an American couple is attacked at the same site in “Scope,” the series' 300th (!!!) episode. This prompts the squad to reinvestigate the earlier incident, sending Gibbs to Walter Reed Medical Center to consult with the lone survivor, who is being treated for PTSS. The MusiCorps Band, part of a music rehabilitation program for wounded veterans, performs.


8pm, Fox
New Girl
In “The Apartment,” Cece moves into the loft in accordance with the Laws of Sitcom Codependency. Career-wise, Jess must sort out the school budget by morning thanks to her new principal (Elizabeth Berkley), and Winston gets a new partner so as not to work alongside Aly.


8pm, ABC
Fresh Off the Boat
Louis and Jessica must switch roles after he gets injured in “Tight Two.” As he learns just how hard it is to be a stay-at-home parent, she has a tougher time than expected holding the reins at Cattleman’s Ranch.


8:30pm, ABC
The Real O’Neals
On his first day at school since coming out, Kenny stumbles in his choice of self-identification vernacular in “The Real F Word.” At home, Eileen helps Pat pick out the perfect couch for his new basement dwelling, even as she struggles with their new living arrangement.


SEASON 6 FINALE, 9pm, TNT
Rizzoli & Isles
The killing of a Maine state trooper in “A Shot in the Dark” has a connection to the attacks on Jane, bolstering my theory that this whole thing is part of an intra-New England rivalry turned wicked sou-ah. Can the team defend Jane and unravel the mystery of the murderous mastermind, or will this be one of those cliffhanger finales audiences love so much?


9pm, Fox
Brooklyn Nine-Nine
Terry’s got something to prove to his former precinct, so Jake helps him solve a case from his past in “Terry Kitties.” (Wait, who could have a problem with Terry? Are those the sort of people you want patrolling your streets, Brooklyn?) Elsewhere, Adrian bunks with Charles while Amy tags along with Holt and Rosa for a strenuous training exercise.


9pm, ABC
Marvel’s Agents of S.H.I.E.L.D.
In “The Inside Man,” Coulson and General Talbot must work together to root out Malick’s mole at a symposium on Inhumans. But can anything prepare them for the true identity of the traitor? Well, perhaps a warm bath and some chamomile tea, that has a lovely way of taking the edge off bad news.


9pm, WGN America
Outsiders
There’s a new authority in town in “It’s Good to Be King,” and the Farrells are prepared to bend the knee. Said new authority is definitely actually powerful and intimidating too, and not three small children stacked inside a trenchcoat.


9:30pm, Fox
The Grinder
Dean’s lost that grindin’ feeling in “Genesis,” so he hopes that focusing his attention on the ransacking of the office will restore his mojo. In a flashback, young Dean is torn between choosing the simple life or the long, hard road of grinding.


SERIES PREMIERE, 10pm & 10:30pm, NBC
Crowded
Sisters Shea and Stella, both recent college grads, are forced to move back in with their parents MIke and Martina in the pilot of this sitcom starring Patrick Warburton, Carrie Preston, andMiranda Cosgrove. That’s followed by “Present Tense,” in which Mike and Martina try to reignite their romantic lives while Stella shows Shea the ropes of dating apps. The series moves to its regular timeslot this Sunday, March 20, at 9:30pm.


SEASON 5B PREMIERE, 10pm, MTV
Awkward.
“I’m the Kind of Girl Who Found Her Voice in College” finds Jenna coming off her freshman year with newfound vim and vigor. But that’s quickly displaced by old insecurities as she discovers that she isn’t the only one who’s changed.


10pm, ABC
Of Kings and Prophets
Saul shares his troubles with David in “Let the Wicked Be Ashamed,” while Ahinoam proposes a strategic marriage to unit the Israelites and Ishbaal enlists an assassin to slay the prophet and protect his father. Later, David’s plans to return to the simple shepherding life are disrupted by a bombshell-dropping visitor.


10pm, FX
American Crime Story: The People v. O.J. Simpson
“Conspiracy Theories” sees a plethora of alternate explanations swirling around the case (though frankly, the one about the one-armed man feels awfully derivative). Meanwhile, the prosecution debates whether they should have O.J. try on the glove in court.


10pm, CBS
Limitless
Penned in by Morra and watching his closest relationships crumble as a result, Brian takes drastic action in “Bezgranichnyy.” He heads to Russia and seeks Piper’s help to sever ties with the senator for good, while back home, Rebecca closes in on the truth about those ties.


SEASON 3 PREMIERE, 9:30pm, MTV
Faking It
Amy returns to Austin, where a changed Karma catches her off-guard. Changes in Karma eh? I guess you could call her… [sunglasses]... Karma Chameleon. [YEEEAAAAHHHHH!] Elsewhere in “It’s All Good,” Shane’s new friendship awakens the green-eyed monster in Liam.


LATE-NITE:
– Joe Nocera on The Daily Show with Trevor Noah, 11pm, Comedy Central
– Jussie Smollett on The Nightly Show With Larry Wilmore, 11:30pm, Comedy Central
– Jesse Eisenberg, Zoë Kravitz, and Coldplay on The Tonight Show Starring Jimmy Fallon, 11:35pm, NBC
– Steve Martin & Edie Brickell, Shirley MacLaine, and the Los Angeles Philharmonic with conductor Gustavo Dudamel on Late Show with Stephen Colbert, 11:35pm, CBS
– Kirsten Dunst, Gal Godot, and Jake Buggon Jimmy Kimmel Live, 11:35pm, ABC
– Naomi Watts, Chris Cuomo, Bloc Party, Matt Cameron on Late Night with Seth Meyers, 12:35am, NBC
– Paul Rudd and Diane Lane on The Late Late Show with James Corden, 12:37am, CBS

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #159 posted 03/15/16 6:19pm

JoeBala

Robert Horton, ‘Wagon Train’ Actor, Dies at 91

Alyssa Sage

Robert Horton Dead
DEZO HOFFMANN/REX/SHUTTERSTOCK
MARCH 15, 2016 | 12:43PM PT

Robert Horton, known for his role as scout Flint McCullough in the Emmy-nominated series “Wagon Train,” died March 9 in Los Angeles, his niece Joan Evans told the New York Times. He was 91.

He landed his breakout role starring as McCullough in the hit Western series “Wagon Train” for five seasons, exiting the show in 1962.

Around the time he left “Wagon Train”– which accumulated seven Primetime Emmy nominations throughout the duration of its eight-season run — the show switched networks, transitioning from NBC to ABC.

Soon after departing from “Wagon Train,” Horton starred in the one-season Western series “A Man Called Shenandoah,” for which he also sang the theme song.

Other key TV roles include guest spots on “Murder, She Wrote,” “As the World Turns,” “Alfred Hitchcock Presents,” “Public Defender” and “The Lone Ranger.”

Horton also performed on Broadway and pursued a singing career. In 1963 he starred as rainmaker Bill Starbuck in the original cast of “110 in the Shade,” a musical adaptation of N. Richard Nash’s early ’50s play “The Rainmaker.” The production ran at Manhattan’s Broadhurst Theatre for over 300 performances. He also recorded albums and performed in nightclubs during his tenure on “Wagon Train.”

After being medically discharged from the Coast Guard in 1943, Horton made his screen acting debut in an uncredited part in the 1945 WWII drama “A Walk in the Sun.”

Horton is survived by his wife Marilyn.


Sally Field on What Hollywood Keeps Getting Wrong

Sally Field attends The Women's Media Center 2015 Women's Media Awards on November 5, 2015 in New York City.
Brian Ach--2015 Getty ImagesSally Field attends The Women's Media Center 2015 Women's Media Awards on November 5, 2015 in New York City.

The two-time Oscar winner talks to TIME about "Hello, My Name Is Doris" and the film industry's ongoing bias against stories not directed toward young men

Over the last decade, Sally Field has kept a relatively low profile on the big screen. There have been some notable exceptions—namely, her Oscar-nominated turn as Mary Todd Lincoln in 2012’s Lincoln and her recurring role as Aunt May in the Spider-Man movies—but she has otherwise focused her efforts on theater, television and supporting LGBT rights and women’s issues. But with Hello, My Name Is Doris (March 11), co-written and directed by Wet Hot AmericanSummer scribe Michael Showalter, Field returns to top billing as an eccentric office worker with a mega-crush on her hunky, half-her-age coworker (Max Greenfield).

For Field, the rarity of all the things Doris does right—recognizing the sexual agency of a (fictional) woman in her 60s and offering a multilayered starring role to a (real) woman in her 60s—underscore just how far Hollywood still has to go in fighting the twin scourges of sexism and ageism. Field talked to TIME about how Hollywood has changed throughout her 50-year career, what she’s currently binge-watching and how she and her granddaughters are faring in the debate over Bernie Sanders versus Hillary Clinton.

TIME: There are not many movies where the female love interest is older than the male. Is that part of why Doris appealed to you?

Sally Field: The gender reversal was secondary to the story of a coming of age of a person of age. I saw the love-affair part of it almost as part of her coming out of her shell as if she were 13. To me, in playing the character, age was never part of it, because it never occurred to her.

Can you compare love in your 60s to love as a teenager?

As time goes on, our faces and our bodies change, they cave in and they puff out and collapse, but inside we’re the same. When you have that feeling, when you have a mad, passionate crush on someone, it’s the same when you’re 70 as when you’re 13. You’re awkward and you’re afraid you’re doing the wrong thing and you put yourself out there in ways you don’t even think about. We stay who we are no matter how old we get.


At this stage in your career are there roles you just won’t take?

Yeah, absolutely. I just don’t want to do what I don’t want to do anymore, and I don’t need to, so I won’t. Roles like Doris, it’s not that they don’t come around very often, they don’t come around ever. What is frustrating is that the roles I read [are] cartoonish. They’re not three-dimensional characters. They’re not really what it’s like to be a woman in their 60s and 70s, what they’re facing, whether it is with their grown children or their grandchildren or their lives or their husbands.

You’ve done less in film in the past decade than in theater and television. Are there better roles there?

Certainly there have been for me. I just go where I feel the most interesting work is. Having a long-term career is really about learning how to ride it and not be rigid. Keep asking yourself, What really blows my skirts up? To me it’s finding the work.

Would you consider going back to TV?

Sure, I would absolutely go back to TV if it was a role that I thought, ‘Wow, that would be really a kick.’ I doubt that it would be network television. But I think right now what’s happening in cable television is fabulous. Since I started in television in 1964, everything was so rigid. Everybody would implode if my bellybutton showed in my ridiculous two-piece bathing suits. It’s so different now to see that television really is the engine that’s driving the edge of telling human stories now, much more than film.


Is there anything you’re binge-watching right now?

I watched all of the second season of Transparent, I’m catching up onMozart in the Jungle and I know the new season of Girls has come out, and I’ve watched all of Veep. You name it. Matter of fact, I ought to be asking you, is there something I missed?

Oh goodness, Fargo, The Americans.

Of course, I always watch [The Americans] because that’s my darling Matthew Rhys, who was in Brothers and Sisters with me.


Why do you think Hollywood has been so reluctant to acknowledge the sexuality of a woman in her 60s?

It’s hard for me to answer that because obviously Hollywood is so hard on women altogether. I’ve been in this business for 53 years or something, and part of me, I hate to admit it, has sort of accepted it as the status quo. The industry has always, but certainly now to a huge degree, played to young men, and made a self-fulfilling prophecy about films that aren’t directed toward young men by saying there’s no audience for it. So they put no money in it, they don’t promote it, and then when it doesn’t make as much money as the films for young boys, they say, “You see?” There’s a whole lot of people who want to see stories that they can identify with, and they’re not male and they’re not white and they’re not young.


How blatant is ageism in Hollywood?

It’s blatant in the country. It’s affected me in ways that I can’t even calculate. Because I grew up in the business and I’ve been here for so long, I’ve been affected by images of women my entire existence and unconsciously both adapted to them, tried to fit into them, and then also at the same time went, “Oh, F-U, I can’t do this.” It’s always a battle inside myself, and I know that most of the women in this country feel that, even if they’re not actors. It isn’t just Hollywood. Hollywood illuminates it and perpetuates it, but it is what this country is in some ways.


Have you seen this level of discussion about equality before?

There was bits of it here and there. The actors in my generation, we all knew what it was like to go in and have wonderful stories that you wanted to put into development, and hearing the reaction, “We don’t want little Sally doing that.” Doing what? A story about nurses in Vietnam, things like that. I remember Diane Keaton once complained that men had so many more opportunities. She was shot down for being a whiner. I remember thinking, Wow. It was brave of her, but it wasn’t taken as any kind of serious comment. I felt—and Jane Fonda, and Goldie [Hawn]—that all you could do was just keep on keeping on. But this wave is bigger—it’s much more inclusive. It is not only about women, it is about people of color, and that’s a bigger, louder voice. I might also say it’s because there are men involved—I hate to say it—so it’s taken more seriously. I think if it were just women, probably it would not have quite the effect.


What did you think of the changes the Academy made?

I didn’t read all of them, so I can’t answer correctly. I did know the one where they said voting rights would be restricted based on how frequently you worked, and I did have a reaction inside my stomach that went, ugh. Because you think of all the great actors whose participation you’d like to have. Claudette Colbert retired, but wouldn’t you want her voting? I think so. She probably didn’t give a rat’s ass. But part of me thinks it’s too cut and dry. You start to think, Wait a minute, already I’m on the outs because I didn’t work this year? Already the Screen Actors Guild does that.

Did you watch the Oscars this year?

I watched some of it. But I was reading a good book, so I was looking up and looking down and then muting it and turning it on.


Can I ask what book?

I’ve found this writer that I love so much. He just passed away and it kills me because I would have liked to have met him. He lived in Holt, Colorado, and he has about six books. His name is Kent Haruf. So I was completely involved in this farm at the turn of the century in Colorado.

To what extent did your roles in movies like Norma Rae, in which you played an activist, influence your real-life identity as an activist?

The film was important but not half as important as my meeting and knowing [director] Marty Ritt, and having him in my life until he passed away. He opened me up. He called himself an old leftie, and his whole history of what he’d been through during the Depression and then being blacklisted, how it influenced his voice and how true to that voice he stayed—that eventually started to open me up to where my voice was, which obviously was in helping women all over the world who feel trapped by societies that are a lot worse than this one towards women. I feel strongly if we cannot balance this planet with the voices of women, we will never heal.


You’ve been a longtime advocate for LGBT rights. What issue is your biggest priority right now?

I went to Houston and tried to help on [the “bathroom bill“] vote before it happened. But it happened. I can’t really determine where I could be of value, so when Chad Griffiths, who is the head of the Human Rights Campaign, calls me and says “Can you pack your bag and be so-and-so,” I would.


You stumped for Hillary Clinton in 2008. Will you lend your voice to this campaign?

Oh my God, yes. If it hadn’t been for this [movie], I’d be there now!

What do you make of suggestions that young women have a responsibility to vote for Clinton? Is there an intersection between feminism and voting for a female candidate?

I think it’s miraculous that she is female, and it’s almost secondary to the fact that she’s way qualified, would be a brilliant President. Just like [with] Barack Obama, it was a huge factor that he was African-American, but he was also brilliant, and has been brilliant. I really can’t understand the battle. I hear young women, my granddaughters even, wanting to back Bernie, and I want to tear my hair out, and I jump up and down and go, “What?!” Not that he’s not a lovely man. But then we have a hard time hearing each other. Because they’re a different generation, they’re automatically more inclusive, and they’re not knowing where we all came from. And why should they? But it is good to know. It’s important.

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #160 posted 03/15/16 6:34pm

JoeBala

Don Cheadle: Why I Had to Make My Miles Davis Movie

'Miles Ahead' director-star talks bringing the jazz legend to the big screen: "I think we had to make him a gangster"

BY DAVID FEAR March 14, 2016
Don Cheadle, the director, co-writer and star of the Miles Davis biopic 'Miles Ahead.' "I think we had to make a movie about this dude as a gangster," he says. "I feel he's a G."

There's a reason that, in an age when everyone from Hank Williams to the Notorious B.I.G. has been blessed with a biopic, a musical giant like Miles Davis had long eluded big-screen treatment. For starters, the idea of trying to do justice to the jazz legend's multifaceted career with a cradle-to-grave template seemed ridiculous; when asked what he'd accomplished, the jazz trumpeter and composer replied with, "Well, I guess I changed music five or six times," and it wasn't an idle boast. There was his tempestuous life story, the kind without an easy Walk the Line/Ray arc to fall back on. And then there was the simple question of: Who had the depth and chops to play him without turning the whole endeavor into cut-rate cinematic karaoke?

Don Cheadle

Enter Don Cheadle, a movie star with a musical background and enough respect for the genius behind Birth of the Cool that he knew a standard Let Us Now Praise Famous Men story simply wouldn't cut it. Doing double duty as director and Davis avatar, the 51-year-old actor decided to take a page out of the subject's playbook — by throwing away the playbook entirely. The result, Miles Ahead (named after the trumpeter's 1957 album with Gil Evans, and in theaters on April 1st), eschews everything from his bebop roots to his Bitches Brew fusion explorations; instead, the free-form portrait toggles between the late 1950s, when dancer/future wife Frances Taylor (Emayatzy Corinealdi) came into his life, and the "Dark Magus" period of the mid-1970s when Davis stopped recording and went into drug-addled seclusion. It also introduces a fictional Rolling Stone reporter named Dave Braden (Ewan McGregor), who instigates a literal wild ride involving shoot-outs, stolen master tapes and some incredibly close calls. "It's less a Miles biopic," McGregor says, "than an attempt to cast Miles in a caper flick that he might like to have been part of."

Whether or not you dig its road-less-traveled meta-method, you can't call Miles Ahead typical — to quote the film's video-interview preamble, Cheadle has made a movie that leaves the genre's usual "corny, Walter Cronkite schtick" on the cutting-room floor and "come[s] with some attitude." Sitting down to talk the day after the film's screening at the Sundance Film Festival last January, the star walked us through how he got involved with the project, why it needed to be a buddy comedy with a white co-star as much a biography and why concentrating on the moment the prolific musician went silent might say even more about who he was than an album-by-album breakdown.

This all sort of starts at Miles' induction at the Rock and Roll Hall of Fame, right?
That's where it officially starts, yeah. But it's funny, because there had been a lot of folks saying "Do you know who you should play in a movie?" over the years. The first group of writers I worked with, Chris Wilkinson and Stephen J. Rivelle — they'd written Ali. I'd auditioned for a part in that movie and Chris, who's a big Miles aficionado, was going, "Man! You could really play Miles Davis. I know the family, it's something you should think about doing." And I was like, "Well, if there's something that happens that makes sense, let me know." But it was always cursory statements.

Then when Miles was getting inducted into the Rock and Roll Hall of Fame in 2006, a reporter asked Miles' nephew, Vince Wilburn, about a Davis movie. The response was something like "Only one actor can play my uncle in a film, and that's Don Cheadle! And he's going to be doing it soon!" Which was news to me.

Do you not have any input into your career or your choice of roles?
Right? "Well, guys, that's not usually how this works, so..." "No, Don, you'vealready been cast, here's when we need you on set." [Laughs] But I thought, well, let me meet with the family. They pitched me a few ideas, which were ... kinda standard. I felt I'd seen it before.

"To get this film financed, we needed a white co-star. And until Ewan came on, until we had cast the proper white co-star, there was no Miles Davis movie. There was no Miles Ahead. That means something. That's the reality."

Typical cradle-to-grave stuff?
Some of that, yeah; one concept was to focus on the five women in his life that he loved and use that as a framework. I told them, "Thanks for thinking of me, but I'm really not vibing off of any of these ideas."

Then, almost as an afterthought, I said, "I think we've got to make a movie about this dude as a gangster" — 'cause that's how I feel about Miles Davis. He's a G. All those apocryphal stories about how bold and dynamic he was, the gangster shit he'd do ... you could fit all that into a biopic, I guess. But I just thought, let's do a movie that Miles Davis would say, 'I want to be the star of that movie. Not the one about me. The one where I'm the fucker running it, and I tell everybody what happens.'" Take the music he made in 1950 and put it over scenes set in 1978, or take his 1965 album and drop it into 1945. Just do it without the constraints of any rules. Make some mistakes, go crazy, crash into a wall — anything but something fucking cookie-cutter.

What was their reaction?
They were completely silent. Then it was [starts clapping]. "That sounds hot. That sounds cool. That's it!" And I was like, "Great, so if you find someone who'll do that, call me." [Laughs] Because who's going to fucking do that!?! No one.

You, apparently.
I'm driving away from the meeting, I'm like a block from my house, and I realize: Shit, I have to direct this myself. I pull over to the side of the road and I'm literally dialing Vince's number when he calls me. I just blurted out, "Hey, Vince, what if I direct it? I think that's the only way we can get it to go that way." And he goes, "That's exactly what I was calling to ask you."

Miles Davis;Miles AheadMiles Davis, circa 1969: "I just thought, let's do a movie that Miles Davis would say, 'I want to be the star of that movie,'" Cheadle says. "'Not the one about me. The one where I'm the fucker running it.'" Horace/DAPR/Zuma

So it immediately went from "You should play Miles Davis" to "You will be co-writing and directing yourself as Miles Davis in two distinct eras, in a wild, free-form biopic that you just pitched" in one fell swoop?
[Sigh] Yeah. I tried giving the movie away, believe me. There were a few attempts to get another director involved. And they were points where, if it had have evaporated, I would've been relieved: "Well, thank god, I didn't have to take all that on, it would've killed me." But it started to become more like a career mandate. I was imagining myself being at the end of my life and going "If I had just strapped it all on, I could have done it. But I didn't." That started feeling like a bigger monkey on my back than the actual taking it all on and doing it. I could hear Miles' voice in my head, saying, "Oh, you scared, motherfucker? Quit bitching about it. Just get out there and do it."

Why focus on the roughly five year period — 1975-1980 — in which he didn't play?
That wasn't in there originally, actually. [Screenwriter] Steven Baigelman came on, and we were hashing out the various eras we wanted to look at; meanwhile, we'd sold the movie, then that deal fell through, and we just kept dancing with different financiers. "Can you make it for 15 million? I'm sorry, did I say 15, I meant 11 … I'm sorry, did I say 11, can you make it for 10? Can you do it for 9.5 million? Oh, sorry, we can't do it." This went on for years. We just kept trying to make it leaner and meaner, to get it to point where we could attract an irrational investor to go, "Hmm, an offbeat biopic on Miles Davis for $11 million? Cool, I'm in."

"I see you were planning on burning that pile of money. Instead of that ..."
[Laughs] "... please, let us burn it for you." We finally were able to find people who'd help, and I had to do the Indiegogo campaign to crowdfund it, which worked out well. But we're doing all this research the whole time things keep starting up and falling apart, and we suddenly begin to realize that one of the most interesting parts of his life isn't when he's reinventing music several times over; it's when he's not making music. He's sitting in this house by himself, he's recovering from this hip injury, he's indulging in self-destructive behavior and he might be dying. What's going on in his head?

What we were trying to do, for better or worse, to the effect that it worked or didn't work, was externalize what in our minds was an internal journey. When we talked to Vince, we asked him, "Why did Miles come back in 1980?" "Well, he said he was ready to come back." "But why did he stop in the first place?" "Because he didn't know what else to say?" The idea that you've reinvented music a half dozen times and then you go, "What else? What's left?"

For an artist, that's the kiss of death. So what happened to get him out of that hole and playing again? We go back to the Frances Taylor years, sure, but what's going on in those five years? In the books, it's this much. [Holds fingers an inch apart] So we thought, that's the movie. How Miles got his groove back.

Don Cheadle; Miles Davis; SonyDon Cheadle as Miles Davis in 'Miles Ahead.' Sony Pictures Classics/Everett

And that necessitated bringing a fictional, handsome Rolling Stonejournalist named Dave into the story, right? Which, by the way, thank you.
You're welcome, Dave [laughs]. There were a few different journalists who did try to interview him during this time, but there were some real-world concerns we needed to deal with and that necessitated bringing the character in.

Such as?
Such as to get this film financed, we needed a white co-star. These are issues that come into play. And until Ewan came on, until we had cast the proper white co-star, there was no Miles Davis movie. There was no Miles Ahead.The family had been trying to make this movie for years, and we straight-up told them, "We need a white co-star. We need to tell this story, in order to get this money, with a white male lead." That means something.

My hat's off to Ewan, who, you know, didn't look at this role and go, "It's like a second fiddle." Or: "I'm carrying Miles' water." He really found a way to really make this his story as much as it is Miles' story. They kind of go off in this gangster buddy pic and do their heist movie.

You do flip the script by making the white guy a sidekick to the black character, instead of what you usually see. But that's incredibly depressing.
That's the reality. It's called moviemaking.

That's you playing with Herbie Hancock and Wayne Shorter in those final sequences, right?
It is. That was a blast. I saw Miles play live back in the early Eighties — theWe Want Miles tour — and I've been playing saxophone since I was 10 years old or so, studying jazz since the fifth grade, so to actually do those pieces with those guys — that was incredible. When I graduated high school, I had music scholarships and a few acting scholarships, and I saw what my musician friends were doing and thought, "Practicing for four to five hours, just woodshedding with my instrument ... no. I can't get to the place they're getting at." It was just too hard.

So you went into a more stable, less intensive line of work?
Right. "I'm going to do something that's a guarantee, a lock! I'll become an actor." You idiot! People are going, "It's tough, Don — what's your fallback?" "Music." [Laughs]

Don Cheadle; Miles Davis; Miles Ahead; Trailer

Was it harder trying to nail Miles as a character than as a musician? Or keep yourself from mimicing the tics that people know of him?
You mean like the rasp, for example? Vince played me an old tape of him before he lost his voice — he sounded just like me now. It was kind of uncanny. But I just watched a lot of old footage, made sure I had the basics down. Mostly, I tried to connect myself to him. You know: "I'm a musician who studied music for 20 years. I'm a player. I'm a creative person. I'm a writer. I'm an artist. I'm a painter. I'm a dad." All these things that Miles was as well. So it was about trying to pull him towards me and play off of that. Anyone can do the rasp. It's doing the voice behind it that's tough.

Now that you've spent so much time trying to get into his headspace? Does Miles seem bigger or smaller, more human, to you after this?
I don't think my idea of him any different than it has been. The knowns about Miles' life have always been the knowns. He never hid the good, the bad or the ugly of his life. But it was interesting to go through the autobiography and then check those same stories against other people's testimonies, and it's like fucking Rashomon. It's all different, and it was in the space between those accounts that we thought, That's where Miles is. Aim for that.

Do you think people will find fault with the fact that some aspects of his life get left out?
Probably. The first time I had told people I was going to be doing this film, most of them were like, "Well how are you going to deal with the heroin addiction? That's going to be a dark place for you to go to." I said, "I don't know that I'm going to bring heroin addiction into it. I don't know why that needs to be a part of it." And there are people who'll have issues with that, or some of the other unsavory aspects of who he was not being in here. I get it. All of us have a lot of shit. Hopefully, this movie starts a bigger conversation about him: Let's talk about the drugs. Let's talk about the abuse.

But let's also talk about the music. Because that's just as big a part of he was. The irreverence for rules, the restlessness, the mindset of "I just invented cool jazz — OK, what's next? Modal jazz? Fusion? Let's follow that and see where it leads." That's what made him a great artist. You can't leave the music out.

FilMart: NEW’s TV Debut ‘Descendants’ Ripe For China

Sonia Kil

Next Entertainment World, Contents Panda
COURTESY OF CONTENTS PANDA
MARCH 15, 2016 | 02:54PM PT

Contents Panda, the international sales arm of Next Entertainment World, is selling China and Japan rights to “Descendants of the Sun,” South Korea’s most-watched TV drama at Hong KongFilMart.

Film major NEW’s debut TV production, “Descendants,” is the first Korean TV series to be simultaneously broadcasted in South Korea and China, on KBS and iQiyi, respectively. Starring top actors Song Joong-ki (“Werewolf Boy”) and Song Hye-kyo (“My Brilliant Life”), “Descendants” is a love story between an Army captain and a doctor who travel to an imaginary war-torn country called Uruk to save lives.

Fully pre-produced, “Descendants” was made with a total budget of $10.1 million (KRW 13 billion). China’s video streaming giant iQIYI is known to have paid $230,000 per episode for the series’ exclusive broadcast rights in China.

Each episode is aired to iQIYI’s paid viewers one hour after airing in Korea. The fifth and sixth episodes of “Descendants” garnered more than 400 million views on iQIYI.

“Some 400 million viewers have watched ‘Descendants’ and more are joining our paid membership programs to watch it,” said Zhang Yuxin, general manager of iQIYI’s copyright management center, in an interview.

In addition to “Descendants,” Contents Panda is giving Asian debuts to movie titles that include mystery thriller “Proof of Innocence”; animation director Yeon Sang-ho’s live-action feature debut “Train to Busan”; and revenge thriller “Missing You.”

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #161 posted 03/15/16 6:37pm

JoeBala

Simon Cowell Boards Beatles Manager Brian Epstein Biopic ‘A Life in the Day’

Film Reporter

Dave McNary

Film Reporter @Variety_DMcNary
Simon Cowell Boards Brian Epstein Biopic
HARRY MYERS/REX/SHUTTERSTOCK
MARCH 15, 2016 | 02:41PM PT

Simon Cowell and IM Global have come on board to produce “A Life in the Day,” based on the life of Beatles manager Brian Epstein.

Cowell will produce through his SyCo production company with Stuart Ford’s IM Global along with David Permut through his Permut Presentations and Dylan Sellers. Permut Presentations VP Chris Mangano will exec produce.

The script for “A Life in the Day” — a play on the Beatles’ iconic song “A Day in the Life” — has been written by Tony Gittelson.

Epstein discovered the Beatles while selling records in his father’s store, and despite not having experience as a manager, became convinced he could make the band bigger then Elvis Presley. Six months later, after being rejected by nearly all major labels in London, he was able to persuade George Martin of EMI Parlophone to sign the group.

Despite his personal demons, he made good on his promise to the band before dying in 1967 at the age of 32. Paul McCartney said in 1997, “If anyone was the fifth Beatle, it was Brian.”

It’s the second Epstein biopic that’s been in the works for Cowell and IM Global. Variety exclusively reported last May that Cowell, IM Global and Vivek J. Tiwary had unveiled development “The Fifth Beatle,” based on an adaptation of Tiwary’s graphic novel.

George Martin dead

Permut is in post-production on “Hacksaw Ridge,” starring Andew Garfield and directed by Mel Gibson. Sellers is a former production exec with the Weinstein Co. who has exec producing credits on “Southpaw” and “Burnt.”

Cowell is a London native best known for the reality TV franchises “American Idol,” “The X Factor” and “America’s Got Talent.” He was a producer on the “One Direction: This Is Us” documentary.

The news about Cowell and IM Global coming on board “A Life in the Day” was first reported by Deadline Hollywood.

Fuller House, 7th Heaven Stars to Lead Hollywood Darlings Reality Series

How shrewd.

Three child stars of the 1990s have landed their own unscripted series on Pop, the network announced Tuesday.

Real-life pals Jodie Sweetin (Full House, Fuller House), Beverley Mitchell (7th Heaven) and Christine Lakin (Step by Step) have teamed up to play themselves inHollywood Darlings, which the cabler describes as an “unscripted docu-comedy series.”

The half-hour show will follow the actresses, who got their start as child stars and are now “moms, wives and businesswomen;” a release for the endeavor, which has an eight-episode order at the network, promises other celebrities will make appearances throughout the run.

“Anyone who was a TV fan in the ‘90s grew up with Jodie, Christine and Beverley–aspiring to be their best friends, wanting to dress like them and using their popular catchphrases,” Paul Adler, Pop’s senior vice president of original programing and development, said in a statement. “Hollywood Darlings provides an amazing opportunity for viewers to reignite their fandom for this now grown-up trio whose lives are as entertaining as they are relatable.”

“Yay!” Sweetin wrote while announcing the project on Instagram Tuesday. “I love these ladies, and we’re going to have so much fun!” (Per her post, Hollywood Darlings will debut in 2017.)

The series, from Jimmy Fox (Mob Wives), will be produced by Objective Productions USA and All3Media America. Fox, Layla Smith and Greg Lipstone (Tori Spelling: Celebrity Lie Detector) will executive-produce.


Criminal Minds: Beyond Borders: Alana De La Garza Shares Spinoff's Joys and Frights, Hails 'Wonderful' Forever Fans

Criminal minds lurk and work beyond the borders of the United States — ergo, the title and concept of the Criminal Minds spinoff premiering Wednesday at 10/9c.

In CBS’ Criminal Minds: Beyond Borders, Gary Sinise (CSI: NY) stars as Jack Garrett, the head of the (admittedly fictional-ish) FBI International Response Unit, which races to the rescue of U.S. citizens done (very) wrong on foreign soil. Rounding out the cast are Alana De La Garza (Forever), as cultural anthropologist/lunguist Clara Seger, while Daniel Henney (Hawaii Five-0), Annie Funke and Tyler James Williams (The Walking Dead) play, said simply, the muscle, the M.E. and the team’s States-based tech whiz.

Here, De la Garza reveals how Clara hits close to home, admits which grisly scenes chill her bones, shares her own wild globe-trotting tale and reflects on Forever‘s tragically short run.

TVLINE | I was just looking at an old interview we did, from almost 10 years ago, where we were talking about how busy you were with CSI: Miami, Charmed, Smallville, Book of Daniel…. And here you are again, not at all lacking for work since Forever ended.
Thank God. You know, it’s pretty cool. I sort of just kind of pinch myself and think how very grateful I am.

TVLINE | It’s kind of funny for actors that way. Sometimes when it rains, it pours.
You never know. People always ask me, “Does it make you nervous when a show ends, about what’s going happen?” I’m like, it’s part of the journey of being an actor. You kind of ride your waves, and go with the punches.

TVLINE | Might you have stayed with Scorpion this season if Beyond Bordershadn’t come along?
Yeah. I really enjoyed Scorpion, that whole team. Not only the actors, but behind-the-scenes people as well. They were super-cool, so I definitely would have continued.

CRIMINAL MINDS: BEYOND BORDERSTVLINE | How is Beyond Borders‘ Clara different from anyone you’ve played before?
I love Clara. She is probably most “like me” of any character I’ve ever played. I’m definitely not as intelligent as her, nor am I a cultural anthropologist, but she rocks the linens and a Glock. She’s just kind of chill. I remember at my first fitting, I was talking to them about shoes and whatever, namely how I cannot stand high heels, and the wardrobe designer looks at me and says, “Oh, they only want you in flats.” I was like, “What? This is my dream job.”

TVLINE | I was going to say, this is probably your most comfortable wardrobe ever. Cargo pants, loose tees….
Yes. That’s my life. Clara is also different in that she’s a linguist, and I didn’t realize she was actually going to be speaking different languages, so when I got the first script I just burst out laughing. I ran to my husband and said, “You’re not going to believe this. I speak Thai.” He goes, “Oh you do? How much?” Then I held up the script: “No, she speaks Thai, and he said, “Oh dear god.” It was really funny.

TVLINE | And you went into this knowing how many languages…?
Two others, maybe? And I’m not even fluent in the second. Like, I know a little Italian. I know a lot of Spanish. But I’ve learned a lot with the different interpreters that we’ve had on set, because you have to understand what you’re saying. When I got the first episode where I speak Thai, the translator was incredible in showing me that if you go up at the end of a certain word, like a question, you’re saying a completely different thing.

TVLINE | You must have learned a lot, period, because I’m watching these episodes and Clara knows little vittles about each culture. Can you give me a particularly curious example of one?
In one episode, we talk about the Blue Man Tribe, and the interesting thing about that is that basically the women are the head of these tribes.

TVLINE | BetweenCRIMINAL MINDS: BEYOND BORDERS David Caruso and Gary Sinise you’ve now worked with two of the top CSI guys ever. What does Gary bring to the table?
Gary is honestly one of my favorite people I think I’ve ever worked with. He is not only just incredibly talented to be able to work with, but he is kind, and funny, and just a wonderful human. He has the Gary Sinise Foundation that works with veterans, and it’s just the most beautiful thing you’ve ever seen. I used to say to Gary, “How do you do this? How do you shoot for 12 to 15 hours and then hop on a plane and fly overnight and do these events on the weekend? And do it all again the next week?” And within 20 minutes of visiting him at one of these events, seeing him support all these men and women, I realized, “This is how you do it.” These are the real heroes. You live off of love and support.

TVLINE | How would you describe Clara’s dynamic with Jack? At the end of first episode, it’s clear they’re pretty close.
Clara is very close with Jack, because they have gone through things in the past together. They’ve been friends for years, so I think that they have that deep friendship and support for each other. I think that they probably have shared things within that partnership that others haven’t, like moments and feelings. He knew my now-deceased husband — we were all friends back in the day, so there is a connection that runs a little deeper — which is pretty cool.

TVLINE | I just watched the episode where they pop open an organ harvest victim’s eyes and the sockets are empty. What’s the freakiest thing you’ve seen in the episodes filmed thus far?
Man, they are intense, aren’t they? And yet so much fun. I hate anything that has to do with the eyeballs, and we have an episode where these wooden dowels are jammed into eyeballs. And there is one with tongues split down the middle. Creepy. Gross. Our special effects, the makeup team, they’re all so talented.

TVLINE | What’s been Alana’s wildest travel experience? Your best example of a vacation gone wrong?
Oh, I have so many. When I was younger, I used to travel all over the world, and I was once deported from South Africa. I was living in Cape Town and I had flown to Thailand to do a commercial, and when I came back in, they said, “You don’t have a re-entry visa.” All I had was a work visa. I had to pick a different country to go to, so I went to Namibia, [and along the hotel jogging path there was the sign that said — and I am not joking — “Beware,” with a picture of a baboon and a lion. Yeah. I went back to my room and felt sorry for myself.

TVLINE | Lastly, Forever creator Forever Season 2 What Would've HappenedMatt Miller has said that if this series had gone forward, Joe would have gotten to Paris “someday.” Were you you privy to the longer-term plan for your character?
No. Not really. There were ideas that he had told us, but he wasn’t kind of definitive on any of them, so “yes and no” I guess is the answer. But I sure did love Forever.

TVLINE | It’s a crazy-passionate fan base. They love you guys, and to this day are still clamoring for more.
I know, and that is so wonderful. It makes me so sad that we didn’t get to give them more, but yeah, it was a really fun show.

SXSW: The Orchard Buys Coming-of-Age Drama ‘I Dream Too Much’ (EXCLUSIVE)

Ramin Setoodeh

New York Bureau Chief @RaminSetoodeh
I Dream Too Much
COURTESY OF THE ORCHARD
MARCH 15, 2016 | 10:42AM PT

While sales have been slow at this year’s SXSW, the Orchard has landed a deal for a movie that premiered in Austin a year ago: the coming-of-age drama “I Dream Too Much,” Variety has learned.

The Orchard will release “I Dream Too Much” on digital platforms such as iTunes as well as on VOD on June 21. The sale is for the film’s distribution rights in North America, the U.K., Australia and New Zealand.

“I Dream Too Much” centers on a recent college graduate (played by newcomer Eden Brolin) who moves home to study for the LSATs and take care of her injured aunt (Diane Ladd).

Katie Cokinos wrote and directed the film, which was exec produced by Richard Linklater, and produced by Jay Thames of 77 Films and Ed McWilliams of Attic Light Films.

The deal was negotiated by Paradigm’s Nick LoPiccolo.


TVLine Items: Hulu's The Path Poster,Prison Break Casting News and More

Aaron Paul has seen the light — quite literally, in fact.

The Breaking Bad alum is at the center of Hulu’s official poster for The Path , its upcoming drama exec-produced by Parenthood boss Jason Katims.

Premiering Wednesday, March 30, the series stars Paul as Eddie Cleary, a family man who is drawn to the center of a controversial cult as he and his wife (True Detective‘s Michelle Monaghan) struggle with relationships, faith and power.Hannibal‘s Hugh Dancy co-stars as Cal Roberts, the enigmatic leader of the titular cult.

Scroll down to see the key art, in which Paul’s Eddie has his eyes opened to the strange happenings around him.

The Path Hulu

Ready for more of today’s newsy nuggets? Well…

* Fox’s Prison Break continuation has cast relative newcomer Amin El Gamal, TVLine has learned exclusively. He will recur heavily in the role of Cyclops, who plays an integral part in the nine-episode revival.

* Christina Aguilera will exec-produce the game show Tracks, which will debut as a half-hour special on Spike TV later this year. The game show will require a team of two to name a song title just by listening to its individual tracks, such as guitar, bass and vocal.

* The full cast of Batman v Superman: Dawn of Justice — including Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Laurence Fishburne, Gal Gadot, Holly Hunter, Diane Lane and director Zack Snyder — will appear on Conan on Thursday, March 31, at 11/10c on TBS.

* Showtime on Tuesday announced production on a Whitney Houston documentary, which will explore the iconic singer’s complicated life and career. Nick Broomfield (Kurt & Courtney) will produce, direct and narrate the film.

* On the heels of winning the Oscar for Best Adapted Screenplay, The Big Shortscreenwriter Charles Randolph is developing an untitled drama at Amazon. The project is described as a multifaceted, realistic look at what it would take to create a present-day civil war in the U.S.

prisonbreak_returns_sucre

Prison Break: Amaury Nolasco's Sucre Joins List of Fox Revival's Returns

This latest addition to the cast of Fox’s Prison Break revival is quite… sweet.

For the nine-episode event series, which begins filming in Vancouver in April,Amaury Nolasco will reprise his role as Fernando Sucre, the actor announced Tuesday via Instagram.

For those keeping score, that’s now two of the nine characters TVLine said “must” be a part of the revival, while Robert Knepper is currently in talks to return as T-Bag (who plays a rather instrumental role in the continuation).

In the drama’s new chapter, which picks up after “escape artist” Michael Scofield’s apparent death, Sara Tancredi (Colony‘s Sarah Wayne Callies) has moved on with her life, raising her and Michael’s child with her new husband (to be played by Royal Pains‘ Mark Feuerstein). But when clues surface suggesting that Michael (Legends‘ Wentworth Miller) may be alive, Sara teams with his brother Lincoln (Legends‘ Dominic Purcell) to engineer the series’ “biggest escape ever.”

Nolasco’s apres-Prison Break TV credits have included Southland, Chase, Gang Related, a short-lived ABC sitcom, Rizzoli & Isles and, most recently, the NBC comedy Telenovela.

SNL Peter Dinklage Host

Saturday Night Live: Game of Thrones' Peter Dinklage to Host for First Time

Saturday Night Live has tapped Emmy-winning Game of Thrones star Peter Dinklage to host the April 2 episode, it was announced during this weekend’s telecast.

Dinklage appeared once before on the long0running NBC sketch series, playing “Peter Drunklage” during an April 2013 Weekend Update bit.

Serving as musical guest when Dinklage lords over Studio 8H will be Gwen Stefani, marking her fourth time doing so. (Her first time as musical guest was in 1996, as part of No Doubt.)

Chicago Law Spinoff Changes Name to Chicago Justice, Adds Reborn Hero

The latest addition to Dick Wolf’s #OneChicago-verse has changed its name andadded a name.

Chicago Justice — which until now was titled Chicago Law — has cast Heroes Reborn actress Nazneen Contractor in the role of ADA Dawn Harper, our sister site Deadlinereports.

Previously announced casting for the backdoor NBC pilot, which will be introduced via Episode 21 of Chicago P.D., includes Phillip Winchester (Strike Back, The Player), playing the lead prosecutor.

Contractor’s previous TV credits also include Covert Affairs, Season 8 of 24 andRules of Engagement.

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #162 posted 03/16/16 8:20am

JoeBala

Breaking news: Revered vocalist and gospel music giant Daryl Coley passes away

March 16, 20167:12 AM MST
Daryl Coley, known for beautiful melodic voice passed away at age 60
Daryl Coley, known for beautiful melodic voice passed away at age 60
Getty Images (used with permission)

CW network renews 11 Series for next season

March 14, 201611:13 AM MST
It's a good day to be a fan of CW shows. Almost all of the network's shows were renewed on Friday, several months ahead of when channels usually announce what they are keeping or tossing. CW officially renewed 11 of their most popular shows. Jane the...
Play
It's a good day to be a fan of CW shows. Almost all of the network's shows were renewed on Friday, several months ahead of when channels usually announce what they are keeping or tossing. CW officially renewed 11 of their most popular shows. Jane the...
on.aol.com

'The Haves and the Have Nots' finale: What happened and didn't happen

March 15, 20169:34 PM MST
The Haves and the Have Nots
The Haves and the Have Nots
Facebook: OWN
By Andy Daglas


What to watch on Wednesday, March 16...


SEASON 2 U.S. PREMIERE, 12:01am Pacific, Netflix
Happy Valley
The six-episode second season follows Catherine’s efforts to rebuild her life in the wake of Tommy Lee Royce’s capture. But being behind bars doesn’t stop Tommy from striking a bond with a female admirer.


SEASON 2 PREMIERE, 8pm, Pop
Schitt’s Creek
The Roses set out in search of their missing son in “Finding David,” while Alexis is torn between Ted and Mutt. Then “Family Dinner” sends Johnny on a somewhat less pressing quest: to find new office space.


8pm, ABC
The Middle
Frankie is eager to reconnect with Sue and Axl when oral surgery forces them to spend spring break at Casa Heck in “The Wisdom Teeth.” Brick is looking forward to it as well, since he decides to write some new house rules for his siblings. Elsewhere, Mike is incensed to learn that Rusty’s ex-wife was the true brains behind their diaper business, and may be entitled to a substantial cut.


8pm, Fox
Rosewood
Villa has a history with her latest partner in “Ballistics & BFFs,” and Rosewood has a hunch about the new guy’s ties to this week’s murder victim, a drug-peddling dentist. Also weighing in on that investigation is new medical examiner (Sherri Shepherd).


8:30pm, ABC
The Goldbergs
Adam concocts a cunning plan to maximize a mail-order music club membership in “12 Tapes for a Penny.” But Beverly believes Erica to be the scheme’s real mastermind. Meanwhile, Barry struggles to get into Lainey’s dad’s good graces, though not for lack of trying.


9pm, Disney XD
Star Wars Rebels
Abandoned at an Imperial outpost, Chopper unexpectedly bonds with an enemy bot in “The Forgotten Droid.” Along the way, he also discovers a base site for the rebels—it’s in the delivery radius for pizza, Thai, and sushi, so what more could they need?


9pm, ABC
Modern Family
Phil tries to keep Claire from learning about his attractive new client, but she’s busy being charmed by a smoking new yoga instructor. Elsewhere in “The Cover-Up,” Jay crosses swords with an online troll, and Lily’s nervousness about learning to ride a bike isn’t helped by her dads’ inept instruction.


9:30pm, ABC
Black-ish
Jack is the star of his basketball team in “Any Given Saturday,” but he goes from big fish to little after Dre and Bow land him a spot on a more elite squad. Meanwhile, Diane documents her twin’s highs and lows on the hardwood for a school project, Junior dons a ref’s whistle and gets carried away with power, and Zoe meets a new suitor.


SERIES PREMIERE, 10pm, CBS
Criminal Minds: Beyond Borders
Gary Sinise and Alana De La Garza lead the cast of this spin-off about an FBI unit investigating cases that involve Americans abroad. “The Harmful Ones” kicks off the globetrotting crimestopping with the disappearance of three volunteers in Bangkok.


SEASON 4 PREMIERE, 10pm, FX
The Americans
“Glanders” gives Philip and Elizabeth an assignment centered on bioweaponry, possibly Cold War America’s infamous Fume Assault and Repellent Technology program. As they juggle their new mission and the ramifications of their recent actions, Pastor Tim reels from the revelation about the Jenningses.


SPRING PREMIERE, 10pm, ABC
Nashville
Rayna and Deacon walk down the aisle in “Forever and for Always,” but only after a paparazzi ambush at the rehearsal dinner and Deacon’s furious response force some last-minute changes. Meanwhile, Avery has a hard time keeping Juliette’s stories straight, despite the stack of laminated and color-coded reference cards she prepared.


10pm, WGN America
Underground
In “War Chest,” a plantation dance offers the perfect cover for a heist, even as John and Elizabeth experience an unfamiliar world.


10pm, Comedy Central
Broad City
While Ilana awakens to a new life goal, Abbi deals with more quotidian quandaries at the DMV in “2016.”


10pm, Sundance
Hap and Leonard
Our heroes come closer to recovering the stolen loot in “The Dive,” which makes it a propitious time for Hap, Leonard, and Trudy to reminisce about their pasts. But there be present-day troubles to contend with after a meeting at Leonard’s house strains loyalties.


10pm, TV Land
Younger
Liza urges Thad to come clean to Kelsey in “Secrets & Liza.” Elsewhere, Empirical breaks out the really premium mixed nuts and sparkling water for its biggest author.


SEASON 1 FINALE, 10:30pm, TV Land
Teachers
The teachers put another school year behind them in “The Last Day,” but Ms. Cannon can’t help but be stung by her students’ insufficient show of gratitude.


LATE-NITE:
Brian Fallon on The Daily Show with Trevor Noah, 11pm, Comedy Central
– Charlamagne Tha God on The Nightly Show With Larry Wilmore, 11:30pm, Comedy Central
Jennifer Garner, Cuba Gooding, Jr., and Pete Yorn on The Tonight Show Starring Jimmy Fallon, 11:35pm, NBC
– Theo James, Jussie Smollett, and Laurie Anderson on Late Show with Stephen Colbert, 11:35pm, CBS
Harry Connick, Jr., Erin Andrews, and 2 Chainz & Lil Wayne on Jimmy Kimmel Live, 11:35pm, ABC
John Goodman, Joanna Newsom, and Matt Cameron on Late Night with Seth Meyers, 12:35am, NBC
Colin Farrell, Wanda Sykes, Jack Hanna, and Demi Lovato on The Late Late Show with James Corden, 12:37am, CBS

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #163 posted 03/16/16 8:40am

JoeBala

Miguel offers small splash of 'Waves' music video featuring Kacey Musgraves

March 15, 201610:24 PM MST
"Waves" video preview

PRS Guitars and John Mayer introduce limited edition Private Stock Super Eagle

March 14, 201610:51 AM MST
John Mayer
John Mayer
Copyright: Katie Frieseman

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #164 posted 03/16/16 8:42am

JoeBala

smile cool

CORINNE BAILEY RAE GOES TO THE MOON & BACK

MARCH 8, 2016
in Category: NEWS

British singer-songwriter and double Grammy-winner Corinne Bailey Rae has released this new song and video, 'Been To The Moon,' as the lead track from her forthcoming third album The Heart Speaks In Whispers. The set will be released by Virgin EMI on 13 May.

CBR background-splash

The jazz-inflected, upbeat number was written by the artist and Steve Brown with Paris and Amber Strother from the Los Angeles band KING. It was recorded at the famous Studio A of the Capitol Records building in Los Angeles. If you're wondering where in the world the moonscape-style video, shot by Favourite Colour: Black, could have been filmed, it was among the volcanic panoramas of Fuerteventura, in the Canary Islands off the coast of Morocco.

'Been To The Moon' is available now on all streaming services and serves as a bold reintroduction to Bailey Rae's unique musicianship. The Heart Speaks In Whispers is her first album since The Sea in early 2010, itself the follow-up to her self-titled, multi-platinum chart-topping debut release from 2006.

The new album was recorded both in Corinne's home studio in Leeds and in Los Angeles. Guests on the set include fellow Grammy-winner Esperanza Spalding, who has just returned in her own right with Esperanza Spalding Presents Emily's D+Evolution. Bailey Rae's release also features such acclaimed players as Pino Palladino, James Gadson, Marcus Miller and Moses Sumney.

Corinne will play UK shows in London and Leeds in April, the Cheltenham Jazz Festival on May 1 and then further festivals in late spring and early summer. Dates are on her Facebook page here.

Grace Jones’ Warm Leatherette gets hotter with extensive deluxe sets

Grace Jones fans have been well served by Universal Music in recent years with an excellentNightclubbing reissue in 2014 and last year’s Disco box set which brought together Portfolio, Fame, and Muse in one smart package. This trend continues in 2016 with deluxe editions of Jones’ 1980 album Warm Leatherette due in June…

The first album in her critically-lauded ‘Compass Point Trilogy’ saw Jones working with an all-star session group (rhythm section Sly Dunbar and Robbie Shakespeare, plus percussionist Uziah Thompson, along with keyboardist Wally Badarou, and guitarists Mikey Chung and Barry Reynolds) and leave ’70s disco well behind.

image006

2CD deluxe edition

The eight-track album included covers of The PretendersPrivate Life, Roxy Music‘s Love Is The Drug and Tom Petty and the HeartbreakersBreakdown.

The newly-remastered deluxe editions, bringing together the entire Warm Leatherette album, b-sides and rare in-era mixes and instrumental versions. The physical formats available are as follows

  • • two-CD deluxe edition (27 tracks)
  • • 4LP box set (27 tracks)
  • • Blu-ray audio (32 tracks)
image005

4LP edition of Warm Leatherette deluxe

All editions have 19 bonus tracks, except the hi-res blu-ray audio which has five additional bonus remixes including the Francois Kevorkian Remix of the title track. Full track listings (and timings for all the bonus tracks) can be found below.

The packaging looks good with these deluxe editions appropriately encased in Leatherette packaging!

Warm Leatherette deluxe editions will be issued on 17 June 2016.

pre-order



2CD Deluxe Edition

4LP Vinyl Edition

Blu-ray Audio Edition

• Links coming soon

track_listing

CD 1

WARM LEATHERETTE: ORIGINAL

  • 1. WARM LEATHERETTE
  • 2. PRIVATE LIFE
  • 3. A ROLLING STONE
  • 4. LOVE IS THE DRUG
  • 5. THE HUNTER GETS CAPTURED BY THE GAME
  • 6. BULLSHIT
  • 7. BREAKDOWN
  • 8. PARS

Bonus Tracks : LONG VERSIONS:

  • 9. WARM LEATHERETTE (LONG VERSION) 5.35
  • From WARM LEATHERETTE cassette ICT 9592 and b-side of 12” single
    12WIP 6645, released September 1980.
  • 10. PRIVATE LIFE (LONG VERSION) 6.17
    From WARM LEATHERETTE cassette ICT 9592 and a-side of 12” single
    12WIP 6629, released June 1980.
  • 11. A ROLLING STONE (LONG VERSION) 5.43
    Issued as a-side of 12” single 12WIP 6591, released April 1980.
  • 12. LOVE IS THE DRUG (LONG VERSION) 8.38
    From WARM LEATHERETTE cassette ICT 9592 and a-side of 12” single 600
    198 (Germany/Netherlands), released May 1980.
  • 13. THE HUNTER GETS CAPTURED BY THE GAME (LONG VERSION) 6.44
    From WARM LEATHERETTE cassette ICT 9592 and a-side of 12” single
    12WIP 6645, released September 1980.
  • 14. PARS (LONG VERSION) 5.41
    From PRIVATE LIFE: THE COMPASS POINT SESSIONS, released June 1998.

CD 2: LONG VERSIONS, SINGLE VERSIONS AND REMIXES:

  • 15. PRIVATE LIFE (LONG VERSION 2) 7.55
    Previously Unreleased Mix.
  • 16. PRIVATE LIFE (DUB VERSION) 8.04
    From PRIVATE LIFE: THE COMPASS POINT SESSIONS, released June 1998.
  • 17. SHE’S LOST CONTROL (LONG VERSION) 8.23
    Issued as the b-side of 12” single 12WIP 6629, released June 1980.
  • 18. SHE’S LOST CONTROL (DUB VERSION) 8.38
    From PRIVATE LIFE: THE COMPASS POINT SESSIONS, released June 1998.
  • 19. LOVE IS THE DRUG (SINGLE VERSION) 4.41
    Issued as the a-side of 7” single 101.819 (Germany/Netherlands), released May 1980.
  • 20. PRIVATE LIFE (SINGLE VERSION) 4.37
    Issued as the a-side of WIP 6629, released June 1980.
  • 21. SHE’S LOST CONTROL (SINGLE VERSION) 3.46
    Issued as the b-side of WIP 6629, released June 1980.
  • 22. THE HUNTER GETS CAPTURED BY THE GAME (SPECIAL SINGLE VERSION) 3.21
    Issued as the b-side of WIP 6645, released September 1980.
  • 23. BREAKDOWN (U.S. SINGLE EDIT) 3.00
    Issued as the a-side of IS 49603 (US), released October 1980.
  • 24. PARS (SINGLE VERSION) 4.24
    Previously Unreleased Mix.
  • 25. PARS (DUB VERSION) 4.41
    Previously Unreleased Mix.
  • 26. LOVE IS THE DRUG (12” SINGLE REMIX) 7.23
    Remixed by Paul “Groucho” Smykle at the Fallout Shelter.
    Issued as the a-side of 12” single 12 IS 266, released February 1986
  • 27. PRIVATE LIFE (12” SINGLE REMIX) 7.04
    Remixed by Paul “Groucho” Smykle at the Fallout Shelter.
    Issued as the a-side of 12” single 12 IS 273, released May 1986

Bonus Tracks – Blu-ray Audio only

  • 1. SHE’S LOST CONTROL (LONG VERSION 2) 6.45
    Issued as the b-side of 12” single 12WIP 6629, released June 1980.
  • 2. SHE’S LOST CONTROL (LONG VERSION 3) 5.45
    Issued as a b-side of 12” single 12 IS 273, released May 1986.
  • 3. LOVE IS THE DRUG (SINGLE REMIX) 3.21
    Remixed by Eric “ET” Thorngren.
    Issued as the a-side of 7” single IS 266, released February 1986.
  • 4. PRIVATE LIFE (SINGLE REMIX) 4.04
    Remixed by Paul “Groucho” Smykle at the Fallout Shelter.
    Issued as the a-side of 7” single IS 273, released May 1986.
  • 5. WARM LEATHERETTE (FRANCOIS KEVORKIAN REMIX) 6.32
    Remixed by Francois Kevorkian at Right Track Recording, NYC, May 1985.
    Previously Unreleased Mix.

Deal alert / Amy Winehouse: The Collection 8LP vinyl box

amy_thecollectiondeal2

Great opportunity to pick up the recent Amy Winehouse The Collection vinyl box for a very good price.

Amazon Germany are doing the 8LP box for just £56 (or €73) which close to half the price being charged in the UK.

grab2

Frank (2LP)

Side A & B

Intro / Stronger Than Me
You Sent Me Flying / Cherry
Know You Now
Fuck Me Pumps
I Heard Love Is Blind
Moody’s Mood For Love / Teo L
(There Is) No Greater Love
In My Bed
Side C & D

Take The Box
October Song
What Is It About Men
Amy Amy Amy / Outro
Brother
Mr Magic (Through The Smoke)

Back To Black (34:43):

Side A

Rehab
You Know I’m No Good
Me & Mrs Jones
Just Friends
Back To Black
Love Is A Losing Game
Side B

Tears Dry On Their Own
Wake Up Alone
Some Unholy War
He Can Only Hold Her
Addicted

Lioness – Hidden Treasures (2LP) :

Side A & B

Our Day Will Come
Between The Cheats
Tears Dry On Their Own
Will You Still Love Me Tomorrow
Like Smoke
Valerie
Side C & D

The Girl From Ipanema
Half Time
Wake Up Alone
Best Friends, Right?
Body And Soul
A Song For You

Live from Shepherd’s Bush Empire, London 2007 (2LP)

Side A

Intro/Addicted
Just Friends
Cherry
Back to Black

Side B

Wake Up Alone
Tears Dry On Their Own
He Can Only Hold Her / Doo Wop (That Thing)
Fuck Me Pumps

Side C

Some Unholy War
Love Is a Losing Game
Valerie
Hey Little Rich Girl ft Zalon and Ade

Side D

Rehab
You Know I’m No Good
Me and Mr Jones
Monkey Man

Rarities

Side A

(There Is) No Greater Love (BBC Session Janice Long ’03)
I Heard Love Is Blind (BBC Session Stables ’04)
Stronger Than Me (BBC Session Janice Long ’03)
Know You Now (BBC Session Leicester ’04)
Fuck Me Pumps (BBC Session T In The Park ’04)
In My Bed (BBC Session T In The Park)

Side B

You Know I’m No Good (Acoustic version for Napster)
Rehab (BBC Session Pete Mitchell ’06)
Love Is A Losing Game (Live at iTunes Festival ’07)
Me & Mr Jones (Live at iTunes Festival ’07)
Back To Black (Live at iTunes Festival ’07)
Tears Dry (Live at iTunes Festival ’07)

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #165 posted 03/16/16 10:57am

Identity

[img:$uid]http://i.imgur.com/6a6jFQl.jpg?1[/img:$uid]


Madonna Filming Final Two Shows of Rebel Heart Tour
March 2016
Link


Madonna will be documenting the end of her Rebel Heart world tour in Australia this weekend.

The singer has announced that she'll be filming her final two concerts at the Sydney Olympic Park NSW on March 19 and 20. The concert footage will be part of a larger project to be released at a later date. The videos will be directed by Danny B. Tull and Nathan Rissman, both of whom have worked with Madonna before on her feature films and tour movies.

Madonna has played more than 80 shows in 20 countries throughout the seven-month tour, and the Australian leg marks her first time touring the country in 23 years.

Before the final two Sydney shows, Madonna will be playing two shows in Brisbane on March 16 and 17.

  - E-mail - orgNote - Report post to moderator
Reply #166 posted 03/17/16 3:42pm

JoeBala

Thanks ID

Stepmother Mia Farrow and sister Nancy Sinatra pay tribute to Frank Sinatra Jr. who died suddenly while on tour singing his legendary father's songs

  • One-time stepmother Mia Farrow posted a heartfelt message onto Twitter paying her respects
  • His older sister Nancy, also joined in the chorus of those wishing to say goodbye to the musician
  • His family said he died unexpectedly on Wednesday while on tour in Daytona, Beach, Florida
  • He cancelled a show that evening after feeling light-headed, but just hours later he died in hospital
  • Sinatra Jr. followed his famed father into the music industry and was famously kidnapped in Lake Tahoe in 1963
  • For the past 50 years he had toured the world as a singer, and recently adopted playing his father's songs
  • In his last interview with a local newspaper in Florida, he said retirement was 'dirtiest' word in the dictionary
  • His father also died of a heart attack, in 1998 when he was 82

Mia Farrow and Nancy Sinatra have led the tributes to Frank Sinatra Jr. who died of a heart attack on Wednesday while on tour in Daytona Beach, Florida.

Farrow, 71, posted a picture of Ol' Blue Eyes with his then wife Nancy Barbato and their three children, Nancy, Frank Jr. and Tina, writing, 'Condolences to the Sinatra family. RIP Frankie'.

The Rosemary's Baby star was married to Frank Sinatra for two years in the 1960s, making her stepmother to Frank Jr., even though she is a year younger than him.

His sister Nancy Sinatra, 75, posted the news to her Facebook page writing only, 'Sleep warm, Frankie'.

A family statement said they mourns the untimely passing of their son, brother, father and uncle. No other details were provided.

His world-famous father also died from a heart attack in 1998. He was 82.

The musician and conductor's only son Michael, also posted a heartfelt message to his departed father onto Twitter, writing, 'He was a man who was loved so much despite being so flawed - and that was always a great inspiration for me'.

Sinatra Jr. was kidnapped and held for ransom in Lake Tahoe in 1963, when he was just 19, and had already followed his dad into the music business by then.

Frank Sinatra Jr., who carried on his famous father's legacy with his own music career, has died at the age of 72 from a suspected heart attack. He is pictured left at a concert in Florida last week

Frank Sinatra Jr., who carried on his famous father's legacy with his own music career, has died at the age of 72 from a suspected heart attack. He is pictured left at a concert in Florida last week and right on a TV show in 1968

Tributes: Mia Farrow and Nancy Sinatra added their names to the chorus of tributes to Frank Sinatra Jr.

He is pictured with his famed father in Manhattan, New York, in September 1963. Frank Snr also died of a heart attack in 1998

He is pictured with his famed father in Manhattan, New York, in September 1963. Frank Snr also died of a heart attack in 1998

He performed the National Anthem at a New York Yankees game last year.

He was in Daytona to do a show on Wednesday but died suddenly during the afternoon.

Initially, he only felt lightheaded, but canceled the show on Wednesday as a precaution.

The gossip site reported that he said he was feeling better but then went into cardiac arrest.

Grammy winner Steve Tyrell was one of the first people to pay tribute to Sinatra Jr, writing on Twitter: 'I am overwhelming (sic) saddened by the sudden passing of my dear friend Frank Sinatra Jr.'

Seth McFarlane, the creator of Family Guy, added: 'Frank Sinatra, Jr. was a friend to Family Guy, and a friend to me. I'm saddened at his passing, but grateful to have known him. RIP, Frank.'

In his last interview, he told Daytona Beach's The News-Journal that retirement was a 'dirty' word.

He said: 'I think in my generation, when I came along in the early '60s, the type of music that was in vogue in society in those days had moved on to another kind of music.

Son and ex-wife: Michael Sinatra (seen left in a picture from his Twitter handle) is the son of Frank Sinatra Jr. and he posted a farewell to his father on Wednesday. On the right is Cynthia McMurry-Sinatra, the musician and conductor's ex-wife

Freedom: Cynthia is a noted attorney and married Frank Sinatra Jr. in October 1998 - five months after Frank Sinatra passed away

'I was trying to sell antiques in a modern appliance store.'

He said when his father's health began to decline in the 1990s, what Sinatra held onto was his love of his audience.

'That kept him alive,' he told the newspaper.

'That honest to goodness kept him going,' Sinatra Jr. said, 'and I have said my philosophy — I'm a backyard philosopher, I guess — is that the dirtiest word in the English language is 'retirement.' '

Sinatra married only once, in 1998 to attorney Cynthia McMurry-Sinatra. They divorced in 2000.

She made a name for herself when she defended a former Yugoslavian war criminal, Esad Landzo in the late 1990s.

She traveled to the Hague to defend him where he was accused of 'beating to death a 60-year-old prisoner and nailing a metal badge to another prisoner's forehead.'

He was also accused of tying a 'lit fuse around one prisoner's genitalia and forced another to perform oral sex on his own brother.'

She apparently lost the case though, as Landzo was sentenced to 15-years behind bars.

In an interview with the Wall Street Journal, Cynthia said she met Frank Jr. in Las Vegas where he was singing. She said that he gave the arguably flattering nickname, 'The Weapons'.

They wed on her father's farm on October 18, 1998 - which was just five months after Frank Sinatra died.

For the past half century Frank Jr has toured the world as a singer; for the past two decades performing his father's classic songbook in his show Sinatra Sings Sinatra.

In an interview with the Mail on Sunday last year, he described what it was like living in the shadow of his father.

He said he had woefully few memories growing up of his father. He admitted much of what he learned came from the pages of books, fanzines and, more recently, computer searches.

He is pictured at the Seminole Hard Rock in Florida in 2011

His family said in a statement to that Sinatra died unexpectedly Wednesday of a heart attack while on tour in Daytona Beach, Florida. He is picture during a show in Miami on March 11

Frank Jr had been touring around the world for more than half a century. He is seen here in Miami last week. In his last interview with a Florida newspaper he said retirement is the 'dirtiest word in the English language'

Frank Jr had been touring around the world for more than half a century. He is seen here in Miami last week. In his last interview with a Florida newspaper he said retirement is the 'dirtiest word in the English language'

Frank Jr sits on his father's lap alongside sister Nancy Jr during a beloved family picture in 1948

Frank Jr sits on his father's lap alongside sister Nancy Jr during a beloved family picture in 1948

His mother Nancy, Sinatra's childhood sweetheart, supported her husband wholeheartedly while raising three children virtually solo until he left her for the movie star Ava Gardner.

First came daughter Nancy (who would later forge her own successful singing career in the Sixties with hits like These Boots Are Made For Walking), then Frank in 1944, followed by younger sibling Tina.

When Frank was born, his father was away on a movie set. His mother, who Frank Jr still saw every week until he died, posed for publicity shots holding her newborn in her arms alongside a blown-up photo of her absent husband.

'My father in those days was in the fat of his career. As anyone in showbusiness knows, when the phone is ringing you take the work while you can get it,' Frank Jr. later said.

But there was a side to the suave, cocksure performer that Frank hid from the world, a crippling life-long battle with depression that Frank Srenior dubbed the 'Black Dog'.

His son says: 'Like any man, his life was highs and lows. At one point he was riding the crest. He was the biggest star in the world.

'Then in one nine-week period, in 1957, his entire world exploded.

'His movie contract was cancelled, he was released by his agency, the wife he adored divorced him (Ava Gardner) and his TV show was canned.

Kidnapped and held for ransom when he was 19, Sinatra Jr. had already followed his dad into the music business by then. He is pictured right with his father alongside Dean Martin and his son Dean Paul in 1967

Kidnapped and held for ransom when he was 19, Sinatra Jr. had already followed his dad into the music business by then. He is pictured right with his father alongside Dean Martin and his son Dean Paul in 1967

Frank Jr. is pictured alongside his mother Nancy and sister Nancy Jr (date unknown)

Frank Jr. is pictured alongside his mother Nancy and sister Nancy Jr (date unknown)

'Confucius said: 'The man who knows not pain can never recognise pleasure.'

'In my father's case, his terrible times were amplified many times because of his stature. I remember the 'Black Dog' from the time I could not see over the top of this table.'

When asked if he had any mementoes from his father, he said: 'Yes, I have a pair of cufflinks with his initials on them.'

Frank repeatedly spoke of how his own life was 'immaterial', adding: 'I've never been a success. I have never had a hit movie, a hit television programme, a hit record.

'It would have been good for my personal integrity, my personal dignity to have had something like that.

'I have never made a success in terms of my own right. I have been very good at re-creation. But that is something that pleases me because my father's music is so magnificent.'

Perhaps the one time his father made his love abundantly clear was when the 19-year-old Frank Jr was kidnapped for four days.

The story became headline news around the world and knocked the assassination of President Kennedy (which happened the month before) off the front pages.

Sammy Davis Jr and Frank Sinatra Jr in the film 'A Man Called Adam' in 1966

Sammy Davis Jr and Frank Sinatra Jr in the film 'A Man Called Adam' in 1966

A young Frank Sinatra Jr. (right) is pictured in the arms of his father and sister Nancy Jr in 1948

A young Frank Sinatra Jr. (right) is pictured in the arms of his father and sister Nancy Jr in 1948

Frank Sinatra is seen for the first time since the kidnapping of his son, Frank Jr, in 1963

Frank Sinatra is seen for the first time since the kidnapping of his son, Frank Jr, in 1963

On the evening of December 8, 1963, two drug-addled drifters, Barry Keenan and his friend Joe Amsler, both 23, knocked on the door of Frank Jr's hotel room in Lake Tahoe, California: 'They decided the best way to make a great deal of money in a short space of time was to hold a rich man's kid to ransom,' he recalled.

'They pretended they were delivering a Christmas package but the next thing I knew this guy had a gun in my face.'

He was bundled in the boot of a car and driven to a 'safe' house outside Los Angeles, an eight-hour drive away.

Sinatra Sr immediately offered a $1 million reward, an offer countered by the bumbling kidnappers with a request for $240,000.

Frank Jr says: 'I thought my life was over. I'd been blindfolded and held in a dirty house. I knew they were in contact with Sinatra but had no idea what was going to happen.'

The ordeal lasted four days before the money was handed over (it was dropped in a bin at a petrol station) and Frank Jr was released in the glare of publicity.

The kidnappers were caught days later after boasting of their exploits.

HOW AMATEUR CRIMINALS TRIED TO GET RICH OFF THE MOST FAMOUS SINGER IN THE WORLD BY KIDNAPPING HIS SON... AND HOW THEY DRASTICALLY FAILED

Chief FBI agent William G. Simons of Los Angeles (left) and FBI Assistant Director Joseph Casper (also left) show newsmen the ransom money recovered after the kidnapping of Sinatra Jr.

Chief FBI agent William G. Simons of Los Angeles (left) and FBI Assistant Director Joseph Casper (also left) show newsmen the ransom money recovered after the kidnapping of Sinatra Jr.

Just days after the assassination of President John F. Kennedy—a group of amateur criminals hoping to get rich engineered one of the most infamous kidnappings in American history.

For several weeks, two 23-year-old former high school classmates - Barry Keenan and Joe Amsler - had been following a 19-year-old singer, Frank Sinatra Jr, from city to city,

They were waiting to find the right time to make their move.

The pair decided to strike on the evening of December 8, 1963. Sinatra, Jr was performing at Harrah’s Club Lodge in Lake Tahoe on the border of California and Nevada.

At around 9 pm he was resting in his dressing room when Keenan knocked on the door. He was pretending to deliver a package to the singer, who was just starting his career.

That is when the chaos unfolded.

Keenan and Amsler tied up Sinatra’s friend with tape, who was relaxing with the star at the time, and blindfolded their victim.

They then dragged him to a car waiting outside.

The singer’s friend quickly freed himself and told police his friend has been taken.

Roadblocks were set up, and the kidnappers were actually stopped by police, but they managed to get through.

Agents then met with young Sinatra’s father in Reno and his mother in Bel Air, California.

The FBI recommended that Sinatra wait for a ransom demand, pay it, and then allow the Bureau to track the money and find the kidnappers.

The following evening, Keenan called a third conspirator, John Irwin, who was to be the ransom contact.

Irwin called the elder Sinatra and told him to await the kidnappers’ instructions.

On December 10, he passed along the demand for $240,000 in ransom. Sinatra, Sr. gathered the money and gave it to the FBI, which photographed it all and made the drop per Keenan’s instructions between two school buses in Sepulveda, California during the early morning hours of December 11.

While Keenan and Amsler picked up the money, Irwin had gotten nervous and decided to free the victim.

Sinatra, Jr. was found in Bel Air after walking a few miles and alerting a security guard.

The youngster described what he knew to FBI agents, but he had barely seen two of the kidnappers and only heard the voice of the third conspirator.

Still the bureau were able to track down the house where he was being kept. In the end, Keenan, Amsler, and Irwin were all convicted after they started to fold on each other.

(Source: FBI)

The three suspects in the Frank Sinatra Jr. kidnapping are shown in court (left to right) Barry Keenan, 23, Clyde Amsler, 23, and John Irwin, 42. They were all convicted after ratting on each other

The three suspects in the Frank Sinatra Jr. kidnapping are shown in court (left to right) Barry Keenan, 23, Clyde Amsler, 23, and John Irwin, 42. They were all convicted after ratting on each other

Sinatra Sr, who had negotiated directly with the criminals, was bereft after, midway through a call with the abductors, the payphone he was using ran out of money and he had no more coins.

From that moment on he always carried around a roll of ten-cent coins. When he was buried in 1998 a roll of dimes was placed in his casket.

But the final insult to Frank Jr came during the kidnappers' trial.

The suspects were dubbed 'rank amateurs' by the prosecutor. Their defence lawyer tried to sway the jury by implying the kidnapping was all a stunt to promote Frank Jr's failing musical career.

Lawyer Gladys Root told the hushed courtroom: 'This was a planned contractual agreement between Frank Sinatra and others connected with him… was this the publicity he had been looking for to make the ladies swoon over him like Poppa?'

It was a lie but the mud stuck: 'It definitely affected my career. People didn't trust me. They thought, 'There's no smoke without fire.' It was a life-changing experience. It puts you in touch with yourself.'

Keenan and Amsler were sentenced to 24 years while another accomplice, Irwin – the man who picked up the ransom package – received a 16-year jail term. None of the trio served more than five years in jail.

He smokes a cigarette while at the 53rd Annual Variety Clubs International Convention in 1980 with actress Melissa Sue Anderson

He smokes a cigarette while at the 53rd Annual Variety Clubs International Convention in 1980 with actress Melissa Sue Anderson

The family - (left to right) Frank Jr, Nancy, Frank and Nancy Jr - enjoy a meal together at the New York nightclub, The Stork Club

The family - (left to right) Frank Jr, Nancy, Frank and Nancy Jr - enjoy a meal together at the New York nightclub, The Stork Club

Frank Jr and Nancy Jr (left and right) join their father for an event in 1958

Frank Jr and Nancy Jr (left and right) join their father for an event in 1958

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #167 posted 03/17/16 3:56pm

JoeBala

Vicious Is The Best Horror Film Of The Year

this-short-film-is-the-best-horror-movie-you-ve-never-seen-lydia-s-fear-is-practically-t-793829

In 2015, a 12-minute long horror film called Vicious started touring the festival circuit – and doing exceptionally well in the process. Hands down, it’s one of the best horror films I’ve ever seen. The film is now publicly available and you can watch it down below. But first, a bit about the movie.

this-short-film-is-the-best-horror-movie-you-ve-never-seen-rachel-winters-as-lydia-793783

Shortly after the death of her sister Katie, Lydia returns home one night to find her front door ajar. Trying her best to ignore it, she attempts to get on with her night, but something has other ideas. This is Vicious‘ basic premise, and it spends its entire runtime developing and twisting that premise into a chilling, suspenseful experience that you aren’t likely to forget anytime soon. Park’s Hitchcockean influences are clear throughout Vicious‘ tense 12 plus minutes. The simple yet beautiful lighting design often tricks you into thinking that you’re watching a black and white movie, and composer Matthew Walker’s eerie music cues do a wonderful job of calling back to the glory days of classic horror. Park was able to assemble an absolutely fantastic crew for his first outing in the director’s chair – due in part to his ‘day job’ as an award-winning actor – and the quality from every department really shows. He’s managed to transition from in-front of, to behind the camera seamlessly, and his passion for his new found craft shines through in every single frame of Vicious.

this-short-film-is-the-best-horror-movie-you-ve-never-seen-winters-is-front-and-centre-f-793785

Throughout Vicious, there are no cheap scare tactics, and everything has a point and reason behind it. It doesn’t scare you just for the sake of scaring you, each fright has a method (and perhaps a madness) behind it, and each one will stay with you for a long time after the credits end. I was recently lucky enough to sit down with Oliver for an interview, and he told me the best way to watch Vicious is in the dark with headphones in, so that’s how I watched it. I still haven’t recovered. From start to end, Vicious is a horror film unlike any other – it’s intense, it’s genuinely terrifying, and if nothing else it’s one of the finest examples of horror film-making in recent memory.

Anyway, without further ado, here is Vicious in it’s terrifying, brutally beautiful glory:



What to watch on Thursday, March 17...


SERIES PREMIERE, 12:01am Pacific, Seeso
Bajillion Dollar Propertie$
Paul F. Tompkins, Gillian Jacobs, Patton Oswalt, Jason Mantzoukas, and other comedy notables appear in this parody of real estate-centric reality shows on NBC’s subscription streaming service.


8pm, ABC
Grey’s Anatomy
The staff is baffled when Richard shakes up the resident-attending pairings in “Odd Man Out.” Even more perplexing, some of their new partners include a CPR dummy, a corgi in a labcoat, and the complete second season of Scrubs on DVD. In other conundrums, Arizona takes a big risk with a patient who’s pregnant with quadruplets, while April must make a hard decision of her own.


8pm, NBC
You, Me and the Apocalypse
In “Saviour Day,” Layla and Jamie plan a rescue operation, while Jude and Celine are torn between their loyalty to the church and to one another.


SEASON 13 FINALE, 9pm, Bravo
Top Chef
The top two compete to create the most sumptuous repast for a murderer’s row of chefs and this season’s eliminated contestants. Which one will be Top Chef, and which will be Bottom... um... Machinist? Haberdasherer? What's the opposite of chef?


9pm, ABC
Scandal
With Olivia busy snooping on Jake, the Olivettes are on their own in “I See You.” (It doesn’t help that nobody knows where she left the clicky thing that advances through the snapshot montages.) Elsewhere, Susan and Mellie each feel the strain of the campaign trail, while Abby suspects that Cyrus may not be entirely on the up-and-up, if you can believe such a thing.


SEASON 2 FINALE, 10pm, ABC
How to Get Away With Murder
All the pressure and the craziness and the what-have-you have pushed Annalise to her breaking point in “Anna Mae,” so she’ll be starting her summer hiatus now, thank you very much. Also feeling the heat are Frank, who confronts his litany of evil deeds, and Wes, who closes in on the truth about his past.


SEASON 1 FINALE, 10pm, USA
Colony
The Los Angeles bloc is placed on lockdown after the Resistance nabs a valuable hostage in “Gateway.” Don’t worry though, I’m pretty sure this exact thing happened in the Season 3 finale ofEntourage, and if memory serves, everything worked out A-okay.


10pm, History
Vikings
Trusted people conspire against Odo in “Promised,” while Ecbert’s pledge to back Kwenthrith in Mercia may be less than reliable. In more honest affairs, Ragnar shares his deepest secret with Yidu.


10pm, IFC
Portlandia
Newly outfitted with glasses, Lance falls in with a brainy new crowd in “Lance Is Smart.” That prompts Nancy to hire a tutor so she can fit in with his new friends.


10pm, NBC
Shades of Blue
It’s heist day in “The Breach,” but Harlee is busy negotiating immunity for her crew and realizing that trusting Stahl was a mistake. Meanwhile, Miguel makes a discovery of his own, and Loman witnesses the not wholly successful heist in action.


SEASON 6 FINALE, 10pm, Comedy Central
Workaholics
“The Nuttin’ Professor” sends the boys on a search for their all-time favoritist porn. “How much better could one porn be than another,” you may ask, before you learn that this one was based on a long-lost Billy Wilder script and shot by a young Janusz Kamiński.


SEASON 1 FINALE, 10:30pm, Comedy Central
Idiotsitter
“Finale” finishes the freshman season with Gene taking her GED as Billie pursues her professorial dream. But will their respective academic ambitions put the ladies at odds?


11pm, History
Join or Die with Craig Ferguson
Jack Black, comedian Tymberlee Hill, and professor Stephen Prothero discuss history’s craziest cult. If the winner is anything but The CW’s short-lived, bugnuts thriller Cult, What to Watch Tonight shall formally demand a recount.


LATE-NITE:
– Theo James on The Daily Show with Trevor Noah, 11pm, Comedy Central
– Joanna Coles on The Nightly Show With Larry Wilmore, 11:30pm, Comedy Central
– Clive Owen, Nia Vardalos, and Jimmy Carr on The Tonight Show Starring Jimmy Fallon, 11:35pm, NBC
– William H. Macy, Melissa Rauch, and Isaac Mizrahi on Late Show with Stephen Colbert, 11:35pm, CBS
– Henry Cavil, Gabourey Sidibe, and Flogging Molly on Jimmy Kimmel Live, 11:35pm, ABC
– Jennifer Garner, Thomas Middleditch, Melissa George, and Matt Cameron on Late Night with Seth Meyers, 12:35am, NBC

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #168 posted 03/17/16 7:03pm

JoeBala

Lee Andrews, Questlove's Dad and Lee Andrews & the Hearts Singer, Has Died

He was 79

Lee Andrews, the lead singer in doo-wop group Lee Andrews & the Hearts and father of the Roots' Questlove, has died, Billboardreports. He was 79.

In 1953, Andrews formed Lee Andrews & the Hearts in Philadephia. In 1957, Chess picked up their hit "Long Lonely Nights" from Mainline, and did the same for "Teardrops." The following year, the group moved to United Artists and charted with "Try the Impossible." They continued to tour in the ’60s.

Questlove, born Ahmir-Khalib Thompson, has written about his father's influence. When Questlove was 10, Andrews encouraged him to take on the group's light show. Two years later, Andrews' drummer sprained his arm before a concert. "My Dad just said, 'You know the show. Go play it,'" Questlove writes in his memoir, Mo' Meta Blues. It was his debut as a drummer.


On Instagram yesterday evening, Questlove wrote:

The Greatest Teacher in my life, my dad Lee Andrews June 2nd 1936-March 16 2016. I love you. For every backstage experience. For every drum lesson. For giving me your tireless work ethic. For our father & son record binging expeditions. For our arguments over the summer I discovered #ItTakesANationOfMillions. For the look on your face when I told you "imma give this rap thing a try" (I waited til our 2nd album to have this convo btw) For the look on your face 5 years later when I told you "you don't have to work no more. For the look on your face when a year later I was like "Seriously dad, you don't have to work anymore!" For bringing my mom & my sister into my life. For the years we fell out. For the years we put it back together. But really, for the last 2 conversations we had. I understand why you were so hard on me praying I didn't succumb to a fate not meant for a teenager in west philly in the mid 80s. I didn't understand it at the time. But I appreciate it now. I hope Donn & I do you proud. #LeeAndrewsAndTheHearts

Lee Andrews, Doo-Wop Singer and Questlove's Father, Dead at 79

"I understand why you were so hard on me praying I didn't succumb to a fate not meant for a teenager in west Philly in the mid-Eighties," drummer writes of "greatest teacher in my life"

BY DANIEL KREPS March 17, 2016
Everett

Lee Andrews, lead singer of the Philadelphia doo-wop group Lee Andrews & the Hearts, died Wednesday. He was 79. Andrews' son, the Roots drummer Ahmed "Questlove" Thompson, confirmed his father's death with a written tribute where Questlove called Andrews "the Greatest Teacher in my life."


"I love you," Questlove wrote to his father. "For every backstage experience. For every drum lesson. For giving me your tireless work ethic. For our father & son record binging expeditions. For our arguments over the summer I discovered #ItTakesANationOfMillions.

For the look on your face when I told you 'Imma give this rap thing a try' (I waited til our 2nd album to have this convo btw) For the look on your face five years later when I told you, 'You don't have to work no more.' For the look on your face when a year later I was like, 'Seriously dad, you don't have to work anymore!' For bringing my mom & my sister into my life.

For the years we fell out. For the years we put it back together. But really, for the last two conversations we had. I understand why you were so hard on me praying I didn't succumb to a fate not meant for a teenager in west Philly in the mid 80s. I didn't understand it at the time. But I appreciate it now. I hope Donn & I do you proud."

Born Arthur Lee Andrews Thompson in North Carolina, Andrews' family moved to Philadelphia when he was two. Andrews and the Hearts formed in 1953 and subsequently recorded singles for labels like Chess, United Artists and Gotham. Their biggest hits came in 1957 and 1958 with "Long Lonely Nights" (Andrews and the Hearts performed the song on the fifth national episode of American Bandstand), "Tear Drops" and "Try the Impossible," their last charting single.

After a brief breakup in 1960, Andrews and an amorphous lineup of the Hearts – renamed at times as the 5 Hearts or the Famous Hearts – continued recording together until 1968.

Lee-Andrews-Charlie-Inqui

Andrews' last recorded project was a soul group called Congress Alley, which recorded an album in 1973. The band featured Andrews' wife and Questlove's mother Jacquelin Thompson. As a young child, Questlove accompanied his parents on tour, learning how to drum at a young age.

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #169 posted 03/18/16 10:49am

JoeBala

‘L.A. Law’ Star Larry Drake Dies at 66

Carmel Dagan

MARCH 17, 2016 | 04:27PM PT

Emmy-winning actor Larry Drake, who played Benny on “L.A. Law,” died Thursday, his rep confirmed. He was 66.

A cause of death has not yet been revealed. According to TMZ, which first reported the news, Drake was found dead by his friend in his Hollywood home.

Drake played the developmentally disabled office assistant Benny Stulwicz on “L.A. Law.,” which was praised for handling Benny’s odyssey in a very progressive fashion, especially for the time, as he gets the job, finds his own apartment and gets a girlfriend over time, sometimes having to fight for his legal rights with the help of the attorneys who employ him. Drake recurred on the series from 1987-94.

He was Emmy nominated for the role three times, in 1988, 1989 and 1990, winning the first two times out. He reprised the role for “L.A. Law: The Movie” in 2002.

The actor was equally memorable in Sam Raimi’s stylish Liam Neeson fantasy action film “Darkman” (1990) as the villainous Robert G. Durant, appearing in the sequels as well.

He also starred as the homicidal physician of the title in the 1992 horror movie “Dr. Giggles.”

Drake had a supporting role in Rowan Atkinson’s hit 1997 comedy “Bean” as Elmer, and he appeared in “American Pie 2” in 2001 as Natalie’s dad.

In television, Drake was a series regular on ABC’s sci-fi series “Prey” in 1998 as Dr. Walter Attwood. Debra Messing and Frankie Faison were also in the cast.

In the 2000s, he nabbed a handful of voicework roles for animated TV series and guested on “Six Feet Under,” “Crossing Jordan,” “7th Heaven” and “Boston Legal.”

The actor had most recently appeared in the 2009 horror film “Dead Air,” directed by and starring his “L.A. Law” co-star Corbin Bernsen.

Drake was born in Tulsa and graduated from the University of Oklahoma.

The actor began appearing in small roles in movies in the early 1970s and made his television debut in a 1983 adaptation of Thornton Wilder’s “The Skin of Our Teeth” on PBS’ “American Playhouse.”

He was twice married, to actress Ruth de Sosa (1989-91) and Marina Drujko (briefly in 2009). Both marriages ended in divorce.

Justice League: Amber Heard Confirms Role as Aquaman’s Queen

Amber Heard Mera Aquaman Movie Justice League: Amber Heard Confirms Role as Aquamans Queen

It may have taken longer to get underway, but now that it has, WB’s Justice League movie universe is adding more and more characters and cast members by the day. But as reliable as heroes like Superman, Batman, or even Wonder Woman may be, audiences are still not sure what to expect from James Wan’s take on Aquaman. With leading man Jason Momoa (Game of Thrones) guaranteeing a hero that nobody will (openly) mock, the surrounding story, setting, and supporting characters are far less clear. Thankfully, one key figure can apparently now be locked in place.

After previous rumors claimed that Amber Heard (Magic Mike XXL) was in talks to take on the role of Mera, Aquaman’s main love interest (and eventual Queen of Atlantis), the actress has now personally confirmed that she’s accepted the role… and even tried on the costume. Since those same reports stated that Heard would make her debut in Justice League Part 1 before the standalone Aquaman movie, fans may not have to wait as long as they fear for some official updates or details.

The confirmation comes not from the studio, but from Heard herself. While being interviewed by ET for her upcoming film The Adderall Diaries, Heard was asked if she was able to tease anything about the role of Mera, and whether or not she had tried on the costume:

ADVERTISING

“Yeah, yeah I have. It’s… interesting [laughs]. I’m wearing, um… it’s like, half suit of armor, half scales. I don’t know, it’s strange. But we’re in the process of building it now, so it’s coming along.”

Fans may have already gotten their first look at conce...in costume, when the artwork was teased – alongside Aquaman’s full armor costume – in behind the scenes photos taken of Zack Snyder and Momoa. It was impossible to pick out details, but Heard’s description seems fitting with the entire universe underneath the seas of DC Comics’ version of Earth. In fact, a blend of armor and scales is likely to be expected from her love interest, as well.

Aquaman Movie Momoa Heard Justice League: Amber Heard Confirms Role as Aquamans Queen

For the unfamiliar, Mera is more than your everyday Atlantean, and a powerful (sometimes too powerful for her own good) superheroine herself. Blessed with the same strength and endurance as Aquaman, Mera’s expertise lies not with sea life, but water itself, bending it to her will… and if required, able to evaporate every bit of it in a human body. It’s hard to know just how Mera’s presence in either Justice League or Aquaman will impact the story, since it’s still completely unknown if the film will follow a version of Aquaman already in place as King of Atlantis, with Mera by his side, or his pursuit of the throne after clinging to his half-human side.

Now that Heard has confirmed the role, first in Justice League, then taking on a larger one in James Wan’s Aquaman, what do you think of her casting? Does she seem like an interesting contrast to the hulking hero, or did you have another actress in mind? Let us know in the comments, and we’ll keep you updated when and if official details arrive.

Batman V Superman: Dawn of Justice opens on March 25, 2016, which is followed by Suicide Squad on August 5, 2016; Wonder Woman on June 23, 2017; Justice League Part One on November 17, 2017; The Flash on March 16, 2018; Aquaman on July 27, 2018; Shazam on April 5, 2019; Justice League Part Two on June 14, 2019; Cyborg on April 3, 2020; and Green Lantern Corps. on June 19, 2020.

Nigerian Animators Look to Put African Brand on World Stage

COURTESY OF EVCL STUDIOS
MARCH 18, 2016 | 10:00AM PT

When Adamu Waziri was in London late last year, overseeing the logistics for the first shipment of plush dolls based on his animated series “Bino & Fino,” he was determined to make sure things went off without a hitch. The holiday season was just weeks away, and the Nigerian animator had already learned about supply-chain perils first-hand. Recalling his struggles when the series launched in 2011, he let out an exasperated sigh. “It nearly killed us a few years ago,” he says.

That year, Waziri began selling DVDs of “Bino & Fino,” an educational series in the mold of “Dora the Explorer,” on his e-commerce site. But he didn’t anticipate how difficult it would be to ship orders across Nigeria, a vast country with poor roads and an unreliable postal system. The effort almost bankrupted the company.

The experience highlighted the challenges facing Waziri and his team of self-taught animators, the creators of a cartoon that’s produced entirely in Nigeria but perhaps better known in Germany, Sweden, Japan and the U.S., where young audiences watch the DVDs and stream the series. The exec remains determined to do “what the likes of Disney, Nickelodeon, Hasbro and Cartoon Network are doing … (and) create our own brands that we can sell to the world.”

A pioneer in the local industry, Waziri’s EVCL animation house is one of a handful of Nigerian studios attempting to develop brands that are, as he puts it, “immediately identifiable as coming from Africa.” The small, energetic community of animators is equally intent on penetrating Africa’s largest market: Nigeria is a country of more than 170 million people, half of them under 18.

“The only way you finance this content is through partnering with brands.”
MICHAEL AKINDELE

The challenges in Nigeria are daunting. Production costs are high for companies on shoestring budgets, and the studios that are developing IP can generally afford just a handful of full-time animators — enough to create an attractive product, but not necessarily at a breakneck pace.

“In terms of doing a full animated series, it’s something we can do, flawlessly,” says Ola Oyo of Lagos-based Spore-dust Media, which has five in-house animators. “We just need to have additional manpower.”

In order to finance development of its flagship property, animated series “Chicken Core,” Sporedust has been creating mobile games and ads for corporate clients. At EVCL, international DVD sales have provided a steady flow of foreign exchange that the company repatriates back into Nigeria.

But visibility remains a problem in a country with rampant piracy, while pay TV channels are crammed with U.S. imports. Worse, Nigerian broadcasters expect content creators to pay for airtime — an expensive proposition. Waziri notes that one reason his characters are virtually unknown in their home country is that they’ve never appeared on local networks. (Episodes of the show can be downloaded from the company’s website; some 20,000 DVDs have been sold worldwide, while YouTube views have hit roughly half a million.)

“The only way you finance this kind of content is by partnering with brands,” says Michael Akindele, producer of the animated series “The O Twins.”

Akindele forged partnerships with leading local brands including Indomie instant noodles, First Bank of Nigeria and Sweet Kiwi frozen yogurt to finance production of the show’s first season. That leverage allowed him to negotiate deals with free-to-air and pay TV networks in Nigeria and across Africa.

Akindele also recognized a strength of the local industry: After exploring the cost of foreign animators, he realized he could slash his budget by more than 80% by utilizing Nigerian talent.

Being able to provide first-class animation at a premium has helped other countries, such as India, South Korea and the Philippines, to develop their own industries. Still, Waziri stresses that he wants foreign producers to look at Nigeria as a producer of intellectual property rather than as a cheap source of labor.

What to watch on Friday, March 18...


SEASON 2 PREMIERE, 12:01am Pacific, Netflix
Marvel’s Daredevil
The Man Without Fear is joined by a pair of frenemies in the sophomore season: assassin/old flame Elektra Natchios (Elodie Yung) and homicidal vigilante Frank Castle (but you can call him the Punisher) (Jon Bernthal). Also, he’ll have to beat up a whole mess of demon-worshipping ninjas, because it just isn’t Marvel’s NYC without a whole mess of demon-worshipping ninjas running around Hell’s Kitchen. The full 13-episode season drops like a battered ninja today.


MOVIE PREMIERE, 12:01am Pacific, Netflix
Pee-wee’s Big Holiday
Paul Reubens reprises his most famous creation in a new adventure, co-produced by Judd Apatow. After Pee-wee Herman encounters a mysterious stranger, he decides to to go on his very first holiday—which, naturally, becomes a voyage of self-discovery. The cast also includes Joe Manganiello, Alia Shawkat, and Stephanie Beatriz.


DOCUMENTARY PREMIERE, 12:01am Pacific, Netflix
My Beautiful Broken Brain
A Dutch-French filmmaker rehabilitates from a devastating stroke in this documentary produced by David Lynch.


8pm, Fox
Sleepy Hollow
A sudden supernatural twist forces Abby and Ichabod into a classic hero-villain team-up with their worst enemies in “Incommunicado.” In other strained relationships, a rift grows between Jenny and Joe.


8pm, ABC
Last Man Standing
In “Outdoor Woman,” Mike meets with a former flame (Reba McEntire) who’s now a famous rock climber, hoping to sell her line of climbing gear at the store. She agrees—but with strings attached.


8:30pm, ABC
Dr. Ken
Ken takes the stand at trial in “Ken’s an Expert Witness,” but plaintiff’s counsel (Jim Rash) delivers a debilitating cross-examination that leaves him questioning his fitness as a physician. Back home, Allison helps Dave sew a replica designer dress in an effort to gain Molly’s esteem.


9pm, NBC
Grimm
“Silence of the Slams” sends Nick, Hank, Monroe, and Rosalee into the world of Luchador wrestling to solve a series of slayings tied to mystical masks. Elsewhere, Captain Renard contemplates a fateful offer, and Eve’s prying sparks new question.


11pm, Cartoon Network
Childrens Hospital
Chief hides a race horse at the hospital to safeguard it from a mob boss in “Childrens Horsepital.” Meanwhile, Lola is wooed to rejoin her college barbershop quartet, and Glenn glues Blake’s hands inside his gloves.


LATE-NITE:
– John Krasinski, Melissa Benoist, and Mike Posner on The Tonight Show Starring Jimmy Fallon, 11:35pm, NBC
– Helen Mirren, J.J. Abrams, and DMA’s on Late Show with Stephen Colbert, 11:35pm, CBS

.

.

.

[Edited 3/18/16 11:24am]

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #170 posted 03/18/16 6:09pm

JoeBala

Rockford Files and Sopranos star Joe Santos dies at 84

  • He passed away on Friday in Santa Monica, California after a heart attack
  • Santos starred with James Garner on Rockford Files from 1974 to 1980
  • The actor also played Angelo Garepe on HBO's Sopranos

Joe Santos, who played Lieutenant Dennis Becker on The Rockford Files, has died at 84.

Santos passed away on Friday in Santa Monica, California, after a heart attack earlier in the week, according to his agent Alicia Beekman.

Santos' career spanned more than four decades, and included a recurring role on The Sopranos. In the HBO show, he played Angelo Garepe, a consigliere who eventually ended up murdered.

Scroll down for video

TV star: Joe Santos (right), who starred in The Rockford Files alongside James Garner (left), has died at 84

TV star: Joe Santos (right), who starred in The Rockford Files alongside James Garner (left), has died at 84

He didn't mind going out in the field: Santos and Garner trying to crack a case during an episode of The Rockford Files in 1976

He didn't mind going out in the field: Santos and Garner trying to crack a case during an episode of The Rockford Files in 1976

The late Joe Santos stars in his hit show The Rockford Files

But he was best known as Lieutenant Becker, the pal and grudging helpmate of L.A. private eye Jim Rockford (James Garner) on NBC's The Rockford Files.

The show aired from 1974 to 1980 and scored him an Emmy nomination.

The New York-born actor also had guest roles on such series as Magnum, P.I., Miami Vice and Hardcastle & McCormick.

He worked for four decades: A closeup of the Hollywood veteran at a Red Cross benefit in 2005

He worked for four decades: A closeup of the Hollywood veteran at a Red Cross benefit in 2005

Santos most recently was seen in the 2015 film Chronic.

Before he got into acting, he did a series of odd jobs.

He once told TV Guide: 'I owned a bar, I worked on the railroad and I chopped down trees. Before Castro took over in Cuba, I used to buy $25 cars and drive them down to Key West. From there, I’d get them into Havana and unload them for $500 apiece.'

They had grit: (from left) Stuart Margolin with Garner and Santos during a reunion in 1994

They had grit: (from left) Stuart Margolin with Garner and Santos during a reunion in 1994

He got a soap opera role on The Doctors after a friend invited him a long to an acting class.


But his big break came when his pal Al Pacino, whom he played softball with, introduced him to a casting director who gave him the role of Det. DiBono in the film Needle Park.

He gained momentum on TV when he co-starred with Michael Douglas in a 1974 episode of The Streets Of San Francisco. That led to a part on Baretta with Robert Blake and then Lou Grant.

Another show: The Brooklyn native on the set of his 1980 series Me And Maxx where he played a free-wheeling father whose 11-year-old daughter suddenly shows up to live with him

Another show: The Brooklyn native on the set of his 1980 series Me And Maxx where he played a free-wheeling father whose 11-year-old daughter suddenly shows up to live with him

When he landed his part oppisite Garner on The Rockford Files, he became a household name. At the same time he appeared on Police Story with Don Meredith.


He was not seen on a high-profile show again until 1984 when he had a reoccurring role on Hill Street Blues playing Lastarza. Hardcastle And McCormcik as well as Magnum PI followed.

In the mid Nineties he appeared in many Rockford Files TV Movies including I Still Love LA and A Blessing In Disguise.

In 1997 he took a part opposite Kevin Costner in the post-apocalyptic film The Postman.

He is survived by his his wife of almost 58 years, Mary Montero, two sons and a daughter.

Mob guy: He also had a reoccurring role in The Sopranos, playing Angelo Garepe, a consigliere who eventually ended up murdered; here he is pictured in his final scene

Mob guy: He also had a reoccurring role in The Sopranos, playing Angelo Garepe, a consigliere who eventually ended up murdered; here he is pictured in his final scene.

'Seven Bridges Road' Singer Steve Young Dead at 73

Songwriter was hugely influential in the outlaw-country movement of the Seventies

BY STEPHEN L. BETTS March 18, 2016
Steve YoungSteve Young, shown here performing at the Country Music Hall of Fame in 2015, had died at age 73. Rick Diamond/Getty Images

Songwriter and performer Steve Young, one of the earliest purveyors of what would come to be labeled "Outlaw Country," died Thursday in Nashville. He was 73. In 1969, Young first recorded what would become his best-known song, "Seven Bridges Road." Since then, the tune has been covered by dozens of acts including the Eagles (it was their last Top 40 after their 1980 breakup and before the 1994 reunion), Ricochet and Dolly Parton. A live version by Alan Jackson, George Strait and Jimmy Buffet was also released in 2007.


A native of Newnan, Georgia, Young also penned the 1973 Waylon Jennings hit, "Lonesome On'ry and Mean," "Montgomery in the Rain" cut by Hank Williams Jr., and "It's Not Supposed to Be That Way," a minor hit for Willie Nelson in 1977.

Born in 1942, Young's family, led by his sharecropper father, moved from Georgia to Alabama to Texas looking for work, and in his teens, he returned to Alabama and became involved in the local music scene there before leaving again to immerse himself in the Greenwich Village folk music of New York.

After another move to Alabama, he went west to Los Angeles and lived in Hollywood in "Tobacco Road," a house populated by several other Alabama exiles. In L.A., he played folk music as a solo act and as part of the Skip Battin Band, the Gas Company (a group that included Van Dyke Parks and Stephen Stills), Stone Country and Richard and Jim.

Young's debut LP, Rock Salt & Nails featured appearances by former Byrds members Gram Parsons, Chris Hillman and Gene Clark, and included "Seven Bridges Road," which would go on to be cut by several artists in addition to the Eagles' iconic version, including folk singer Joan Baez, country star Eddy Arnold, singer Rita Coolidge, Dobro legend Josh Graves and country duo Lonzo and Oscar, among several others. Young also featured it as the title cut on his 1972 sophomore LP.

Admittedly uninterested in the sacrifices becoming a more well-known recording artist and performer would require, Young nevertheless released a total of 14 albums throughout his career. He was also featured in the landmark Seventies documentary, Heartworn Highways, which chronicled several of the singer-songwriters of the early Outlaw movement in Texas and Nashville, including Townes Van Zandt, Guy Clark, Rodney Crowell and Steve Earle. The film was not released until 1981.

In a Facebook post Thursday, Young's son, Jubal Lee Young (who recently appeared on The Voice), announced his father's passing in a statement that quoted the lyrics of "Alabama Highway," which his father performed inHeartworn Highways.

"'Turn supernatural, take me to stars and let me play. I want to be free, Alabama highway.' My father, Steve Young, passed peacefully tonight in Nashville. While it is a sad occasion, he was also the last person who could be content to be trapped in a broken mind and body. He was far too independent and adventurous. I celebrate his freedom, as well, and I am grateful for the time we had. A true original."

Prince to Publish 'Unconventional' Memoir in 2017

Singer's highly anticipated autobiography arrives fall 2017

BY DANIEL KREPS March 18, 2016
Prince has revealed that he is working on his autobiography, "an unconventional and poetic journey through his life and creative work"NPG Records

In what will be one of the most anticipated memoirs in music history,Prince has revealed that he is working on an autobiography that his publishers Spiegel & Grau describe as "an unconventional and poetic journey through his life and creative work."

The tome will find Prince writing in his own words about his family life, the "people, places and ideas that fired his imagination" as well as the inspiration behind many of his classic songs. Prince's as-yet-untitled memoir is scheduled to arrive in fall 2017.

"Prince is a towering figure in global culture and his music has been the soundtrack for untold numbers of people — including me — for more than a generation; his creative genius has provided the musical landscape of our lives," Spiegel & Grau Executive Editor Chris Jackson said in a statement. "Millions of words have been written about Prince — books and articles, essays and criticism — but we're thrilled to be publishing Prince's powerful reflections on his own life in his own incandescently vivid, witty, and poetic voice."

Prince Stuns at Emotional...lo Show »

While it's unclear what chapters of the Prince mythology the "unconventional" memoir will focus on, there is no shortage of intriguing topics, from his rise in the Twin Cities music scene (detailed semi-fictionally in Purple Rain), his many muses and his very public fallout with Warner Bros., resulting in a half-decade as "the Artist Formerly Known as Prince." The singer's memoir might also finally corroborate Eddie Murphy's brother's story about playing basketball versus Prince and the Revolution at Paisley Park, as told to Chappelle's Show.

News of Prince's memoir comes after a series of the singer's intimate Piano & A Mi...rformances, where Prince has shared personal stories from his life, including a touching tribute to his one-time girlfriend and collaborator Vanity.

Pierce the Veil Announce New Album, 'Misadventures'

Single "Texas Is Forever" to premiere on March 24th

BY BRITTANY SPANOS March 18, 2016
Pierce the Veil; Announce; New Album; MisadventuresPierce the Veil will release their long-awaited fourth album, 'Misadventures,' in May Photo Courtesy of Fearless Records

Post-hardcore group Pierce the Veil have announced their fourth album, Misadventures, set for release May 13th via Fearless Records.

The 2016 LP follows 2012's Collide With the Sky. The California band began teasing new music in June with the song "The Divine Zero," which will appear on Misadventures. The band is set to debut the album's official first single, "Texas Is Forever," on March 24th.

Pierce the Veil reunited with producer Dan Korneff — who co-produced Collide With the Sky — for the album. In a statement from the band, singer Vic Fuentes explained the four-year delay between albums, which largely stemmed from touring commitments and a choice to take things slowly with their fourth LP. "We went into this record wanting to top the last one, which we try to do with every record, and we kept setting the bar higher and higher," Fuentes said.

Pierce the Veil formed in 2006 and released their first album, A Flair for the Dramatic, in 2007 on Equal Vision. They made the move to Fearless Records in time for their third album and have toured with bands like All Time Low, the Devil Wears Prada, Mayday Parade and Sleeping With Sirens throughout their career.

Misadventures Track List

1. "Dive In"
2. "Texas is Forever"
3. "The Divine Zero"
4. "Floral & Fading"
5. "Phantom Power and Ludicrous Speed"
6. "Circles"
7. "Today I Saw the Whole World"
8. "Gold Medal Ribbon"
9. "Bedless"
10. "Sambuka"
11. "Song for Isabelle"

Emily’s D+Evolution

BY CHRISTOPHER R. WEINGARTEN March 4, 2016
Emily’s D+Evolution; Esperanza Spalding
Holly Andres
A jazz prodigy’s prog-rock opera about love and identity

Talented jazz musician Esperanza Spalding is best known for snatching the Best New Artist Grammy from the clutches of a young Justin Bieber back in 2012. That year's experiment, Radio Music Society, transmuted the textures of neo-soul through tricky changes and unlikely arrangements – avant-garde, yes, but ultimately as welcoming as pop music. Follow-up Emily's D+Evolution is a far more ambitious and thornier affair. The lyrics, flowing in disjunctive clusters, are about deleted narratives, glass ceilings and dreams deferred – ultimately a complex, funky prog-rock concept opera about love and identity. "Just keep riding ’til your wonder stops," she sings on "Elevate or Operate," boot straps up around your neck in case the thing drops." The track is part hard bop and part Captain Beefheart, a protest cry wrapped in a sea of confusion. Songs like "Good Lava" and "Earth to Heaven" revel in the weird angles of Nineties alterna-heavy bands like Shudder to Think and Polvo, while "Rest in Pleasure" turns the breathy pulse of Laurie Anderson's "O Superman" into a swirling sex jam. By album's end, the narrative clearly ends in triumph: a chant of "Funk the fear, live your life" and a cover of Veruca Salt from Willy Wonka and the Chocolate Factory brattily demanding, "I Want It Now". It’s a scorching art-pop statement.

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #171 posted 03/18/16 6:11pm

JoeBala

Upcoming Releases:


Artist: Silk

Album: Quiet Storm

Released: 2016

Style: R&B


Artist: Jaheim

Album: Struggle Love

Released: 2016

Style: R&B


Artist: Gwen Stefani

Album: This Is What The Truth Feels Like

Released: 2016

Style: Pop


Artist: Beyonce

Album: Back To Basic

Released: 2016

Style: R&B


Artist: Glen

Album: Taksil EP

Released: 2016

Style: Pop


Artist: Megan and Liz

Album: Deux

Released: 2016

Style: Pop


Artist: Marcus J

Album: Passion Speaks Louder

Released: 2016

Style: Soul



Artist: Blondfire

Album: True Confessions EP

Released: 2016

Style: Indie Pop


Artist: Sivan Talmor

Album: Fire

Released: 2016

Style: Pop


Artist: Ceelo Green

Album: Open Heart Acoustic Live

Released: 2016

Style: R&B


Artist: Parachute

Album: Wide Awake

Released: 2016

Style: Pop Rock



Artist: Beau

Album: That Thing Reality

Released: 2016

Style: Indie Folk

Full Track listing:

  1. 'C'mon Please'

  2. 'Jane Hotel'

  3. 'Mosquito'

  4. 'One Wing'

  5. 'Animal Kingdom'

  6. 'Oceans'

  7. 'Leave Me Be'

  8. 'Roam'

  9. 'Sweet Lips'

  10. 'Soar Across The Sea'

  11. 'Sleep Deprived'

  12. 'Lullaby'

Beau release their debut album 'That Thing Reality' on Monday 11th March 2016 via Kitsuné/Sony Red.

Available for pre-order here: http://smarturl.it/ThatThingReality

Beau's album artwork is shot by photographer Ryan McGinley.

A Q&A WITH HEATHER BO...BAND BEAÛ

May 6, 2015

Native New Yorkers Heather Boo and Emma Rose grew up in a creative environment, so it makes sense that they started a band. Calling themselves Beaû, a masculine term for beautiful, which loosely translates to handsome in French, the name sums up their tomboyish Lower Manhattan spirit. This week saw the release of the band’s self-titled EP, which is distinctly pop inspired, but with an Americana tinge and lyrics that would surprise anyone that didn’t know Boo and Rose are both in their early twenties. Then there is their look, with their French New Wave style and urban, street smart savoir-faire, they have modeled for Opening Ceremony, run wild and nude for photographer Ryan McGinley, and caught the attention of the venerable French record label Kitsuné, who has released their music first on a compilation and now on an extended play album. Today marks the release of their music video for One Wing, a song about love, loss and friendship. Autre got a chance to ask Boo and Rose a few questions about their music, their new album and how they got their big break in Paris.

Autre: How did you two meet?

Beaû: We had known of each other’s existence since infant hood – passing each other in the same parks, neighborhoods and schools. Our mothers were best friends, and eventually we too followed in their footsteps.

Autre: A lot of people like to put labels on things, how would you describe your music?

Beaû: Music for the soul

Autre: What music most inspires you?

Beaû: Music that is honest and true, without being too perfect…Particularly blues and soul from the South, and popular bands from the 60's. Generally anything that we find riveting inspires us...From the way a stranger smiles at you, to the wallpaper in an old dusty bookstore. Everything that moves us is inspiring.

Autre: You once travelled with Ryan McGinley on one of his epic adventures, what was that like?

Beaû: It was like stripping yourself of anything fake or unnatural. I learned so much on that trip about how to be secure in the nude when you have a naked forest surrounding you. It was one of the most exciting adventures I had ever been on and who knew it was just an introduction to many more.


"...THE STRENGTH OF A GOOD RELATIONSHIP CAN HELP YOU GET THROUGH ANYTHING. WE ALL MAKE MISTAKES AND IT'S IMPORTANT TO FORGIVE EACH OTHER AND IT'S EVEN MORE IMPORTANT TO STICK TOGETHER THROUGH THICK AND THIN."


Autre: How did you team up with Kitsuné?

Beaû: It was all about being in the right place at the right time and knowing good people. We ventured to Paris on our own a few summers ago with little money and few places to stay. We ended up meeting great people there who hooked up a show for us at a club, where we were introduced to Kitsunè. Later that week Kitsunè invited us to record a demo track somewhere in Paris. They liked it so we hopped on board. It has been an incredible experience since! Kitsunè has been so supportive! We've really become a family.

Autre: What is your favorite thing about New York?

Beaû: The diversity of people, food, culture and the boundless opportunities are our favorite part of New York.

Autre: The song One Wing is really powerful…do those lyrics come from personal experiences or a specific experience?

Beaû: We wrote the song guided by a sentimental melody that touched us both. The lyrics represent friendship to us and how the strength of a good relationship can help you get through anything. We all make mistakes and it's important to forgive each other and it's even more important to stick together through thick and thin.

Autre: What is the ideal setting for song writing?

Beaû: Anywhere.

Autre: What is your background…I read somewhere that your parents are painters?

Beaû: Yes it is true our parents are painters. We grew up in a world full of color and creativity, along with an 'anything goes' kind of attitude from our ex-hippie parents.

Autre: What can we expect from your new album?

Beaû: Colors and dreams.

Autre: What’s next?

Beaû: How should we know?


You can order Beaû's self-titled EP here.




Artist: Escondido

Album: Walking With A Stranger

Released: 2016

Style: Country



Artist: Jocelyn and Chris Arndt

Album: Edges

Released: 2016

Style: Pop


Artist: Regine Velasquez

Album: The Covers Collection

Released: 2016

Style: Pop


Artist: Kris Allen

Album: Letting You In

Released: 2016

Style: Pop Rock


Artist: Peter Frampton

Album: Acoustic Classics

Released: 2016

Style: Rock


Artist: Soul Asylum

Album: Change Of Fortune

Released: 2016

Style: Alt Rock


Artist: The Cars

Album: The Elektra Years 1978-1987

Released: 2016

Style: New Wave



Artist: Tanita Tikaram

Album: Closer To The People

Released: 2016

Style: Pop Rock

INTERVIEW: TANITA TIKARAM

Tanita Tikaram

Multi-million-selling singer songwriter Tanita Tikaram became synonymous with classy pop in the late eighties, when she stormed the UK charts while still a teenager.

Her debut album Ancient Heart, released in 1988, sold four million copies and spawned four hit singles, including Good Tradition and Twist In My Sobriety.

Since then, she’s had an on-off relationship with recording and playing live, taking her time to explore new musical avenues such as swing era jazz and classic UK R&B.

Now, 28 years later, Tanita’s back with her new record Closer to the People – her ninth studio album to date.

Although it’s still the work of an individual songwriter, and carries all the jazz/soul/R&B hallmarks that Tanita’s come to be known for, she’s also invited her live band further into the music-making fold.

We caught her just as she was heading out on a 23-date European tour to find out more about her songwriting story, her thoughts on the current state of the music industry and the making of her new album…

When did you first get into making music?
I was actually very young. When we were children, my dad went to Belize. He was in the army, and he came back with a guitar. So, I started to learn it and I remember writing songs from a young age. We all used it and would pretend to be a little pop band.

When did you first think it was something you would like to do more seriously?
I can remember watching the TV programme The Tube and Suzanne Vega was on. I must have been about 14 and I remember thinking, ‘wow. That can be a job – being a songwriter.’ I thought she looked cool and quite New York-y, and I made a connection that it was actually a possibility.

And then within four or five years, your first album was out. How did that all happen? Was it very fast for you?
Yes. It wasn’t really planned. When I did my A Levels, I got it into my head that if I made a record, I wouldn’t have to go to university. For some reason, I was fixated with not going to university. And my mum said, ‘okay, you have one year after your A Levels and if you get a record deal, you don’t have to go to uni.’ And that’s really what happened. It was a bit random (laughter).

What was it like to have such a massive record, then, at that age?
I guess it was quite funny. It’s very strange, because there’s obviously some steps to having that kind of record. A lot of exciting things happened, like getting your first gig, getting your first agent, getting your first manager, getting your first – you know. You start to support people who are quite famous, and you’re just a kid from Basingstoke. And then, you make a record. It’s quite funny now I think about it. But I was working so hard I got caught up in the rush of it, I suppose.

What was the industry like back then when you were just finding your feet?
I think the industry was very different, obviously (laughter). It seems very strange these days. I don’t know what it’s like for a young artist, but I remember when I was younger they used to spend a lot more money on videos and promotion. I think major record companies were more prepared to develop an artist from the early stages. I think it’s very difficult now, and I suppose a lot of record companies react to success rather than build success.

And radio has less of an important role these days. It’s a weird situation. There’s less variety to the music on the radio, so I imagine, if you’re starting out, and you have no name whatsoever, it’s very hard.

How has your songwriting changed over the nine albums you’ve made?
It’s changed a lot. When I was younger, if I didn’t finish a song straight away, that would be the end of it. These days, I am happy to wait for the idea to complete itself maybe over a few months. And I’m much more open to collaboration now than when I was younger. I think I feel much more part of a band, and on the new album, I’ve written a song with every member of the touring band.

Why are you more open to collaborating these days?
I feel much more at ease about the whole question of being a songwriter. I don’t feel so protective that I’m the songwriter and everybody else does the music. I’m not really into the idea of the tortured artist. I think my approach is more playful these days.

What’s the inspiration behind Closer to the People?
I was very taken by a book about the jazz singer Anita O’Day, called High Times, Hard Times. I hadn’t heard of her until a couple of years ago, and I thought, ‘this is a bit strange. This extraordinary singer. I should know who she is.’ I became intrigued by her life and her absolute passion for music at the cost of everything else.Closer to the People is riffing on that energy she had, and this insanity, at the same time, for music.

I think the title is quite timely because it seems like we’re going through a historical period where we are unavoidably closer to people through technology. But we have a false intimacy in the digital world, it doesn’t seem real.

Where did your love of jazz first come from?
When I was younger, I used to think that jazz was scary (laughter). I still do. But if you listen to a lot of music, at some stage you’re going to become curious about music that you didn’t necessarily grow up with.

I first started to listen to things like Ella Fitzgerald and Duke Ellington. I found that my ear was really attracted to that sound, those harmonies and grooves. Not the very intellectual jazz, but the joyful jazz. I think the thirties, forties and fifties sounds are really exciting to somebody who’s not been brought up with them. And the people looked incredibly cool, so that helps (laughter).

Now, as somebody who goes to concerts, I go to many more jazz shows than anything else, and I’m always amazed at their incredible ability and inventiveness. When I was younger, I just did not understand that kind of music, but even if you can borrow a little bit of its grooviness, or even one percent of the musical ability, it can bring a lot to your own sound.

How do you feel about the new record now it’s finished and ready for the world?
I feel very excited. We’re about to go on tour. We play our first gig tomorrow and there’s a great feeling among us – we’re very close as a band. It’s exciting, especially since everybody on tour was also involved in making the album. It makes things very special.

You’re still touring and playing live. What do you get out of that side of your work?
For a long time, I wasn’t really into it. It was a big mistake, because I think as a songwriter and a musician and a singer, you’re learning all the time by performing live, and performing with other musicians. I’ve learned so much more in the last few years just because I’ve been able to work with these musicians and play live, that I think it has actually been very positive for my songwriting. And it’s rekindled my passion for music.

What advice have you been given along the way that’s really been useful for you?
I think it’s important to appreciate the harmonies and the complexity of a piece of music in other styles. And it’s important to develop your own voice. I’m quite surprised at how many people don’t have their own voice, and I think that’s really what’s interesting about any musician or songwriter. I’m not interested in their virtuosity. I just want to hear their story. If you’re able to tell your story, that’s what the listener is interested in. Be very tenacious about that, because a lot of people will tell you not to share your story. And I think that is actually what will make somebody special.

Closer to the People is out on 8 April. Tanita headlines King’s Place, London, on 14 April.



Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #172 posted 03/19/16 7:09am

JoeBala

March 16 2016 cool cool cool

Andrew Bird and Fiona Apple Perform "Left Handed Kisses" on "Ellen"

From his upcoming album Are You Serious

Andrew Bird was the musical guest on today's episode of "Ellen." He was joined by Fiona Apple for a performance of "Left Handed Kisses," their duet from Bird's upcoming album Are You Serious. Find their performance and his upcoming tour dates below. Are You Serious is out April 1.

-

By Andy Daglas

Yesterday


What to watch on Saturday, March 19...

SPECIAL PREMIERE, 10am, Boomerang
Super Hero High
Supergirl arrives at the eponymous educational institution and quickly befriends Wonder Woman and IT girl Barbara Gordon in this animated special based on the DC Comics characters. Around campus, the Flash, Bumblebee, and Hawkgirl are are investigating a spate of Boom Tube-related security breaches that could be connected with Vice Principal Gorilla Grodd.


9pm, Starz
Black Sails
Eleanor lays it all on the line to rescue Rogers, while Billy seeks support for his cause, Flint and Silver gear up for war, and Vane faces the music.


10pm, Esquire
Beowulf
In the wake of Rheda’s new laws, Abrecan must decide whether to bow out or declare war. That’s not all keeping him busy this week, as he must ensure a bountiful harvest of a dangerous fish that’s vital to the survival of Bregan.

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #173 posted 03/20/16 6:59pm

JoeBala

Chicago Justice Casts Carl Weathers

Chicago Justice Adds Rocky Veteran Carl Weathers as State's Attorney

Chicago Justice is getting a powerful new player in Rocky‘s Carl Weathers , it was announced Saturday at PaleyFest’s salute to Dick Wolf.

Weathers — who famously portrayed Apollo Creed in the Rocky films and recently co-starred on USA Network’s Colony — will play State’s Attorney Mark Jefferies in the backdoor pilot, airing as Episode 21 of Chicago P.D. this spring.

The latest offshoot in the #OneChicago franchise also features Philip Winchester(Strike Back), Joelle Carter (Justified) and Nazneen Contractor (Heroes Reborn).

Weathers’ other TV credits include Arrested Development, Brothers and In the Heat of the Night.

Drew Barrymore Timothy Olyphant

Drew Barrymore, Timothy Olyphant to Star in Netflix Comedy Series

Add Drew Barrymore to the list of movie stars joining TV’s new golden age.

The actress will co-star with Justified alum Timothy Olyphant in Santa Clarita Diet, an upcoming comedy at Netflix.

The single-camera project, which has been ordered straight to series, centers on married couple Joel and Sheila (played by Olyphant and Barrymore), two realtors leading vaguely discontented lives in the titular Los Angeles suburb — that is, until Sheila goes through a dramatic change that sends their lives down a road of death and destruction. In a good way.

Set to drop in 2017, Santa Clarita Diet marks Barrymore’s first series-regular TV role since the 1992 primetime soap 2000 Malibu Road. She and Olyphant will exec-produce alongside Victor Fresco (My Name Is Earl), who will also write the series.

Helen Hunt Shots Fired

Helen Hunt, Richard Dreyfuss and Stephen Moyer Join Fox's Shots Fired

Fox’s event series Shots Fired just hooked three big fish.

Oscar winners Helen Hunt, Richard Dreyfuss and True Blood vet Stephen Moyerhave joined the drama in lead roles, TVLine has learned.

Co-created by Gina Prince-Bythewood (Love & Basketball) and Reggie Rock Bythewood (Notorious), the project stars Sanaa Lathan (Love & Basketball) as an expert investigator digging into a series of racially charged shootings in a small Tennessee town.

Hunt, Dreyfuss and Moyer will respectively play Patricia Eamons, the fictional governor of North Carolina; Arlen Cox, a real estate mogul and owner of a privatized prison who is intricately involved in the shootings; and Officer Breeland, a seasoned veteran in the town’s Sheriff’s Department who gets caught in the middle of the investigation.

This marks Hunt’s first regular series gig since Mad About You ended its seven-season run in 1999. Meanwhile, Moyer is coming off of FX’s short-lived Bastard Executioner, and Dreyfuss recently starred in ABC’s limited series Madoff.

The trio joins a cast that includes Stephan James (Selma), Aisha Hinds (Under the Dome) and Tristan Wilds (90210). Shots Fired will premiere later this year.

Game of Silence NBC

TVLine Items: Game of Silence Delayed,Catastrophe Season 2 Trailer and More

NBC’s Game of Silence will stay quiet for a while longer.

Initially slated to premiere April 7, the rookie drama will now debut on Tuesday, April 12, at 10/9c, with a sneak preview episode airing after The Voice. It will then make its time-slot premiere on Thursday, April 14, at 10/9c.

Adapted from the Turkish series Suskunlar, Game of Silence stars David Lyons (Revolution) as a rising star attorney whose perfect life is at risk of being upended when two childhood pals, Gil and Shawn (played by Once Upon a Time‘s Michael Raymond-James and Rescue Me‘s Larenz Tate), resurface with a major problem that threatens to dredge up a very tragic part of their past.

Ready for more of today’s newsy nuggets? Well…

* Episodes actress Andrea Savage has booked recurring roles on Veep‘s upcoming fifth season and iZombie‘s current sophomore run. Per Deadline, she’ll appear on the former as Senator Montez and on the latter as Andrea, the head of a private military contracting company interested in buying Super Max.

* PBS will air the documentary Joan Rivers: Exit Laughing, which reflects on the late comedienne’s legacy, on April 1, our sister site Variety reports.

* Film actress Greta Gerwig (Frances Ha, Mistress America) will guest-star on an upcoming Mindy Project episode, playing one of Mindy’s patients who knows a big secret about Danny, EW.com reports.

* Amazon has released the trailer for Season 2 of Catastrophe , coming to Amazon Prime on Friday, April 8.

Emma Stone Jonah Hill Maniac

Emma Stone, Jonah Hill to Star in Dark Comedy Series Adaptation Maniac

Film vets Emma Stone and Jonah Hill are in talks to star in Maniac, an adaptation of the Norwegian dark comedy series of the same name.

Having premiered last year in Norway, Maniac follow a young man (played in the original by Espen Petrus Andersen Lervaag) who’s living a fantastic life, but only in a fantasy world — all while he’s actually locked up inside a mental institution.

Per our sister site Deadline, the project from Paramount TV and Anonymous Content is being shopped around with an eye on a straight-to-series order, and for possibly two seasons right out of the gate. What’s more, True Detective‘s Cary Fukunaga is in talks to possibly direct every episode, as well as serve as an executive producer alongside Stone and Hill.

An Academy Award nominee for Birdman, Stone’s previous small screen credits include Tim Minear’s Drive and episodes of Medium, Malcom in the Middle and 30 Rock. Hill, a two-time Oscar nominee, appeared on the Oxygen sitcom Campus Ladies and, like Stone, has hosted the occasional Saturday Night Live.

gilmore-girls-alexis-bledel-kelly-bishop

Gilmore Girls Revival: Alexis Bledel, Kelly Bishop Reunite in On-Set Photo

Rory and Emily Gilmore are reunited — and it feels so good.

Tanc Sade — who will reprise his role as Finn in Netflix’s forthcoming Gilmore Girls continuation — shared a photo on Thursday of him and fellow castmatesAlexis Bledel and Kelly Bishop.

The actor’s epic selfie is the latest to pop up on Twitter, following snapshots shared by Danny Strong (with Liza Weil) — aka Doyle and Paris — and Yanic “Michel” Truesd...en Graham). Photos of Stars Hollow have also made their way online.

-

Prison Break Revival

Prison Break Vets Robert Knepper, Rockmond Dunbar Back for Fox Revival

The Prison population is exploding!

Robert Knepper and Rockmond Dunbar are the latest Prison Break faves to sign up for Fox’s upcoming revival, with the pair reprising their respective roles as jailbirds T-Bag and C-Note. They join previously announced PB vets Wentworth Miller, Dominic Purcell, Sarah Wayne Callies and Amaury Nolasco in the 9-episode continuation, which begins filming in Vancouver in April.

In the drama’s new chapter, which picks up after “escape artist” Michael Scofield’s apparent death, Sara Tancredi (Callies) has moved on with her life, raising her and Michael’s child with her new husband (to be played by Royal Pains‘ Mark Feuerstein). But when clues surface suggesting that Michael (Miller) may be alive, Sara teams with his brother Lincoln (Purcell) to engineer the series’ “biggest escape ever,” as three of Fox River State Penitentiary’s most notorious escapees, T-Bag (Knepper), C-Note (Dunbar) and Sucre (Nolasco), are pulled back into the action.

“The story unravels on an international landscape — it’s not a domestic [plot],” Fox co-chariman/CEO Dana Walden said. “We open on a very international contemporary-feeling story.”

The Fox drama’s original producing team, including series creator Paul T. Scheuring, Neal Moritz, Marty Adelstein and Dawn Olmstead, will executive-produce the new series, with Scheuring serving as showrunner.

What to watch on Sunday, March 20...

NEW NIGHT, 10pm, CBS
Elementary
“You’ve Got Me, Who’s Got You?” finds Holmes and Watson investigating the murder of a man who led a secret life as a costumed crimefighter. And before they can learn which supervillain punched his ticket, they must discover his mild-mannered civilian identity. Speaking of potential supervillains, Morland donates a sizable sum to Joan’s favorite charity in a bid to leverage her help.


10pm, ABC
Quantico
In “Answer,” the NATS pair off for defensive driving lessons at Quantico. So get ready for a pulse-pounding episode about checking your mirrors and placing your hands at 10 and 2! In the future, Simon tries to wrap his mind around his new reality.


10pm, Showtime
Billions
“Where the F*ck Is Donnie?” finds both Axe and Chuck asking… well, that, in the wake of a sudden and unexplained disappearance.


10pm, NBC
Hollywood Game Night
Laverne Cox, Shemar Moore, Molly Sims, Brandon Routh, Iliza Shlesinger, and Brooke Burke are the celebrity players. Naturally, everybody gets to try on Routh’s Atom suit since it’s the definition of one-size-fits-all.


10pm, HBO
Girls
Hannah and Loreen hope to sort out their respective relationship issues during a mother-daughter getaway in “Queen for Two Days.” Back home, Jessa sees a favor from her sister Minerva, while in Japan, a smitten Shoshanna welcomes a surprise visitor.


10:30pm, HBO
Togetherness
Alex butts heads with his new director, until the two find some common ground. Elsewhere in “Just the Range,” Brett adjusts to the ups and downs of his side job, Tina and Larry have a heart-to-heart, and Anna further proves her value to Michelle.


11:30pm, Cartoon Network
Robot Chicken
The Power Rangers, Obi-Wan Kenobi, the Terminator, and the Garden of Eden all make appearances in “Western Hay Batch.”


12am, Cartoon Network
The Venture Bros.
“Red Means Stop” presents a common threat to the O.S.I. and the Guild, forcing the enemies to team up—with Dr. Venture playing the role of bait in their operation.

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #174 posted 03/21/16 1:43pm

JoeBala

Tom Petty's new Sirius/XM interview with Micky Dolenz

March 18, 20165:44 PM MST
on.aol.com

http://static.tvtome.com/...Monday.jpg" src="http://static.tvtome.com/images/genie_images/story/2012_usa//WTWbanners/WTW_Banner_01_Monday.jpg" alt="" />


What to watch on Monday, March 21...


12:01am Pacific, Hulu
11/22/63
In October 1962, Jake goes to great lengths to assess the extent of the threat to Kennedy in “Happy Birthday, Lee Harvey Oswald.” But he’ll also have to absorb some more personal blows, in the form of a tragedy and a betrayal.


SEASON 22 PREMIERE, 8pm, ABC
Dancing With the Stars
Everything will be all right if a dozen celebs just keep dancing like they’re in season 22. The contenders include Kim Fields, Mischa Barton, Von Miller, and Geraldo Rivera.


8pm, The CW
Crazy Ex-Girlfriend
“Josh Has No Idea Where I Am!” finds Rebecca stuck on a plane alongside her therapist, leading her to an even more personal voyage (though that one doesn’t come with free peanuts). Back on terra firm, Josh, Paula, Darryl, and Greg search for their missing comrade.


8pm, Freeform
The Fosters
It’s time to raise the curtain on Brandon’s Romeo and Juliet musical in “The Show,” accompanied by no shortage of real-life drama between Mariana and Mat. Well, real-life in the context of the episode. Still fictional to us. Although that makes you wonder, to whom are we just fictional constructs? Spooky, right?


8pm, Fox
Gotham
Gordon and Bullock must solve a museum robbery in which the perpetrator left behind a series of diabolical clues. One might even call them... riddles? (Nudge, nudge.) Elsewhere in “Mad Grey Dawn,” Bruce bones up on his street smarts, and Penguin meets his papa (Paul Reubens, not quite reprising his role from Batman Returns).


8pm, CBS
Supergirl
“Manhunter” sheds more light on J’onn’s history with Kara and Alex’s dad and his stepping into the shoes of Hank Henshaw. Meanwhile, Siobhan begins her supervillain training by scheming against Kara, who contemplates letting someone else into the I Know Who Supergirl Is club.


8:30pm, TBS
American Dad!
Francine comes to the emotional rescue after news anchor Greg splits up with Terry in “Anchorfran.” In less healthy relationships, Roger becomes fixated on a fictional boy from an old game.


DOCUMENTARY PREMIERE, 9pm, HBO
Everything Is Copy
A profile of versatile writer and filmmaker Nora Ephron, who cut her teeth as a newspaper reporter before becoming one of the most influential voices in Hollywood. Written and directed by Ephron’s son Jacob Bernstein, the film includes reflections from Meryl Streep, Meg Ryan, Tom Hanks, Steven Spielberg, and many other loved ones and colleagues.


9pm, The CW
Jane the Virgin
Petra is back at work in “Chapter Thirty-Seven,” and the bloom appears to already be off the motherhood rose. Elsewhere, Jane becomes concerned as Rogelio remains incommunicado (what with having been abducted, and all), while Xo extends an invitation to an old flame of Alba’s—unaware that Alba believes he’s bad luck.


9pm, A&E
Bates Motel
In “‘Til Death Do You Part,” Norma and Romero take a big step together. (No word on whether that step is “up,” “up 2 the streets,” or in some other direction altogether.) Meanwhile, Norman acclimates to the new while Dylan frees himself from the old.


9pm, CBS
Scorpion
A secret mission in Djibouti lands Cabe and his new DHS protege (Scott Porter) in a tight spot, so the Scorpionites must ride to the rescue in “Djibouti Call.”


9pm, Syfy
The Magicians
In “Homeland,” Penny gets a harsh lesson about the reality of life in the Neitherlands. For one thing, there are a lot fewer wooden shoes and tiny fluffy pancakes than he’d been led to believe. It’s up to Quentin and Alice to save him, while Julia deals with a conflict of her own as she seeks to join an eclectic group of magicians.


9pm, Fox
Lucifer
“A Priest Walks Into a Bar” finds Lucifer helping a man of the cloth combat an underground drug ring at a youth center, setting a new standard for the Unlikely Ally plotline. Elsewhere, Malcolm devises a cunning plan to keep Dan on his radar.


9pm, TBS
Angie Tribeca
Tribeca and Geils attempt to infiltrate a gang of British robbers in “Inside Man,” but wind up behind bars instead. Quite the sticky wicket, as those robbers might say, because I assume British people go around saying stuff like that all the time.


SERIES FINALE, 10pm, Syfy
Lost Girl
Bo and company must combat the biggest and baddest of Big Bads as “Rise” wraps the series.


10pm, ABC
Castle
The killing of an NYPD Academy recruit brings the squad back to their former training ground in “Fidelis Ad Mortem.” Could this mean a lot of sepia-toned flashbacks and a possible back-door pilot for Li’l Castle? As for the grownup versions, Castle faces a tough decision that will have a big impact on him and Beckett.


10pm, NBC
Blindspot
A probe of a death-row case sends Zapata undercover in “Rules of Defiance.” Meanwhile, Jane thinks about parting ways with the FBI after nearly getting nabbed in the mole hunt.


10pm, CBS
NCIS: Los Angeles
In “The Seventh Child,” Callen tries to get through to a young boy who’s in imminent danger after being brainwashed by a terrorist cell. Somehow in the midst of that, Deeks and Kensi discuss having kids of their own, despite the ever-growing threat of brainwashing terrorists.


10pm, AMC
Better Call Saul
As Jimmy seeks sanctuary in familiar surroundings, Kim receives a potentially life-altering proposal. Meanwhile in “Bali Ha’i,” Mike is tested by a threat to his nearest and dearest.


10pm, VH1
Hit the Floor
A major loss wallops Devil’s Nation in “Love,” while Lionel’s actions have their own widespread impact. Meanwhile, Zero looks up an old acquaintance and Jelena is tested by a formidable adversary.


10pm, A&E
Damien
Damien shares the skinny on Rutledge with an old friend in “The Deliverer,” while Simone seeks answers from the church. Elsewhere, Shay greets an unexpected visitor, and Rutledge earns Damien’s trust.


10:30pm, TBS
Full Frontal with Samantha Bee
A delegation from the American Atheists hopes to find a receptive audience at the Conservative Political Action Conference. Or at least, y'know, not to get shot in the face.


11pm, Syfy
Bitten
Elena and Clay must overcome a potent new enemy in order to rescue Marsten in “Rule of Anger.” In other team-ups, Paige and Nick search for the cause of Rachel’s baby’s magical outbreaks, while Katia takes desperate measures to save her family.


LATE-NITE:
– Chris Hardwick, Jurnee Smollett-Bell, and Emily Galati on Conan, 11pm, TBS
– Author Shaka Senghor on The Daily Show with Trevor Noah, 11pm, Comedy Central
– Scott Aukerman on The Nightly Show With Larry Wilmore, 11:30pm, Comedy Central
Jake Gyllenhaal, Paul Reubens, and Rita Wilson on The Tonight Show Starring Jimmy Fallon, 11:35pm, NBC
Harrison Ford, Elizabeth Olsen, and Cam on Jimmy Kimmel Live, 11:35pm, ABC
Jeff Daniels, Sutton Foster, and Cynthia D’Aprix Sweeney on Late Night with Seth Meyers, 12:35am, NBC

[Edited 3/21/16 13:49pm]

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #175 posted 03/23/16 7:47am

JoeBala

Won't be able to update this thread till this weekend. Feel free to add some news. Thanks
Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #176 posted 03/25/16 7:46am

Identity

[img:$uid]http://i.imgur.com/a2sMRr2.jpg?1[/img:$uid]

U2 to Receive 2016 iHeartRadio Innovator Award


25th March, 2016
Link


U2 is nominated for Best Tour this year at the iHeartRadio Music Awards, but on April 3, the group will also be heading home with one of the night's biggest prizes – the iHeartRadio Innovator Award.

Celebrating 40 years together this year, Bono, The Edge, Adam Clayton and Larry Mullen are being honored for their "undeniable impact on the world of popular culture [and] and their unparalleled contributions to the music industry and social causes," according to a press release.

The rock band has racked up 22 Grammy awards together and has consistently been committed to social activism throughout their time together.

"It is extremely rare to have a band that has spent four decades not only changing music, but helping change the world with their tireless dedication to important social causes focusing on AIDS, poverty, cancer, the environment, Hurricane Katrina and much more," says Tom Poleman, president of national programming group for iHeartMedia.

Airing live on TBS, TNT and TruTV at 8 p.m. ET, the iHeartRadio Music Awards will feature performances by Justin Bieber, Meghan Trainor, Zayn Malik, Chris Brown, DNCE, Fetty Wap and Demi Lovato.

  - E-mail - orgNote - Report post to moderator
Reply #177 posted 03/26/16 7:07am

JoeBala

Thanks ID!

'He was the kindest and funniest of geniuses': Larry Sanders 'sidekick' Jeffrey Tambor leads the tributes to Garry Shandling after he dies of a massive heart attack aged 66

  • Gary Shandling died at the age of 66 on Thursday passing away suddenly from a massive heart attack
  • The 911 call came from Shandling himself but he fell unconscious while on the phone with the dispatcher
  • The Los Angeles Fire Department arrived just a little after 10.30am and had to kick down the door when no one answered
  • Conan O'Brien said that Shandling 'helped save' his life after he lost his job hosting 'The Tonight Show' in 2009
  • Seth Meyers said that Shandling's Larry Sander's Show made him rethink television
  • Jeffrey Tambor who starred with Shandling on The Larry Sanders Show called the funny man the 'kindest and funniest of geniuses'
  • Other stars paid tribute to him, with Amy Schumer writing; 'Goodbye Gary Shandling thank you for your kindness and your generosity'
  • 'I just don’t know how to sum up someone I loved so much who taught me everything I know and was always so kind to me,' said Judd Apatow
  • Shandling told Jerry Seinfeld in an episode of his web series this year he had a hyper-parathyroid gland that had gone undiagnosed

Garry Shandling's heartbroken co-star on the The Larry Sanders Show wrote a touching tribute for the legendary comedian who died at 66 on Thursday.

Jeffrey Tambor said of the funny man: 'Garry was/ will always be my teacher. He redesigned the wheel of comedy and was the kindest and funniest of geniuses. Will miss him so much.'

Late night hosts Conan O'Brien and Seth Meyers also both mourned the loss of their dear friend on Thursday night.

Gary Shandling (above in 2011) died at the age of 66 on Thursday after being rushed to an LA hospital that morning

Gary Shandling (above in 2011) died at the age of 66 on Thursday after being rushed to an LA hospital that morning

Sad: Jeffrey Tambor who starred with Shandling on The Larry Sanders Show wrote this touching tribute on his Twitter on Thursday. He called the funnyman the 'kindest and funniest of geniuses'

Sad: Jeffrey Tambor who starred with Shandling on The Larry Sanders Show wrote this touching tribute on his Twitter on Thursday. He called the funnyman the 'kindest and funniest of geniuses'

Conan O'Brien went so far as to say that the comedian 'helped save his life.'

O'Brien said that after losing his short lived hosting job on The Tonight Show in 2009, he was feeling 'shell shocked' and decided to take his family to Hawaii.

He said that Shandling was staying in a room nearby at his and helped to console him.

'He counseled me, he cheered me up, he told me jokes, he talked to me about philosophy,' Conan said.Conan said that both he and Shandling took a long walk and then sprawled out on the beach to enjoy the sunset.

'I turned to Garry and I said, "This is the most romantic moment of my life and it’s with you,”'Conan said wistfully.'

Conan O'Brien
Seth Meyers

Conan O'Brien and Seth Meyers both spoke about Garry Shandling's tragic death. Conan went so far as to say that Shandling 'helped save' his life after he lost his hosting job on The Tonight Show

Seth Meyers said that while he never knew Shandling personally, that The Larry Sanders Show changed the way he thought about comedic television.

'Everybody go back and watch that show,' Meyers added.

'If there’s any good that can come out of it, it would be the rediscovery of what really, truly was a classic.'

Finally, The Daily Show’s Trevor Noah simply shared a clip of Shandling's first Tonight Show comedy set all the way back in 1981 in which Shandling makes a joke about free pens at the bank.

Shandling, who also created and starred in It's Garry Shandling's Show, died at Providence Saint John's Health Center in Santa Monica after being rushed in earlier in the day.

Shandling's death was the result of a massive heart attack according to TMZ, and friends who spoke with him Thursday morning said he sounded fine and healthy.

Flashback: Jeffery Tambor,  Rip Torn, and Garry Shandling are pictured on The Larry Sanders show which aired from 1992-1998. Many are struggling to come to grips with Shandling's sudden death

Flashback: Jeffery Tambor, Rip Torn, and Garry Shandling are pictured on The Larry Sanders show which aired from 1992-1998. Many are struggling to come to grips with Shandling's sudden death

The 911 call came from Shandling himself but he fell unconscious while on the phone with the dispatcher.

The Los Angeles Fire Department arrived just a little after 10.30am and had to kick down the door when no one was able to answer.

Judd Apatow, who was a writer on Larry Sanders, told The Wrap; 'Garry would see the ridiculousness of me being asked to sum up his life five minutes after being told of his passing.

'It is a perfect, ridiculous Larry Sanders moment. I can imagine how Hank would handle it but I just don’t know how to sum up someone I loved so much who taught me everything I know and was always so kind to me.

'I am just too sad. Maybe tomorrow I will do better.'

Tribute: The marquee of The Comedy Store in Los Angeles read: 'RIP Garry Shandling' on Thursday. Shandling's death was the result of a massive heart attack

Tribute: The marquee of The Comedy Store in Los Angeles read: 'RIP Garry Shandling' on Thursday. Shandling's death was the result of a massive heart attack

The marquee of the Laugh Factory comedy club in Los Angeles reads: 'Garry Shandling, Rest In Peace Make God Laugh.' Shandling pioneered a pretend brand of self-focused docudrama with 'The Larry Sanders Show'

The marquee of the Laugh Factory comedy club in Los Angeles reads: 'Garry Shandling, Rest In Peace Make God Laugh.' Shandling pioneered a pretend brand of self-focused docudrama with 'The Larry Sanders Show'

Shandling had been posting on social media earlier in the week, and on Monday retweeted a photo of himself with Kathy Griffin and Bob Odenkirk - who was on The Larry Sanders Show.

Griffin, who tweeted the photo, included the caption; So @GarryShandling & I had to call Saul @mrBobOdenkirk.'

She posted the photo once again shortly after the news of Shandling's death and wrote; 'Sunday, my longtime friend Garry Shandling was here, making every1 laugh. I loved him. I'll miss our talks the most.'

Shandling began his career doing stand-up, which led to writing jobs on shows including Sanford and Son and Welcome Back, Kotter.

Friends: Shandling had been posting on social media earlier in the week, and on Monday retweeted a photo of himself with Kathy Griffin and Bob Odenkirk (above)

Friends: Shandling had been posting on social media earlier in the week, and on Monday retweeted a photo of himself with Kathy Griffin and Bob Odenkirk (above)

Touching: 'I just don’t know how to sum up someone I loved so much who taught me everything I know and was always so kind to me,' said Judd Apatow  (above with back turned looking at Shandling)

Touching: 'I just don’t know how to sum up someone I loved so much who taught me everything I know and was always so kind to me,' said Judd Apatow (above with back turned looking at Shandling)

Stunned: Friends who spoke to the actor Thursday morning said he sounded healthy (he is pictured above in 1988)

Stunned: Friends who spoke to the actor Thursday morning said he sounded healthy (he is pictured above in 1988)

Garry Shandling died at St. John's Hospital complex in Santa Monica, California, pictured above

Garry Shandling died at St. John's Hospital complex in Santa Monica, California, pictured above

Soon after he began to guest host for Johnny Carson, and was considered as a possible replacement after Carson left his job on The Tonight Show.

He did not get the job, but in 1986 created It's Garry Shandling's Show, which would run until 1990 and get nominated for four Emmy Awards.

Young comedian: Garry Shandling is pictured here in a high school yearbook photo

Young comedian: Garry Shandling is pictured here in a high school yearbook photo

Two years after that he found success again on television with The Larry Sanders Show, one of the first original programs to ever run on HBO.

It was about the cast and crew of a late-night talk show, and Shandling said he based large parts of the show on his time filling in for Carson on The Tonight Show.

That show was nominated for 18 Emmy Awards, and in its final season in 1998 Shandling won for the first time in the Outstanding Writing for a Comedy Series category.

He was also twice nominated for the Golden Globe for Best Performance by an Actor in a Television Series - Comedy or Musical for his work on Larry Sanders.

That show is said to have paved the way for countless others that followed, most notably 30 Rock, which was created by Tina Fey.

More recently he found a new audience of younger fans thanks to his role in two big Marvel films - Captain America: The Winter Soldier and Iron Man 2.

It is not known if he was set to appear or had filmed any other Marvel films at the time of his death.

Shandling also recently appeared in an episode of Jerry Seinfeld's web series Comedians in Cars Getting Coffee that aired on New Year's Day.

The episode was called It's Great that Gary Shandling is Still Alive.

In that episode he told Seinfeld; 'I had a hyper-parathyroid gland that was undiagnosed because the symptoms mirror the exact same symptoms that an older Jewish man would have.'

Shandling was also a frequent host at awards shows, having done the Emmy Awards five times from 2000 to 2004 and prior to that the Grammy Awards six times from 1990 to 1995.

Shandling was never married, but was briefly engaged to Linda Doucett, a former Playboy model who also appeared on The Larry Sanders Show.

Remembering: Stars paid tribute to Shandling, with Amy Schumer writing (above); 'Goodbye Gary Shandling thank you for your kindness and your generosity'

Remembering: Stars paid tribute to Shandling, with Amy Schumer writing (above); 'Goodbye Gary Shandling thank you for your kindness and your generosity'

Jimmy Kimmel wrote: Garry Shandling was as kind and generous as he was funny and that is saying a lot. The comedian sadly suffered a massive heart attack

Jimmy Kimmel wrote: Garry Shandling was as kind and generous as he was funny and that is saying a lot. The comedian sadly suffered a massive heart attack

Broadway star Kristin Chenoweth is 'sad today' and joins her fellow celebs in honoring their dear friend's life

Broadway star Kristin Chenoweth is 'sad today' and joins her fellow celebs in honoring their dear friend's life

Actor and comedian Rob Lowe wrote: 'Garry Shandling was one of my comedic heroes' and added that he was both 'shocked and sad'

Actor and comedian Rob Lowe wrote: 'Garry Shandling was one of my comedic heroes' and added that he was both 'shocked and sad'

Lord of the Rings star Elijah Wood also took to social media to comment on Shandling's untimely death

Lord of the Rings star Elijah Wood also took to social media to comment on Shandling's untimely death

The two split in 1994 after a seven-year relationship.

Shandling previously had a close call back in 1977 when he was involved in a car crash in Beverly Hills.

The comedian was in critical condition for two days but pulled through.

He wrote about the accident; 'I had a vivid near-death experience that involved a voice asking, "Do you want to continue leading Garry Shandling's life?"

'Without thinking, I said, "Yes." Since then, I've been stuck living in the physical world while knowing, without a doubt, that there's something much more meaningful within it all.

'That realization is what drives my life and work.'

Winners: Peter Tolan, left, and Gary Shandling pose with their Emmy awards for outstanding writing for a comedy series award for The Larry Sanders Show in 1998

Winners: Peter Tolan, left, and Gary Shandling pose with their Emmy awards for outstanding writing for a comedy series award for The Larry Sanders Show in 1998

More recently Shandling found a new audience of younger fans thanks to his role in two big Marvel films - Captain America: The Winter Soldier and Iron Man 2 (above with Robert Downey Jr. and Don Cheadle)

More recently Shandling found a new audience of younger fans thanks to his role in two big Marvel films - Captain America: The Winter Soldier and Iron Man 2 (above with Robert Downey Jr. and Don Cheadle)

Stars took to Twitter to pay tribute to Shandling on Thursday, with Amy Schumer writing; 'Goodbye Gary Shandling thank you for your kindness and your generosity and for making me laugh so damn much.'

Steve Martin wrote; 'Garry Shandling was a very special comedian with a beautifully unpredictable mind. He even voluntarily offered jokes and ideas for Oscars.'

Jimmy Kimmel wrote; 'Garry Shandling was as kind and generous as he was funny and that is saying a lot.'

Bette Midler said; 'One of the funniest of all, the beloved and very complicated Gary Shandling has died.'

Sandra Bernhard said; 'If it's true I am heartsick @GarryShandling has died? One in a million brilliant people say it's not so.'

Oldie but a goodie: Shandling, pictured in a vintage snap doing stand-up on TV, has been doing stand-up comedy for over a decade and will be sorely missed

Oldie but a goodie: Shandling, pictured in a vintage snap doing stand-up on TV, has been doing stand-up comedy for over a decade and will be sorely missed

Seth MacFarlane said; 'Saddened over Garry Shandling. He was a comedy idol of mine. He leaves behind the greatest single-camera comedy of all time.'

Fred Willard wrote; 'I am heartbroken. What horribly sad news.'

Jemaine Clement, the creator of Flight of the Conchords, wrote; 'Garry Shandling was one of my absolute favourites and ahead of his time. So sad.'

Kristin Chenoweth praised Shandling and said; 'He encouraged me from the very start. A few weeks ago he told me life was short and enjoy it.'

Seth Meyers wrote; 'Heartbreaking news about Garry Shandling. Just heartbreaking.'

Ricky Gervais wrote; 'RIP the great Garry Shandling. Surely, one of the most influential comedians of a generation.'

Seth Meyers wrote; 'Heartbreaking news about Garry Shandling. Just heartbreaking.'

Mandy Moore wrote; 'Had the pleasure of meeting/ hanging with Garry Shandling a few times & he was a gentleman & obviously so deeply funny. RIP.'

Albert Brooks said; 'R.I.P. Garry Shandling. I am so saddened to hear this. Brilliantly funny and such a great guy. He will be so missed.'

Matt Lucas wrote; 'Stunned to hear of Garry Shandling's death. A true television pioneer.'

By Andy Daglas


What to watch on Saturday, March 26...

PREVIOUSLY: Friday, March 25 | NEXT: Sunday, March 27


SEASON 6 PREMIERE, 10am & 10:30am, Discovery Family
My Little Pony: Friendship is Magic
“The Crystalling, Parts 1 and 2” sends the Mane Six to the Crystal Empire to attend a ceremony for Cadence and Shining Armor’s new bundle of joy. Along the way, Twilight gives Starlight her inaugural friendship lesson—but could a botched reunion with an old pal knock the reformed antagonist off course?


SEASON 3 FINALE, 9pm, Starz
Black Sails
Be vewy vewy quiet: Rogers and company are hunting piwates. In other season-concluding endeavors, Billy crowns a king, Silver seeks answers from Flint, and Bonny and Rackham tackle the impossible.


10pm, Esquire
Beowulf
When Beowulf and Elvina try to sneak away for some alone time, they instead land in potentially deadly pickle. To get out alive, Elvina must spill a dark secret.

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #178 posted 03/26/16 7:09am

JoeBala

Miley Cyrus, Alicia Keys Joining 'The Voice' for Season 11

Singers, series mainstays Blake Shelton and Adam Levine will serve as coaches on NBC's singing competition

By Daniel Kreps March 26, 2016
Miley Cyrus and Alicia Keys are the latest superstar singers to join 'The Voice' as coaches NBC

Miley Cyrus and Alicia Keys are the latest superstar singers to join The Voice. NBC confirmed the news Friday, with Cyrus and Keys set to take ownership of their own teams on the hit reality singing competition's upcoming Season 11. They'll join series mainstays Adam Levine and Blake Shelton, who have appeared on every season of The Voice.

Cyrus will provide a sneak preview of her Voice skills March 28th when she makes her series debut as...st adviser during the competition's knockout rounds. For Season 11, she'll up her presence to fulltime Voice team leader.

The Wrap first reported that Pharrell Williams, who had served as judge from Season Seven to the current Season 10, would not rejoin the cast for the upcoming season, and that Cyrus had been recruited to take his place; Cyrus soon confirmed the news via her Twitter, with Williams posting his own congratulatory tweet to Cyrus.

However, the status of The Voice's fourth coach's chair – held currently by Christina Aguilera, who in recent seasons alternated with Gwen Stefani – remained unknown until NBC announced that Keys – who previously served as a mentor for Williams' team during the show's seventh season – would join the cast. Previous coaches also include Usher, Cee Lo Green and Shakira.

"The musical expertise and energy these two incredibly talented women will bring to the show is remarkable," NBC Entertainment's Paul Telegdy said in a statement. "We're thrilled that they’ll be joining Adam and Blake in what we know will be a magical 11th season."

Tom Petty's Mudcrutch Reunite for Second LP, First Major Tour

Singer-songwriter's pre-fame Southern rock quintet – featuring Heartbreakers Mike Campbell and Benmont Tench - will release '2' in May

By Ryan Reed March 25, 2016

Tom Petty; Mudcrutch; LP Tom Petty's pre-fame band, Mudcrutch, have reunited for their second LP and first major American tour Erika Goldring/WireImage/Getty

Tom Petty reunited with his early Seventies Southern rock band, Mudcrutch, in 2008 for their self-titled debut LP. Now the quintet has reteamed for a second album, 2, out May 20th via Reprise Records. Digital or vinyl pre-orders include downloads of three tracks, including lead single "Trailer," ahead of the release date.

Mudcrutch will kick off their first American tour May 26th in Denver, concluding June 28th in Santa Ana, California. Tickets for all headline concerts go on sale Friday, April 1st at 10 a.m. local time, and every online ticket purchase for those shows includes a CD copy of 2. Los Angeles rock outfit the Shelters will open all dates.

Petty, Mudcrutch/Heartbreakers bandmate Mike Campbell and Ryan Ulyate co-produced the 11-track 2. Petty – who plays bass in the group – wrote seven of the 11 songs, with one each composed by Campbell, guitarist Tom Leadon, drummer Randall Marsh and keyboardist Benmont Tench. The band will release "Trailer" as a limited-edition vinyl seven-inch, backed with B-side "Beautiful World," in celebration of Record Store Day on April 16th.

Tom Petty; Mudcrutch; LP

Mudcrutch formed in 1970 in Gainesville, Florida. The band signed to Shelter Records in 1974 and released one single, "Depot Street," before breaking up in 1975. Decades after Petty, Campbell and Tench found multi-platinum success with Tom Petty and the Heartbreakers, the quintet reunited for 2008's Mudcrutch and a run of seven club shows.

Petty spoke to Rolling Stone last year and discussed plans to record a follow-up LP. "We're gonna use the Heartbreakers studio," he said. "We have a big Heartbreakers club house out in the valley, which is where we made the last one. I imagine most of it will be done there. The wild thing about the last album is that the vocals and even the harmony vocals were done live on the floor of the studio at the same time we played it, so there weren't many overdubs. I'm hoping we can do that again. They play their solos on the fly, so every take is a little different, but in the end you just go for the best one. We made that record in 10 days."

Mudcrutch - 2 Track List

1. "Trailer"
2. "Dreams of Flying"
3. "Beautiful Blue"
4. "Beautiful World"
5. "I Forgive It All"
6. "The Other Side Of The Mountain"
7. "Hope"
8. "Welcome To Hell"
9. "Save Your Water"
10. "Victim of Circumstance"
11. "Hungry No More"

Mudcrutch Tour Dates

May 26 - Denver, CO @ Ogden Theatre
May 29 - Chillicothe, IL @ Summer Camp Festival*
May 31 - Nashville, TN @ Ryman Auditorium
June 2 - Atlanta, GA @ Tabernacle
June 3 - Cincinnati, OH @ Bunbury Music Festival*
June 6 - Washington, DC @ 9:30 Club
June 7 - Philadelphia, PA @ The Fillmore
June 10 - New York, NY @ Webster Hall
June 11 - New York, NY @ Webster Hall
June 14 - Port Chester, NY @ Capitol Theatre
June 15 - Boston, MA @ House of Blues
June 19 - San Francisco, CA @ The Fillmore
June 20 - San Francisco, CA @ The Fillmore
June 25 - Los Angeles, CA @ The Fonda Theatre
June 26 - Los Angeles, CA @ The Fonda Theatre
June 28 - Santa Ana, CA @ The Observatory

The Mystery of James Franco: Inside His Manic Days and Sleepless Nights

He's working on a dozen movies, teaching film, writing a novel – and still has time to paint hummingbirds at night

By Jonah Weiner March 23, 2016
James Franco isn't like other movie stars. He's acted in blockbusters like the Spider-Man trilogy, but Franco's an idiosyncratic polymath, too.

In the basement of a crumbling old mansion in Los Angeles, two women dressed in 19th-century garb are beating each other senseless. One wears a white blouse with lace detailing; the other, a black frock and a gloppy stripe of blood down her face. They brawl in a stone-walled chamber, as gamblers in waistcoats and top hats cheer them on, like Downton Abbey gone Fight Club. In a makeshift dressing room directly above them, James Franco hears the ruckus through the floorboards and smiles as a young woman combs pomade into his hair. He thumbs the enormous handlebar mustache riding his upper lip. "This is fake," he says. "So I'm sorry if it's making me talk funny."

Rolling Stone Cover; James Franco; Mark Seliger; 2016Photograph by Mark Seliger

It's the end of the first week of production on a film called The Mad Whale, made by a group of grad students; Franco, their professor, is about to act in a scene. "They're in a class of mine at UCLA – I mean USC," Franco says. He teaches at both universities and got confused for a moment. "It's a total filmmaking class: In the fall, the writing students come up with a concept, and in the spring, I take over and we shoot it." The premise of The Mad Whale, which Franco credits himself with devising, is that a doctor at a 19th-century mental institution mounts an all-female stage production of Moby-Dick, using the inmates as cast members. "I liked the framing device of the institution, because we wouldn't need the same production budget that actually doing Moby Dick would require," Franco says, "and because the idea of having inmates putting on a play opens up all sorts of unconventional casting possibilities, and you get all this crazy shit outside of the play."

How Tracy Morgan's Near-Death Accident Made Him Funnier

The comedian talks about returning to the road stronger than ever: "Maybe when I was in heaven, Richard Pryor said something to me"

Tracy Morgan; Long Road Back

By Brian Hiatt March 24, 2016
Tracy Morgan talks about his life-changing accident, his miraculous road to recovery and embarking on a new stand-up tour. "Maybe when I was in heaven, Richard Pryor said something to me," he says. "I feel funnier than I ever felt."

ot for the first time, Tracy Morgan is getting a glimpse of heaven. "Look at this," he says, pointing to a city-size mass of white clouds, framed against a marble-blue horizon, outside the window of his leased private jet. "Ain't no war up here. Ain't nothing going on up here. This is the friendly skies. This is calm. Ain't no room up here for none of that bullshit from Earth." He leans back in his tan leather seat, takes a breath, checks the color touchscreen of the high-end new insulin pump he just got yesterday. ("It's basically my whole pancreas," he explains. "It's kind of complicated.")

On a Friday afternoon in early March, Morgan is headed to a Michigan casino for a date on his first stand-up tour since the car crash that nearly killed him, capping a dramatic and hard-fought recovery. "We're going to do comedy," he says, then repeats the word with incantatory reverence. "Comedy." A black do-rag is on his head, covering scars near his temples; he's wearing a green hoodie, gray sweatpants and green suede sneakers.


Read more: http://www.rollingstone.com/tv/features/how-tracy-morgans-near-death-accident-made-him-funnier-20160324#ixzz4414yT5c3

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Reply #179 posted 03/26/16 7:38am

JoeBala

New Upcoming Releases!


Artist: Fetty Wap

Album: Wap Season

Released: 2016

Style: Hip Hop


Artist: Joe Bonamassa

Album: Blues Of Desperation

Released: 2016

Style: Blues Rock


Artist: Starchild and The New Romantic

Album: Crucial EP

Released: 2016

Style: Pop


Artist: Rita Wilson

Album: Rita Wilson

Released: 2016

Style: Pop Rock


Artist: Zayn

Album: Mind Of Mine

Released: 2016

Style: R&B


Artist: Anthony Hamilton

Album: What I’m Feelin’

Released: 2016

Style: R&B


Artist: Elliphant

Album: Living Life Golden

Released: 2016

Style: Pop


Artist: K. Michelle

Album: More Issues Than Vogue

Released: 2016

Style: R&B

Format: MP3 320Kbps


Artist: Larry Williams

Album: The Very Best Of Larry Williams

Released: 2016

Style: R&B


Artist: Kiiara

Album: Low Kii Savage EP

Released: 2016

Style: Pop


Artist: Mr. Mister

Album: Welcome To The Real World [Rock Candy Remastered and Reloaded]

Released: 2016

Style: Pop Rock


Artist: Peter Hollens

Album: Misty Mountains Songs Inspired By The Hobbit and Lord Of The Rings

Released: 2016

Style: Pop


Artist: Niykee Heaton

Album: The Bedroom Tour Playlist

Released: 2016

Style: Pop


Artist: A-ha

Album: Time and Again The Ultimate

Released: 2016

Style: Pop

Margo Price finds her place in country tradition with ‘Midwest Farmer’s Daughter’

CD review: “Midwest Farmer’s Daughter,” Margo Price.
CD review: “Midwest Farmer’s Daughter,” Margo Price.

margo price

★★★½

Title: “Midwest Farmer’s Daughter.”

Genre: Country.

Label: Third Man Records.

Online: See a live performance of “This Town Gets Around” from “Midwest Farmer’s Daughter” at http://bit.ly/1pIQqDf.

After three self-released albums with her band Buffalo Clover, Nashville-based singer-songwriter Margo Price went to the Sun Studio in Memphis to record “Midwest Farmer’s Daughter,” her first solo record.

It eventually found its way to the ears of Jack White of the White Stripes, who signed her to his Third Man Records label and decided to release the album as is.

One listen reveals why that was a good choice.

Price sings with the unshakable spirit of the country singers of a bygone era, her voice resembling the late Tammy Wynette at her feistiest at times and vintage Dolly Parton with a little more grit at others. She’s spunky as all get out with a Loretta Lynn bite on “About to Find Out” and the amped-up borderline rockabilly jab at Nashville, “This Town Gets Around.”

But Price has just as much appeal when she dials back the sassiness, as on “Hands of Time,” the epic autobiographical ballad that leads off the album, or “Since You Put Me Down,” a lament from a wronged lover suffused with both sadness and strength.

Her band, featuring husband Jeremy Ivey on bass, offers strong support in every style, using twangy guitar, pedal steel and fiddle, without resorting to the overheated bluster heard on some modern country records. Listen to the way the band subtly interacts with Price and a lively string section on the lustrous ballad, “How the Mighty Have Fallen,” for further proof.

Price’s songs form the album’s backbone, though, and they are strong from start to finish, covering a wide emotional range with sharpness, wit and just enough honky-tonk bluster to give a track such as “Hurtin’ (On the Bottle)” the charge it needs.

“Midwest Farmer’s Daughter” sparkles throughout and should place Price among elite current Nashville singer-songwriters such as Brandy Clark, Lee Ann Womack and Kacey Musgraves. Loretta, Tammy and Dolly should be proud.

Review: 3.5 Stars

Title: “Midwest Farmer’s Daughter.”

Genre: Country.

Label: Third Man Records.

Online: See a live performance of “This Town Gets Around” from “Midwest Farmer’s Daughter” at http://bit.ly/1pIQqDf.

Morly Is Emboldened On "Plucky"

Something More Holy arrives next month.

Morly Is Emboldened On "Plucky"

Minnesota singer and Secret Song's alum Morly shared a new track today in anticipation of the Something More Holy EP, her sophomore release. Like Wet and Låpsley, Morly fuses singer/songwriter tropes—the lone voice, plaintive melodies—with slinky, up-to-date pop production. I'm gone, you know I'm gone, she sings, and the supportive beat signals agreement by starting to chatter in double-time.

Something More Holy EP cover art

"'Plucky' is a song about courage," Morly explains in an email to The FADER. "And not taking things too seriously. It's a rare one where the groove came first."

Listen below, and look for Something More Holy on April 8 via Cascine.

Bandcamp: https://morly.bandcamp.co...re-holy-ep

Five Time Grammy Nominee Tevin Campbell Releases New Single Safer On The Ground on April 15, 2016

Posted: Mar 24, 2016 10:55 PM EST

Five time Grammy Nominee Tevin Campbell is releasing his brand new single “Safer On The Ground” worldwide through the Spectra Music Group on Friday April 15th, 2016 and is available for Pre-Order now on iTunes, Amazon, Google Play and more.

In 1991, Campbell collaborated with legendary music impresario Quincy Jones and released his platinum-selling debut album, “T.E.V.I.N.”. The album included his highest-charting single to date, “Tell Me What You Want Me To Do”, peaking at #6 on the Billboard Hot 100 chart. His double-platinum selling second album, “I’m Ready”, released in 1993, included two of Campbell’s most popular songs, “Can We Talk” which peaked at #9 on the Billboard Hot 100, and the album’s title track “I’m Ready”, which also peaked at #9 on the Billboard Hot 100 chart.

Apart from music, Campbell commenced an acting career, appearing in Prince’s sequel to Purple Rain, Graffiti Bridge. He also made guest appearances on The Fresh Prince of Bel-Air and Moesha television programs, voiced the character named Powerline in Disney’s animated A Goofy movie film and was cast as Seaweed in the Broadway musical Hairspray in 2005.

Throughout his career, Campbell has earned 5 Grammy Award nominations, selling an estimated 3 million album copies worldwide. The new single “Safer On The Ground” by Tevin Campbell will be available worldwide on Friday April 15th, 2016. Call and request “Safer On The Ground” by Tevin Campbell at your favorite radio station today!

The official website for Spectra Music Group may be found at www.spectramusicgroup.com

.

.

.

[Edited 3/26/16 8:20am]

Just Music-No Categories-Enjoy It!
  - E-mail - orgNote - Report post to moderator
Page 6 of 7 <1234567>
  New topic   Printable     (Log in to 'subscribe' to this topic)
« Previous topic  Next topic »
Forums > Music: Non-Prince > Music+Tours+Film+TV+Tech+Watch Tonight?|TV/CD's|Fiona Apple|Trixie Whitley|3/28/2016 Pt. 12