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GARY CLARKE JNR -OMG!-Every once in a while a new Purple Heir appears Check his website out, get the CD, check out the hellfire guitar, the incredible vocal range..it's retro & modern at the same time. What a fab breath of fresh air in and Rn'B market saturated by shit!
Enjoy: http://www.garyclarkjr.com/
This guy should be fuckin' huge. | |
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Gary is a badass. Buddy Guy would be proud. | |
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He is badass but of course he is not getting the promotion he deserves. | |
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there's a track towards the end [sorry can't recall the name] that is a slow jam that is pure Prince with that Lovesexy guitar sound all over it..a quite incredible track. Also check out 'numb' if you wnat some hip shakin' groove! | |
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BBC ReviewA good introduction, albeit a wandering one. Marcus J. Moore 2013-02-12 The heart of Gary Clark, Jr. isn’t tough to find. At his core, the Texas-born guitarist continues the spirit of Jimi Hendrix and Eddie Hazel: his piercing chords can tell a story without words on top of them. Clearly, Clark appreciates the past, since much of Blak and Blu is rooted in some sort of musical yesteryear. Please Come Home, for instance, is a wistful melody evoking 1960s soul. On Third Stone from the Sun/If You Love Me Like You Say, Clark modernises the Jimi and Albert Collins classics with clean percussion and faint record scratches. The result properly showcases Clark’s dexterity as a vocalist and instrumentalist. His focus is tougher to grasp, though. While Blak and Blu is ambitious, it lacks a coherent theme. There’s nothing wrong with honouring influences, but his approach wanders a bit too much. He signals pysch-rock (Numb), nods to modern RnB (Things are Changin’), and concludes with distilled bayou blues (Next Door Neighbor Blues). Elsewhere, Clark tinkers with brassy arrangements on Ain’t Messin’ ‘Round and country on Travis County. Overall, this feels more like a fragmented collection of songs than a calculated set. It’s easy to pick favourite tracks, and that’s a good thing. But the album as a whole isn’t so compelling. In Clark’s quest to capture multiple sounds, his direction is unclear. That’s not to knock his artistry: Blak and Blu brightens dramatically when Clark shreds his guitar. On When My Train Pulls In, for instance, he sings despondently about finding new beginnings; and the song’s three-minute guitar solo accentuates the despair. Numb is edgy throughout: atop methodical drums, Clark’s strums — grittier than usual — are distorted just enough to solidify a hazy feel. He resonates when the sounds are grungy; unfortunately though, those moments are too few. What remains is an adequate compilation of nostalgic sounds, largely void of Clark’s unique voice. Greater consistency would have worked wonders.-----------------------------------------------------------------------------------------------------------------------------------
Sounds good and eclectic to me. I'll be checking him out. i like 'unfocused', means a bit of variety. [Edited 5/8/13 14:57pm] | |
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He's a talented fellow but the few times i have seen what he does- I was left feeling unimpressed & sad that we live in a world where an artist of his caliber can be mentioned in the same breath as Jimi Hendrix or Prince. | |
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I sampled a few tracks some months ago and wasn't moved. Which of course doesn't mean he's not a great artist. Just means I can't co-sign the OP. Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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"You Saved Me" ?, yeah that track has some purple-ness about it We're here, might as well get into it. | |
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Since most complain about the dearth of good music that is available, there is stuff out therer if you look for and support it. I love this album, it was one of the best of 2012 for me. Jeux Sans Frontiers | |
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it really is great, bought it on a whim based on the reviews on the cover! | |
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he's not bad
but a tad overhyped because he is black and plays guitar good as shit
the album is kinda strange though, helps if you skip the R&B tracks which are abysmal
he plays festivals too and probably has become this generation's Hendrix to millions of hipsters | |
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Yep. | |
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She Don't Speak..But She Remembers | |
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I'm obsessed with this song!! She Don't Speak..But She Remembers | |
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She Don't Speak..But She Remembers | |
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thankyou so much for that...what a song, what a song..simply incredible. | |
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I like Please Come Home. | |
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She Don't Speak..But She Remembers | |
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Looooove Gary Clarke! Keenmeister | |
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He gets better reviews than Prince.
Chris Thomas King is good too:
All you others say Hell Yea!! | |
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3rdeyedude said:he's not bad but a tad overhyped because he is black and plays guitar good as shit the album is kinda strange though, helps if you skip the R&B tracks which are abysmal he plays festivals too and probably has become this generation's Hendrix to millions of hipsters Gary can burn no doubt, but i was feelin the same way. I didn't get the same feelin i get when i hear cats lyke Eric Gales, Tori Ruffin, O'Dell, (Mint Condition) or Robert Randolph... | |
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I love his sound. I bought his cd 1 month ago. For me, he is like a mix between Al Green/B.B. King, with his blues-country-rock-soul sound. Love it. I just watched him perform on the Rock & Roll Hall of Fame 2013. [Edited 5/18/13 19:23pm] | |
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--Double post. [Edited 5/18/13 19:22pm] | |
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FWIW, he blew John Mayer off the stage at the RRHOF induction show. Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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