Author | Message |
What Musicians Besides Elvis Changed America? Scholars and Critics Offer Candidates.Historian David Halberstam once identified the three most important events of the 1950s as the Brown v. Board of Education decision, the building of Levittown, and the rise of Elvis Presley. That a musician should rank among the top three important phenomena of a 10-year span is unusual, and no musician since has achieved such significance. Still, music matters a lot. It influences our perceptions, our social lives, and, sometimes, even our politics. And musicians do keep influencing us. Therefore, in advance of the Zócalo/Occidental College event “Can Popular Music Still Change Culture?”, we asked several writers and critics to address the following question: What musician, aside from Elvis Presley, changed American society the most?
Sara Marcus [img:$uid]http://www.zocalopublicsquare.org/wp-content/uploads/2013/05/Sara-Marcus_125.jpg[/img:$uid] Common people with a causeThe history of pop music is full of stars who influenced the mores and values of their times. African-American musicians from Marian Anderson and Paul Robeson to Ella Fitzgerald and Duke Ellington modeled dignity and depth for a polarized nation. Folk revivalists in the 1960s—Joan Baez, Odetta, Peter, Paul and Mary—used song to strengthen people’s resolve to make the world better. Madonna’s sexual frankness turned the erotic into mass-culture gold in the 1980s and ’90s. But if we're looking for musicians who changed America, the real answer isn’t in the stars at all. It’s in the vast ensembles who sang while they worked to change the country and who were heartened in their work by singing: marching in Selma and Montgomery to the tidal swell of “We Shall Overcome”; chorusing “De Colores” at a union meeting near the lettuce fields; or even forming a band with other teenage girls at a summer camp and learning, by screaming into a mic or letting guitar feedback rise to a squall, how to take up space, how not to be afraid. Pop stars—along with their handlers, their publicists, their labels, and the underground cultures they distill their material from—change our sound tracks and our styles, to be sure. But music can do far more than that. If so many of our latest movements, from Occupy Wall Street to the Tea Party, have been strangely lacking in melodies, perhaps it is because we now expect change to come from superstars instead of from the music we might make ourselves.
Sara Marcus is the author of Girls to the Front: The T...Revolution. Currently a doctoral student at Princeton, she writes about books, culture, and politics for publications including Artforum, Bookforum, and The Nation. Find her on Twitter
Mark Anthony Neal
[img:$uid]http://www.zocalopublicsquare.org/wp-content/uploads/2013/05/Mark-Anthony-Neal-e1369718738302.jpg[/img:$uid]
Michael JacksonWhen Michael Jackson reached the commercial apex of his career in the mid-1980s, he did so not only on the strength of his formidable talent and creative vision, but also as the most visible embodiment of the broad traditions of African-American musicality. For many, Jackson’s ascendance to the pinnacle of popular music could only be read through the prism of figures who defined the stakes in popular music, namely Elvis Presley and the Beatles. But both Presley and the Beatles owed much of what they did to the oft-diminished earlier generation of black blues and rhythm-and-blues artists (something that Presley never denied). Jackson’s inspirational archive was wide-ranging, but he drew especially heavily on the Chitlin Circuit—the network of clubs, speakeasies, theaters (the Apollo being the most well known), restaurants, and even barns that incubated much of the Black music tradition during the early 20th century. Fully understanding that heritage gave Jackson his signature performance quality: making such thorough and inventive use of all those primary influences that people couldn’t even tell he was doing it. This move by Jackson was as much about his artistic ego—his interest in literally being the “Greatest Show on Earth” (he loved P.T. Barnum)—as it was about his respect for cultural and artistic roots. Michael Jackson’s singular brilliance was his capacity to archive a comprehensive history of Black musical performance and then both reproduce it, yet also create something that was truly original. Jackson’s championing of Black musical traditions became particularly important when Jackson became a global phenomenon, in effect making those Black musical traditions part of an emerging global language—an effect seen in the huge global popularity of hip-hop culture and rap music. In this regard few could claim to have had the kind of impact that Jackson did.
Mark Anthony Neal is Professor of Black Popular Culture in the Department of African & African American Studies at Duke University and the author of several books including the just released Looking for Leroy: Illegible Black Masculinities (NYU Press).
Grant McCracken
[img:$uid]http://www.zocalopublicsquare.org/wp-content/uploads/2013/05/Grant-McCracken-e1369718880117.jpg[/img:$uid]
Frank BlackFrank Black (aka Black Francis), founder of the Pixies, was the man who gave inspiration to Nirvana and helped stage a late 80s, early 90s revolt against the ascendancy of Whitney Houston and perfectly palatable and polished popular music. This may have been the last time popular music was able to "reset" popular culture and American society. Our tastes and markets are now so fragmented that music cannot be a staging area for cultural change. This is not to say that there will not be cultural change or that music will not play a role in expressing and shaping that change. But the revolt may have to come from other media and mediators.
Grant McCracken is an anthropologist and the author of Chief Culture Officer and Culturematic.
| |
- E-mail - orgNote - Report post to moderator |
Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
- E-mail - orgNote - Report post to moderator |
To me All Jazz + Cooke, Aretha, etc... Just Music-No Categories-Enjoy It! | |
- E-mail - orgNote - Report post to moderator |
Thomas Dorsey, who had a lot to do with what became gospel, which is an influence on the later R&B, early rock n' roll, and soul music. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
- E-mail - orgNote - Report post to moderator |
How can you have a thread like this and not mention Jimi Dylan, Bob Brown and James Hendrix?! Yeah, those three are so obvious Idecided to joke a little... | |
- E-mail - orgNote - Report post to moderator |
1. chuck berry 2. ray charles 3. the big bopper 4. bobby darin 5. ritchie valens 6.buddy holly 7.fats domino 8.little richard 9. ike turner also see: http://www.digitaldreamdo...ts50s.html too many to name many of the listed contributed to change the sound of american music.
“Transracial is a term that has long since been defined as the adoption of a child that is of a different race than the adoptive parents,” : https://thinkprogress.org...fb6e18544a | |
- E-mail - orgNote - Report post to moderator |
I think that jazz is not mainstream enough for that. I can to create an eclectic list, but include it in the artists that are unknown even to 15-20% of the population (even if they were at the source and changed the music itself more than these 3) and call them big changers for masses - too presumptuous | |
- E-mail - orgNote - Report post to moderator |
In the US, during the 1920's to maybe the 1940's jazz was the pop music of the time. So it was mainstream then, especially with the popularity of big bands. If you watch some Hollywood movies made then, there was often jazz. Some of the "crooner pop" was jazz based as well. [Edited 5/30/13 8:01am] You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
- E-mail - orgNote - Report post to moderator |
^^^^^^
The question is not about name recognition in 2013.
The question is, "which musicians besides Elvis changed America?" It's a bigger question.
There is really no debate that a select number of jazz and blues musicians -- like a select number of rock and roll musicians -- changed America.
Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
- E-mail - orgNote - Report post to moderator |
Fixed. Just Music-No Categories-Enjoy It! | |
- E-mail - orgNote - Report post to moderator |
Mickey knows the TRUTH! Just Music-No Categories-Enjoy It! | |
- E-mail - orgNote - Report post to moderator |
I am guided not by their recognition in 2013 only, main criterion - their importance for culture and presence in different spheres of American life at the time of their peaks: 50's, 60's, 80's.
Your list is very diverse, I do not even understand what criterion it is made. [Edited 5/30/13 9:02am] | |
- E-mail - orgNote - Report post to moderator |
And like usual with "pop" music, a lot of folks complained about it and said it was noise and "corrupting the youth" with wild dancing & flappers and that it wasn't "real music". It was kind of race based in this case, and jazz (and the earlier ragtime) was called "jungle bunny" music. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
- E-mail - orgNote - Report post to moderator |
jimi hendrix was a quickening musician who has never been matched as a performer. he was a major changer in the sound of american music then and (still) now. when jimi performed 'the star spangle banner' at woodstock the music world stopped, listened and took an uncounted amount of steps forward that changed the sound of music globally.
'Jimi Hendrix pioneered the explosive possibilities of the electric guitar. Hendrix's innovative style of combining fuzz, feedback and controlled distortion created a new musical form." so "'cuse me while i kiss the sky' beneath the 'purple haze.'
“Transracial is a term that has long since been defined as the adoption of a child that is of a different race than the adoptive parents,” : https://thinkprogress.org...fb6e18544a | |
- E-mail - orgNote - Report post to moderator |
In no particular order:
Michael Jackson and The Beatles as far as pop stars goes.
Other mentions:Chuck Berry, Stevie Wonder, Aretha Franklin, Marvin Gaye, Little Richard, Jimi Hendrix, Fats Domino, Sammy Davis Jr, Ray Charles and Sam Cooke | |
- E-mail - orgNote - Report post to moderator |
Yes, you are so right with this. It's a much bigger question and not reflected in most of the replies here.
[Edited 5/30/13 11:59am] | |
- E-mail - orgNote - Report post to moderator |
I think Madonna, while not a popular choice on the Org, can be credited for being the first female artist to embrace a vibe that reflected the street style of her audience. Thinking back to the early days, when girls in my school would dress like her, it appeared Madonna didn't want to be glamorous. Instead, she influenced by her own sense of fashion (or in hindsight, lack of it). Others have certainly followed: Ke$ha, Britney Spears, and certainly Lady Gaga.
Yet, who really was baring it all first? I think that would have to go to Cher. She was very revealing, even back on the Sonny & Cher show! Plus, she even did it in a glamorous sort of way (via Bob Mackie outfits). Would it be wrong to say that Cher influenced someone like Madonna? I don't think so because they are both outspoken in their views and lack of concern about what others think about them. For women especially, I think that has been a very influential stand today's female artists take for granted. While not the best musicians - I don't think we can deny that kind of change in thinking or its inspiration on succeeding artists. [Edited 5/30/13 13:16pm] | |
- E-mail - orgNote - Report post to moderator |
The group I thought of first are not actual muscians - that I know of. But I choose Run-DMC. The Hip-Hop culture changed or "influenced in a major way" the entire World - never mind America. The Sugar Hill Gang had the first REAL hip-hop hit (that I can remember anyway) so I'll give them an honorable mention. | |
- E-mail - orgNote - Report post to moderator |
I'm astonished that no one has mentioned Helen Reddy who recorded the anthemic, "I Am Woman" in 1970 which impacted the entire female race (and its Female Liberation Movement) for a good long time throughout the early 70's, thus making Reddy an instant superstar. Hungry? Just look in the mirror and get fed up. | |
- E-mail - orgNote - Report post to moderator |
Also, Heart (The Wilson Sisters) were the first ladies of Rock 'N Roll, were they not? Even after 40 years in the biz, they STILL don't get their props. I find this extremely disheartening and disrespectful, but again, like Reddy, they came out and empowered women via song. Hungry? Just look in the mirror and get fed up. | |
- E-mail - orgNote - Report post to moderator |
But Heart had 3 guys in it, who people tend to ignore, so the Wilson Sisters are not much different than Grace Slick in the Jefferson Airplane/Starship or Janis Joplin. There were all female bands before Heart. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
- E-mail - orgNote - Report post to moderator |
Is nobody seriously going to mention Prince? There are noteworthy reasons as to how he has helped shape pop culture in America. The first thing that comes to mind which affected something nationally was the Darling Nikki/Parental Advisory Label. "I mean I always figured you were a trip at times, but now I'm beginning to believe you're a freaking vacation." -2elijah | |
- E-mail - orgNote - Report post to moderator |
Kurtis Blow, first commercially successful rapper and the first to sign with a major record label. in 1980 he released the single 'the breaks' on his self titled album.
rap music changed the entire terrain of the world of musical entertainment thx 2 Kurtis and others. not to mention how much $$$$$$$$$money this type of craft brought to the major record labels.
the beastie boys 1981 there are too many to name however imo these entertainers, Kurtis Blow and the Beastie Boys changed the operations of the recording industry majorly. [Edited 6/4/13 12:11pm] “Transracial is a term that has long since been defined as the adoption of a child that is of a different race than the adoptive parents,” : https://thinkprogress.org...fb6e18544a | |
- E-mail - orgNote - Report post to moderator |
OMG! You're RIGHT! I totally forgot that there are brothas in the band! Duhhhh! Hungry? Just look in the mirror and get fed up. | |
- E-mail - orgNote - Report post to moderator |
A BRILLIANT observation! It WAS Prince who was first served with the "Parental Advisory" sticker on his album!
Additionally, it was he who put Minneapolis on the map with The Time and more importantly, Flyte Tyme Productions. If not for Flyte Tyme, there would have been a lot less "noize" (AND hits) from bands like Klymaxx and The S.O.S. Band and artists like Alex(ander O'Neal,) Cherrelle, Janet Jackson, etc... Also, that famous cowbell via the 808 was cloned so many times, it's hard just pinpointing the first NON-Minneapolis band that cloned it 4 that Minnie-Apple effect in their musings. Maybe Loose Ends on "Slow Down?" Not sure. :-O
Without Jesse, there may not have been Ta Mara and The Seen and certainly, if not 4 Prince, no Vanity 6, Apollonia 6, Madhouse, Jill Jones, Andre Cymone, etc...
A lot of 80's artists owe The Purple One many props for having invigorated/REinvigorated their careers by his very musical touch. I wonder if there's a book out there on the market that's strictly dedicated to the Minneapolis R&B scene of the 80's. Worth looking in2. Hungry? Just look in the mirror and get fed up. | |
- E-mail - orgNote - Report post to moderator |
you just did
“Transracial is a term that has long since been defined as the adoption of a child that is of a different race than the adoptive parents,” : https://thinkprogress.org...fb6e18544a | |
- E-mail - orgNote - Report post to moderator |
Stevie Wonder Wendy Carlos Kraftwerk Yellow Magic Orchestra Giorgio Moroder Bernie Worrell Chris Jasper Gary Numan The Human League . THESE^ recording artists are the main reason why most musicians in America started using drum machines, keyboard synthesizers/workstations, AND/OR sequencers.
[Edited 5/30/13 18:06pm] | |
- E-mail - orgNote - Report post to moderator |
I guess it depends on your taste in music and maybe the generation you've been born in. Elvis may have made an impact for some, but I don't recall him making a bleep in my community. Besides, there was a lot of music that came out of the South that would make an impact on the US... way before any of these post WWII artist where born.
===== [Edited 5/30/13 19:56pm] | |
- E-mail - orgNote - Report post to moderator |
^ I definitly agree. | |
- E-mail - orgNote - Report post to moderator |
i agree! musicians like Fats Domino 2nd pix is of Fats Domino singing "Blueberry Hilll" on The Ed Sullivan show (1956) Fats Domino (singer - pianist) made a major impact toward the change in american music. he did songs like: 'ain't that a shame -1955', 'i'm walkin' 1958 Domino appeared in two films released in 1956: Shake Rattle and Roll and The Girl Can't Help it On December 18, 1957, Domino's hit The Big Beat was featured on Dick Clark's American Bandstand bio and discography link: http://en.wikipedia.org/w...ats_Domino excerpt: Mr. Domino was an important influence on the music of the 1960s and 1970s and acknowledged as such by some of the top artists of that era. Paul McCartney reportedly wrote The Beatle's song "Lady Madonna" in an emulation of Domino's style, etc...... "'Lady Madonna' was me sitting down at the piano trying to write a bluesy boogie woogie thing ... It reminded me of Fats Domino for some reason, so I started singing a Fats Domino impression. It took my voice to a very odd place." Domino himself covered the song later." Blueberry Hill lyrics
I found my thrill On blueberry hill
“Transracial is a term that has long since been defined as the adoption of a child that is of a different race than the adoptive parents,” : https://thinkprogress.org...fb6e18544a | |
- E-mail - orgNote - Report post to moderator |