You'r right.
99% of my posts are ironic. Maybe this post sides with the other 1%. | |
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Yep.
99% of my posts are ironic. Maybe this post sides with the other 1%. | |
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GaryMF said:
If you are askin if the bolded statements he made which were sweeping generalizations based on prejudiced stereotypes, Yes I am saying both of those statement are NOT TRUE. In my previous post I provided historical context as to why. .
Moreover, If you can't understand why those statement, which are the part and parcel of KKK, White Supremicist, Nazi, and other hate groups' rhetoric, similar to their other rehtoric of hate about Blacks, gays, Hispanics, Asians and other minorities, there is no point to this discussion.
But I'm sure as hell not going to sit back and be silent, ON A THREAD ABOUT RACISM AND PREJUDICE and watch people engage or promote these offensive stereotypes of any kind, whether it's against Jews, Blacks, gays or other groups. Have u read the book "the Jewish phenomenon"? | |
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Speaking on white privilege in the music industry, has anyone else notice that Antonio "L.A." Reid is currently THE only non-white major record label exce (Sony Music Entertainment) in the USA? . The key word is "major", not the so-called "independent" labels that are co-owned by major record labels.
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I had not heard of it until you mentioned it. Reading the summaries on Amazon, it sounds like much what it is about is what I put in my post..... I may pick it up. Thanks. | |
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Who cares Black, Latin Or White, Sales, all BS. It come down If you like certain artist. I admire all 5 artistS Whit, Elvis, MJ, Sam Cooke and Beatles. Now todays music offers some good stuff, while there Is BS music and always will.Just Music-No Categories-Enjoy It! | |
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Could you find a woman in the higher echolons?
And did you search for info that confirms your ideas or are you actually open to challenge your own prejudices?
Do you disticnt major and independent by profit, income of ceo's or influence?
99% of my posts are ironic. Maybe this post sides with the other 1%. | |
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Just had a thought. 99% of my posts are ironic. Maybe this post sides with the other 1%. | |
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Is Sylvia Rhodes even in the music industry anymore?!? | |
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Come on, we don't need to take the piss out of Eddie Murphy, his career already is. | |
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how bout we just kill this topic? it makes no sense to place blame on all the people of one race because some artists of the opposite race don't sell as much as other artists of the same race [Edited 4/27/13 15:10pm] | |
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How about you open up a book or two on the subject? White privilege is not about jealousy. You can't reduce a systematic, indoctrinated aspect of western social culture down to a simple "they mad cause we ballin'" punchline. White privilege is being protected from social mistreatment, whether the benefits are material or whether they are social. Its the presumptions of competence, intelligence, etc. as well as material opportunities such as jobs or as in this case, financial gain. Racism is racial oppression and in truth, THAT is getting better in this country, but only because there has been a huge effort to change it. White privilege is a presumed protection against mistreatment and that is NOT getting better in this country because the thing about privilege is that you can have it without admitting you have it and because you are under the complexion of protection, you can assume it without doing anything. The argument that is usually present is based on a strawman argument rooted in the unanimity of outcome (i.e., if white privilege exists, then why aren't all white people rich, etc.?) but the fact is that you don't have to have a unanimous outcome in order to be privileged because there are so many different aspects of it. The fact that one can arrogantly declare on a message board that "this topic does not suit me, therefore we should just stop talking about it" is a stong indicator of said indoctrination of privilege to the point of an expected result,( i.e., "I am the white man and I say it, therefore it is). I know this will fall on deaf ears, (as usual around here) but its a lot less about blame and a lot more about acknowledgement. The reason white privilege is not getting any better is because it is constructed so that all you have to do is show up and be white to experience some aspect of it. The social benefits alone are so vast that it would take pages to list even a small portion, yet it exists nonetheless and continues to go on unquestioned by most. Its a lot less about "whites run the western world therefore we will oppress all others and more about being in a position to choose to be oblivious to someone else who is not white. White people in America and the West can or choose to or choose not to participate in other non white cultural, educational or social aspects without their credibility being brought into question. Whites can ignore others' perspectives without consequence. Whites can ignore, participate in or disparage minority activistism or culture of any sort without ramification. There is no fear of negative consequences. Having the option to choose to simply be comfortable around those of your own ilk, choosing to only participate in social environments and activities that involve those of whom you have the most commonalities, all the while being oblivious to all others is privilege. This includes music. It goes further than just privilege in the U.S. but I'm only addressing the privilege aspect right now. It exists and examples ranging from deciding that a thrad should be discontinued all the way up to choosing to ignore a whole culture are examples of it. No other race can be oblivious to white culture in the U.S. Whites can choose to be oblivious to all other cultures in western society without their integrity being brought into question. That is white privilege. Whites can worry about racism without being seen as self- interested...or not worry about it at all. That is white privilege. In music, all you have to do is look at Eminem, Karmin, Adele, Justin Timberlake, Robin Thicke, Macklemore, etc. to see how it translates to artists. In the business aspect, its even more obvious when you look at the top echelons of the industry. Whites can have the "urban" cultural experiences with minimal (safe) exposure to the people of that culture. Money can be made off the music without the music having a substantial, long-lasting or significant impact and without it directly benefitting the culture that created it. (Hello, hip-hop) Culutal representation can be declared and even deemed superior by sheer majority participation of the declaration. The image of black Americans (which is not controlled by black America) has been sullied around the world so much to a point at which most other cultures really want nothing to do with African Americans due to an unevenly biased "preceeded reputation" created by whites. Why would the movies and music do as well overseas when salt has already been thrown? This would never happen to white culture. That is white privilege.
[Edited 4/28/13 6:44am] | |
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BlaqueKnight said:
How about you open up a book or two on the subject? White privilege is not about jealousy. You can't reduce a systematic, indoctrinated aspect of western social culture down to a simple "they mad cause we ballin'" punchline. White privilege is being protected from social mistreatment, whether the benefits are material or whether they are social. Its the presumptions of competence, intelligence, etc. as well as material opportunities such as jobs or as in this case, financial gain. Racism is racial oppression and in truth, THAT is getting better in this country, but only because there has been a huge effort to change it. White privilege is a presumed protection against mistreatment and that is NOT getting better in this country because the thing about privilege is that you can have it without admitting you have it and because you are under the complexion of protection, you can assume it without doing anything. The argument that is usually present is based on a strawman argument rooted in the unanimity of outcome (i.e., if white privilege exists, then why aren't all white people rich, etc.?) but the fact is that you don't have to have a unanimous outcome in order to be privileged because there are so many different aspects of it. The fact that one can arrogantly declare on a message board that "this topic does not suit me, therefore we should just stop talking about it" is a stong indicator of said indoctrination of privilege to the point of an expected result,( i.e., "I am the white man and I say it, therefore it is). I know this will fall on deaf ears, (as usual around here) but its a lot less about blame and a lot more about acknowledgement. The reason white privilege is not getting any better is because it is constructed so that all you have to do is show up and be white to experience some aspect of it. The social benefits alone are so vast that it would take pages to list even a small portion, yet it exists nonetheless and continues to go on unquestioned by most. Its a lot less about "whites run the western world therefore we will oppress all others and more about being in a position to choose to be oblivious to someone else who is not white. White people in America and the West can or choose to or choose not to participate in other non white cultural, educational or social aspects without their credibility being brought into question. Whites can ignore others' perspectives without consequence. Whites can ignore, participate in or disparage minority activistism or culture of any sort without ramification. There is no fear of negative consequences. Having the option to choose to simply be comfortable around those of your own ilk, choosing to only participate in social environments and activities that involve those of whom you have the most commonalities, all the while being oblivious to all others is privilege. This includes music. It goes further than just privilege in the U.S. but I'm only addressing the privilege aspect right now. It exists and examples ranging from deciding that a thrad should be discontinued all the way up to choosing to ignore a whole culture are examples of it. No other race can be oblivious to white culture in the U.S. Whites can choose to be oblivious to all other cultures in western society without their integrity being brought into question. That is white privilege. Whites can worry about racism without being seen as self- interested...or not worry about it at all. That is white privilege. In music, all you have to do is look at Eminem, Karmin, Adele, Justin Timberlake, Robin Thicke, Macklemore, etc. to see how it translates to artists. In the business aspect, its even more obvious when you look at the top echelons of the industry. Whites can have the "urban" cultural experiences with minimal (safe) exposure to the people of that culture. Money can be made off the music without the music having a substantial, long-lasting or significant impact and without it directly benefitting the culture that created it. (Hello, hip-hop) Culutal representation can be declared and even deemed superior by sheer majority participation of the declaration. The image of black Americans (which is not controlled by black America) has been sullied around the world so much to a point at which most other cultures really want nothing to do with African Americans due to an unevenly biased "preceeded reputation" created by whites. Why would the movies and music do as well overseas when salt has already been thrown? This would never happen to white culture. That is white privilege.
[Edited 4/28/13 6:44am] 100 percent correct. | |
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Yes, I agree with you there is a lot of ignorance among white people.
And I value your post very much.
I think white woman come after black men.
And black women after the white women.
And asian women after the black women.
99% of my posts are ironic. Maybe this post sides with the other 1%. | |
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Amen! That is one of the reasons that inspired me to start this topic. People wanna deny that white privilege and racism exists, but it does... in a BIG way. Some things are getting better yes, but there is still a whole lot to work on. | |
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Really apreciate this thread. reinforce current racial division of power structures, but also about how they reinforce their habit of valueing both genders the same, as sexual orientation.
I hate it when somebody treats me, assuming that I'm a white racist, or not as capable as a guy. And I talk about races and prejudices openly, with the people around me, in order to prevent the silencing as if it's no issue. It always is.
99% of my posts are ironic. Maybe this post sides with the other 1%. | |
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The Beatles and Elvis have sold more because they have been around longer and have larger catalogues than MJ.
I understand white privilege, but I also understand Green privilege. Anything that can bring in the money will get promoted. But the real issue is class-ism. The people in power don't want to give up the money or power to others. 99.9% of everything I say is strictly for my own entertainment | |
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When a white woman talks about her struggles in a world run by privileged men, people shut up and listen.
When a white disabled person talks their struggles in a world run by privileged abled people, people shut up and listen.
When a white homosexual talks aout their struggles in a world run by privileged heterosexuals, people shut up and listen.
When white trans gender people talks about their struggles in a world run by privileged cisgender people, people shut up and listen.
When people of color talk about their struggles in a wolrd run by privileged white people, they are told to sit down and shut up.
All the while while those same white people accuse them of 'reverse racism.'
Go fucking figure. | |
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ummm | |
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Yes Sylvia Rhone is still at it. See Below... * http://www.hollywoodrepor...ure-416843
Sylvia Rhone Announces Joint Venture With Epic Records* * The new union has a name, Vested in Culture, and a slate of first releases. Nearly a year after the partnership was announced, Sylvia Rhone's joint venture with Epic has a name -- Vested in Culture -- and a slate of first releases. The announcement was made Wednesday by Sony Music Entertainment CEO Doug Morris, Epic Chairman/CEO L.A. Reid and Rhone. Nearly after a year the partnership was announced, Rhone will serve as chairman of VIC. * The label's first releases will be the debut from Latin pop star Kat Dahlia, followed by a new album from indie pop duo Quadron and the debut LP from R&B singer-songwriter Deon Young. Other artists on the roster include pop singer-songwriter Sebastian Mikael and Los Angeles rappers Casey Veggies and Cashius Green. * "It gives me great pleasure to work alongside the most successful female record executive of all time," remarked Reid. "She has taste, style, vision and she has my complete support." * While many expected Rhone to restart the Portrait imprint through Epic, the new venture's name was not confirmed until Wednesday. Reid and worked together for many years under current Sony Music head Doug Morris at Universal; she left her post at the helm of Universal Motown in May of 2011, a few months after Morris joined Sony. She previously worked with Morris for many years at Warner Music, ultimately rising to Chairman/CEO of the Elektra Entertainment Group. * "The partnership between Vested in Culture and Epic Records marks an exciting new chapter in my career," stated Rhone. "I have a tremendous amount of respect for Doug Morris and L.A. Reid, and couldn't ask to work with better music men than them. I look forward to building a great label and being a part of their continued success." [Edited 4/30/13 9:30am] | |
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sexton said:
What is the price of tea in China 2day? | |
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Keep falling for the divide and conquer tactic that people in power like to use so effectively. It prevents everyone from getting ahead.
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sexton said:
Keep falling for the divide and conquer tactic that people in power like to use so effectively. It prevents everyone from getting ahead.
Have looked at the makeup of congress lately? | |
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Over 100 African Americans have historically served in Congress vs. six open homosexuals. Don't even ask about transgenders. | |
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(Bolded part). I'm not sure it that is true, especially for years, many of the Motown artists looked like then, and many non-Blacks from that era are very familiar with r&b/soul songs of the Motown era. On top of that, more White youth buy rap than Black youth, and many Black rap artists are the complexions of Ledisi and Anthony. Secondly, more White youth in present day have been exposed to non-White musicians/artists, so I don't see how they would feel uncomfortable with those artists.
[Edited 4/30/13 10:42am] | |
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While most people would say that race as we consider it to be no longer exists as we are familiar with it, Obama's mixed heritage must not be glossed over for the sake of your argument.
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Yeah and you see the racial tones, racial connotations, and all the bs that that black president has had to deal with and still now as we speak that no white president before him has had to deal with. Go fucking figure. Don't laugh at my funk
This funk is a serious joint | |
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