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Musical style

Following her debut, Spears was credited with leading the revival of teen pop in the late 1990s. The Daily Yomiuri reported that "[m]usic critics have hailed her as the most gifted teenage pop idol for many years, but Spears has set her sights a little higher-she is aiming for the level of superstardom that has been achieved by Madonna and Janet Jackson." Rob Sheffield of Rolling Stone wrote: "Britney Spears carries on the classic archetype of the rock & roll teen queen, the dungaree doll, the angel baby who just has to make a scene."^[ Rami Yacoub who co-produced Spears's debut album with lyricist Max Martin, commented, "I know from Denniz Pop and Max's previous productions, when we do songs, there's kind of a nasal thing. With N' Sync and the Backstreet Boys, we had to push for that mid-nasal voice. When Britney did that, she got this kind of raspy, sexy voice." Following the release of her debut album, Chuck Taylor of Billboard observed, "Spears has become a consummate performer, with snappy dance moves, a clearly real-albeit young-and funkdified voice ... (You Drive Me) Crazy, her third single ... demonstrates Spears's own development, proving that the 17-year-old is finding her own vocal personality after so many months of steadfast practice."^[ Stephen Thomas Erlewine of Allmusic referred to her music as a "blend of infectious, rap-inflected dance-pop and smooth balladry."Spears later commented, "With ...Baby One More Time, I didn't get to show my voice off. The songs were great, but they weren't very challenging".

Oops!...I Did It Again and subsequent albums saw Spears working with several contemporary R&B producers, leading to "a combination of bubblegum, urban soul, and raga."Her third studio album, Britney derived from the teen pop niche, "[r]hythmically and melodically ... sharper, tougher than what came before. What used to be unabashedly frothy has some disco grit, underpinned by Spears' spunky self-determination that helps sell hooks that are already catchier, by and large, than those that populated her previous two albums. Guy Blackman of The Age wrote that while few would care to listen to an entire Spears album, "[t]he thing about Spears, though, is that her biggest songs, no matter how committee-created or impossibly polished, have always been convincing because of her delivery, her commitment and her presence. For her mostly teenage fans, Spears expresses perfectly the conflicting urges of adolescence, the tension between chastity and sexual experience, between hedonism and responsibility, between confidence and vulnerability."

Influences

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Throughout her career, Spears has drawn frequent comparisons to Madonna and Janet Jackson, in terms of vocals, choreography and stage presence, citing both as influences in her work. She has also named Michael Jackson and Whitney Houston as sources of inspiration. According to Spears: "I know when I was younger, I looked up to people... like, you know, Janet Jackson and Madonna. And they were major inspirations for me. But I also had my own identity and I knew who I was, you know." In the 2002 book Madonnastyle by Carol Clerk, she is quoted saying: "I have been a huge fan of Madonna since I was a little girl. She's the person that I've really looked up to. I would really, really like to be a legend like Madonna."

Many critics have argued that Spears should not be considered in the same league of talent as Jackson or Madonna. Journalists Erika Montalvo and Jackie Sheppard of the Rocky Mountain Collegian observed "[s]ome may argue that Spears is not only a good recording artist but also an important cultural icon." However, in examining her level of skill as an artist, it is questioned that "[a]lthough she has been classified among female elites such as Janet Jackson and Madonna, what does Ms. Spears really have in common with these divas of rock?" Joan Anderman of The Boston Globe remarked that "[t]hirteen costume changes in 90 minutes won't bless her with Madonna's intelligence or cultural barometer. An army of cutting-edge R&B producers won't supply her with Janet Jackson's sense of humor or sincere smile ... Britney's heroes aren't great singers. But they're real singers. Spears sounds robotic, nearly inhuman, on her records, so processed is her voice by digital pitch-shifters and synthesizers."

Reporter Ed Bumgardner commented her transition from teen pop start to adult sex symbol with her third studio album Britney "takes its cues from two other successful performers—Madonna and Janet Jackson—both of whom she brazenly rips off and both of whom, like Spears, are passable singers, at best." Critic Shane Harrison wrote: "From the minimalist thump and "Nasty" feel of "I'm a Slave 4 U" to the scattered quotes in "Boys", [Britney] feels like [Spears's] attempt at 'Control'."

Citing Jackson's resolve to incorporate personal and social issues into her work and Madonna's ability to constantly redefine the boundaries of socially acceptable material in the industry, Spears's catalog ultimately pales in comparison, because "[w]hile Jackson and Madonna wrote their own music about subjects of importance, [Spears's] music sounds like an upbeat version of either, 'I want to grow up but the media won't let me,' or 'Here kitty, kitty, I'm wearing my underwear outside of my leather pants'-type ballads." In contrast, Guy Blackman argues that although "no one would argue that Spears is some kind of pioneering pop auteur, there’s still a lot to like about her back catalogue. During her world-conquering peak, she was just about as cutting edge as you could get in the world of global pop superstardom. Spears didn’t just work with big names, she gave big names their names, and maintained her high currency in the world’s most fickle industry for years, when most aspiring starlets are lucky to manage months.

After meeting Spears face to face, Janet Jackson stated: "she said to me, 'I'm such a big fan; I really admire you.' That's so flattering. Everyone gets inspiration from some place. And it's awesome to see someone else coming up who's dancing and singing, and seeing how all these kids relate to her. A lot of people put it down, but what she does is a positive thing." Madonna's respect for Spears has also been a subject of observation. Santiago Fouz-Hernández and Freya Jarman-Ivens, authors of Madonna's drowned worlds: new approaches to her cultural transformations, 1983–2003 (2004) note that the most well known cross-generational relationship exists between Spears and Madonna in which "the entertainment newsmedia almost became obsessed with their relationship of mutual admiration."^[ The biographers also report "[s]ome observers of popular culture, however, feel that the comparisons between the two artist are meaningless and fail to recognize Madonna's unique contribution: Madonna was never 'just another pop star' whereas Britney can more easily be seen as a standard manufactured pop act

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^Legacy

Spears became an international pop culture icon immediately after launching her recording career. Rolling Stone magazine wrote: "One of the most controversial and successful female vocalists of the 21st century," she "spearheaded the rise of post-millennial teen pop ... Spears early on cultivated a mixture of innocence and experience that broke the bank".^[ She is listed by the Guinness World Records as having the "Best-selling album by a teenage solo artist" for her debut album ...Baby One More Time which sold over thirteen million copies in the United States.^[ Melissa Ruggieri of the Richmond Times-Dispatch reported, "She's also marked for being the best-selling teenage artist. Before she turned 20 in 2001, Spears sold more than 37 million albums worldwide". As of 2011, she has sold over 100 million albums worldwide, making her one of the best-selling music artists of all time. She was also ranked as the fourth VH1's "50 Greatest Women of the Video Era" show list, ahead of most of her contemporaries and only behind veterans like Madonna, Janet Jackson, and Whitney Houston. Spears is also recognized as the best-selling female artist of the first decade of the 21st century, as well as the fifth overall.^[ In December 2009, Billboard magazine ranked Spears the 8th Artist of the 2000s decade in the United States

Barbara Ellen of The Observer has reported: "Spears is famously one of the 'oldest' teenagers pop has ever produced, almost middle aged in terms of focus and determination. Many 19-year-olds haven't even started working by that age, whereas Britney, a former Mouseketeer, was that most unusual and volatile of American phenomena — a child with a full-time career. While other little girls were putting posters on their walls, Britney was wanting to be the poster on the wall. Whereas other children develop at their own pace, Britney was developing at a pace set by the ferociously competitive American entertainment industry". In 2011, Adam Markovitz of Entertainment Weekly commented on the cultural significance of Spears' voice and music. "We don't ask a whole lot from Britney Spears as an entertainer...we'll still send her straight up the charts simply because she's Britney. She's an American institution, as deeply sacred and messed up as pro wrestling or the filibuster. Musically, though, Spears will always have to measure up to her own gold standards of pop euphony: the operatic slither of 2004's 'Toxic' and the candied funk of 2000's 'Oops!...I Did It Again.' Spears is no technical singer, that's for sure. But backed by Martin and Dr. Luke's wall of pound, her vocals melt into a mix of babytalk coo and coital panting that is, in its own overprocessed way, just as iconic and propulsive as Michael Jackson's yips or Eminem's snarls." 'Britney Spears' was Yahoo!'s most popular search term between 2005 and 2008, and has been in a total of seven different years. Spears was named as Most Searched Person in the Guinness World Records book edition 2007 and 2009. She was later named as the most searched person of the decade 2000 – 2009. Spears is the most followed person on Google's social network, Google+. Reaching 100,000 in under two months of the sites launch, quadrupling the amount within 10 days. By November she had over 760,000 followers, and by the end of December 2011, Spears became the first person to reach over 1 million followers.

Spears has been cited as a musical inspiration by contemporary artists. Gwyneth Paltrow's character on 2010 drama film Country Strong was inspired on the singer's public meltdown. According to film director Shana Fest, "that's where this movie came from. I mean, I was seeing what was happening in the media to Britney Spears. I think it's tragic how we treat people who give us so much, and we love to see them knocked down to build them back up again, to knock them down again." Nicki Minaj has cited Spears as a major influence on her career, and commented, "the fact that she came back out with just so much fire inspires me, and it inspires young women and people all over the world. It just inspires you. A lot of my fans feel like they are the underdog and feel like they are the people who aren’t ever accepted for themselves, or who are laughed at or poked fun at forever. It just goes to show that once you keep at whatever it is you’re doing, people may not like you, people may not love you, but they will have to respect you at the end of the day. And that respect is all that matters." Lana Del Rey revealed that she is compelled by Spears in an interview with MTV, saying, "I'm not really interested in a ton of female musicians but there is something about Britney that compelled me – the way she sings and just the way she looks." Del Rey also said that the "Toxic" music video is a main inspiration of her work. During the 2011 MTV Video Music Awards, Lady Gaga said that Spears "taught us all how to be fearless, and the industry wouldn't be the same without her." Miley Cyrus credits Spears as her biggest inspiration, and has referenced the singer in her hit song "Party in the U.S.A." (2009). Spears' personal breakdown was also cited as an inspiration for Barry Manilow's album "15 Minutes".

Spears has also become a major influence among many new artists, including Demi Lovato, Katy Perry, Kristinia DeBarge, Little Boots, Marina and the Diamonds,^[Pixie Lott, Girls' Generation and Selena Gomez & the Scene.^[ In 2007, R&B singer Beyoncé Knowles also expressed her love for Spears in an interview with TRL Italy, saying, "I love Britney, I'm a fan of hers. I like her new album." Fergie of The Black Eyed Peas revealed to The Hollywood Reporter that she was happy with Spears' return to the music industry, and continued, "It's amazing. For this many years being in the business, and everything she's been through, it's wonderful to see her make this huge of a comeback. Really, it's a beautiful thing." Simon Cowell explained that he is "fascinated by [Britney]. The fact that she’s one of the most talked about – not just pop stars – but people in the world today, means that you’ve got this star power. [...] She’s still hot, she’s still having hit records and she’s still controversial, there’s a reason for that." Spears has had a direct influence on singer Porcelain Black's work after growing up around her music as a child. Black describes her music as a "love child between" Marilyn Manson and Spears, with Spears' work being one of the main inspirations for Black's debut album. She also stated that Spears inspired her deep love for choreography.Bebo Norman wrote a song about Spears, called "Britney", which was released as a single. Boy band Busted also wrote a song about Spears called "Britney", which was on their debut album. South Korean singer, BoA has also spoken of love and Spears' influence on her. First meeting in 2003 while Spears was promoting "In The Zone" – Britney would later provide a writing credit to the song, Look Who's Talking, on BoA's eponymous debut English album. Spears' version of the song leaked in 2012. Richard Cheese called Britney Spears "a remarkable recording artist" and also went on to say that she was "versatile" and what the industry calls an "artist". People magazine and MTV reported that October 1, 2008, the Bronx's John Philip Sousa Middle School, named their music studio in honor of Britney Spears.^[Spears herself was present during the ceremony and donated $10,000 to the school's music program

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SuperSoulFighter said:

The legacy of Britney Spears??? You've GOT to be kidding me!

I think Happyperson makes threads like this to be annoying... it makes him a Happyperson.

@ Britney Spears & 'artistry'

Paris9748430 said:

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A Look Back on Britney Spears' Artistry & Legacy

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I just got off the phone with Britney and she said to tell yal to kiss her lily white ass.

mjscarousal said:

SuperSoulFighter said:

The legacy of Britney Spears??? You've GOT to be kidding me!

I think Happyperson makes threads like this to be annoying... it makes him a Happyperson.

musicjunky318 said:

I just got off the phone with Britney and she said to tell yal to kiss her lily white ass.

How could you understand her with a mouth full of Cheetos?