They also did one on Sue Ann Carwell's Blue Velvet album. Don't laugh at my funk
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True. Also i thought Starpoint was different in the fact they had the powerful vocals of Renee Diggs. I've think i've read where people accused them of being pop in the mid eighties but outside of Object of My Desire what other pop hits they had. They have a lot of good r&b songs even after Object of My Desire. What You've Been Missin, He Wants My Body, and Midnight Love is as r&b as you can get. Don't laugh at my funk
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I agree.These bands were definitely not interchangeable.Midnight Star were into electro-funk (some would even call it "breakdance music",lol).Atlantic Starr had a more sophisticated,soulful sound and most of their singles were either ballads or midtempo.Starpoint were probably the most conventional of the three.They specialized in straightforward R&B/funk. | |
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This was a decent episode, but wow, David Lewis was a big ol' jackass for the way he mistreated Barbara back in the day. Glad they've made peace now (or at least seemed to). ~Using the Fat Albert emoticon 'cause no one else is... ~ | |
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Until tonight, I thought Atlantic Starr & Starpoint were the same group. When I saw Barbara, I kept saying, I thought she was dead.
I also wondered why they didn't feature the song, Object Of My Desire. I looked it up on youtube and discovered it was an entirely different group. Looks like they followed the same formula of putting a light skinned blonde in front.
I actually, didn't like how they were replacing these women like they were mere things. Reminded me of the Vanity/Apollonia switch, but they just kept going and going on with it. Very sexist, imo. And they stole Barbara's money right?
Anyway, Barbara was my favorite, but partly because I liked Object Of My Desire so much. | |
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Dupe post. [Edited 1/20/12 18:49pm] | |
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No. Object of My Desire was Starpoint with Renee Diggs. Atlantic Starr with Barbara were well known for Secret Lovers, If Your Heart Isn't In It, and Always. Don't laugh at my funk
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Thanks. Yes, I know. I mentioned that in my post. I was just noting how, although I was incorrect, the song influenced my like of Atlatnic Starr and my opinion of Barbara as their best lead. I guess I should've put a smiley after that sentence.
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I know this is late. I am a little behind watching my DVR taped Unsung.
I just watch this episode.
It seems to me that the management really played a role in the original band breaking up.
Is that Harris guy that was interviewed the manager? Because he seems a little shady to me. I think he was the one who stole all of Barbara's money and then feed the ego monster that lived inside David.
Instead of looking at the whole band,. and what was good for the longevity of the band he was looking for the quick buck which would translate to a quick buck for him (through percentages).
Also it appears David was so selfish: His ego isolated the other band members causing them to quick. Then when Barbara came on he antagonized her until she quick (along with the manager stealing her money). Causing his brother and Barbara to split as well.
But when David found a woman he loved, he just dropped the band and his partnership with his brothers and did not look back. Just kept stepping.
Ego; that is what broke up a great band. I never got into Atlantic starr after that album As The Band Turns. They were no good after that.
"Remember, one man's filler is another man's killer" -- Haystack | |
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Despite the unfortunate things that happened, i enjoyed the tv-show moments of them with Sharon doing leads on "When Love Calls", i think at Soul Train, and the whole band doing that cool slide from side to side. And "Circles", probably at American Bandstand, with a hyped crowd and Sharon jumping happily up and down at the end of their performance. As also an interviewee on Unsung described, "Circles" has a lush vibe. To get a glimpse of the rare or never-shown-before footage, that's one of the moments i always look forward too. | |
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