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Thread started 10/31/11 5:38am

HAPPYPERSON

James Brown Estate Saddle with Debt, Money Manager Takes Over

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AP Enterprise: Brown esta...ahoo! News

Quote:
COLUMBIA, S.C. (AP) — James Brown's charitable trust had withered to just $14,000 and his estate was saddled with more than $20 million in debt before a professional money manager was able to turn it around, an attorney told The Associated Press.

Under a complex 2009 settlement, the manager took control of Brown's assets from the estate's trustees. That manager wiped out the crushing debt and paved the way for thousands of needy students to receive full college scholarships by next year from the charity by cutting deals that put the Godfather of Soul's music on national and international commercials for Chanel perfume and Gatorade.

The full details of that settlement and the dire condition of Brown's estate had previously been a mystery and were provided to the AP by David Black, an attorney for the money manager. And now that deal — which gave about half of Brown's assets to the trust, a quarter to Brown's widow and young son, and the rest to his adult children — could be in jeopardy because the ousted trustees claim the deal should never have been approved and should be thrown out.

The deal brokered by then-South Carolina Attorney General Henry McMaster and approved by Circuit Judge Jack Early ended years of fighting among Brown's heirs, who came to realize no one would gain without an agreement. The disputes had started almost immediately after Brown died of heart failure on Christmas Day 2006.

But the trustees who'd been removed, Adele Pope and Robert Buchanan, argue in briefs filed to the South Carolina Supreme Court that the attorney general didn't have the authority to push through the settlement and want the whole thing thrown out. The court will hear arguments on the matter Tuesday.

The trustees argue they were not party to the negotiations that led up to the settlement, had opposed it, and were removed because of their opposition. The trustees' attorneys declined to comment beyond the court documents.
In their brief, lawyers for the attorney general's office argue the trustees hadn't conducted an appraisal of Brown's estate, had paid themselves hundreds of thousands of dollars from the sale of Brown's household and personal effects and claimed "$5 million in fees and want to scuttle a settlement so that the litigation will continue." Furthermore, McMaster was justified in getting involved because under state law he must look after those who might benefit from a charitable trust.

At the time of the settlement, the exact value of Brown's assets was not made public and attorneys said his accounts had little money in them. In the summer of 2008, some of his possessions were auctioned off for $850,000, in part to pay for the debt. All agreed at the time that future income from music and movie royalties and the use of Brown's likeness was what remained at stake.

"Placing Pope and Buchanan back into power would be similar to throwing a grenade into the James Brown music empire," said David Black, an attorney for Russell Bauknight, the court-appointed special administrator and trustee for Brown's estate and the charitable trust. Bauknight has not commented on the status of the case since he was named in 2009, nor has he been paid for his work up to this point, Black said "We'd have to start from scratch."

Brown's death touched off years of bizarre headlines, beginning with his widow Tomi Rae Hynie being locked out of his 60-acre estate and photographers capturing her sobbing and shaking its iron gates, begging to be let in.

Arguments over his where the soul singer was going to be laid to rest resulted in his body being held in storage in its sealed gold casket inside his home for more than two months. He was eventually buried at one of his daughter's homes. Family members at the time said they wanted to build a shrine to Brown around his grave mimicking Elvis Presley's final resting place at Graceland in Tennessee.

The settlement appears to have smoothed over the rifts among family members. None has sued to overturn the agreement. Black said Bauknight hired a professional music manager and has poured all proceeds from Brown's music to pay off the estate's major debt, a $26 million loan taken out by Brown that was supposed to be used to pay for a European tour. The final payment will be made seven years ahead of time by the end of 2011, Black said.

As yet, no payments have been made to any family members, Black said. Students in South Carolina and Georgia could start receiving scholarships by next year, Black said. He said the family members favored the settlement because they found it to be fair, and because it is expected to generate even more revenue in the long term for the charitable trust.

"They believe the settlement provides a result that James Brown would have been proud of and they believe that the global settlement ending years of litigation, and preserving the charitable trust for needy school children, assures Mr. Brown's legacy," Black said.

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Reply #1 posted 10/31/11 6:17am

Graycap23

So these geniuses want 2 throw out the guy that turned it around financially?

Brilliant. confused

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Reply #2 posted 10/31/11 10:52am

Timmy84

Fuck those trustees... lol

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Reply #3 posted 10/31/11 12:11pm

nursev

Hot ass mess.
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Reply #4 posted 10/31/11 3:44pm

MadamGoodnight

It took them forever just to bury the man! confused Why am I not surprised?

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Reply #5 posted 10/31/11 4:10pm

rialb

avatar

The double disc reissues of his singles have been a good start but it seems insane to me that there has not been a comprehensive reissue campaign that gets everything back into print. I have money in hand that I want to spend on his entire catalog but if they refuse to make the recordings available it is impossible for them to take my money.

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Reply #6 posted 10/31/11 7:07pm

mjscarousal

So sad sad

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Reply #7 posted 10/31/11 10:28pm

LittleBLUECorv
ette

avatar

rialb said:

The double disc reissues of his singles have been a good start but it seems insane to me that there has not been a comprehensive reissue campaign that gets everything back into print. I have money in hand that I want to spend on his entire catalog but if they refuse to make the recordings available it is impossible for them to take my money.

Everything is a lot, he released a ton of albums. You think Prince has a lot of album, there was a reason he's the hardest working man in showbusiness. In 1968, he released 9 albums, NINE. Like a cats lives 9.

PRINCE: Always and Forever
MICHAEL JACKSON: Always and Forever
-----
Live Your Life How U Wanna Live It
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Reply #8 posted 11/01/11 3:57am

rialb

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LittleBLUECorvette said:

rialb said:

The double disc reissues of his singles have been a good start but it seems insane to me that there has not been a comprehensive reissue campaign that gets everything back into print. I have money in hand that I want to spend on his entire catalog but if they refuse to make the recordings available it is impossible for them to take my money.

Everything is a lot, he released a ton of albums. You think Prince has a lot of album, there was a reason he's the hardest working man in showbusiness. In 1968, he released 9 albums, NINE. Like a cats lives 9.

True, he did release a ton of albums but he also padded out some of his '60s albums with older material that had already appeared on album before. Also, during the '60s LPs were often just over half an hour long so many of his albums could be paired up as twofers. What I would love to see is a chronological collection based on recording date, a series of four disc box sets similar to what Hip-O did with Chuck Berry would probably work best. He didn't record a ton of music in the '50s, that era could probably be covered in a disc and a half and I'm guessing you could probably cover 1956-1969 with three four disc sets. Remember, for much of 1964 and 1965 he was very limited in what he recorded. The live albums I would release separately and the new tracks on the "fake" live albums I would release on the box set without the overdubbed applause. I'm not sure about the instrumental music. An argument could be made that it should all be compiled in a separate box set but I think it would be best to release everything together.

It just strikes me as a little sad that every ten years or so RCA spruces up Elvis' catalog and virtually every note he ever recorded has been continuously in print but with James we often just get the same fifty songs recycled over and over. I'm not sure how much demand there is for the music that he recorded over the last 20-25 years of his life but surely the stuff from the '50s, '60s and '70s should all be readily available.

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Reply #9 posted 11/02/11 6:23am

SoulAlive

I wonder what happened to the James Brown biopic that Spike Lee was working on a few years ago?

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Reply #10 posted 11/02/11 11:58am

MrSoulpower

LittleBLUECorvette said:

rialb said:

The double disc reissues of his singles have been a good start but it seems insane to me that there has not been a comprehensive reissue campaign that gets everything back into print. I have money in hand that I want to spend on his entire catalog but if they refuse to make the recordings available it is impossible for them to take my money.

Everything is a lot, he released a ton of albums. You think Prince has a lot of album, there was a reason he's the hardest working man in showbusiness. In 1968, he released 9 albums, NINE. Like a cats lives 9.

In '68, he released I can't stand myself, Cold Sweat, I got the feeling, JB sings Out of Sight, Soulful Christmas and Thinking about Little Willie John. That's six that I can think of, and I don't think I'm missing something .. or do I? Not that six isn't enough .. '68 and '69 were his best years in terms of quality and innovation, hands down.

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Reply #11 posted 11/02/11 12:00pm

MrSoulpower

SoulAlive said:

I wonder what happened to the James Brown biopic that Spike Lee was working on a few years ago?

He can't do it as long as the estate isn't in order. There are several James Brown projects on ice because of this. Only Universal keeps releasing material, like the 45 series, because they actually own the music. Anything else related to the brand James Brown will remain on hold until this quagmire is solved.

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Reply #12 posted 11/02/11 12:09pm

rialb

avatar

MrSoulpower said:

LittleBLUECorvette said:

Everything is a lot, he released a ton of albums. You think Prince has a lot of album, there was a reason he's the hardest working man in showbusiness. In 1968, he released 9 albums, NINE. Like a cats lives 9.

In '68, he released I can't stand myself, Cold Sweat, I got the feeling, JB sings Out of Sight, Soulful Christmas and Thinking about Little Willie John. That's six that I can think of, and I don't think I'm missing something .. or do I? Not that six isn't enough .. '68 and '69 were his best years in terms of quality and innovation, hands down.

Cold Sweat was released in 1967.

Some of the albums you missed:

JB Presents His Show of Tomorrow (only two tracks by James the rest by associated artists)

JB Plays Nothing But Soul (instrumentals)

Live at the Apollo, vol. 2

That only brings it to eight unless you count the double live Apollo album as two.

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Reply #13 posted 11/02/11 12:28pm

TD3

avatar

MrSoulpower said:

LittleBLUECorvette said:

Everything is a lot, he released a ton of albums. You think Prince has a lot of album, there was a reason he's the hardest working man in showbusiness. In 1968, he released 9 albums, NINE. Like a cats lives 9.

In '68, he released I can't stand myself, Cold Sweat, I got the feeling, JB sings Out of Sight, Soulful Christmas and Thinking about Little Willie John. That's six that I can think of, and I don't think I'm missing something .. or do I? Not that six isn't enough .. '68 and '69 were his best years in terms of quality and innovation, hands down.

OK. Our Brownologist has spoken. lol Hi, MrSoooooooooooulpower.

Six albums and you have these whimpy artist who have take a decade after making an album. Cuz, the need some rest or get themselves together. bored2

As Brotha Brown said, "If You Don't Work You Don't Eat."

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Reply #14 posted 11/02/11 1:27pm

MrSoulpower

rialb said:

MrSoulpower said:

In '68, he released I can't stand myself, Cold Sweat, I got the feeling, JB sings Out of Sight, Soulful Christmas and Thinking about Little Willie John. That's six that I can think of, and I don't think I'm missing something .. or do I? Not that six isn't enough .. '68 and '69 were his best years in terms of quality and innovation, hands down.

Cold Sweat was released in 1967.

Some of the albums you missed:

JB Presents His Show of Tomorrow (only two tracks by James the rest by associated artists)

JB Plays Nothing But Soul (instrumentals)

Live at the Apollo, vol. 2

That only brings it to eight unless you count the double live Apollo album as two.

The single for Cold Sweat was released in July '67 ... I thought that the album wasn't released until early '68, but I could be wrong. I'll have to look up the release date. It's a strange release, because it has so many older songs on it.

You're right about JB Presents His Show of Tomorrow .. forgot about that one (a weird release, but one of the best album covers.)

You're also correct about Nothing but Soul .. so that makes it eight albums. I wouldn't count a double album as two albums.

Definitely his best year.

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Reply #15 posted 11/02/11 1:29pm

Timmy84

Wasn't dude on the road like 360 days of the year or something? I also recall that when he wasn't touring, he was recording and when he wasn't recording, he was touring, and when he wasn't doing either, he was trying to make business deals and do business and then when he wasn't doing business financially, he was doing business with someone's girl lol dude never had a break!!!

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Reply #16 posted 11/02/11 1:29pm

MrSoulpower

TD3 said:

MrSoulpower said:

In '68, he released I can't stand myself, Cold Sweat, I got the feeling, JB sings Out of Sight, Soulful Christmas and Thinking about Little Willie John. That's six that I can think of, and I don't think I'm missing something .. or do I? Not that six isn't enough .. '68 and '69 were his best years in terms of quality and innovation, hands down.

OK. Our Brownologist has spoken. lol Hi, MrSoooooooooooulpower.

Six albums and you have these whimpy artist who have take a decade after making an album. Cuz, the need some rest or get themselves together. bored2

As Brotha Brown said, "If You Don't Work You Don't Eat."

A Brownologist who stands corrected after he erred. biggrin

Don't be too hard on the youngsters though ... Today's recording/production/manufacturing/promotion/distribution standards are so much higher than back in the day, when they often used loose jams from a session and pressed them on record to be released within a couple of weeks.

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Reply #17 posted 11/02/11 1:31pm

MrSoulpower

Timmy84 said:

Wasn't dude on the road like 360 days of the year or something? I also recall that when he wasn't touring, he was recording and when he wasn't recording, he was touring, and when he wasn't doing either, he was trying to make business deals and do business and then when he wasn't doing business financially, he was doing business with someone's girl lol dude never had a break!!!

That's true for the most part of the 60s but changed in the 70s ...

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Reply #18 posted 11/02/11 1:31pm

Timmy84

^^ Some of the artists today DON'T know how to make a jam lmao

Keyword: I said "some". lol

I'm sure there's still acts who do jam sessions or stay in the studio 24/7 regardless of price.

[Edited 11/2/11 13:31pm]

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Reply #19 posted 11/02/11 1:32pm

Timmy84

MrSoulpower said:

Timmy84 said:

Wasn't dude on the road like 360 days of the year or something? I also recall that when he wasn't touring, he was recording and when he wasn't recording, he was touring, and when he wasn't doing either, he was trying to make business deals and do business and then when he wasn't doing business financially, he was doing business with someone's girl lol dude never had a break!!!

That's true for the most part of the 60s but changed in the 70s ...

I think his way of life changed around 1976, 1977, 1978, somewhere around there.

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Reply #20 posted 11/02/11 1:33pm

MrSoulpower

Timmy84 said:

^^ Some of the artists today DON'T know how to make a jam lmao

Keyword: I said "some". lol

I'm sure there's still acts who do jam sessions or stay in the studio 24/7 regardless of price.

[Edited 11/2/11 13:31pm]

Quite many. They just rarely break into the mainstream.

I still argue that Funk is more alive today than it was 40 years ago. smile

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Reply #21 posted 11/02/11 1:34pm

Timmy84

MrSoulpower said:

Timmy84 said:

^^ Some of the artists today DON'T know how to make a jam lmao

Keyword: I said "some". lol

I'm sure there's still acts who do jam sessions or stay in the studio 24/7 regardless of price.

[Edited 11/2/11 13:31pm]

Quite many. They just rarely break into the mainstream.

I still argue that Funk is more alive today than it was 40 years ago. smile

And live outside the United States. lol

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Reply #22 posted 11/02/11 1:34pm

MrSoulpower

Timmy84 said:

MrSoulpower said:

That's true for the most part of the 60s but changed in the 70s ...

I think his way of life changed around 1976, 1977, 1978, somewhere around there.

Even earlier, after the first set of the J.B.'s dismantled. He started touring less and Fred Wesley handled most of the recordings. JB already had a rough time in the early 70s. Many fans try to glorify that era today, but JB's career definitely peeked in '68.

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Reply #23 posted 11/02/11 1:35pm

Timmy84

MrSoulpower said:

Timmy84 said:

I think his way of life changed around 1976, 1977, 1978, somewhere around there.

Even earlier, after the first set of the J.B.'s dismantled. He started touring less and Fred Wesley handled most of the recordings. JB already had a rough time in the early 70s. Many fans try to glorify that era today, but JB's career definitely peeked in '68.

I still think he was innovating in the 1970s. Me personally I think he peaked in 1974.

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Reply #24 posted 11/02/11 1:35pm

MrSoulpower

Timmy84 said:

MrSoulpower said:

Quite many. They just rarely break into the mainstream.

I still argue that Funk is more alive today than it was 40 years ago. smile

And live outside the United States. lol

Many of them, yea .. but interestingly, more and more Funk bands are being formed here in the U.S. It's just so much harder to tour over here and support a release.

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Reply #25 posted 11/02/11 1:37pm

MrSoulpower

Timmy84 said:

MrSoulpower said:

Even earlier, after the first set of the J.B.'s dismantled. He started touring less and Fred Wesley handled most of the recordings. JB already had a rough time in the early 70s. Many fans try to glorify that era today, but JB's career definitely peeked in '68.

I still think he was innovating in the 1970s. Me personally I think he peaked in 1974.

Don't get me wrong, I love Payback and his early Polydor releases. But he never had the same commercial success that he had in the 60s .. and the music had a different energy. Back in the 60s, JB was ALWAYS in the studio when his music was created. In the 70s, he let Fred handle it and came in to sing over the final tracks. Much music released as the JB's wasn't even the JB's.

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Reply #26 posted 11/02/11 1:39pm

Timmy84

MrSoulpower said:

Timmy84 said:

And live outside the United States. lol

Many of them, yea .. but interestingly, more and more Funk bands are being formed here in the U.S. It's just so much harder to tour over here and support a release.

Yeah I know but there have been those who found a way when there doesn't seem to be a way lol you gotta find a way to make shit work, it may take some time. nod

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Reply #27 posted 11/02/11 1:39pm

Timmy84

MrSoulpower said:

Timmy84 said:

I still think he was innovating in the 1970s. Me personally I think he peaked in 1974.

Don't get me wrong, I love Payback and his early Polydor releases. But he never had the same commercial success that he had in the 60s .. and the music had a different energy. Back in the 60s, JB was ALWAYS in the studio when his music was created. In the 70s, he let Fred handle it and came in to sing over the final tracks. Much music released as the JB's wasn't even the JB's.

I know but it just seemed that way but you're right about Fred. Once he left to join P-Funk, then it really fell apart for JB. neutral

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Reply #28 posted 11/02/11 1:44pm

MrSoulpower

Timmy84 said:

MrSoulpower said:

Many of them, yea .. but interestingly, more and more Funk bands are being formed here in the U.S. It's just so much harder to tour over here and support a release.

Yeah I know but there have been those who found a way when there doesn't seem to be a way lol you gotta find a way to make shit work, it may take some time. nod

SJDK have found a away .. they are doing it better than anyone and they are from Brooklyn. biggrin Right now, everyone else is trying to do what they do.

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Reply #29 posted 11/02/11 1:46pm

MrSoulpower

Timmy84 said:

MrSoulpower said:

Don't get me wrong, I love Payback and his early Polydor releases. But he never had the same commercial success that he had in the 60s .. and the music had a different energy. Back in the 60s, JB was ALWAYS in the studio when his music was created. In the 70s, he let Fred handle it and came in to sing over the final tracks. Much music released as the JB's wasn't even the JB's.

I know but it just seemed that way but you're right about Fred. Once he left to join P-Funk, then it really fell apart for JB. neutral

Also, if you look at his output in the 70s, it's much less than in the 60s .. A couple of soundtracks that were mainly done by Fred, a couple of best-of releases and some mish-mash like Hell and Goodfoot. Payback really stands out during that time, while in the years 1966-70, I wouldn't even know what to pick because there's so much and it's all so good ..

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