the new vh album is shit. like the new prince album 20ten or whatever it was called. RIP 1958-2016 Prince RIP 1947-2016 David Bowie | |
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I'm glad more than me is disagreeing with you on this one. This album is to me more interresting than anything Prince released the last two decades. Been listening to it non stop for a week now. I knew I just witnessed some new great stuff the first time I heard it, but couldn't really put my finger on what made me want to listen to it again. It was a bit weird to me in the beginning, as he has a bit of a talking flow sometimes when he is singing. It's kinda like he is a singing Common or something, but with a more sexy edge to it. His hooks seems a bit forced on a couple of songs as they come a bit unnaturally to me. Especially on the song watching you go crazy. But overall I have not heard an album on this level of reinventing genres and bridging gaps like he just did. He is retro considering the mixing of each instrument and his sometimes extremly obvious borrowing from legendary idols, yet futuristic in the combination and putting old elements in a new perspective and updated social context. My Soundcloud: https://soundcloud.com/tundrah | |
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I think it could, but it wouldn't have been as big as it was.
Come to think of it, I think Lauryn's fans would have enjoyed a whole lot more music by now had it NOT been as big as it was. Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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ohh lawrd...... | |
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as a whole, atleast after mid 90s, I haven't heard a single Prince album that I wanted to put on repeat as much as this new Van Hunt. That's mostly because many of his good albums after this period, had equally many fillers as actual good songs. Even Emancipation which I love, has a whole bunch of fillers.
This album is atleast a b+ imo. The only thing I find questionable with this album is him leaning onto his influences a bit too much, like he is emulating them and serving it on a plate. So by this he sometimes looses song focus imo. On first listen he sounds more comfortable being everyone else than himself. Luckily even though I'm very familiar with many of his idols, after listening a couple of times, I don't mind what first thought of as very obvious influences since his personal quality in his voice is shining through as one gets to know him. So I got mixed feelings after first listen, but was wildly interested in getting to know it, now I'm sold.
One thing Prince has though, that I think Van Hunt is missing even on such a great album is appearance. Prince makes it sound like he is the only thing you should listen too as he speaks directly to the listener, while Van Hunts background friendly voice is easier to not pay attention too. This is even when Van Hunt is doing many vocal acrobatics. He just isn't demanding the listener to pay attention. It's just soothing for those who likes such music. Prince always win on the attention part because of his cockyness and edge. My Soundcloud: https://soundcloud.com/tundrah | |
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I never understood why people comparing Prince's recent stuff everytime Van Hunt drops a new CD. What is this his sixth or seventh CD, why not compare to Prince's first six or seven? why compare it to Prince recents release. Is that fair? Are we to assume that Van Hunt himself is going to be innovative and perfect 20 years from now without hitting his peak like most artist do? Not knocking you at all, just a thought. I have to give this CD a few more listens myself. | |
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Personally the reason why I compare good efforts to prince, is because I put Prince VERY HIGH, meaning that even if he is a legendary artist on so many levels and dimensions, this effort of Van Hunt is so good that I prefer it to later efforts of Prince. Prince is still Prince on a bad day, and even on his "bad" albums he has a few gems that often make it worth buying. My Soundcloud: https://soundcloud.com/tundrah | |
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That is a term of endearment in Black America; especially among my friends. And the word "nigga/nigguh" has an acceptable place, if given the correct context. Words are all about context; for example:
Define the word "red."
Good luck with that, my nigguh.
EDIT: find the George Carlin video on how we use words. Its brilliant. [Edited 10/6/11 10:32am] | |
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That is certainly well put by Meloh.
And Namepeace's post is well put too, except for the preference for On The Jungle Floor; I prefer Popular!...
...Goddamn that is an awesome album.
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uhhhh...not really The greatest live performer of our times was is and always will be Prince.
Remember there is only one destination and that place is U All of it. Everything. Is U. | |
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I have to say, I'm not impressed at all. I only liked 3 songs on 20ten but I don't like any song on this VH cd.
Prince, in you I found a kindred spirit...Rest In Paradise. | |
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Umm, except it's NOT r&b... [Edited 10/6/11 17:54pm] Prince, in you I found a kindred spirit...Rest In Paradise. | |
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I'm sayin'...
Why anyone would even think of comparing VH to Prince is beyond me. He's nothing like Prince, never has been anything like Prince and doesn't really try to be anything like Prince...Sheesh!
Why not just make a thread about the cd and let Van Hunt be who he is? The comparison is silly. Prince, in you I found a kindred spirit...Rest In Paradise. | |
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Huh, is this album really that good? I quite enjoyed his first album but haven't heard anything else. Since it was never officially released I guess I shouldn't feel guilty about "stealing" Popular so I'll give that a listen. Is On the Jungle Floor worth a listen? I've been meaning to pick it up since it was released but never got around to it. | |
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Silly 2 the 6th power. | |
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Which is what I said earlier on. I respect his decision to experiment musically but to ALSO experiment sonically in tandem on the same record with every song is asking for trouble. This is not an R&B record. His audience has been primarily R&B fans. Some will give him a shot and others will be totally alienated. Also, traditionally when an artist experiments with their style, its to draw in more fans rather than to go even more niche and ecclectic. To completely abandon any semblence of what drew people to you in the first place is a big and unusual move altogether. Musically, this is his most adventurous CD. Stylistically, its his most original. Still... Its not R&B, which means those people who like tight harmonies and nice melodies or driving drum beats, grooving bass lines and funky guitar riffs are going to turn it off and proceed with caution the next time he drops a new disc. The artist in him is probably cool with that. The producer in him is going to shit in his pants and yell "WTF was I thinking?"
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I'm right in between. I loved the harmonies, melodies, beats, bass, riffs, etc. but I want to support the cat for going in new directions when other artists would have burned out and given up. That's why I support him and Me'Shell virtually unconditionally.
I KNEW this album would be different. And I was prepared to shelve it after one listen. But several listens in, I think it's brilliant, and unique. He even caught Rolling Stone's attention. Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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I disagree. The fact that you think someone would already be considered a musical legend based on his age brings to question your understanding of the business side of music. There are great artists walking around with 10-20 CDs recorded that only a handful of people know. Lack of popularity does not have a bearing on quality of work. If Stevie Wonder only recorded Talking Book, he'd still be a genius. If only 10 people bought it, it would still be a brilliant record. As to the classic songs thing - I hear them. The quality is there even if the popularity isn't. If songs like "Down Here In Hell" got the same amount of rotation as Lil Wayne and Trey Songz get, it would EASILY become a classic, outlasting anything by Lil Wayne or Trey Songz.
Come on. Dude is the truth. He's not a "2nd coming" - he's his own artist. | |
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Slightly off topic but I just heard Popular and have been spinning it quite a bit since yesterday. There was a promotional disc of this, right? Presumably that is the source of the versions floating around. Does anyone know if it is available as a FLAC? The version I have is 224 KBps which sounds good enough but if there is a FLAC available I will seek it out. | |
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Agreed again.
As Prince did with Dirty Mind, and countless other great artsts did with definitive works, Van Hunt made an album that is indisuputably his own. [Edited 10/7/11 15:34pm] Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | ||||
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I'm still digesting What Were You Hoping For? after having it about a week. I'm still not sure how I feel about it musically. Lyrically, Van is better than pretty much anyone else in his generation that I can think of. But it seems like a lot of the experimentation he's doing has some at the expense of melodicism. I noticed it quite a bit on Popular, that while there were still melodies on some of the songs, some of the others seemed to be more about chord changes or the instrumental arrangements, which is cool, it was just jarring coming off the past two albums.
I have to say, I LIKE WWYHF? but I'm not sure if I'll ever love it or not. I listen to a lot of experimental electronic music, but for whatever reason, I'm not sure about Van's experimental trip. As crazy as some of that stuff gets, there's usually SOME kind of hook in there somewhere, but this album is kind of weak in that respect.
To me, Van's greatest strength is as a songwriter, but it seems like he's pushed that part of himself to the back burner in a sense, musically anyway. I also wish he'd included the lyrics in the documentation.
Like I've said, I've had the record a week and am still digesting it. I still prefer Jungle Floor, but this one is growing on me. I also wish I had been able to see him live when he was here. Sometimes hearing the music live really seals the deal for me. | |
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I don't know how old you are but funk and R&B went hand-in-hand back then. Head was funk, which made it R&B friendly; so was Party Up Uptown was "poppy" rock/R&B. I'm sorry but Van's musical venture is completely off the grid. Plum and Eyes Like Pearls might get a pass but the rest of the record is very "alt". Prince was never that far off the course in his earlier years. He waited until he "made it" to take major chances, hence my comparison to ATWIAD rather than Dirty Mind. But even more of a departure is the MIX. The way it was mixed is very, very niche. The sonic texture alone can be a turn off to some. [Edited 10/7/11 21:18pm] | ||||
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I think it's quite interesting last weekend when I saw him live that many folks were kind of alienated by the new music. Many were expecting Seconds of Pleasure over the course of a house and a half lol... | |
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I don't quite think that was Meloh's point; rather, that like DM, WWYHF is a departure from his earlier work that goes a long way to sharpening VH's identity as an artist. Great points nonetheless. Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | ||||
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rialb said: Huh, is this album really that good? I quite enjoyed his first album but haven't heard anything else. Since it was never officially released I guess I shouldn't feel guilty about "stealing" Popular so I'll give that a listen. Is On the Jungle Floor worth a listen? I've been meaning to pick it up since it was released but never got around to it. On the Jungle Floor beats out Popular as my favorite Van Hunt album. I'm warming up to WWYHF, but it's still a distant fourth at this point. "Whitney was purely and simply one of a kind." ~ Clive Davis | |
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I quite like Popular so I'll be getting On the Jungle Floor eventually.
What was this cat doing for most of the '90s? Seems like he was a bit of a late bloomer. | |
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