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Nas Open Letter To Def Jam Execs To: LA Reid, Steve Bartels, Steve Gawley, Michael Seltzer, Joseph Borrino, Chris Hicks Subject: PUT MY SHIT OUT! Peace to all, With all do respect to you all, Nas is NOBODY’s slave. This is not the 1800?s, respect me and I will respect you. I won’t even tap dance around in an email, I will get right into it. People connect to the Artist @ the end of the day, they don’t connect with the executives. Honestly, nobody even cares what label puts out a great record, they care about who recorded it. Yet time and time again its the executives who always stand in the way of a creative artist’s dream and aspirations. You don’t help draw the truth from my deepest and most inner soul, you don’t even do a great job @ selling it. The #1 problem with DEF JAM is pretty simple and obvious, the executives think they are the stars. You aren’t…. not even close. As a matter of fact, you wish you were, but it didn’t work out so you took a desk job. To the consumer, I COME FIRST. Stop trying to deprive them! I have a fan base that dies for my music and a RAP label that doesn’t understand RAP. Pretty fucked up situation This isn’t the 90?s though. Beefing with record labels is so 15 years ago. @ this point I just need you all to be very clear where I stand and how I feel about “my label.” I could go on twitter or hot 97 tomorrow and get 100,000 protesters @ your building but I choose to walk my own path my own way because since day one I have been my own man. I did business with Tommy Mottola and Donnie Einer, two of the most psycho dudes this business ever created. I worked well with them for one major reason……. they believed in me. The didn’t give a fuck about what any radio station or magazine said….those dudes had me. Lost Tapes is a movement and a very important set up piece for my career as it stands. I started this over 5 years ago @ Columbia and nobody knew what it was or what it did but the label put it out as an LP and the fans went crazy for it and I single handlely built a new brand of rap albums. It’s smart and after 5 years it’s still a head of the game. This feels great and you not feeling what I’m feeling is disturbing. Don’t get in the way of my creativity. We are aligned with the stars here, this is a movement. There is a thing called KARMA that comes to haunt you when you tamper with the aligning stars. WE ARE GIVING THE PEOPLE EXACTLY WHAT THEY WANT. Stop throwing dog shit on a MAGICAL moment. You don’t get another Nas recording that doesn’t count against my deal….PERIOD! Keep your bullshit $200,000.00 fund. Open the REAL budget. This is a New York pioneers ALBUM, there ain’t many of us. I am ready to drop in the 4th quarter. You don’t even have shit coming out! Stop being your own worst enemy. Let’s get money! http://youraudiofix.com/2...n-def-jam/ | |
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Well Mr. Jones, wasn't it you who was quick to join those assholes? | |
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Good Luck Nas. | |
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I will be so glad when labels die | |
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He is right, we are into the artist, not the exec.
But he & Prince act like they would exist without the record company, and that is foolish. My Legacy
http://prince.org/msg/8/192731 | |
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Both of them should've read the fine print of contracts before signing it like kids going to candy stores. See this is what happens when you're young, green and getting into the industry and you still got that kid in you. That's why some deals don't work out as they should. It's always a mistake to not read further into what you're getting into. | |
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Nas is a chump. | |
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Prince admitted that a new artist needs a record company but an established artist with a faithful fanbase doesn't as much. Nas is on a level most rappers will never attain and can only hope to achieve. Let the man put out his music and let the fans decide what's what. With declining record sales these days there's absolutely nothing to lose by putting out anyones music. The days of multi-million sales is over and done. Todays blockbuster CD sales are a joke compared to what artists used to sell in the 80's and 90's. Executives are clinging to outdated dreams of grandeur. When go 2 a Prince concert or related event it's all up in the house but when log onto this site and the miasma of bitchiness is completely overwhelming! | |
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Yeah but they want it both ways. They want the promotion from the label, but they don't want to give anything in return. Prince has at least left the labels behind, but don't pretend it was all your talent that got you there. It was the label's $ that got you there, in partnership with the talent. It's easy to say you don't need them when you're a star, but without them you would not be a star.
And as Timmy said--read the CONtract. My Legacy
http://prince.org/msg/8/192731 | |
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Asking out of ignorance: Do people really care this much about Nas? Ὅσον ζῇς φαίνου
μηδὲν ὅλως σὺ λυποῦ πρὸς ὀλίγον ἐστὶ τὸ ζῆν τὸ τέλος ὁ χρόνος ἀπαιτεῖ.” | |
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"It’s smart and after 5 years it’s still a head of the game."
Siiiiigh....
Dude just needs to put some shit out under a different name. Market and promote it himself out of pocket and see where that gets him. Maybe it works out great, maybe it doesn't. Also, as has been mentioned regarding reading contracts, he needs to get his required albums finished and submitted to Def Jam, then be done with it. Stop playing their game. | |
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read the CONtract.....I like that. | |
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He has a right to be mad. He announced The Lost Tapes 2 and then they decided they didn't want to put it out "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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This is all that needs to be said.
Recording artists can be some dumb motherfuckers, including the one this site is named after. | |
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Boy, he was wrong first of all for signing with Def Scam. FUCK THAT. | |
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You know why they just end up signing contracts they never thought of reading: they were led to believe they would always have hit records and be paid. And that they would put out their material.
WELL... we saw how that goes?! RIGHT!? RIGHT!?
It's one thing when you're kids because no one thinks to look after the kid acts but after you grow up, that shouldn't be an excuse. | |
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Motherfuckers don't have a lick of common damn sense. | |
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Yeah that is so true. A recent interview i heard with a-ha in the UK about a week ago, in talking about the very early days and how they had to fight for stuff, but also dictated certain things going in, but also one great line was member Magne Furuholmen in saying "when something doesnt go your way, like a child, you blame the label" and he is 100% right, YES the whole system is screwed up, artists get the shaft now and today just as much, BUT, for NAS to say its slavery is an insult to "slaves" that actually HAD NO CHOICE, nobody picked NAS off the street and said sign this or we will kill you, so arguments like this, especially from artists that have made alot of cash falls on deaf ears. Labels helped all of these artists be able to get a point to even speak their mind, its that simple, regardless of how corrupt the system is, shit, think of a regular retail job and how corrupt that is, U bust your ass to make them millions and get paid a minimum wage and every now and then get a pat on the back. So yes labels suck, but folks, they made all of these artists, you would have never heard of anyone we discuss on this forum had it not been for the label . "We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F | |
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industry rule # 1080.... | |
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Record company people are shadyyy!!! | |
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