bboy87 said: LittleBLUECorvette said: You one of them RnB cats, I like those songs titles, LOL. You got yo own studio, or you go to a local one? Nah, I'm recording at school. My school as a recording studio and has Pro Tools, FL Studio, Reason, Cubase, Acid....all of the popular recording software one of my classmates has his own studio and equipment. His shit is really good so good I was about to apply for a membership for the Player Hater's Ball YEah, I used to record at school when I went a few semesters back. I took a class for Pro-Tools and this class called studio Orchestra (that class was fun) just a bunch of student musician s who created songs and recorded them. But, if you really interested in music, I suggest you get an in-home studio. I have Pro-Tools, REASON, a nice mic, some keyboards, a guitar and a bunch of percussion instruments. It's not as costly as you think ... and with that said, let's get back onto the King of Pop. PRINCE: Always and Forever
MICHAEL JACKSON: Always and Forever ----- Live Your Life How U Wanna Live It | |
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ViintageJunkiie said: bboy87 said: Wrote the song called "If Only I Could Find You". I had been listening to Drake's "Sooner Than Later", Nicolay's "Lose Your Way", Alexander O'Neal's "If You Were Here Tonight" and ALOT of Mike. Liked the lyrics and posted them on Facebook. NMuzak, Kida, seeing_voices, and muthafunka liked it. I went in to record it....MY FIRST TIME EVER RECORDING so me and my boy were learning as we went I played it back....I literally threw off the earphones like I was trying to get a worm out of my ear We're going back on Wednesday to try it again and 2 other songs I wrote called "Imaginary Love Affair" and "Just Too Good" You sing or just write? Whenever I in the studio, don't laugh, but I always imagine i'm in the studio creating Thriller...LOL I do both "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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LittleBLUECorvette said: bboy87 said: Nah, I'm recording at school. My school as a recording studio and has Pro Tools, FL Studio, Reason, Cubase, Acid....all of the popular recording software one of my classmates has his own studio and equipment. His shit is really good so good I was about to apply for a membership for the Player Hater's Ball YEah, I used to record at school when I went a few semesters back. I took a class for Pro-Tools and this class called studio Orchestra (that class was fun) just a bunch of student musician s who created songs and recorded them. But, if you really interested in music, I suggest you get an in-home studio. I have Pro-Tools, REASON, a nice mic, some keyboards, a guitar and a bunch of percussion instruments. It's not as costly as you think ... and with that said, let's get back onto the King of Pop. I'm saving up to buy equipment back to Mike Moonwalker is being released on Blu Ray in France in July . Now we need a USA release "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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Superstition said: blessedk said: Hahaha In all seriousness though, they were a team. That's why it irks me to no end when people act like MJ couldn't create his own music just because he didn't have the technical side down like Prince. I don't think anyone realizes how hard it is to even come up with a melody. That is probably the hardest part. And MJ created great melodies. You listen to his demos and he has the song made in his head, the other stuff is just what he heard falling into place. People act like its easy, or that everyone does the work for him when that couldn't be further from the truth. Quincy helped take those melodies and develop them into bonafide tracks. They were a great team. Although I do think Quincy's role, while hugely important, is overstated by some. I'm not taking credit away, but the comments like "MJ wasn't shit without Quincy" really irks me to no end. What was Quincy's involvement in Destiny or Triumph, albums I probably like more than both Thriller and Bad? Exactly, some seem to forget that there were masterpieces before Quincy came into the picture musically. I'll take Destiny and Triumph over Bad anyday. I've lost the use of my heart, But I'm still alive, Still looking for the life, The endless pool on the other side, It's a wild wild west, I'm doing my best, I'm a soldier of love, Every day and night, I'm soldier of love, All the days of my life. | |
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blessedk said: Superstition said: Hahaha In all seriousness though, they were a team. That's why it irks me to no end when people act like MJ couldn't create his own music just because he didn't have the technical side down like Prince. I don't think anyone realizes how hard it is to even come up with a melody. That is probably the hardest part. And MJ created great melodies. You listen to his demos and he has the song made in his head, the other stuff is just what he heard falling into place. People act like its easy, or that everyone does the work for him when that couldn't be further from the truth. Quincy helped take those melodies and develop them into bonafide tracks. They were a great team. Although I do think Quincy's role, while hugely important, is overstated by some. I'm not taking credit away, but the comments like "MJ wasn't shit without Quincy" really irks me to no end. What was Quincy's involvement in Destiny or Triumph, albums I probably like more than both Thriller and Bad? Exactly, some seem to forget that there were masterpieces before Quincy came into the picture musically. I'll take Destiny and Triumph over Bad anyday. I'll take Destiny and Triumph over Off The Wall and Thriller anyday, but not Bad. I think Bad is when he really came into his own with his songwriting, whereas I think he was much better with his brothers in the early 80's period. Michael, Jackie and Randy are just the perfect songwriting team. Nothing on Off The Wall matches 'Time Waits For No One' or 'Can You Feel It', 'Give It Up', 'Destiny'.... | |
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I knew it. The entire movie was staged to make it look like MJ was really at the top of his game. http://www.this-is-not-it.com/ | |
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Michael Jackson's This Is It Peek Reveals Star in Onstage Glory Rolling Stone's first look. Michael Jackson fans will soon get their first real look at the comeback show that could have restored his reputation as the world’s greatest entertainer when the documentary This Is It hits 3,000 U.S. screens (and nearly 19,000 international theaters) for a two-week run. The film’s director, Kenny Ortega, says he had those fans in mind when he helped cut down 120 hours of rehearsal footage for Jackson’s 50-show run at London’s O2 Arena into the feature-length movie. “There was this desire to have one more visit with Michael, one more experience with him,” says Ortega, who was choreographing Jackson’s show. “It’s powerful. It’s moving, it’s entertaining. It’s big.” Two pieces of footage from This Is It screened for Rolling Stone were indeed impressive, and Jackson, who died after a lethal combination of sedatives stopped his heart on June 25th, appears professional and nimble on the screen. “Human Nature” begins with just Jackson and his guitarist, and it’s clear he’s totally in command of his body and his voice. “The Way You Make Me Feel” segues from a doo-wop intro into the song’s more familiar arrangement when Jackson punches out a fist and emits a little growl. When the band misses its cue, he firmly instructs, “Watch me for that growl!” Gauntly thin and in bedazzled costumery, he hits all the notes, nails all the dance moves. He pops, locks, spins, does the worm, breaks out a penguin dance and even shows off some new moves. The dancers and musicians all working around him seem awestruck (their most frequent comments are “I agree, MJ” and “sounds good, MJ”). “We had a blueprint given to us by Michael from doing the tour — we translated his wishes and his final curtain call and that’s what you’ll see,” says the tour’s musical director, Michael Bearden. The film also shows the sheer size of Jackson’s reimagined stage show — a huge set that included stories of scaffolding, the world’s largest 3-D LCD screen, a retinue of dancers, aerial acrobatics, a children’s choir and 12 original short films. “I would hope they get what I got from it, which is a wonderful last experience with Michael that is like no other,” Ortega says. http://www.rollingstone.c...age-glory/ | |
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bboy87 said: my other new MJ shirt
that shirt is hot where'd you get it "we make our heroes in America only to destroy them" | |
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cdcgold said: look at this cutie pie
cutie "we make our heroes in America only to destroy them" | |
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Mixed Outlook For 'This Is It' Album Sales October 26 The new Michael Jackson record "This Is It" hits stores around the world on Monday, kicking off a week of money-spinning events dedicated to the "king of pop," but the outlook for the two-disc album is decidedly mixed. Experts predict that it will top charts in several key countries, most notably the biggest U.S. market, but with album sales in seemingly terminal decline, even relatively modest returns can secure the coveted number one slot. The fact that fans have bought nearly six million Jackson albums in that country alone since the singer died suddenly in June of a prescription drug overdose is likely to temper demand for what is essentially another greatest hits collection. "It's very hard to pinpoint what it will do, particularly due to the fact that a lot of these songs have already sold well this year," said Silvio Pietroluongo, director of charts at Billboard magazine which compiles the weekly rankings. "Talking to the labels and industry insiders there is a huge sweep of opinion of anywhere between 200-300,000 and 500,000 albums sold in the first week," he told Reuters. Pietroluongo predicted that should be enough to guarantee Jackson another Billboard number one in the United States. "This Is It" goes on sale in most of the world on Monday and in North America from Tuesday, the eve of the eagerly anticipated movie of the same name. The film features footage of Jackson rehearsing for his planned residency at London's O2 Arena, which was to have been his farewell to live performance after years of living as a virtual recluse. The film, released by Sony's Columbia Pictures, could make more than $600 million in its limited two-week run, industry executives have predicted. The album, however, is unlikely to create the same buzz. Its cause was not helped by a PR fiasco earlier this month when the pop star's first posthumous single "This Is It," which appears on the album, turned out to be an old song recorded 18 years ago by an obscure Puerto Rican singer. The co-author of that tune threatened to sue Jackson's estate and he was quickly granted 50 percent of the copyright. There have also been negative early reviews, with Britain's Independent newspaper giving the record one star out of five and calling it "a shoddy apology for an album." In Britain, retailers said "This Is It" looked destined to become one of the big albums of the key Christmas period, but there were factors that could dampen demand. "At the time of his death the response was very emotional," said Gennaro Castaldo, spokesman for the HMV music retail chain. "But there is a question as to whether that is as potent this time around. There is not that emotional intensity." This Is It also goes on sale at around the same time as albums by other popular artists, including Cheryl Cole ("3 Words") and Robbie Williams ("Reality Killed the Video Star"). "This Is It," released by Sony Music, includes Jackson hits like "Wanna Be Startin' Somethin'," "Thriller" and "Beat It" and two versions (original and orchestral) of "This Is It." It also features demo versions of "Wanna Be Startin' Somethin'," "She's Out of My Life" and "Beat It" as well as a poem entitled "Planet Earth." Sony Pictures and Sony Music are units of Sony Corp' Much depends on whether millions of people expected to flock to the accompanying "This Is It" movie, which hits theatres on Wednesday, feel moved to buy the record too, experts said. http://www.billboard.com/...0327.story | |
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Warhol Portrait of Michael Jackson Up For Auction October 26, 2009 Christie's auction house will offer up a portrait of Michael Jackson by Andy Warhol in New York on Nov. 10. The auction house told The Associated Press on Friday that the 30 inch-by-26 inch (76 centimeter-by-66 centimeter) portrait should fetch an estimated $500,000 to $700,000. It's one of a small group of Warhol silk-screened images of Jackson created in 1984. The painting depicts Jackson smiling in a Thriller -era jacket, with squiggles of red and yellow in his hair. Deputy chairman Brett Gorvy says the seller is an anonymous private collector in New York who bought it from the Andy Warhol Foundation in the 1990s. The image is part of 47 lots being auctioned, including two other Warhol paintings. A New York art gallery sold a similar Warhol portrait of Jackson in August to an anonymous buyer. The gallery would not disclose the price, but said it was more than a million dollars. http://www.usatoday.com/l...ting_N.htm | |
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Some cute rare pictures found at the KOP board:
[Edited 10/26/09 9:06am] "When Michael Jackson is just singing and dancing, you just think this is an astonishing talent. And he has had this astounding talent all his life, but we want him to be floored as well. We really don´t like the idea that he could have it all." | |
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mrsnet said: kibbles said: i wish i could be as optomistic as you about that. already the family is muscling in to try to exercise control of the estate. even if they aren't successful in removing branca, they will be successful in preying upon mj's kids in the same way they preyed upon mj. i believe one of the reasons for mj's constant need for money - as expressed by sony, so take with grain of salt - didn't always have to do with him. he may have been a spendthrift, but when you also have family members who also expect to maintain your lifestyle, there's going to be trouble. that alleged $300 mil debt didn't come from him alone. madonna's family doesn't live the way she does. why? because *she* made her money, therefore she gets to live off of the fruits of *her* efforts and she doesn't feel obligated to fly her extended family in private jets around the world or maintain a rock star lifestyle for them. i'm sure she helps within reason, but that's the extent of it. that's not the way it is with mj's family. you got ex-wives and children at havenhurst that mj felt obligated to provide for and they're still there now. mj's kids' cousins are now used to a life of dependency, and like any type of generational 'welfare' they're going to feel entitled to everything that prince, paris, and blanket have. no, if someone doesn't step in between that family and those kids, expect their lives to turn out as sad as their father's. first of all, their dad's life was not sad. He inspired the world, brought to it beauty n joy. Now to the point - i find it hilarious, the speculation about the Jacksons money, wealth. You don't know ANYTHING about their finances. The Jackson brothers are still getting royalties for their music. They are not broke. Janet is loaded and has no kids. They are a dynasty. What makes you think the brother's children wont grow up and become lawyers, doctors, engineers, etc. They will educate their children.Why would u use the term 'welfare'? Sounds racist to me. That entire family deserve to be wealthy. Of course, Never as much as Michael's kids,and that won't happen. but they are part of a dynasty. Katherine has 40% n if u think she's not goinng to invest those hundreds of millions to benefit all of her kids then you don't know black mothers. You said someone should step in between those kids and that family. Well THAT family happens to be Prince, Paris, and Blankets family. Who's going to protect them better than their grandmother? So very well said! Thank you ^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^
Being happy doesn't mean that everything is perfect, it means you've decided to look beyond the imperfections... unknown | |
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Timmy84 said: graecophilos said: [Racial slur snip - luv4u] You know what, your ass is getting reported. ^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^
Being happy doesn't mean that everything is perfect, it means you've decided to look beyond the imperfections... unknown | |
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I hope the TII album will flop. It'sextremely pointless and just another way of ripping off fans. As if we didn't own the tracks or could put them in the same order as well.
I'd rather have an album with unreleased, UNCHANGED tracks. | |
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LaToya Jackson Reveals Michael's Kids Are In Therapy October 26, 2009 Four months after the death" of their father Michael Jackson, his kids Paris, 11, Prince 12, and Blanket, 7, have turned to therapy to cope with their grief, Michael's sister LaToya Jackson tells London's Mirror newspaper. "Prince just doesn't want to speak about it," LaToya said. "I do worry about him very much." Meanwhile, his sister Paris "thinks and talks about her father all the time. She's doing very well, writes a lot and she wears his shirts every day," she said. "They still smell of him and it helps her feel close to him." Michael's youngest child, Blanket, "is just a very sad, shy little boy," LaToya said. "He cries – he really does cry. It's so painful for him. No one can bring his daddy back and it hurts so much. They all go to therapy and I truly hope Prince especially will be able to open up." LaToya says the whole family is rallying around to raise the kids the way Michael would have wanted. The children, who are home schooled, watch no more than two hours of television a day, limited to the Disney Channel and Nickelodeon. And in an effort to keep the traditions they shared with their father, a huge Christmas celebration is being planned. "Paris doesn't know it but she has all the makings of a star," says LaToya. "If she wants to go into showbiz I can see that happening. The boys like the idea of directing, which is what Michael wanted to do. Kids are resilient. He gave them so much love and that is helping them." http://www.people.com/peo...04,00.html | |
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Imogen Heap covers Thriller! Oh gosh how I love her voice! Pick up her albums if you guys haven't.
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http://www.facebook.com/t...opic=15725
http://www.reflectionsont...ereau.html DEFENDING MICHAEL
by Thomas A Mesereau Jr. Forum Column, Los Angeles Daily Journal, July 1st, 2009 The Michael Jackson trial was unique. More accredited media covered these proceedings than the O.J. Simpson and Scott Peterson trials combined. When the verdicts were reached, people in every capital around the world were riveted to their radios, computers and televisions. The "King of Pop" was more popular than anyone, including Elvis Presley. Jay Leno, Chris Tucker, Macaulay Culkin, George Lopez and lesser-known celebrities testified. Larry King testified outside the presence of the jury. The trial lasted five months with more than 140 witnesses appearing. Twenty-four-hour coverage, including actors re-enacting the proceedings, emphasized the trial's popularity. When more than 70 Santa Barbara sheriffs raided Neverland Ranch in November 2003, I was driving to Los Angeles from Northern California. I was ending a nine day vacation and ready to resume preparation for the Robert Blake murder trial, set for February 2004. My phone started ringing off the hook with frantic requests that I travel to Las Vegas and defend Michael. I refused, because I did not think I could handle the two cases at once. After jury selection began in the Blake case, the client and I had a severe disagreement that Judge Darlene Schemp could not resolve. Mercifully, she granted my motion to withdraw. Within a short period, Michael's brother Randy called me to, again, see if I would defend his brother. I flew to Florida, where I met Jackson for the first time. Upon arriving, I was told by Michael and Randy that they had spoken with Johnnie Cochran in the hospital. According to them, Johnnie said I was the one who could win. I knew Johnnie, but he was not a close friend. I was quite surprised that he would speak so glowingly about me. Three weeks later, I was told that Michael wanted me and my law firm partner, Susan Yu, to defend him. I returned to Florida and firmed up the understanding. The adventure began. When I first met Michael, he said virtually nothing. He sat at a distance and observed others field questions. I didn't know if he was intentionally being mysterious or simply observing in his own way. At that point, I had little information from which to judge whether he could possibly have committed the alleged crimes. My retention generated enormous media coverage. One anti-Jackson reporter immediately appeared on "The Today Show" to announce that I had an African-American girlfriend and attended a black church. The lawyers I replaced did not depart gracefully. One appeared on "Good Morning America" to say he had left voluntarily because less than desirable people surrounded Michael. Certain tabloid shows, like those hosted by Geraldo Rivera and Bill O'Reilly, criticized my appearance. I assumed they were "in the pocket" of prior counsel. This was my baptism. Initially, Michael was very inaccessible. I scoured every used bookstore and Website for books and articles about his life and character. I read all of them, sometimes twice. My meetings with him confirmed my suspicions about these charges. He was a gentle, kind soul. Sensitive, intuitive and creative, it seemed inconceivable that he could be the monster his enemies portrayed him as. Much has been made about the child molestation charges. Little has been said about the other claims. The prosecution alleged that Jackson masterminded a conspiracy to falsely imprison a family, abduct children and commit criminal extortion. I can assure you that Michael was not capable of even imagining such behavior. But the more I spoke with him about the alleged molestation charges, the more firm I became in my belief that they were part of a universe of money-making opportunities created by charlatans. During my first court appearance in Santa Maria, the entire Jackson family appeared dressed in white. They were unified, exquisite and powerful in their message of innocence. I delivered my first statement to the media regarding his innocence and my respect for the court and community. My statement included words, to the effect, that this case was not about "lawyers, or anyone else, becoming celebrities." These words were designed to change the atmosphere surrounding the defense and, of lesser importance, to hurl a barb at prior counsel. I had not liked the carnival atmosphere surrounding Jackson's defense lawyers. In my opinion, they repeatedly advertised their absolute delight at being in the middle of the circus. Their public statements were, to me, self-serving and amateurish. Michael and Randy Jackson were very suspicious of them. My anti-lawyer-like comments generated controversy. But, a new firm die had been cast. My Irish grandmothers smiled from the heavens! The prosecutors had an enormous advantage. Two grand juries in Los Angeles and Santa Barbara had investigated Jackson in the early 1990s. Nobody was charged. A third grand jury indicted him in 2004. During the interim, District Attorney Tom Sneddon had traveled to at least two countries, Australia and Canada, searching for victims. The Santa Barbara Sheriff's Department had a Web site seeking information on Michael. The trial judge wanted to waste little time. The politics surrounding the defense were horrific. Numerous lawyers, most of them mediocre at best, were constantly trying to get to Michael to undermine me. The media smelled enormous ratings and revenue in a conviction. They were like a cloud of locusts, constantly descending on any weakness they spotted or created. There were numerous efforts to discredit me. Former girlfriends called to say they had been approached for unsavory information. I received calls from alleged "journalists" promising me favors for inside information. Tabloid sensationalism was at a premium. The trial was carnival-like. Mountains were made out of molehills. For example, Jackson hurt his back one morning and went to the hospital. I informed Judge Melville immediately. His message was firm. If Michael did not appear forthwith, bail would evaporate. I instructed him to rush to court in whatever he was wearing. His pajama bottoms became a media feast. But, they had no bearing on the trial or verdict. The jury foreman later informed me that no juror even noticed Michael's pants, or lack thereof. This case was characterized by shock, crisis and confusion. On numerous occasions, I was summoned to Neverland to handle searches, disputes and a variety of crises. Michael seemed to always have a new "guru," adviser or lawyer who virtually guaranteed a dismissal or acquittal. It was a veritable "sea of fools." But the effort it took to handle these crises was wasted time. The trial was characterized by contentious legal rulings. For example, the trial judge allowed the following: The prosecution was permitted to start its case by showing a scurrilous, slanted British documentary that claimed Michael was a pedophile. The prosecution claimed this was evidence of "motive." The prosecution was permitted to introduce evidence that Jackson had settled other claims of child molestation in civil court. The actual dollar amounts were not admitted (as if anyone hadn't heard them!). It was also permitted to introduce evidence of alleged prior similar acts of child molestation. Prosecutors were permitted to introduce such evidence extending back 10 years. As icing on the cake, the court permitted them to call third-party witnesses who watched the alleged acts without any requirement that the actual alleged victims testify. During the prosecution's rebuttal, the court permitted the prosecutors to play a police interview tape of the alleged victim. Of course, this was rank hearsay. The theory of admissibility was that I had challenged the demeanor of the alleged victim and the tape was relevant to rebut. As a measure of fairness, Melville permitted the defense to play "outtakes" of the interview footage that were edited out of the British documentary. In these interviews, Jackson denied abusing children. Five lawyers testified. Three were called by the prosecution and two by the defense. I have always believed that lawyers are the easiest witnesses to discredit. Throw them any measure of flattery and the seeds of arrogance are sown. We had more good days in this trial than anyone can reasonably expect. But the public never saw how many prosecution witnesses were scorched on cross-examination. The judge imposed a gag order, which I supported. While this permitted more flexibility in court, it made the trial easily distorted by self-serving pundits. I would often return to my duplex, turn on the TV and turn apoplectic at what was being reported. Quite often, former prosecutors in New York would wax passionately about how a witness behaved. Their theatrics were totally lacking in substance or accuracy. I thought we were winning all along. But the media reported the very opposite. And, of course, jealous, shallow legal pundits had a field day criticizing my performance. To them, God help any lawyer who engaged in unconventional trial behavior. Such hearsay merited capital punishment. From the outset, I did everything I could to remove race from the case. I immediately removed the Nation of Islam from Jackson's public persona and asked that his father refrain from commenting on race in the media. It became clear that Michael was a person who brought all races together. Unfortunately, some of the mediocrities who surrounded him wanted to profit through racial conflict. This was a constant source of tension. My reaction to this cauldron was stoicism and a hermit-like existence. Our team lived in condominiums far from the media hotels, restaurants and bars. I was in bed at 7:30 most evenings with a 3 a.m. start. Our staff worked all night updating witness books and performing other chores. Because they had a key to my apartment, the door would open virtually every hour with updated binders appearing miraculously on my stairwell. We lived like this for six months. In the wake of his passing, I am haunted by certain late-night phone calls I received from Michael. Childlike, kindhearted and terrified, Michael begged me not to allow corrupt enemies to co-opt my performance. He seemed skeptical about any lawyer truly acting in an honorable, professional manner. I repeatedly assured him that my background had more to do with civil rights than it did Hollywood. The world's most famous celebrity was not accustomed to honest, decent representation. The 14 acquittals were tantamount to complete legal vindication. Nevertheless, I write this with a heavy heart. Michael was one of the kindest, nicest people I ever met. His wistful desire to heal the world with love, music and artistry clashed horribly with the barbaric way he was exploited. The world is a far better place because of him. The Trial...Words From Michael's Lawyer Attorney Tom Mesereau, Jr, is highly respected in his field. Widely recognized as one of the best trial lawyers in the country, Mr. Mesereau has been selected by his peers as one of "The Best Lawyers in America" and has been listed as one of the "One Hundred Most Influential Attorneys in California" by the Los Angeles Daily Journal. These are just a couple of his accolades. Mr. Mesereau represented Michael Jackson in his 2005 child molestation trial (he replaced attorneys Mark Geragos and Benjamin Brafman), and has very poignant insight on Michael, and the trial. DK: Deborah Kunesh TM: Tom Mesereau DK: What kind of client was Michael? What was it like working with him? TM: He was a very delightful client to work with. He was very cooperative, he listened, he was very respectful of me, and attorney Susan Yu and our staff. The worst thing I can say about him is that sometimes he was inaccessible. Sometimes he was difficult to find, and I think part of it was he was so terrified and fearful of this process, but he was a delightful person to work with. DK: I imagine that would be horrifying having people saying these kind of things about you. How did he handle all of the stress that came with that? TM: I think it was very difficult for him. You know, I used to talk to him often, early in the morning because my schedule was that I would get to bed, usually at 7:30, sometimes latest 8 o clock and I was up at 3, with no fail every day. Michael is a person who would often be up early in the morning and walking through Neverland to relax and get close to nature and look at the sky and the moon and stars and he would call me often at 3 or 4. He was suffering from anxiety, clearly he was at times very depressed, and he was having sleep problems. This is all normal for someone who was facing serious criminal charges like he was. DK: When I interviewed Aphrodite Jones, she mentioned that the prosecution had called witnesses, had called friends and people that were close to Michael, and that he had a hard time with some of that, with some of what they said? TM: It was a dreadful experience. It was painful, it was horrifying, he couldn’t believe that he was listening to some of the statements that were made. He couldn’t believe anybody would accuse him of harming children. He couldn’t believe that they would ever accuse him of masterminding a conspiracy to falsely imprison a family, to abduct children, to extort. These are things that Michael was not capable of even imagining and to formally charge him with this and then to call witnesses who clearly were not telling the truth, to try and build a case against him, was frightening and very disheartening for him. DK: The trial went for over 4 months? TM: It was almost 5 months. It started Jan 31st and ended mid-June. DK: How often would you go to trial each week? TM: 5 days a week. DK: When the not guilty verdicts were being read, how did Michael react? TM: That particular day he looked horrible. His cheeks were sunken in, (he was) walking very weakly. He looked horrible. He didn’t say a word until the last “not guilty.” There were 14 “not guilty’s”. 10 felonies and 4 lesser-included misdemeanors. Then we hugged and he said “thank you.” DK: Before that last day of trial, where these verdicts were going to be read, I heard that you had felt pretty certain that they would exonerate him . Was it just a feeling that you had? TM: I had a very strong feeling that this jury was not going to convict him. I didn’t know if he would be acquitted of everything because some of the jurors, I had an excellent feeling about, others I wasn’t sure. Remember, I didn’t know these people, I’d never spoken a word to them. I observed them throughout the trial and I did not think they would ever get 12 people on this jury to convict him of anything. Whether or not he would be acquitted of everything, I just wasn’t sure, because I didn’t know the jurors, but I had a very good feeling about it. When I heard there were verdicts, I felt everything was going to be “not guilty”. DK: What is the difference between being acquitted and being “not guilty”? TM: Well, in America, you need, I shouldn’t say that, in most states in America, you need a unanimous jury to convict or acquit. In California, you need 12 jurors to convict or acquit. If they can’t agree, it’s called a hung jury. A hung jury means that the person hasn’t been convicted or acquitted. They could conceivably retry the person on the hung count. When I heard they had reached verdicts on every count, I knew in my heart of hearts it was “not guilty”, but until I heard they had actually reached verdicts, I just felt very strongly that some of these jurors are definitely not going to convict him on this evidence. Would all of them agree not to convict him, I just didn’t know. But when I heard they had reached unanimous verdicts, I said to myself, he’s going to be acquitted on everything. DK: Is there anything specific that you want to share about Michael, about who he was? What you would like the public to know about Michael and about the trial? TM: Michael Jackson was one of the nicest, kindest people I’ve ever met. He really wanted to do more than just be a musical genius. He wanted to heal and change the world through love, through kindness, through art and through music and I do believe the world’s a better place because he was with us. He was very gentle, very kind. There was, I sort of describe it as a universal Michael and Michael the individual. There was the universalist Michael who wanted to change the globe. Wanted to see the entire world focus on children and he felt that if children were properly loved and cared for that we would significantly reduce the violence in the world, significantly reduce the meanness in the world, significantly reduce poverty, and all of the world’s most important problems. He felt that the way to do that was to focus on the world’s children. So that’s the universalist Michael who thought he could heal the world through music, through love, through humanitarian measures. He was one of the greatest humanitarians in world history. He actually is in the Guinness Book of Records as one of the largest donors to children’s causes, which the media doesn’t like to focus on. There also is the individual Michael, who I dealt with, who was a person, and he loved to see a child smile. He built Neverland to see children happy. He was one of the wealthiest men in the world. He could have spent all of that money selfishly. Instead he had a zoo, he had an amusement park, a theatre, he had statues devoted to the world’s children. If you looked at the artwork in his house, a lot of it centered on children and seeing them happy and respecting them for who they were. Their race, their religion, what part of the world they were from, what kind of native traditions they had. This was someone who as a person, loved to see a child smile. Loved to see a child from the inner city who was growing up in poverty and violence come to Neverland and look at a giraffe and smile and look at an elephant and smile. Get some free ice cream and just be happy. It just meant a lot to Michael because he was a very good person. But unfortunately when you’re that much of a genius, and you’re that wealthy, all of the sharks are going to come forward, and when you combine with that a certain level of naivety, a person who just didn’t want to be wrapped up in money matters all of the time or legal matters. He wanted to do creative things, he wanted to do humanitarian things. That makes him even more of a target for frivolous lawsuits and frivolous claims. DK: This is great because I really want, through this, for people to see who he really was and I think that’s so missing now TM: Of course, because the media wants shock value and they want to see people go down in flames and they were desperately hoping he would be convicted because it would mean stories for years about what he looked like and how he was doing in prison and was he going to kill himself. Believe me, they were salivating over his conviction and they were trying to skew all of the reporting in a way they hoped would influence the jury to convict him. Even a lot of cheap shots at me throughout that time. DK: Oh, really? TM: Oh sure. DK: That’s so sad that the world is like that, you know what I mean? TM: Everybody was hoping to profit off his destruction. It was terrible. It’s one of my proudest moments in my lifetime….just acquitting him, vindicating him. In retrospect now, he only had approximately 4 more years to live, at least he was there to be with his kids and just to be vindicated. The trial was so unjust. The case was so unjust and lacking in credibility. TM: At his burial, which I attended, a young man who in the 80’s was a rather high profile case in southern California, a father doused his son with gasoline and set him on fire and burned most of his body including all of his face (this man is now known as Dave Dave, formerly David Rothenberg ). Michael took care of him. He (Dave Dave) got up to speak (at Michael's funeral) about what a kind, decent, generous, wonderful person Michael Jackson was. I happen to know there were kids all over the world he did this for. Disabled kids, children with illnesses and disabilities. Michael would write checks for them and nobody publicized it. He didn’t do it to become well known for doing it. He did it because that’s what his heart wanted him to do. You know? I think one of the cruelest things that ever happened was to take his love for children, his desire to help kids, and turn it against him and try and call him a monster as they did in that trial. It was just horrible. DK: You’re going right for what’s one of the most important things for a person and you’re turning that against them. TM: It was just heart wrenching to be there and watch him and to see it, you know, what toll it took on him. I don’t know if he ever really recovered from it emotionally. DK: I imagine that would be something very difficult to overcome. Thank you for everything you shared with me. "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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"We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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bboy87 said: WTH!? | |
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bboy87 said: LMAO! I just love that gif. His face when he walks away is priceless | |
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ViintageJunkiie said: bboy87 said: LMAO! I just love that gif. His face when he walks away is priceless Mike like "this fool". | |
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Timmy84 said: ViintageJunkiie said: LMAO! I just love that gif. His face when he walks away is priceless Mike like "this fool". The first face he makes is like "who's bad?! who's bad?!" *the ending vocals from the Bad extended version* .. then the second dance face is like "you know it! you know it!" .. then the Thriller face, hes like "you got served huh?" *using MJ's voice when he asked Ola if she was scared when they were walkin out the theater" .. THEN, the last face is like "Ch'mon!" | |
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Michael Jackson Was 'Never Satisfied' With His Music, Akon Says
'He always believed we could do better,' producer says of working with the legend in the studio. By Jocelyn Vena Over the last few years, Akon had the opportunity to work closely with Michael Jackson. The duo recorded many tracks together for possible future Jackson releases. Akon relished working with the superstar, and the one thing that really stuck with him is the fact that Jackson was never satisfied; he was a perfectionist. "A lot of our memories in the studio is a lot about work, because he was so focused on trying to get the right material out that we didn't really play around," the producer told MTV News. "Like, we talked, but we rarely joked, because at that moment, regardless of what we were doing it's like, 'Lets get serious and really do what we came here to do.' " What the guys were there to do was concoct another memorable Jackson song — and the two really vibed while collaborating. "It was all about the melody, 'cause we both were melody guys," he explained. "Everything started with the melody. We both would hum the melody and try to create the biz around it." But despite that common bond, the guys had disagreements over when a track was ready for public consumption. Jackson, being the consummate perfectionist, was almost never ready to release songs, even when Akon knew they had a smash hit on their hands. "He was never satisfied. Like, we might have passed up ideas that I know for a fact were smashes. He'd be like, 'Nah, nah — we got to come up with something better,' " Akon explained. "We can never do better 'cause his expectation was so high. It was almost to a point where we would have to get a record and I would believe in it and just put it out, 'cause it would never come out 'cause he always believed we could do better." | |
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ViintageJunkiie said: Timmy84 said: Mike like "this fool". The first face he makes is like "who's bad?! who's bad?!" *the ending vocals from the Bad extended version* .. then the second dance face is like "you know it! you know it!" .. then the Thriller face, hes like "you got served huh?" *using MJ's voice when he asked Ola if she was scared when they were walkin out the theater" .. THEN, the last face is like "Ch'mon!" Pretty much. | |
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PARTY CRASHER? charlie Branca and charlie McClain are talking to UMG about submitting a competing bid for the rights to around 70 unreleased Michael Jackson tracks just as Sony Music is close to inking a deal for the treasure trove, according to a story by the N.Y. Post’s Peter Lauria. Sources told the reporter the estate is seeking a large upfront payment and a higher royalty rate in any new deal for this post-2004 material, and that Sony is offering one or the other but not both in its negotiations with the two special administrators. Sony controls the rights to recordings made prior to 2004 until they revert to the estate in a few years. These sources said the estate would like to set a new deal while interest in Jackson is still high, with the goal of getting the first album of new material in stores by early next year. Said one source of Sony, "It's theirs to lose." (10/26a)
OTHER SUITORS? A second person involved in the talks with Sony said there was at least one other bidder for the post-2004 recordings, Lauria writes. "Nobody talks to EMI anymore, and Warner Music is weak internationally," one source asserted. "Universal and Sony have the two best worldwide distribution systems, so Branca is probably trying to play them against each other to get the highest bid." A UMG rep denied the label was interested. Jackson's estate and Sony each declined to comment. (10/26a) | |
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For the last few days the tabloids have been reporting the use of body doubles and stand in look a likes in the footage featured in "This is it".
"JACKO'S DOUBLE FAKE!" Stand-in hired for movie. "Parts of the new Jacko film features stand ins, NOT the star, his family claim. Father Joe and sister La Toya accuse Sony Pictures of "fooling" fans by using Michael Jackson impersonators. Joe said "This movie features body doubles, no doubt about it. I think people are going to tear this movie apart". Jeffre Phillips adds"I see all these great movements in the trailers but I don't believe most of those shots were Michael. He wasn't well enough. I've seen clips where I even thought, 'thats not Michael's voice. Its very upsetting for La Toya." A Uk based impersonator says he was asked to stand in for Jacko before his death. Here's the important bit: "SONY DECLINED TO COMMENT" "My God it's full of Stars"
Indigo Club, September 21st 2008, 4.24am | |
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Rorywan said: For the last few days the tabloids have been reporting the use of body doubles and stand in look a likes in the footage featured in "This is it".
"JACKO'S DOUBLE FAKE!" Stand-in hired for movie. "Parts of the new Jacko film features stand ins, NOT the star, his family claim. Father Joe and sister La Toya accuse Sony Pictures of "fooling" fans by using Michael Jackson impersonators. Joe said "This movie features body doubles, no doubt about it. I think people are going to tear this movie apart". Jeffre Phillips adds"I see all these great movements in the trailers but I don't believe most of those shots were Michael. He wasn't well enough. I've seen clips where I even thought, 'thats not Michael's voice. Its very upsetting for La Toya." A Uk based impersonator says he was asked to stand in for Jacko before his death. Here's the important bit: "SONY DECLINED TO COMMENT" WOW! | |
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Michael Jackson's Throne and Crown To Go on Display in O2 Exhibition October 26 The bling-packed exhibition of fantastic treasures also includes an oil painting of the star dressed as a king and a triptych of canvases of the singer showing him being crowned, knighted and holding a magical sword. Michael Jackson, The Official Exhibition opens to the public on Wednesday at the O2 Bubble - just yards from where the singer announced his ill-fated comeback This Is It concerts earlier this year. As some of Jackson's best-known hits are piped through the building, visitors can wander around a regal archway with a crown and crest, used to welcome guests to Jackson's fairytale Neverland ranch. Beneath it stands Jackson's 1967 Rolls-Royce Phantom, which was used by the singer and his close friend Dame Elizabeth Taylor to go for spins around Los Angeles. Space-age items such as a rocket ship used in Jackson's Leave Me Alone video also feature, as well as a carousel-style rocking horse which was a gift from Dame Elizabeth to the singer. The saddle of the horse is inscribed: ''To MJ love ET''. The display will open to the public on Wednesday, just hours after Jackson's This Is It film - the documentary of the singer's final months as he rehearsed for his string of comeback gigs - premieres around the world. The O2 display opens with an original Jackson Five contract and features an array of his signature jewelled gloves. The collection also lifts the lid on how Jackson perfected some of his much-copied stage moves, including a pair of shoes designed by the singer with part of the heel cut out, enabling him to lean further forward while performing Smooth Criminal. Also among the collection is a signed letter from former US president Ronald Reagan dated 1984, sending Jackson good wishes following his accident when his hair caught fire while shooting a commercial. Mr Reagan told Jackson: ''I was pleased to learn that you were not seriously hurt in your recent accident.'' The former actor continued: ''I know from experience that these things can happen on the set - no matter how much caution is exercised.'' He told Jackson: ''All over America, millions of people look up to you as an example ... You've gained quite a number of fans along the road since I Want You Back and Nancy and I are among them.'' Reporters were offered a glimpse into the exhibition on Monday, as a new album of the singer's music, titled This Is It, was released. Jackson died in June aged 50, just weeks before his 50-date comeback concerts were due to start at the O2. The two-disc record contains songs included in a documentary film of the same name about the singer, which will have simultaneous premieres around the world later this week. The first album disc boasts the original album masters of some of Jackson's biggest hits, arranged in the same sequence as they appear in the film. The second disc contains previously-unreleased versions of some of the artist's classic tracks and a ''touching'' spoken word poem titled Planet Earth. The public appetite for Jackson's back catalogue has seen many of the singer's best-known hits rocket back up the charts following his death. http://www.telegraph.co.u...ition.html | |
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