SoulAlive said: a better comparison would be Stevie Wonder vs.Paul McCartney,no?
yes. But the point of my excercize is for folks to dig a bit deeper and determine why they like the artist. If we matched Eminem against Everlast ultimately it would boil down to which white rapper somebody preffered based on a small scope of preferences. But expanding the palette a bit to include two very capable and talented musicians who approach music differently, I think forces folks (who care to partake in the discussion anyway ) to examine why they chose who they chose and weigh this or that decision before making the choice. The comparison does seem absurd to many I understand. But I'm curious to see how imaginative people can be in their decisions. I do find the parodies of this thread hilarious though. (yeah yeah, I know this thread is a parody of itself.) . [Edited 8/20/09 10:08am] | |
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DakutiusMaximus said: I like 'em both for very different reasons. I could never say one is "better" than the other.
A lot has to do with my own mood of the moment when choosing a musical selection to listen to. Stevie connects me to my emotions and Frank makes me see that most of our world is really shallow and crass while pretending to be otherwise. Zappa makes me think. Stevie makes me feel. I've seen Stevie once and Frank a handful of times but when it comes to live performance Stevie's ability to move a crowd is way beyond Frank's but then again, Frank isn't aiming to make everyone feel good. In fact, having seen Frank with several different bands over the course of 10 years or so, I think Frank actually wants to do the opposite- make you feel... well... not exactly "bad" but maybe shocked or sobered. I remember when I was a kid we got a puppy and when it peed in the house where it wasn't supposed to my dad would grab him by the scruff of the neck and rub his nose in his pee while raising his voice angrily. Sometimes going to see Zappa was like getting your nose rubbed in the hipocracy of life. I recall one time he was getting everyone to participate in a song he was doing with the line, "show me your thumb" sung over and over. "C'mon people now. Just like at a big rock show... when they hold up their devil horns, I want you to SHOW ME YOUR THUMB!" So there we are all pressing up against the stage with our thumbs held high and here's how the song ended- Frank says, "SHOW ME YOUR THUMB, SHOW ME YOUR THUMB, SHOW ME YOUR THUMB if you are dumb." As he says this last line the band stops cold and Frank turns his back on the audience and walks off stage. End of concert. Everybody is looking at each other stunned like they'd just been bitch slapped. Now Stevie on the other hand had 40,000 of us singing the outro of Happy Birthday for 20 minutes after he left the stage as we were filing out of the Cow Palace in San Franciso. It was one of the most memorable concerts of my life for that very reason. He united us in a loving vibe that lasted long after he was done. Strangers were looking in each other's eyes and smiling as they shuffled out of the building and into the neighborhood. Frank was an angry man with an ascerbic sense of humor who relished in calling people assholes. You got your feel good moment from SW by creating a temporary lighters in the air, We Are The World environment that doesn't really exist on a daily basis. It'd be nice if it did. Maybe one day. However FZ knew that realistically most folks, regardless of any concert's feel good moment(s), will very quickly go right back to their normal world of every man for himself conformity. Could it be that more nose-rubbing in hypocrisy that results in real societal change might make for longer lasting feel good moments that reach beyond a concert hall? And for the most part, I think many that got labeled ass-hole by FZ, probably were. tA Tribal Disorder http://www.soundclick.com...dID=182431 "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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Brendan said: For me it’s everything that they bring to the musical table, and given that ridiculously impossible set of criteria, anyone can be compared no matter how dissimilar.
And for me they both will leave behind totally unique and awesome footprints that will be among the 10 most spacious of the last 50 years in the post-jazz western world. And does order really matter much after reaching such dizzying heights? Right now I hold Stevie slightly higher, but only because I’m still working my way through Frank’s entire, ridiculously rich catalog. Things could change with more experience. Right now I see Frank as being far more prolific than almost anyone on the planet and he did seem to push the artistic boundaries more than Stevie. But Stevie’s run in the 70s might be close to unmatched excellence for me, outside of Dylan in the 60s and Prince in the 80s. Put simply, I think Frank’s intellect is more obvious. Stevie communicates that intellect through musical language, as he can’t break it down through English the way that Frank could. The only thing that bothers me is that Frank shows subtle signs of musical snobbery. And I think he’s so fascinatingly intelligent that it’s too bad that he ever limited himself in anyway. Frank Zappa is already a legend amongst legends, but I think that he could have been even more without that slight chip on his shoulder. Yeah, if one takes a moon-man objective stare at the mainstream, one will get very frightened by the enormous amount of dysfunction and absolute mediocrity that is routinely embraced. But that shouldn’t even be his concern. Would he really prefer a world where his particular brand of musical genius was more universally respected? That would kill a good deal of his shtick. Well, then he wouldn't be Frank Zappa. Like your points, however i'm always curious when the term musical snobbery gets thrown at a musical artist (or listener for that matter). Is it snobbery as an artist to use your musical talents to operate on the highest level you're capable of or as a listener to prefer those who do? There are tons of artists that use the lowest common denominator method (not referring to SW here). Many because that's the best they can do and others because they may crave the benefits of popularity/celebrity. tA Tribal Disorder http://www.soundclick.com...dID=182431 "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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theAudience said: Brendan said: For me it’s everything that they bring to the musical table, and given that ridiculously impossible set of criteria, anyone can be compared no matter how dissimilar.
And for me they both will leave behind totally unique and awesome footprints that will be among the 10 most spacious of the last 50 years in the post-jazz western world. And does order really matter much after reaching such dizzying heights? Right now I hold Stevie slightly higher, but only because I’m still working my way through Frank’s entire, ridiculously rich catalog. Things could change with more experience. Right now I see Frank as being far more prolific than almost anyone on the planet and he did seem to push the artistic boundaries more than Stevie. But Stevie’s run in the 70s might be close to unmatched excellence for me, outside of Dylan in the 60s and Prince in the 80s. Put simply, I think Frank’s intellect is more obvious. Stevie communicates that intellect through musical language, as he can’t break it down through English the way that Frank could. The only thing that bothers me is that Frank shows subtle signs of musical snobbery. And I think he’s so fascinatingly intelligent that it’s too bad that he ever limited himself in anyway. Frank Zappa is already a legend amongst legends, but I think that he could have been even more without that slight chip on his shoulder. Yeah, if one takes a moon-man objective stare at the mainstream, one will get very frightened by the enormous amount of dysfunction and absolute mediocrity that is routinely embraced. But that shouldn’t even be his concern. Would he really prefer a world where his particular brand of musical genius was more universally respected? That would kill a good deal of his shtick. Well, then he wouldn't be Frank Zappa. Like your points, however i'm always curious when the term musical snobbery gets thrown at a musical artist (or listener for that matter). Is it snobbery as an artist to use your musical talents to operate on the highest level you're capable of or as a listener to prefer those who do? There are tons of artists that use the lowest common denominator method (not referring to SW here). Many because that's the best they can do and others because they may crave the benefits of popularity/celebrity. tA Tribal Disorder http://www.soundclick.com...dID=182431 Absolutely. But what I’m trying to communicate is that no matter how wonderfully one has mastered their instrument, no matter how learned and steeped in degrees, no matter how serious they take their craft, or no matter if they can write musical score blindfolded underwater, this does not give someone the ability to tell good from bad. It's a really good start, but I would argue that art appreciation requires a totally different skill set. Learned people have just as many biases as anyone else, it's just the more eloquent you can argue your point, the more those biases can be obscured. If just being a certain type of musician made one the obvious choice as to whether to appreciate or not, then there would be so much less mediocrity in the world, as musicians would automatically be able to tell if something was bad and just not release it. But it’ll never be that black and white, even with someone as mega talented as Frank Zappa. I remember watching a taped Mike Douglas panel with 3 or 4 people on it, and Frank Zappa and Jimmy Walker were 2 of them. And you could tell that there was undue pressure to admit what music you were passionate for in front of Frank. Jimmy walker actually said that Joni Mitchell is probably "too sentimental for Frank", but somewhat sheepishly admitted that he enjoyed. Frank also admitted to not liking The Beatles during a Larry King interview. Now no one has to like either of these folks. You can be a brilliant musician and/or music listener and not like either in the least. That's not the point and that doesn't even come close to making one a musical snob. What makes him at least partially so in my opinion is that he hasn't always shown that great music can exist outside of the things that he puts his stamp of approval on. I'm just saying that I would've appreciated even more humility. But, as you say, without this persona, perhaps we don't get the full flavor and his catalog isn't as rich without this force to push against. But I would argue that the man has enough talent that opening up his horizons further would hardly hurt his output. But he seems far too smart to fall into these easy traps I'm describing. But it's there and people can feel it, including those who want to talk about what they enjoy around him. Yes, that's also insecurity on the part of everyone else who allows themselves to be embarrassed. But there's something more to it that just that. I think he likes that role more than just a little. But that is a minor criticism, as I love the Zappa output exactly as it is and I'm not going to get greedy by dreaming about what an even wider Frank Zappa would create. And by “wider” I’m not talking about lowering one’s ability, but rather opening one up to realizing that greatness is not defined by Zappa or me or anyone else. And all apologizes for adding to a thread that seems to be the new blueprint for this forum. | |
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Didn't Frank once say something to the effect that there's no such thing as "shit music" so long as any given kind of music sincerely effects even one person? Of course, that never stopped him from calling lots of music shitty, but it was a nice sentiment, if indeed he said that. | |
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Anxiety said: Didn't Frank once say something to the effect that there's no such thing as "shit music" so long as any given kind of music sincerely effects even one person? Of course, that never stopped him from calling lots of music shitty, but it was a nice sentiment, if indeed he said that.
You're probably lying. | |
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Anxiety said: Didn't Frank once say something to the effect that there's no such thing as "shit music" so long as any given kind of music sincerely effects even one person? Of course, that never stopped him from calling lots of music shitty, but it was a nice sentiment, if indeed he said that.
I don't know, but that would be an extremely cool sentiment. But that begs the question, how narrowly did he choose to define "shit"? | |
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You got your feel good moment from SW by creating a temporary lighters in the air, We Are The World environment that doesn't really exist on a daily basis. It'd be nice if it did. Maybe one day.
However FZ knew that realistically most folks, regardless of any concert's feel good moment(s), will very quickly go right back to their normal world of every man for himself conformity. Could it be that more nose-rubbing in hypocrisy that results in real societal change might make for longer lasting feel good moments that reach beyond a concert hall? And for the most part, I think many that got labeled ass-hole by FZ, probably were. tA, you bring up some good points and sorry if I offended you by "criticizing" one of your musical heroes. I just thought the 'show me your thumb' story might make for entertaining reading. Maybe I went too far by saying I wasn't surprised that FZ died of colon cancer. That's my own belief that mental attitude plays an important part in one's physical health. As to who had the more far reaching effect on his listeners (me included) I think you're right; Frank probably woke more people up to the importance of expressing their own authenticity and realizing where in their lives they were not. And, if I look at my collection I see that FZ got way more money out of me than Stevie has. I own 5 SW discs and 12 FZ's. Perhaps I could have made clearer that I thought a distinction should be made about listening to recorded music vs going to a live performance. If I'm going to spend $40 or $50 to be entertained for an evening I think I'd perfer to get the Stevie feel good experience than the FZ nose rubbing treatment. Personal preference, I guess. I'm not much of a masochist. I never went back to see FZ again after the figurative bitch slap treatment. It seemed immature and spiteful. I don't know what he was trying to prove with that. It seemed like a big 'fuck you' to the very people that had brought a lot of money into his life. On the other hand one of the best shows I've ever seen was FZ and the Roxy & Elsewhere band with Napolean Murphy Brock on sax, dancing and lead vocals. I also got to see the Mudshark performance with Flo and Eddie and the Jean Luc Ponty, Ruth Underwood, Steve Vai, Don Preston incarnation, and the Fowler brothers unit... it's all coming back to me now. So I've got both good and bad memories of Frank... kinda like an intimate relationship. I was with him from Freak Out (I'm 60) right up through Joe's Garage and I saw 200 Motels 6 times. I guess its time to forgive. This has been cathartic. Thanks Imago for starting the thread and thanks tA for pressing back. There's not a lot of value in holding a grudge and my health will probably be all the better for forgiving. [Edited 8/21/09 8:06am] | |
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There is so much pain and anger on this thread.
so, so ,sooooo much. | |
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Imago said: There is so much pain and anger on this thread.
so, so ,sooooo much. That's what you get for starting such a thread, now you got a million SHOWDOWN imitations. | |
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Timmy84 said: Imago said: There is so much pain and anger on this thread.
so, so ,sooooo much. That's what you get for starting such a thread, now you got a million SHOWDOWN imitations. | |
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Brendan said: Absolutely.
But what I’m trying to communicate is that no matter how wonderfully one has mastered their instrument, no matter how learned and steeped in degrees, no matter how serious they take their craft, or no matter if they can write musical score blindfolded underwater, this does not give someone the ability to tell good from bad. Without question. You see, when he made those declarations, I never had the impression that he was doing anything other than giving his personal opinion. In fact (and this goes to Anxiety's question below) in the Real Frank Zappa Book he states, "If it sounds GOOD to YOU, it's bitchen; and if it sounds BAD to YOU, it's shitty." It's a really good start, but I would argue that art appreciation requires a totally different skill set. Learned people have just as many biases as anyone else, it's just the more eloquent you can argue your point, the more those biases can be obscured.
If just being a certain type of musician made one the obvious choice as to whether to appreciate or not, then there would be so much less mediocrity in the world, as musicians would automatically be able to tell if something was bad and just not release it. Correct. And this would be valid if all "musicians" had the approach of Music As Art as opposed to Music As Commerce. Two totally different mindsets. On very rare occasions the two are not mutually exclusive. I remember watching a taped Mike Douglas panel with 3 or 4 people on it, and Frank Zappa and Jimmy Walker were 2 of them. And you could tell that there was undue pressure to admit what music you were passionate for in front of Frank. Jimmy walker actually said that Joni Mitchell is probably "too sentimental for Frank", but somewhat sheepishly admitted that he enjoyed.
Frank also admitted to not liking The Beatles during a Larry King interview. Now no one has to like either of these folks. You can be a brilliant musician and/or music listener and not like either in the least. That's not the point and that doesn't even come close to making one a musical snob. What makes him at least partially so in my opinion is that he hasn't always shown that great music can exist outside of the things that he puts his stamp of approval on. I'm just saying that I would've appreciated even more humility. But, as you say, without this persona, perhaps we don't get the full flavor and his catalog isn't as rich without this force to push against. But he seems far too smart to fall into these easy traps I'm describing. But it's there and people can feel it, including those who want to talk about what they enjoy around him. Yes, that's also insecurity on the part of everyone else who allows themselves to be embarrassed. But there's something more to it that just that. I think he likes that role more than just a little. Again, I think he was voicing his personal opinion. And what I get from that scenario is (as you indicated) Jimmy Walker's lack of conviction in his personal opinion. Admittedly, it would take a lot of moxy to have a head-to-head debate with the quick witted Zappa. But sometimes you just gotta say WTF and go for it! And all apologizes for adding to a thread that seems to be the new blueprint for this forum.
To the contrary, no apologies necessary. I think this particular one spawned a very good discussion for a change. tA Tribal Disorder http://www.soundclick.com...dID=182431 "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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DakutiusMaximus said: tA, you bring up some good points and sorry if I offended you by "criticizing" one of your musical heroes. I just thought the 'show me your thumb' story might make for entertaining reading. Not even dude, we're just having a good back and forth talk here. I have a great deal of respect for FZ but I don't put him (or any other musical entity for that matter) on a pedestal. I simply enjoy their music. He is one of the very few that you might care what they have to say about music or other subjects. A rarity in this business. As to who had the more far reaching effect on his listeners (me included) I think you're right; Frank probably woke more people up to the importance of expressing their own authenticity and realizing where in their lives they were not.
And, if I look at my collection I see that FZ got way more money out of me than Stevie has. I own 5 SW discs and 12 FZ's. Perhaps I could have made clearer that I thought a distinction should be made about listening to recorded music vs going to a live performance. If I'm going to spend $40 or $50 to be entertained for an evening I think I'd perfer to get the Stevie feel good experience than the FZ nose rubbing treatment. Personal preference, I guess. I'm not much of a masochist. Totally understandable. I guess knowing about Zappa's background and his general contempt for the "Rock & Roll Concert Experience", one might expect something like that to happen. My perspective is if I get a very competent musical performance out of any act i've paid money to see, then they've held up their part of the contract. Especially if they're not a "show" act. I never went back to see FZ again after the figurative bitch slap treatment. It seemed immature and spiteful. I don't know what he was trying to prove with that. It seemed like a big 'fuck you' to the very people that had brought a lot of money into his life.
If you hear him tell it, it's not as much cash as you would think. Most of the income went right back into financing the tours and recordings that he knew wouldn't be huge commercial hits. So I've got both good and bad memories of Frank... kinda like an intimate relationship. I was with him from Freak Out (I'm 60) right up through Joe's Garage and I saw 200 Motels 6 times.
I guess its time to forgive. This has been cathartic. Thanks Imago for starting the thread and thanks tA for pressing back. There's not a lot of value in holding a grudge and my health will probably be all the better for forgiving. If it adds a day or more to your lifespan then it's been well worth it. My appreciation for FZ, beyond the music, was his ability to set a musical course and have the integrity to stick to it regardless of the obstacles and lack of wide popularity. tA Tribal Disorder http://www.soundclick.com...dID=182431 "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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Again, I think he was voicing his personal opinion. And what I get from that scenario is (as you indicated) Jimmy Walker's lack of conviction in his personal opinion. Admittedly, it would take a lot of moxy to have a head-to-head debate with the quick witted Zappa.
But sometimes you just gotta say WTF and go for it! Not exactly on topic but coincidently I just saw an old video of FZ debating some establishment douchebags yesterday. Check it: http://www.thedailybeast....rossfire-/ | |
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DakutiusMaximus said: Not exactly on topic but coincidently I just saw an old video of FZ debating some establishment douchebags yesterday.
Check it: http://www.thedailybeast....rossfire-/ Yeah with the late Robert Novak. I've seen that one a few times. One of those talk over the opponent shows. It would've been nice to see him have an actual discussion with an adversary like William F. Buckley, Jr. Based on their current locations, maybe they're having it now. tA Tribal Disorder http://www.soundclick.com...dID=182431 "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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Imago said: There is so much pain and anger on this thread.
so, so ,sooooo much. SUCK IT | |
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Anxiety said: Imago said: There is so much pain and anger on this thread.
so, so ,sooooo much. SUCK IT Sometimes I wonder if you're a real person or an internet bot sending out randomly generated spam. | |
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Imago said: Anxiety said: SUCK IT Sometimes I wonder if you're a real person or an internet bot sending out randomly generated spam. i've got your randomly generated spam right here, buddy. | |
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theAudience said: Without question.
You see, when he made those declarations, I never had the impression that he was doing anything other than giving his personal opinion. In fact (and this goes to Anxiety's question below) in the Real Frank Zappa Book he states, "If it sounds GOOD to YOU, it's bitchen; and if it sounds BAD to YOU, it's shitty." And I think that is a very enlightened attitude, if it’s not said in condescension. And, certainly, this is mostly the insecurity of others. But he never seems to put them at ease, and that is the most perfect opportunity to not only be smart, but wise. And in Frank’s defense, he might have done this countless times. But in everything that I've seen and heard from him so far, it doesn’t appear as though he would look at this as being even remotely a part of his responsibility. Too “touchy feely”. But I’m not dreaming about an overly sentimental Frank, just someone that thinks the concept has validity as ballast. Correct. And this would be valid if all "musicians" had the approach of Music As Art as opposed to Music As Commerce.
Two totally different mindsets. On very rare occasions the two are not mutually exclusive. I agree. To have one’s heart in the right place would be a great start for assuaging one’s personal truth. But unless one is a mega hippy, I can’t believe that they’d think that everything that they create in honesty belongs in the same pile. I think that’s disrespectful to their own creations. Not to mention being far too steeped in ego. Even Picasso surely had those which he felt were more successful than others given his intent or how they turned out upon reflection. Those creations that on his death bed would bring him a slightly wider metaphorical smile. Again, I think he was voicing his personal opinion. And what I get from that scenario is (as you indicated) Jimmy Walker's lack of conviction in his personal opinion. Admittedly, it would take a lot of moxy to have a head-to-head debate with the quick witted Zappa.
But sometimes you just gotta say WTF and go for it! I don’t think music snobbery is defined by how narrow one’s taste are, but rather how often these tastes step outside to prove their superiority. And in that sense I think that we’re all musical snobs to one degree or another. I’m just saying that at times due to Zappa’s rather significant talents that I have yearned for an even more expanded personal truth that would funnel more energy towards influence and away from conscious or subconscious eye rolling. And that could apply to every single one of us. I hear a whole lot of truth from Frank Zappa, but thus far it’s not evenly balanced with self deprecation. I’m not complaining just critiquing. And admittedly this might all be laughable shit, but it is my current, honest view. And none of Frank's universe offends me in the least. I like this incredible Zappa ride exactly how it is, but sometimes my imagination plays tricks on me. | |
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