heartbeatocean said: American Life I listened to this album for the first time a few minutes ago, and I love it! The mixture of guitar, electronica, and orchestral arrangements is great. The songs are tender, introspective. It reminds me so much of the Music album -- that quiet, experimental approach. I love when Madonna doesn't "do Madonna", and I love this kind of spare work from her a lot more than the gloss and blend of Confessions and Hard Candy.Of course, I do love to hear her bust out with a great dance tune, but I respect the fact that she can subvert her own artistic canon. I really loved this album when it came out but these days,I rarely listen to it.I appreciate the artistic "seriousness" of it and I love it when artists (especially pop artists) dig deeper and get all spiritual/reflective/introspective.It can be an intriguing ride. However,this album can be depressing at times.There's only one tune that can truly be called a dance number ("Nobody Knows Me") and even that song is a little too preachy and self-righteous.'Ray Of Light' is a serious,emotionally heavy album but the music is still uptempo and vibrant,with many solid dance tracks throughout.On 'American Life',the melodies and beats are somber and low-key,which you don't expect on a Madonna album. On the other hand,you can't dance and party all the time,so I can see where Madonna was coming from. | |
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ANGEL overlooked again... LOVE ♪♫♪♫ ♣¤═══¤۩۞۩ஜ۩ஜ۩۞۩¤═══¤♣ | |
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RKJCNE said: errant said: to me, she was treading water, pandering for a comeback from the more artistic/more annoying/more interesting/most unsuccessful American Life by throwing her gay fans a bone with some Kylie-esque euro-disco. different strokes, i guess. I can see that perception, for me it appeared as more of a back to basic, returning to your roots sort of thing after AL (although i love that one too) flopped. I think she pulled of the greatest dance album ever. Confessions is nothing but a pastiche of a million songs and melodies that came before it. Given that basically nothing on it is original, I have no clue how anyone could label it the best dance album of all time given the rich history of dance music. If we're looking for Madonna's contender for best dance album of all time, it would be her debut. [Edited 8/5/09 1:15am] | |
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graecophilos said: LightOfArt said: who says straight acting? you never met me. I just didn't sign a contract for being effeminate. Sweetie, did I quote you when I said "straight acting"? No, I didn't. Your views re: effeminate gays are offensive. That is all. | |
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CHIC0 said: ANGEL overlooked again...
Did I miss something? What's the latest rumored tracklist? | |
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Moonbeam said: SoulAlive said: "Rescue Me" is unispired filler."Justify My Love" is interesting and I did like it at the time but looking back,it's not even much of a song Madonna didn't put alot of effort into those songs.I think that she only feels inspired/motivated when she's doing an actual album,and not just a few new songs tacked onto the end of a compilation. What about Something to Remember? "You'll See" and "I Want You" are fantastic! I do like those songs It was refreshing to hear Madonna moving in a more adult contemporary direction,which was probably a result of the amazing success she had with "Take A Bow". | |
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ehuffnsd said: Revolver isn't on the new cd both new tracks were produced by Paul Oakenfield
That information is false.In fact,next month she's filming a video for "Revolver" with Lil Wayne.I'm not too thrilled about that | |
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Glindathegood said: midnightmover said: Just skimming the thread, but I'm shocked to read such realistic posts coming from Madonna fans.Madonna's music has never been the same since she stopped working with real songwriters.My only question would be,since you know this, why the hell are you still fans? She's got to be the naffest artist in pop music. What a silly post. So because people don't like every single album an artist does, that means they should stop being fans and it shows the artist is naff? Artists are humans who make mistakes. I don't know of any artist whose every song and album is perfect and a brilliant work of art. Overall,Madonna has done some great work. I do wish she would go back to doing deeper things and not just fun dance music, to prove the haters like you wrong that she does have something substantial to contribute. I guess you are shocked that people can be reasonable and not think an artist is either a perfect genius or a no talent nothing, which is how I guess you view most artists. Well said.I certainly don't think of Madonna as a musical genuis and I don't like everything she does.She's an excellent dance/pop artist.That's enough for me.I don't need her to be Joni Mitchell. | |
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SoulAlive said: ehuffnsd said: Revolver isn't on the new cd both new tracks were produced by Paul Oakenfield
That information is false.In fact,next month she's filming a video for "Revolver" with Lil Wayne.I'm not too thrilled about that Exactly, set, when I told her/him that, he/she called me a twat. | |
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VoicesCarry said: RKJCNE said: I can see that perception, for me it appeared as more of a back to basic, returning to your roots sort of thing after AL (although i love that one too) flopped. I think she pulled of the greatest dance album ever. Confessions is nothing but a pastiche of a million songs and melodies that came before it. Given that basically nothing on it is original, I have no clue how anyone could label it the best dance album of all time given the rich history of dance music. If we're looking for Madonna's contender for best dance album of all time, it would be her debut. [Edited 8/5/09 1:15am] I agree. COADF is overrated. I find, the whole era was really stimulating and all, but the album is not dancey-at all. Many songs are pseudo-dance songs, LIOR, LIWB, I, FL etc... Madonna, the first album, is a true dance album. I also add HC to it, it's full of uptempo dance numbers. | |
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graecophilos said: SoulAlive said: I agree with this.I've accepted the fact that,for the most part,pop music is dead and has been dead for many years.Nobody is doing anything that hasn't already been done before.So I don't expect brilliance everytime.Just give me a good album with at least four great songs and I'm satisfied.'Confessions' and 'Hard Candy' satisfied me.It's unrealistic to expect another 'Like A Prayer' or 'Ray Of Light'.That's like expecting Prince to deliver another '1999' or 'Sign O The Times'.It ain't gonna happen. After 55 years of pop music I agree, there ain't no melodies left, no rhythms unplayed and no chord sequence not hit on an instrument. Everything today is just watered or a rip-off or a cover/sample-loaded song... but let's face it: In the 1950s and early 60s a lot of pop music soudned the same as well. People used those blues and doo-wop chord patterns and from that point people began experimenting more since the mid-60s. Earlier in this thread,I posed a question: what producer(s) should Madonna work with on her next album? My whole point is,there's nothing new under the sun.There is NO producer out there who could give Madonna a truly groundbreaking sound.There's nothing innovative going on in the dance/electronica genre,and the same applies to pop,R&B and hip-hop.Everyone is just recyling ideas from the past and trying to pass it off as "new" and "fresh".Even Prince's recent albums aren't the least bit experimental.Been there,done that.That's why I say that pop music is dead,artistically.There's really nowhere else to go. I'm very happy with recent songs like "Jump","Get Together","Heartbeat" and "Miles Away".These songs didn't exactly change the world,but I'm okay with that | |
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SoulAlive said: graecophilos said: After 55 years of pop music I agree, there ain't no melodies left, no rhythms unplayed and no chord sequence not hit on an instrument. Everything today is just watered or a rip-off or a cover/sample-loaded song... but let's face it: In the 1950s and early 60s a lot of pop music soudned the same as well. People used those blues and doo-wop chord patterns and from that point people began experimenting more since the mid-60s. Earlier in this thread,I posed a question: what producer(s) should Madonna work with on her next album? My whole point is,there's nothing new under the sun.There is NO producer out there who could give Madonna a truly groundbreaking sound.There's nothing innovative going on in the dance/electronica genre,and the same applies to pop,R&B and hip-hop.Everyone is just recyling ideas from the past and trying to pass it off as "new" and "fresh".Even Prince's recent albums aren't the least bit experimental.Been there,done that.That's why I say that pop music is dead,artistically.There's really nowhere else to go. I'm very happy with recent songs like "Jump","Get Together","Heartbeat" and "Miles Away".These songs didn't exactly change the world,but I'm okay with that You forgot Like It Or Not, Forbidden Love and Beat Goes On | |
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jiorjios said: SoulAlive said: Earlier in this thread,I posed a question: what producer(s) should Madonna work with on her next album? My whole point is,there's nothing new under the sun.There is NO producer out there who could give Madonna a truly groundbreaking sound.There's nothing innovative going on in the dance/electronica genre,and the same applies to pop,R&B and hip-hop.Everyone is just recyling ideas from the past and trying to pass it off as "new" and "fresh".Even Prince's recent albums aren't the least bit experimental.Been there,done that.That's why I say that pop music is dead,artistically.There's really nowhere else to go. I'm very happy with recent songs like "Jump","Get Together","Heartbeat" and "Miles Away".These songs didn't exactly change the world,but I'm okay with that You forgot Like It Or Not, Forbidden Love and Beat Goes On I pretty much like most of the songs on 'Confessions' and 'Hard Candy'. | |
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SoulAlive said: graecophilos said: After 55 years of pop music I agree, there ain't no melodies left, no rhythms unplayed and no chord sequence not hit on an instrument. Everything today is just watered or a rip-off or a cover/sample-loaded song... but let's face it: In the 1950s and early 60s a lot of pop music soudned the same as well. People used those blues and doo-wop chord patterns and from that point people began experimenting more since the mid-60s. Earlier in this thread,I posed a question: what producer(s) should Madonna work with on her next album? My whole point is,there's nothing new under the sun.There is NO producer out there who could give Madonna a truly groundbreaking sound.There's nothing innovative going on in the dance/electronica genre,and the same applies to pop,R&B and hip-hop.Everyone is just recyling ideas from the past and trying to pass it off as "new" and "fresh".Even Prince's recent albums aren't the least bit experimental.Been there,done that.That's why I say that pop music is dead,artistically.There's really nowhere else to go. I'm very happy with recent songs like "Jump","Get Together","Heartbeat" and "Miles Away".These songs didn't exactly change the world,but I'm okay with that it's not back to innovation, it's: back to quality. LAV, MG, Holiday, DYU where no innnovative songs but they are GOOD. well strcutured pop songs with a funny theme that suited her image. | |
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SoulAlive said: graecophilos said: After 55 years of pop music I agree, there ain't no melodies left, no rhythms unplayed and no chord sequence not hit on an instrument. Everything today is just watered or a rip-off or a cover/sample-loaded song... but let's face it: In the 1950s and early 60s a lot of pop music soudned the same as well. People used those blues and doo-wop chord patterns and from that point people began experimenting more since the mid-60s. Earlier in this thread,I posed a question: what producer(s) should Madonna work with on her next album? My whole point is,there's nothing new under the sun.There is NO producer out there who could give Madonna a truly groundbreaking sound.There's nothing innovative going on in the dance/electronica genre,and the same applies to pop,R&B and hip-hop.Everyone is just recyling ideas from the past and trying to pass it off as "new" and "fresh".Even Prince's recent albums aren't the least bit experimental.Been there,done that.That's why I say that pop music is dead,artistically.There's really nowhere else to go. I'm very happy with recent songs like "Jump","Get Together","Heartbeat" and "Miles Away".These songs didn't exactly change the world,but I'm okay with that I'm not sure I agree about nothing innovative in dance/electronica- there are amazing artists/scenes/groups pushing music in strange, unnerving, beautiful directions, BUT I doubt they would work with Madonna...or she with them- they work towards very different goals/outcomes- I think if she could bring her pop element to the table, then maybe...but I'm not sure Madonna would risk chart, touring success for a ground breaking album that would only have studio based success. Maybe a guest spot or one off track. I love the more style interesting work she's produced with William Orbit, Mirwais and Pharrell Williams, agreed there was nothing to change the music world- but for a mainstream pop artist, these were amazing risks- especially with Ray Of Light after Evita etc. But I doubt she'll take a massive dive into 'new' over 'singalong'...but you never know- she's surprised me before. "There is no such thing in life as normal..." | |
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midnightmover said: Her music was mediocre from Erotica onwards. She herself was boring throughout the '90s.
So I guess 'Ray Of Light' (an album that many fans and critics consider her best work) is a boring,mediocre album,huh? This is exactly why you can't be taken seriously when it comes to analyzing Madonna's music.You dislike HER,so you could never judge her music honestly and objectively. | |
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SoulAlive said: jiorjios said: You forgot Like It Or Not, Forbidden Love and Beat Goes On I pretty much like most of the songs on 'Confessions' and 'Hard Candy'. I like all of the songs on Confessions and the one Hard Candy song I don't really like is "Spanish Lesson." "Whitney was purely and simply one of a kind." ~ Clive Davis | |
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stevenpottle said: SoulAlive said: Earlier in this thread,I posed a question: what producer(s) should Madonna work with on her next album? My whole point is,there's nothing new under the sun.There is NO producer out there who could give Madonna a truly groundbreaking sound.There's nothing innovative going on in the dance/electronica genre,and the same applies to pop,R&B and hip-hop.Everyone is just recyling ideas from the past and trying to pass it off as "new" and "fresh".Even Prince's recent albums aren't the least bit experimental.Been there,done that.That's why I say that pop music is dead,artistically.There's really nowhere else to go. I'm very happy with recent songs like "Jump","Get Together","Heartbeat" and "Miles Away".These songs didn't exactly change the world,but I'm okay with that I'm not sure I agree about nothing innovative in dance/electronica- there are amazing artists/scenes/groups pushing music in strange, unnerving, beautiful directions, BUT I doubt they would work with Madonna...or she with them- they work towards very different goals/outcomes- I think if she could bring her pop element to the table, then maybe...but I'm not sure Madonna would risk chart, touring success for a ground breaking album that would only have studio based success. Maybe a guest spot or one off track. I love the more style interesting work she's produced with William Orbit, Mirwais and Pharrell Williams, agreed there was nothing to change the music world- but for a mainstream pop artist, these were amazing risks- especially with Ray Of Light after Evita etc. But I doubt she'll take a massive dive into 'new' over 'singalong'...but you never know- she's surprised me before. I really like the stuff she did with Pharrell.I was pleasantly surprised by it,to be honest.Wouldn't mind if she worked with him again,at least on a few tracks. | |
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SoulAlive said: midnightmover said: Her music was mediocre from Erotica onwards. She herself was boring throughout the '90s.
So I guess 'Ray Of Light' (an album that many fans and critics consider her best work) is a boring,mediocre album,huh? This is exactly why you can't be taken seriously when it comes to analyzing Madonna's music.You dislike HER,so you could never judge her music honestly and objectively. Agreed- "Ray Of Light" is anything but mediocre- a beautiful, stunning and interesting album, but I guess if you don't like Madonna then it must be another "Madonna sucking up new producer album" "There is no such thing in life as normal..." | |
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SoulAlive said: stevenpottle said: I'm not sure I agree about nothing innovative in dance/electronica- there are amazing artists/scenes/groups pushing music in strange, unnerving, beautiful directions, BUT I doubt they would work with Madonna...or she with them- they work towards very different goals/outcomes- I think if she could bring her pop element to the table, then maybe...but I'm not sure Madonna would risk chart, touring success for a ground breaking album that would only have studio based success. Maybe a guest spot or one off track. I love the more style interesting work she's produced with William Orbit, Mirwais and Pharrell Williams, agreed there was nothing to change the music world- but for a mainstream pop artist, these were amazing risks- especially with Ray Of Light after Evita etc. But I doubt she'll take a massive dive into 'new' over 'singalong'...but you never know- she's surprised me before. I really like the stuff she did with Pharrell.I was pleasantly surprised by it,to be honest.Wouldn't mind if she worked with him again,at least on a few tracks. When I heard "She's Not Me" I thought- damn, wish he'd produced the whole album "There is no such thing in life as normal..." | |
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AlexdeParis said: SoulAlive said: I pretty much like most of the songs on 'Confessions' and 'Hard Candy'. I like all of the songs on Confessions and the one Hard Candy song I don't really like is "Spanish Lesson." On Confessions,the only song I don't like is "How High".It took me a long time to appreciate "Isaac".Seeing it performed on the tour really changed my view of it. On 'Hard Candy',I don't like "Spanish Lesson" and "Voices".The album runs out of steam after "Dance 2Night".I really wish she had concluded the album with two wild,funky,uptempo Timbaland jams,then maybe use "Devil" as the final track. | |
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stevenpottle said: SoulAlive said: I really like the stuff she did with Pharrell.I was pleasantly surprised by it,to be honest.Wouldn't mind if she worked with him again,at least on a few tracks. When I heard "She's Not Me" I thought- damn, wish he'd produced the whole album that song is trashy,silly fun....a throwback to those early 80s R&B/dance hits.In concert,this performance is wild and over the top! | |
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stevenpottle said: SoulAlive said: So I guess 'Ray Of Light' (an album that many fans and critics consider her best work) is a boring,mediocre album,huh? This is exactly why you can't be taken seriously when it comes to analyzing Madonna's music.You dislike HER,so you could never judge her music honestly and objectively. Agreed- "Ray Of Light" is anything but mediocre- a beautiful, stunning and interesting album, but I guess if you don't like Madonna then it must be another "Madonna sucking up new producer album" 'Ray Of Light' kicked my ass! I bought it the day it was released and I was just mesmerized by it.It's a mindblowing album that takes you on a journey. | |
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SoulAlive said: AlexdeParis said: I like all of the songs on Confessions and the one Hard Candy song I don't really like is "Spanish Lesson." On Confessions,the only song I don't like is "How High".It took me a long time to appreciate "Isaac".Seeing it performed on the tour really changed my view of it. On 'Hard Candy',I don't like "Spanish Lesson" and "Voices".The album runs out of steam after "Dance 2Night".I really wish she had concluded the album with two wild,funky,uptempo Timbaland jams,then maybe use "Devil" as the final track. maybe there are no two, funky Timbaland jams left? Or there are but they are crap? La, La doesn't sound promising. Anyway, when is Timbo gonna release his album? Next year his star will be already in atmosphere, and in two years it will have reached the ground. He better not weight any longer, especially since I wanna have a Madonna song on his album. | |
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graecophilos said: SoulAlive said: On Confessions,the only song I don't like is "How High".It took me a long time to appreciate "Isaac".Seeing it performed on the tour really changed my view of it. On 'Hard Candy',I don't like "Spanish Lesson" and "Voices".The album runs out of steam after "Dance 2Night".I really wish she had concluded the album with two wild,funky,uptempo Timbaland jams,then maybe use "Devil" as the final track. maybe there are no two, funky Timbaland jams left? Or there are but they are crap? La, La doesn't sound promising. Anyway, when is Timbo gonna release his album? Next year his star will be already in atmosphere, and in two years it will have reached the ground. He better not weight any longer,especially since I wanna have a Madonna song on his album. Actually,"La La" (based on the way he described it) is exactly what I'm dying to hear from Madonna!! A crazy,wild track that doesn't take itself too seriously...just Timbaland and Madonna having fun.It probably sounds like a Missy track. Remember in the summer of 2007 when he revealed that he came up with 10 tracks for the album? Would love to hear those 5 tracks that didn't make the album. | |
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stevenpottle said: SoulAlive said: I really like the stuff she did with Pharrell.I was pleasantly surprised by it,to be honest.Wouldn't mind if she worked with him again,at least on a few tracks. When I heard "She's Not Me" I thought- damn, wish he'd produced the whole album "She's Not Me" is my favorite, but I don't think I'd want a whole Pharrell album. I think the half and half setup works pretty well. "Whitney was purely and simply one of a kind." ~ Clive Davis | |
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AlexdeParis said: stevenpottle said: When I heard "She's Not Me" I thought- damn, wish he'd produced the whole album "She's Not Me" is my favorite, but I don't think I'd want a whole Pharrell album. I think the half and half setup works pretty well. I agree.I love the Pharrell tracks,but I also love Timbaland's work on "Miles Away" and "Dance 2Night".It was a good balance. | |
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SoulAlive said: AlexdeParis said: I like all of the songs on Confessions and the one Hard Candy song I don't really like is "Spanish Lesson." On Confessions,the only song I don't like is "How High".It took me a long time to appreciate "Isaac".Seeing it performed on the tour really changed my view of it. On 'Hard Candy',I don't like "Spanish Lesson" and "Voices".The album runs out of steam after "Dance 2Night".I really wish she had concluded the album with two wild,funky,uptempo Timbaland jams,then maybe use "Devil" as the final track. I was massively disappointed with the Timbaland tracks. I was hoping for more beats but we only got one truly uptempo number - i thought Pharrell's work was far more interesting on this album. Id love for her to work with him again. As for what producers id like to see her work with - id love to see her do some stuff with Basment Jaax. Their stuff is more interesting and layered than most dance music. I also like Crazy P - very disco oriented. I think Shakira's new song is fantastic - i think she wrote that with The Bravery - but its a direction id love to see her go in. I also thought Andy Cato from Groove Armada did a great job with Roisin on her album, but everyone seems to be working with them. Another dance Dj i quite like is Rex The Dog - id be interested to see how they could work together. Away from dance music Id quite simply like to hear her produce something a little more relaxed and organic sounding. Not an american Life folktronica type thing - more of a live album with a fucking good band. I dlike to see her write more stuff with joe Henry. i love all their collaborations to date. | |
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graecophilos said: SoulAlive said: That information is false.In fact,next month she's filming a video for "Revolver" with Lil Wayne.I'm not too thrilled about that Exactly, set, when I told her/him that, he/she called me a twat. and you continue to be a self loathing homophobic gay male twat. You CANNOT use the name of God, or religion, to justify acts of violence, to hurt, to hate, to discriminate- Madonna
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SoulAlive said: AlexdeParis said: "She's Not Me" is my favorite, but I don't think I'd want a whole Pharrell album. I think the half and half setup works pretty well. I agree.I love the Pharrell tracks,but I also love Timbaland's work on "Miles Away" and "Dance 2Night".It was a good balance. Dance 2night is my favorite track on the album. You CANNOT use the name of God, or religion, to justify acts of violence, to hurt, to hate, to discriminate- Madonna
authentic power is service- Pope Francis | |
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