scriptgirl said: When was Motown at the Apollo? Could it be as simple as El was in those colors just because that is what the stylist put him in?
Motown at The Apollo was in '85. It featured Debarge, Smokey Robinson, Patti Labelle, George Michael, Stevie Wonder, Diana Ross, The Four Tops, The Temptations, Debbie Allen, Boy George, James Brown, Rod Stewart, Bill Cosby, New Edition, Diana and Patti James Stevie Luther and Boy George Debarge George and Smokey [Edited 3/1/09 19:37pm] "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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scriptgirl said: When was Motown at the Apollo? Could it be as simple as El was in those colors just because that is what the stylist put him in?
Oh my god! You had to have seen this show which was called Motown At The Apollo, or Motown Goes To Apollo where DeBarge is the opening act and they perform "Rhythm Of The Night". It's the same one where he sings Jackie Wilson's "Teardrops" later on in the show. Yeah, the stylist put him in those clothes but WHY did the stylist put him in a suit that doesn't even match what his siblings/group members had on. Usually, everyone in a group has on the same outfits or close to the same outfits, but in this program El's doesn't even come close to what his siblings are wearing. Check out the show on youtube and you'll see what I mean! | |
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I can't watch the rhythm performance. I LOVE, LOVE Debarge, but that is one of the worst songs of all time. "Lack of home training crosses all boundaries." | |
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bboy87 said: TD3 said: Oh, there was drama, lots of drama behind the scenes. As much as I think most of the Motown artist had mutual respect for one another there was a lot of back biting. Such is life, any work environment comes has it's particular issues. I remember watching this when is aired, it was amazing to see all that amazing talent/Legends together again in one room. P.S. I didn't finish my thought. You know CBS edited out the Ms. Ross pushing elbowing Ms. Wilson out of the way during that special. So much for closeness. [Edited 3/1/09 17:27pm] A Lot of legends had problems with Motown and Berry. With The Jackson's, all they had to do was ask....but it was convincing Michael to do it was the problem Mr. Gordy had issue's with them too, after he stole and cheated most of his singers/musicians blind, go figure. Supposedly he was hurt/bitter because many of his artist jumped ship and signed lucrative contracts with other labels. The clip where Ms. Ross and others had to prod Mr. Gordy to go up onstage. Gordy wasn't trying to be modest, he didn't want to be up there with them. They had to begged MJ to show up, though for his on personal advancement, thank goodness he did. [Edited 3/1/09 20:14pm] [Edited 3/1/09 21:40pm] | |
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TD3 said: bboy87 said: A Lot of legends had problems with Motown and Berry. With The Jackson's, all they had to do was ask....but it was convincing Michael to do it was the problem Mr. Gordy has issue's with them too, after he stole and cheated most of his singers/musicians blind, go figure. Supposedly he was hurt/bitter because many of his artist jumped shipped and sign lucrative contracts with other labels. The clip where Ms. Ross and others had to prod Mr. Gordy to go up onstage. Gordy wasn't trying to be modest, he didn't want to be up there with them. They had to begged MJ to show up, though for his on personal advancement, thank goodness he did. [Edited 3/1/09 20:13pm] Michael had worked with Berry for The Wiz but aside from that, he issues with them on how Motown sued the family after they left the label. Michael also didn't want to do television, as Thriller had just come out and he had only done 2 minor interviews and 2 videos "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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Berry is a trip and he really fucked over Debarge. "Lack of home training crosses all boundaries." | |
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scriptgirl said: Berry is a trip and he really fucked over Debarge.
He screwed over alot of artists from Gladys Knight, Florence Ballard...the list goes on and on "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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bboy87 said: scriptgirl said: Berry is a trip and he really fucked over Debarge.
He screwed over alot of artists from Gladys Knight, Florence Ballard...the list goes on and on Yeah, it wasn't just DeBarge he screwed over. He screwed over a lot of his acts. I always wondered how come Gladys Knight and the Pips aren't really talked about when Motown is mentioned. When Motown is mentioned, acts like the Jackson 5, The Temptations, The Four Tops, The Supremes, Marvin Gaye and Smokey Robinson and the Miracles, but not Gladys Knight and the Pips. | |
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scriptgirl said: I can't watch the rhythm performance. I LOVE, LOVE Debarge, but that is one of the worst songs of all time.
I actually like "Rhythm Of The Night." The ones I really don't like are "Who's Holding Donna Now" and "The Heart Is Not So Smart." Overall, DeBarge's music was better when they didn't let outside songwriters come in, IMO. | |
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Slenderoni1978 said: scriptgirl said: I can't watch the rhythm performance. I LOVE, LOVE Debarge, but that is one of the worst songs of all time.
I actually like "Rhythm Of The Night." The ones I really don't like are "Who's Holding Donna Now" and "The Heart Is Not So Smart." Overall, DeBarge's music was better when they didn't let outside songwriters come in, IMO. "Rhythm Of The Night" is one of the WORST 80s songs I always hated that song,it's dreadfully cheesy.It's crap and is not what I expected from DeBarge.Their 1983 album 'In A Special Way' is a masterpiece,filled with one soulful gem after another.The follow-up album 'Rhythm Of The Night' is overly-synthesized and too "pop-ish" and yes,it was a mistake to bring in all of these outside writers (Diane Warren...wtf??). . [Edited 3/2/09 6:18am] | |
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Soul Alive, I agree with all you said "Lack of home training crosses all boundaries." | |
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SoulAlive said: Slenderoni1978 said: I actually like "Rhythm Of The Night." The ones I really don't like are "Who's Holding Donna Now" and "The Heart Is Not So Smart." Overall, DeBarge's music was better when they didn't let outside songwriters come in, IMO. "Rhythm Of The Night" is one of the WORST 80s songs I always hated that song,it's dreadfully cheesy.It's crap and is not what I expected from DeBarge.Their 1983 album 'In A Special Way' is a masterpiece,filled with one soulful gem after another.The follow-up album 'Rhythm Of The Night' is overly-synthesized and too "pop-ish" and yes,it was a mistake to bring in all of these outside writers (Diane Warren...wtf??). . [Edited 3/2/09 6:18am] | |
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Timmy84 said: SoulAlive said: "Rhythm Of The Night" is one of the WORST 80s songs I always hated that song,it's dreadfully cheesy.It's crap and is not what I expected from DeBarge.Their 1983 album 'In A Special Way' is a masterpiece,filled with one soulful gem after another.The follow-up album 'Rhythm Of The Night' is overly-synthesized and too "pop-ish" and yes,it was a mistake to bring in all of these outside writers (Diane Warren...wtf??). . [Edited 3/2/09 6:18am] I wonder do they ever regret letting outside writers come in instead of writing their own material? And yes, "In A Special Way" is really good. | |
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Slenderoni1978 said: I wonder do they ever regret letting outside writers come in instead of writing their own material? And yes, "In A Special Way" is really good.
I have a feeling that Berry Gordy pressured them.He probably told them "You guys will crossover and become major superstars if we bring in some outside writers.Here,check out this song that I came across.It's called "Rhythm Of The Night"....it's got "hit" written all over it". in retrospect,crossing over is part of what destroyed the group. | |
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SoulAlive said: Slenderoni1978 said: I wonder do they ever regret letting outside writers come in instead of writing their own material? And yes, "In A Special Way" is really good.
I have a feeling that Berry Gordy pressured them.He probably told them "You guys will crossover and become major superstars if we bring in some outside writers.Here,check out this song that I came across.It's called "Rhythm Of The Night"....it's got "hit" written all over it". in retrospect,crossing over is part of what destroyed the group. I agree. I think they should've stayed with their signature R&B/soul sound. | |
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Exactly. I don't think Rhythm was a huge hit with rnb audiences. "Lack of home training crosses all boundaries." | |
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continue the discussion here: http://prince.org/msg/8/299597 | |
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