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Reply #90 posted 09/11/07 3:53pm

namepeace

Najee said:

Exactly, Vain. People 20 years old or younger have no concept of musical progrssion, because they have been listening to the same music essentially all their lives.

Here is another example: Take a long-standing artist like Marvin Gaye. If you played some of his late 1960s music and then some of his mid-1970s stuff and his "Sexual Healing"/"Sanctified Lady" music and it's dramatically different in style, music and production. You can tell there has been progression -- stuff like "I Heard It to the Grapevine" sounds comparatively dated next to even "I Want Her," much less "Sexual Healing." And that's over, what, a 15-year period between those songs.

Conversely, someone like The Notorious B.I.G.'s stuff sounds exactly like the rap music being made today. By historical projections, Biggie Smalls' stuff should sound dated compared to music made today -- but it doesn't. For that matter, R. Kelly's music is not different from anything he's made since 1993's "12 Play." It's not dated compared to his current stuff -- not because of some intrinsic timeless element from songs like "Sex Me" and "Bump and Grind" as much as there has been no musical progression in the black contemporary pop music scene since the mid-1990s.

[Edited 9/11/07 15:19pm]


Now that's the Najee I remember . . .

Good points, you hit the nail on the head, but you can't blame a man who's been dead for 10 years for the fact that the genre, and black music, hasn't really progressed since then. Kurt Cobain shouldn't be held responsible for the soundalikes he spawned. John Coltrane and Miles Davis shouldn't be held responsible for their imitators. Same goes (on a different level) for Biggie.
Good night, sweet Prince | 7 June 1958 - 21 April 2016

Props will be withheld until the showing and proving has commenced. -- Aaron McGruder
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Reply #91 posted 09/11/07 4:06pm

namepeace

Najee said:

A drug dealer is a drug dealer. It doesn't matter whether The Notorious P.I.G. sold it under a trash can or had a large distribution system -- he was a drug dealer, and selling crack is not something you can try to rationalize to make it sound good. Moreover, Ol' Chris' second career, life and death are based on the same persona and approach he used as a dealer.
[Edited 9/11/07 10:05am]


Now there you go. Can you stoop any lower today?

Here's what I said about that.

Biggie is no different. He sold rocks, the bane of black America for 20 years. He did a little time for it. Biggie wasn't a saint or a martyr. He was a great MC. I'll leave his moral fitness to his maker. Which is not an academic issue, because he lost his life to "the life" a decade ago.


See, I take his dirt as a given. I factor it into my analysis and I did from the very beginning. Now you're telling me I'm trying to make his crimes "sound good"?

You lost it, brother. Who's getting "personal" again?

I.

KNOW.

You.

Are.

Better.

Than.

This.

disbelief

Get yourself.
[Edited 9/11/07 16:07pm]
Good night, sweet Prince | 7 June 1958 - 21 April 2016

Props will be withheld until the showing and proving has commenced. -- Aaron McGruder
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Reply #92 posted 09/11/07 4:24pm

BlaqueKnight

avatar

This thread is not about Pac. The media has made their names synonymous and they shouldn't be.
That being said, I always thought Biggie was overhyped because of his death. I saw the same thing about Biggie that I see in Lil' Wayne. Its not so much as the subject matter which was usually pure bullshit as it was the wording of said subjects. He was a hell of a storyteller. He was a very clever writer and his wordplay was among some of the best in his genre. Still, his subject matter sucked and to me that edges him out of the "best ever" category. It was all sex, drugs, violence and partying.
That is where Pac surpassed him in my opinion. Phrase for phrase, Biggie was more clever than Pac, though.
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Reply #93 posted 09/11/07 4:27pm

MsLegs

BlaqueKnight said:

This thread is not about Pac. The media has made their names synonymous and they shouldn't be. .

clapping Thank you for redesignating the focus on the on the flow instead of the drama that was result of fueled propaganda by the media.
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Reply #94 posted 09/11/07 4:40pm

goat2004

Najee said:

namepeace said:

Come on, vain. You think the Egyptian Lover was a great rapper. How can you speak on this?


The Egyptian Lover was a hybrid artist who used the electro-funk sound of the early 1980s and mixed it with the hip-hop rhyming style. Like VA said, the musical concepts he used were original and he actually played several instruments. And at least The Egyptian Lover wasn't banking on vulgarity and violence to enhance his career.
[Edited 9/9/07 11:19am]



Wow, LOL, LOL.... nuts omfg stoned headache

Ok dude, we get it, U don't like rap....this thread probably isn't for you then.
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Reply #95 posted 09/11/07 5:09pm

Najee

goat2004 said:

Wow, LOL, LOL.... nuts omfg stoned headache

Ok dude, we get it, U don't like rap....this thread probably isn't for you then.


That's a dumb allegation based on nothing. I was listening to rap music when it first came out in the late 1970s. Evidently, you didn't read anything I did say (or read very well), which was explained the scope in which The Egpytian Lover operated.

And I'll still take songs like "Egypt, Egpyt" and "My Beat Goes Boom" over some crap like Soulja Boy and all those Master P. clowns any day.

P.S.: Don't cherry-pick posts and give a drive-by answer -- it simply makes you also look like a clown.

[Edited 9/11/07 17:55pm]
THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS!
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Reply #96 posted 09/11/07 5:16pm

Najee

namepeace said:

Now that's the Najee I remember . . .

Good points, you hit the nail on the head, but you can't blame a man who's been dead for 10 years for the fact that the genre, and black music, hasn't really progressed since then. Kurt Cobain shouldn't be held responsible for the soundalikes he spawned. John Coltrane and Miles Davis shouldn't be held responsible for their imitators. Same goes (on a different level) for Biggie.


I don't blame The Notorious B.I.G. solely for the declining state of rap music -- he's part of the second generation that came from those artists (and fans) who embraced the gangsta style made famous by the likes of NWA plus the explict, dumbed-down nature of acts like The 2 Live Crew.

I have no problems giving Biggie Smalls his due in terms of what skill he brought to the table, however my opinion of him is lowered because of the nature of his songs were little more than hedonistic forays into violence, degrading women and "the game." No matter how skilled he was, he never brought anything more to the table -- and it's also how I look at others of his ilk (including his predecessors).

You can't separate that from Biggie Smalls, because that is a major part of the package. It seems to me that you're asking me to overlook certain elements of the man's character and lifestyle, which he bled into his music purposely.

[Edited 9/11/07 23:43pm]
THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS!
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Reply #97 posted 09/11/07 9:44pm

vainandy

avatar

namepeace said:

But if it had a faster tempo you'd be shaking to it like it was 1975 all over again.


Not really. I could easily go to the record store and pick up some uptempo rap from the last four or five years such as "I Like The Way You Move" by Outkast and could halfway get into it. However, I heard enough uptempo rap in the clubs in the 1990s such as Quad City DJs, Luke, 2 Live Crew, Tag Team, etc. to last me a lifetime. I still like uptempo rap but I'm absolutely tired and burnt out on it because uptempo rap and house music (which I'm tired of also) was all there was in the 1990s if you wanted something to dance to.

I've heard "Planet Rock" and "Egypt, Egypt" sampled in every shape, form, and fashion imaginable. Fast rap served it's purpose for a while, but just like midtempo shit hop, it's time to move on from uptempo rap also. It's been over 15 years. I'm just ready to move on to the next phase of dance music, whether it's a modern reincarnation of funk, or maybe some new form of dance music that hasn't been invented yet. Whatever the case, I'm ready, and have been ready, for a complete change in modern music altogether.


You may hate hip-hop for many of the right reasons, but you used Big Poppa as a springboard to launch your 1,448,536th assault on Hip-Hop.


Not really. I simply said that I didn't see the difference in him or any of these other artists of today. Whether or not they are good MCs does not concern me in the least. I want music, and musicwise, I hear the same thing coming from the new rappers that I heard coming from him.
.
.
[Edited 9/11/07 21:48pm]
Andy is a four letter word.
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Reply #98 posted 09/11/07 9:47pm

vainandy

avatar

goat2004 said:

Najee said:



The Egyptian Lover was a hybrid artist who used the electro-funk sound of the early 1980s and mixed it with the hip-hop rhyming style. Like VA said, the musical concepts he used were original and he actually played several instruments. And at least The Egyptian Lover wasn't banking on vulgarity and violence to enhance his career.
[Edited 9/9/07 11:19am]



Wow, LOL, LOL.... nuts omfg stoned headache

Ok dude, we get it, U don't like rap....this thread probably isn't for you then.


Don't like rap? Yeah, you're right. Egyptian Lover was a hell of a singer. Don't you just love the way he used to hit those high notes like Prince? Philip Bailey ain't got shit on Egyptian Lover.
Andy is a four letter word.
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Reply #99 posted 09/12/07 8:08am

namepeace

Najee said:


I don't blame The Notorious B.I.G. solely for the declining state of rap music -- he's part of the second generation that came from those artists (and fans) who embraced the gangsta style made famous by the likes of NWA plus the explict, dumbed-down nature of acts like The 2 Live Crew.

I have no problems giving Biggie Smalls his due in terms of what skill he brought to the table, however my opinion of him is lowered because of the nature of his songs were little more than hedonistic forays into violence, degrading women and "the game." No matter how skilled he was, he never brought anything more to the table -- and it's also how I look at others of his ilk (including his predecessors).

You can't separate that from Biggie Smalls, because that is a major part of the package. It seems to me that you're asking me to overlook certain elements of the man's character and lifestyle, which he bled into his music purposely.

[Edited 9/11/07 23:43pm]


I understand and respect your opinion. But you're not accurately representing mine, which is contained in my first few posts. I'm not asking you to overlook anything. As Calhoun and Blaque have put it, his storytelling ability, flow, vocal stylings (which you cited) and ability to craft a lyric made him a great MC. I also said that he was not a revolutionary MC in the vein of Chuck D, KRS-ONE, or Rakim. All of the things you mentioned are factored into my analysis, which I've said ad nauseam and you've overlooked repeatedly. I just happen to think that he was a cut above the portrait you paint of him, from a stylistic and substantive standpoint.

And, to the extent that his sins detracted from his legacy, I'd say he's paid for them sufficiently, which should factor into the equation. Now, had he lived, there's a chance would have trod the same ground to eke out more dollars and he would have simply been imitating his past self. Like, say, Ice Cube has done.

Reasonable minds can disagree.

[Edited 9/12/07 8:09am]
[Edited 9/12/07 10:37am]
Good night, sweet Prince | 7 June 1958 - 21 April 2016

Props will be withheld until the showing and proving has commenced. -- Aaron McGruder
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Reply #100 posted 09/12/07 8:48am

Mong

Well to me, he was just a repulsive looking rapper who couldn't enunciate or articulate himself properly. End of story.
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Reply #101 posted 09/12/07 10:09am

CalhounSq

avatar

Mong said:

Well to me, he was just a repulsive looking rapper who couldn't enunciate or articulate himself properly. End of story.

Yes, because that's what a good rapper is really supposed to be about - how he or she looks & whether or not the enunciate/articulate properly nod

What the fuck are you even stating this shit for?? lol It's clear you have zero understanding of what's good about rap.

And for the overwhelmingly bad response rap gets in general (I'm not into it anymore, only a select few rappers interest me) I gotta say - I still can recognize that there are/were SOME very gifted artists in the genre. He was one of them shrug
heart prince I never met you, but I LOVE you & I will forever!! Thank you for being YOU - my little Princey, the best to EVER do it prince heart
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Reply #102 posted 09/12/07 12:57pm

namepeace

vainandy said:

Not really. I could easily go to the record store and pick up some uptempo rap from the last four or five years such as "I Like The Way You Move" by Outkast and could halfway get into it. However, I heard enough uptempo rap in the clubs in the 1990s such as Quad City DJs, Luke, 2 Live Crew, Tag Team, etc. to last me a lifetime. I still like uptempo rap but I'm absolutely tired and burnt out on it because uptempo rap and house music (which I'm tired of also) was all there was in the 1990s if you wanted something to dance to.


Well, these things come and go in cycles. As I've said to you before, hip-hop has been exploited to its breaking point. I think Hip-Hop As We Know It will die like disco and regain its legitimacy as an underground art form.


I've heard "Planet Rock" and "Egypt, Egypt" sampled in every shape, form, and fashion imaginable. Fast rap served it's purpose for a while, but just like midtempo shit hop, it's time to move on from uptempo rap also. It's been over 15 years. I'm just ready to move on to the next phase of dance music, whether it's a modern reincarnation of funk, or maybe some new form of dance music that hasn't been invented yet. Whatever the case, I'm ready, and have been ready, for a complete change in modern music altogether.


Music will always change. Disco dominated the scene in some form or fashion for a decade-plus. Hip-hop has done the same. I have the same desire you have: to see it removed from the radio.



Not really. I simply said that I didn't see the difference in him or any of these other artists of today. Whether or not they are good MCs does not concern me in the least. I want music, and musicwise, I hear the same thing coming from the new rappers that I heard coming from him.



IMHO there is a discernible difference between Biggie and his subsequent imitators. In his death, he has been elevated from great MC to elite status, which I don't know he should enjoy, as I said in my very first post.

But, to quote Jadakiss, "you know dead rappers get better promotion."

BTW . . . my new thread: http://prince.org/msg/8/244311
Good night, sweet Prince | 7 June 1958 - 21 April 2016

Props will be withheld until the showing and proving has commenced. -- Aaron McGruder
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Reply #103 posted 09/12/07 12:59pm

namepeace

Good night, sweet Prince | 7 June 1958 - 21 April 2016

Props will be withheld until the showing and proving has commenced. -- Aaron McGruder
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