CinisterCee said:

I don't know what version you have, or how many even exist. tA would know. Or Pali. I love the version from the Nazz album though. It reminds me of the Beach Boys actually.

Martin Sexton - Wonder Bar
Lina- Inner Beauty

:::


Meshell Ndegeocello :: Bitter (1999)

Charlotte Gainsbourg - The songs that we sing.

The album should 've been released today but I can't find it

the title track.

bring me down-kanye west

:::


Alana Davis :: Blame It On Me (1997)

"bambi"

Handclapsfingasnapz said:

aight.

billy paul, "bring the family back"

DJ Khaled - Holla at me Baby

Ralph Tresvant - My Homegirl

The RH Factor - On the One

Omarion - Entourage

Goapele - Crushed Out & 4 AM

Van Hunt - At the End of a Slow Dance

Unified Tribe - Back and Forth

Wayman Tisdale - Get Down on It

Busta Rhymes - Touch It

Q-Tip & Busta - For the Nasty






[Edited 8/28/06 14:03pm]




[Edited 8/28/06 14:07pm]

"get on the floor"

CinisterCee said:

If you're interested in Todd Rundgren, You'll dig that record!! And yup, they were mocking the Beatles' famous album cover...The Nazz version of "Hello it's Me" is Todd's first version...It's slower than the Hit version that showed up on his solo double album, "Something, Anything""....



...
[Edited 8/28/06 15:56pm]

bobsteezy said:

Love that Tune!!!



...

paligap said:

Me too!!!!! I only wish it was mixed better. ...The bridge is one of my favorite moments in recorded music of the last few years.

"look at her"

Archive-Londinium

Handclapsfingasnapz said:

That's Wild, I been On A Ronnie Laws Kick for the last few days!!!



especially these tracks:

Always There

Flame

Friends and Strangers

Every Generation

Thoughts and Memories

There's A Way

Stay Awake

Good Feelings

Can't Save Tomorrow

Big Stars

I'll Be Leavin'

Keep On Moving


...and of course, "Very Special", with sister Debra Laws:









...
[Edited 8/28/06 16:18pm]

I forgot Talib Kweli's new one, "Listen". ...It's a banger.

...The Prestige Records Story


Like most of the now-prized jazz labels, Prestige Records sprang from the vision of one man - a 20-year-old kid, actually - named Bob Weinstock, who guided the label from its infancy in 1949 until 1971 when he sold out to Fantasy. Although Prestige continued to record for awhile after 1971, Fantasy chose to survey only the Weinstock years in this beautifully-put-together four-CD boxed set. Though the tracks are arranged in chronological order, the box neatly divides itself into two stylistic halves. The first two discs contain mostly bebop and hard bop sides from Prestige's first ten years, and you can't help but be dazzled by the number of strong records that this label put out - with six from Miles Davis alone and plenty of playing time for Sonny Rollins, James Moody, Milt Jackson, and early John Coltrane. Here, some clever sequencing illuminates the period, where Moody's "Moody's Mood For Love" is followed by King Pleasure's vocalese version, and further down the line, we hear Wardell Gray's original "Twisted" and Annie Ross's self-psychoanalysis on the same tune. The last two discs mostly explore an area that at last is starting to receive respect - Prestige's imposing soul-jazz legacy, where organists like Richard "Groove" Holmes, Brother Jack McDuff and Charles Earland laid down the groove, and His Majesty Gene Ammons was the reigning soul tenor sax king when he wasn't serving time for drug busts. These sides really cook, and they make you feel good and jiggly all over, evoking their place and time as completely as Johann Strauss's waltzes do for 19th-century Vienna. The booklet is an especially refreshing departure from the usual critical routine because it offers a round-robin assortment of voices (including the long-retired Weinstock himself) who offer rarely-explored insight into the commercial aspects of the jazz record business - anecdotes about how records get hot, and how they get airplay and distribution. While there is nothing particularly rare on this set - only three tracks are new to CD and no outtakes crop up (which figured since many Prestige records were one-take blowing sessions) - even veteran collectors will appreciate such a concentration of classic stuff in one box.

http://www.allmusic.com/c...fm967ohep7


tA


Tribal Disorder

http://www.soundclick.com...dID=182431

minneapolisgenius said:

Nice pick. Gotta get the expanded and remastered version.

1. Open My Eyes
2. Back Of Your Mind
3. See What You Can Be
4. Hello It's Me
5. Wildwood Blues
6. If That's The Way You Feel
7. When I Get My Plane
8. Lemming Song
9. Crowded
10. She's Goin' Down
11. Nazz Radio Commercials
12. Train Kept A' Rollin' (Outtake)
13. Magic Me (Pre-Lp Audition Tape)
14. See What You Can Be (Pre-Lp Audition Tape)
15. Hello It's Me (Demo)
16. Crowded (Demo)
17. Open My Eyes (Non-Phased Demo)
18. Lemming Song (Demo)
19. The Nazz Are Blue (Live)
20. Why Is It Me (Early Version Of "Lemming Song" By Woody's Truck Stop In 1966)
21. Hello It's Me (Mono Single Mix)
22. Open My Eyes (Mono Single Mix)


tA

Tribal Disorder

http://www.soundclick.com...dID=182431

paligap said:

Right on, pal!

Ben Folds' 'Golden Slumbers' just segued into Eddie Vedder's 'You've Got to Hide Your Love Away'...


...really loving the I Am Sam soundtrack at the moment.

"just the way you are"