kATE ON THE COVER OF TODAY'S 'DAILY MIRROR' WITH THE TAGLINE 'KATE BUSH IS BACK -WHAT HAS SHE BEEN UP TO FOR THE PAST 12 YEARS ?'

HAVENT GOT A CHANCE TO BUY IT/READ IT YET ...HAS ANYONE HERE ?

peppeken said:

Please fill us in once you've read the article.

dancerella said:

I got this from the Daily Mirror website. Enjoy!


2 September 2005
EXCLUSIVE: WOW! BUSH IS BACK
After 12 years hidden away from the limelight, Kate Bush is releasing a new album and single .. .. but can such a reclusive icon cope with a return to centre stage?
Exclusive By Kevin O'Sullivan
A FUGITIVE from fame, one of the world's most reclusive stars is steeling herself for something that fills her with dread - a return to the limelight.

The obsessively secretive singer Kate Bush is battling an almost crippling sense of apprehension as she prepares to release her first album in 12 years.

For she is still the extraordinarily shy woman who abruptly turned her back on fame a quarter of a century ago after hating the pressures of her first and only tour.

Yesterday, her record label EMI announced Kate's new offering - a double album called Aerial, set to hit the shops on November 7.

By then a single, King Of The Mountain, out on October 24, is expected to have rocketed to the top of the charts.

And Kate - who recently celebrated her 47th birthday - knows she will have to show her face to the loyal fans who have bought her records in sufficiently large numbers to make her remarkably rich.

With a £25million fortune, she is estimated to be the second wealthiest British female singer ever - and rewards herself with a "salary" of more than £1million a year.


Only Annie Lennox has earned more.


Timeless classics such as her No 1 debut single Wuthering Heights and her 1978 first album The Kick Inside - which spent 70 weeks in the charts - made Kate an icon and an enduring pop presence.


But for years she has kept out of the public gaze.


Her home, a £3million 200-year-old red-brick mansion on a secluded island in the Thames in Berkshire, is surrounded by high walls, forbidding wooden gates and dense forest.


It is a Dickensian setting that invites comparisons to Miss Havisham, the isolated character from Great Expectations who deliberately cuts herself off from the rest of humanity.


Few residents in the village nearby are aware that there is a superstar in their midst.


And if the heat should become too intense as her new CD propels her back into the spotlight, Kate has a carefully planned escape route - a secluded bolt-hole in Devon where locals are even more in the dark about her.


W ITH appealing understatement, the enigmatic singer tries to explain her withdrawal from the fame business. "The reclusive thing is because I don't go clubbing and I don't do a lot of publicity," she says.


"I'm a quiet, private person who has managed to hang around for a few years. Ridiculous, really. I didn't think it would be like this."


She certainly feels no obligation to share details of her very private life with her millions of admirers. When she ventures out, the former pop sensation hides behind huge dark glasses. Sharing Kate's splendid isolation are her partner, guitarist Danny MacIntosh, 49, and the couple's seven-year-old son. It was 18 months before outsiders learnt of little Bertie Bush's arrival. Not surprisingly, his mother has never allowed him to be photographed in public.


But Kate insists she has not shrouded Bertie with her cloak of secrecy.


"Far from being secretive, I am just trying to be a good, protective mother," she says. "I want to give him as normal a childhood as possible while preserving his privacy."


With the eagerly awaited new album in the offing, that privacy is in danger - and his worried mother knows it.


But she must have an outlet for the burning desire to write songs and make music that has driven her since her difficult schooldays, when she was bullied for being so skinny.


The agonies of her childhood go some way to explaining Kate's almost neurotic hatred of public scrutiny.


A doctor's daughter who grew up in Welling, Kent, she recalls: "My father has told me I used to dance to music on the telly.


"I was completely unselfconscious and I wasn't aware of people looking at me.


"One day some people came into the room, saw me and laughed - and from that moment on I stopped doing it.


"I think I've been trying to get back there ever since."


An intense youngster who spent hours playing an old organ kept in a barn on her family's farmhouse estate, Kate does not cherish fond memories of the classroom.


At St Joseph's convent grammar school she discovered what she suspects of herself to this day: that she simply didn't fit in.


As an oddball pupil, she withdrew into painful shyness, which still haunts her in middle age.


"School was a very cruel environment and I was a loner," she says.


"But I learnt to get hurt and I learnt to cope with it.


"My friends sometimes used to ignore me completely and that would upset me badly.


"I wasn't an easy, happy-go-lucky girl because I used to think about everything so much - and I think I probably still do.


"I was writing songs from the age of 10 and I was never really into going to discos and dances and stuff. I never told anyone at school that I did that, because I feared it would alienate me even more."


But the timid teenager's penchant for songwriting did not alienate a family friend, Ricky Hopper.


Ricky, a music business mover and shaker, was impressed by her talent and arranged for her to record a demo tape.


Hopper played it to his friend Dave Gilmour of Pink Floyd, who stumped up more money for a comprehensive tape and provided an introduction to the power-brokers at EMI.


Kate was just 16 when she signed a £3,500 contract with the label and played her first concerts in South London pubs with her three-piece KT Bush Band.


But the transition from schoolkid to grown-up performer was difficult for one so young.


EMI executive Bob Mercer says: "On meeting her I realised how young she was mentally. We gave her some money to grow up with.


"EMI was like another family to her. She was the company's daughter for a few years."


Inspired by the plot of an Emily Bronte novel she had never actually read, Wuthering Heights showcased Kate's original singing voice and her genius for the unusual.


It was a sensation.


As her album The Kick Inside also raced up the charts, the overnight star embarked on her first major concert tour - a gruelling odyssey across Europe.


Lost in a whirl of TV appearances, promotional interviews and the champagne lifestyle expected of fast-rising celebrities, Kate realised to her horror that she was despising every moment.


That first tour was also her last.


Then, still only 21, she shocked the rock world by simply turning her back on fame.


Embittered by the pressure of it all and the distractions from making music, she blamed the record company which had once been her surrogate family.


"They took me away from everything familiar and I figured out then that music was a priority, not publicity, and that completely changed my life," she says.


"I stopped doing all the things that were expected."


More than a quarter of a century on, Kate is still defiantly sticking to her guns.


Even though a new generation of EMI bosses confidently predict that the new album - which few of them have been allowed to hear - will be an enormous hit, they're not expecting the singer to help boost sales with a round of publicity interviews.


Indeed, many suspect that the slow process of getting the Aerial CD on to the shelves is in part due to Kate's fear of an inevitable return to centre-stage stardom.


A friend says: "In her ideal world Kate would simply release the record, people would enjoy the music and never think about her at all.


"But she knows life is not like that. She utterly loathes the showbiz aspect, and to say she's not looking forward to it is the understatement of the century.


"But Kate still has a compulsion to make music. In some ways, she wishes she didn't."


The unworldly quality which shone through during her famous Wuthering Heights performances on Top Of The Pops gave the singer an ethereal image, and she is adored by New-Age hippies.


D EVOTEES still faithfully gather to celebrate what they call "Katemas" - their version of Christmas which they mark every year on their idol's birthday.


The festival is held all over the world, from the mystical Glastonbury Tor to the Australian Outback.


To the deeply embarrassed Ms Bush, such fanaticism is celebrity gone mad.


But she is not immune to the allure of very famous people herself.


Her most recent public appearance, in March, was distinguished by a toe-curling incident involving the Queen.


At the urging of guitarist Eric Clapton, who made a guest appearance on her last album The Red Shoes, Kate attended a star-studded reception at Buckingham Palace to honour the British music industry.


Sandie Shaw - who stood next to her when they met Her Majesty - witnessed a major breach of etiquette from a woman clearly unused to social interaction, especially with royals.


The 60s singer recalls: "Kate was rummaging in her handbag. Suddenly she produced a pen and some paper and said to the Queen: 'Would you mind signing this for my son?'


"The Queen looked lost for words. I mumbled: 'I think that's a pop-star thing, Kate.' And the Queen seemed pleased to be let off the hook.


"'Quite right,' she answered as an equerry quickly hustled her away."


The anecdote speaks volumes about a woman who critics say really should get out a bit more.


But if she wasn't shy, reclusive, eternally intriguing and - frankly - rather strange, she wouldn't be Kate Bush. And the world would be a poorer place

Thank you for that. It's really nice to read something recent about her.


***"One day some people came into the room, saw me and laughed - and from that moment on I stopped doing it".

You know, I heard that was the reason why she hasn't toured since....the critics gave her not so good reviews.

***The 60s singer recalls: "Kate was rummaging in her handbag. Suddenly she produced a pen and some paper and said to the Queen: 'Would you mind signing this for my son?'

"The Queen looked lost for words. I mumbled: 'I think that's a pop-star thing, Kate.' And the Queen seemed pleased to be let off the hook.

Damn Kate...that had to be pretty embarrassing.

***"But if she wasn't shy, reclusive, eternally intriguing and - frankly - rather strange, she wouldn't be Kate Bush. And the world would be a poorer place"

for real

i love the queen's story....i wish more stars learned from kate (and to the same extent sade)...


two classy broads amoungst a sea of sh*t..

Cloudbuster said:

sosgemini said:

The same thing happened with Sade?

andykeen said:

not that much if you consider her age.....weight gain happens. But yeah.....she's no Babooshka anymore

BOOMshockaLockaBOOM said:

as in they shun celebrity-dome.

andykeen said:

She's been doing that between albums since 1983.

andykeen said:

...Don't ever, EVER diss Ms Bush!

BananaCologne said:

That's what we like.

Cloudbuster said:

BananaCologne said:

Hehe U know i like Her

Best work "Womans work" damn that track is beautiful!!!!

But really cant wait 2 see whats her new stuff is like!!

I predict her best album of all time. Beleive me, I had a dream last and night and rod hull told me so

andykeen said:

...I wonder who hipped you to that!

hehe
[Edited 9/7/05 5:38am]

Apologies if this has gone up already elsewhere, but i just
spotted this on the Music Week site:-

EMI helped kick off a busy week for the music industry by hosting its quarter four retail conference at London's Abbey Road studios yesterday afternoon.
The event heralded the first airing of Kate Bush’s new single King Of The Mountain, as well as Pharrell Williams single Can I Have It Like That featuring vocals from Gwen Stefani, which is taken from his debut solo album which is signed to Interscope for the US and EMI for the UK. In turn, Robbie Williams and Sir Bob Geldof also turned up to rally support for their respective studio album and Live 8 DVD projects.
Kate Bush’s album will be a double set, with one disc made up of a single track, lasting more than half an hour, while the other will comprise around seven tracks. The album sleeve will also feature a child’s pencil drawing, by the singer’s toddler Bertie.

wtf?

Cloudbuster said:

7 tracks?

GangstaFam said:

I know!

I'm not sure how true it is... but Music Week is usually a reliable source. It could, of course, have just been a promo copy with selected tracks.
But what if all seven tracks are lengthy, complex pieces?

It could turn out really good. Part of me hopes it's true.

Cloudbuster said:

God, this is very confusing.

But very exciting!

I guess a track listing will appear pretty soon, then we'll know for sure.

loved the idea. dont like too many songs on an albu anyway.

About 30 min one track, I hope it's not like lovesexy, and it's just the same song going on for 30 mins.

I think that would be adventurous

LightOfArt said:

There are rumours dating back roughly three years that she was working on one long piece of music, supposedly called "Night & Day". Might be that.

Cloudbuster said:

Hopefully. I cant imagine how she can keep a tune going for 30 mins.

Maybe will change drastically from 'night' to 'day' kinda like The Four Seasons of Vivaldi

LightOfArt said:

Hopefully there's lots of moaning and hot foreign chicks like "The Dopamine Rush Suite."

Ummm... yeah.

Cloudbuster said:

I was being silly. Hope you knew that.