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Thread started 07/10/05 3:43pm

COMPUTERBLUE19
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Willie Nelson Reggae Album...WTF????

This week's sign that the apocalypse is upon us music

Willie Nelson to Release Reggae Album

By JOHN GEROME, Associated Press Writer
Sun Jul 10, 1:18 PM ET



Willie Nelson is so prolific that sometimes even he forgets he has another record coming out. At a recent show here with Bob Dylan, Nelson performed a long list of hits, but not a single song from his new long-awaited reggae album.

"I keep forgetting," Nelson said a few days later by telephone from the road, which he's called home for most of the last 30 years. "The set is so short."

Nelson is indeed releasing a new reggae album, "Countryman," out Tuesday, and, at least sporadically, he's been working some of the songs into his shows.

He began work on the album in 1995 for Island Records, but the project was shelved after Universal bought Polygram, and Island founder Chris Blackwell left the company. It languished until Nelson moved to Lost Highway Records.

Produced by Don Was, who's worked with the Rolling Stones and Bonnie Raitt among others, the album includes reggae versions of Nelson songs such as "Darkness On the Face of the Earth" and "One in a Row." There also are covers of Jimmy Cliff's "The Harder They Come" and "Sitting in Limbo," and a song called "I'm a Worried Man" by Johnny and June Carter Cash that Nelson recorded as a duet with Toots Hibbert of Toots and the Maytals.

"When he (Cash) found out I was doing a reggae album, he said, 'Hey, I've got a reggae song that I wrote when I lived there,'" Nelson recalled. "Toots heard it and liked it."

That Nelson's country songs stand up so well to reggae's offbeat syncopation and upstroke guitar strums is a testament to their durability. Nelson said he recorded them about 10 years ago in Los Angeles with Jamaican musicians, including some from the late reggae star Peter Tosh's band.

"The musicians told me that reggae was invented really by listening to country music coming from the United States. They put their own rhythms to those tunes," he said.

While the music on "Countryman" might raise the eyebrows of country purists, so will the cover. With green marijuana leaves on a red and yellow background, the cover art makes the CD look like an oversized pack of rolling papers.

The marijuana imagery reflects Jamaican culture, where the herb is a leading cash crop and part of religious rites, but it also reflects Nelson's fondness for pot smoking.

Universal Music Group Nashville is substituting palm trees for the marijuana leaves on CDs sold at the retail chain Wal-Mart, a huge outlet for country music that's also sensitive about lyrics and packaging.

"They're covering all the bases," Nelson joked.

If any country star can get away with marijuana leaves on a CD, it's Nelson. Besides being an innovator and leading figure in American music, he's also been a rebel and outlaw.

After a stint in the U.S. Air Force, he moved his family from his native Texas to Nashville and tried to break through as a singer in the early 1960s. But his off-the-beat, conversational delivery was unconventional by Nashville standards.

He returned to Texas in 1970 and began building a fan base with his live shows. He grew his hair long, stripped down his sound and attracted a youthful rock audience. He made more than a dozen albums before he hit his stride with "Blue Eyes Cryin' in the Rain," "Georgia on My Mind," "Mammas Don't Let Your Babies Grow up to Be Cowboys," "On the Road Again," "Always on My Mind" and "Whiskey River."

Along the way, Nelson launched a successful film career ("Electric Horseman," "Wag the Dog"), started the annual Farm Aid concerts with John Mellencamp and Neil Young — and ran into tax trouble.

More recently, he supported liberal candidate Dennis Kucinich for the Democratic presidential nomination in 2004 and later the nominee, John Kerry.

"Dennis Kucinich was against the war, and I was against the war," Nelson said. "Everyone else seemed sort of for it one way or another. I backed a guy that had no chance in hell of winning, but that didn't matter."

He also released a rare political song, "Whatever Happened To Peace on Earth," in which he condemned the war in Iraq. The title and lyrics pretty much sum up his views on war.

"I was basing my opinion mainly on what I had been taught ever since I was growing up," he said. "'Thou shall not kill' has been around a long time."

This summer, for the second time in as many years, he and Dylan are performing in minor league ball parks all over the country. On stage the two are a study in contrast. Nelson opens with smiles and waves and a predictable, hit-heavy set. Dylan sits off to the side behind a keyboard, plays very few hits and changes the set list every night.

The two almost never perform together.

"I go on so early I can be halfway to the next town before he shows up," said Nelson, who says he and Dylan have discussed doing a song or two together, as well as sitting down for a game of chess, but haven't gotten around to either yet.

At 72, Nelson continues to record and perform at a breakneck pace. He believes his best record is still ahead of him.

"I feel like we're doing one now that's going to be better than anything else we've ever done," he said.

End ADV for July 9-10

Kudos to the old guy for trying. Should be interesting.
"Old man's gotta be the old man. Fish has got to be the fish."
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Reply #1 posted 07/10/05 3:51pm

VoicesCarry

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Reply #2 posted 07/10/05 3:53pm

COMPUTERBLUE19
84

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VoicesCarry said:



My bad...thanks for the info smile
"Old man's gotta be the old man. Fish has got to be the fish."
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Reply #3 posted 07/10/05 4:02pm

Hotlegs

COMPUTERBLUE1984 said:

This week's sign that the apocalypse is upon us music

Willie Nelson to Release Reggae Album

By JOHN GEROME, Associated Press Writer
Sun Jul 10, 1:18 PM ET



Willie Nelson is so prolific that sometimes even he forgets he has another record coming out. At a recent show here with Bob Dylan, Nelson performed a long list of hits, but not a single song from his new long-awaited reggae album.

"I keep forgetting," Nelson said a few days later by telephone from the road, which he's called home for most of the last 30 years. "The set is so short."

Nelson is indeed releasing a new reggae album, "Countryman," out Tuesday, and, at least sporadically, he's been working some of the songs into his shows.

He began work on the album in 1995 for Island Records, but the project was shelved after Universal bought Polygram, and Island founder Chris Blackwell left the company. It languished until Nelson moved to Lost Highway Records.

Produced by Don Was, who's worked with the Rolling Stones and Bonnie Raitt among others, the album includes reggae versions of Nelson songs such as "Darkness On the Face of the Earth" and "One in a Row." There also are covers of Jimmy Cliff's "The Harder They Come" and "Sitting in Limbo," and a song called "I'm a Worried Man" by Johnny and June Carter Cash that Nelson recorded as a duet with Toots Hibbert of Toots and the Maytals.

"When he (Cash) found out I was doing a reggae album, he said, 'Hey, I've got a reggae song that I wrote when I lived there,'" Nelson recalled. "Toots heard it and liked it."

That Nelson's country songs stand up so well to reggae's offbeat syncopation and upstroke guitar strums is a testament to their durability. Nelson said he recorded them about 10 years ago in Los Angeles with Jamaican musicians, including some from the late reggae star Peter Tosh's band.

"The musicians told me that reggae was invented really by listening to country music coming from the United States. They put their own rhythms to those tunes," he said.

While the music on "Countryman" might raise the eyebrows of country purists, so will the cover. With green marijuana leaves on a red and yellow background, the cover art makes the CD look like an oversized pack of rolling papers.

The marijuana imagery reflects Jamaican culture, where the herb is a leading cash crop and part of religious rites, but it also reflects Nelson's fondness for pot smoking.

Universal Music Group Nashville is substituting palm trees for the marijuana leaves on CDs sold at the retail chain Wal-Mart, a huge outlet for country music that's also sensitive about lyrics and packaging.

"They're covering all the bases," Nelson joked.

If any country star can get away with marijuana leaves on a CD, it's Nelson. Besides being an innovator and leading figure in American music, he's also been a rebel and outlaw.

After a stint in the U.S. Air Force, he moved his family from his native Texas to Nashville and tried to break through as a singer in the early 1960s. But his off-the-beat, conversational delivery was unconventional by Nashville standards.

He returned to Texas in 1970 and began building a fan base with his live shows. He grew his hair long, stripped down his sound and attracted a youthful rock audience. He made more than a dozen albums before he hit his stride with "Blue Eyes Cryin' in the Rain," "Georgia on My Mind," "Mammas Don't Let Your Babies Grow up to Be Cowboys," "On the Road Again," "Always on My Mind" and "Whiskey River."

Along the way, Nelson launched a successful film career ("Electric Horseman," "Wag the Dog"), started the annual Farm Aid concerts with John Mellencamp and Neil Young — and ran into tax trouble.

More recently, he supported liberal candidate Dennis Kucinich for the Democratic presidential nomination in 2004 and later the nominee, John Kerry.

"Dennis Kucinich was against the war, and I was against the war," Nelson said. "Everyone else seemed sort of for it one way or another. I backed a guy that had no chance in hell of winning, but that didn't matter."

He also released a rare political song, "Whatever Happened To Peace on Earth," in which he condemned the war in Iraq. The title and lyrics pretty much sum up his views on war.

"I was basing my opinion mainly on what I had been taught ever since I was growing up," he said. "'Thou shall not kill' has been around a long time."

This summer, for the second time in as many years, he and Dylan are performing in minor league ball parks all over the country. On stage the two are a study in contrast. Nelson opens with smiles and waves and a predictable, hit-heavy set. Dylan sits off to the side behind a keyboard, plays very few hits and changes the set list every night.

The two almost never perform together.

"I go on so early I can be halfway to the next town before he shows up," said Nelson, who says he and Dylan have discussed doing a song or two together, as well as sitting down for a game of chess, but haven't gotten around to either yet.

At 72, Nelson continues to record and perform at a breakneck pace. He believes his best record is still ahead of him.

"I feel like we're doing one now that's going to be better than anything else we've ever done," he said.

End ADV for July 9-10

Kudos to the old guy for trying. Should be interesting.


Well, Org let's put it this way. He can't miss b/c he definitely knows about good Ganja weed blunt stoned that's for sure . So at least Willie has the motivation down pat. Now, all he needs to do is get familiar with Jah Rastafari, and the culture of Jamaica and he'll might be able to pull the shit off. Hell, Paul Simon made Graceland which was a album which was based on South African music and featured South African Musicians.
[Edited 7/10/05 20:38pm]
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Reply #4 posted 07/10/05 8:46pm

MsLegs

COMPUTERBLUE1984 said:

VoicesCarry said:



My bad...thanks for the info smile

After reading the info from the other thread, I am more convinced that this album might work out since Don Was is producing it.
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Reply #5 posted 07/10/05 8:55pm

Milty

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his Teatro cd from 98 had a little reggae stuff on it and it was amazing!!!!

i look forward to this one.
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Reply #6 posted 07/10/05 11:41pm

roodboi

Willie is an incredible talent...he can do it and do it well..he's an incredible songwriter and his delivery is unmatched...
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Reply #7 posted 07/11/05 12:29am

Hotlegs

roodboi said:

Willie is an incredible talent...he can do it and do it well..he's an incredible songwriter and his delivery is unmatched...

No doubt. Willie has always been one of my favorites.
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Reply #8 posted 07/11/05 1:26am

kev1n

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both Cash and nelson have strong connections with jamaica and it's reaggea artists. Both have recorded several albums on the island and in the proces befriended a lot of musicians there. It's not the first time either that Nelson and toots hibbert work together. nelson appeared on toots album 'true love', and he and willie have performed together on several occasions. So for willie to put a reaggea album out isn't half as farfedged as it may seem. It's willie so I'll buy it.
It was not in vain...it was in Minneapolis!
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Reply #9 posted 07/12/05 5:16pm

roodboi

I've said this before..and I'm gonna say it again..anytime the "Who should Prince work with??" question comes up..I always say Willie Nelson..the combined songwriting abilities and contrasting vocals would be a perfect match...even if they wouldn't do any original material. it would be cool to here them do "Angel Flying Too Close To the Ground" together...
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Reply #10 posted 07/12/05 5:17pm

kev1n

avatar

roodboi said:

I've said this before..and I'm gonna say it again..anytime the "Who should Prince work with??" question comes up..I always say Willie Nelson..the combined songwriting abilities and contrasting vocals would be a perfect match...even if they wouldn't do any original material. it would be cool to here them do "Angel Flying Too Close To the Ground" together...


never thought about that combo...but damn you're right...they should work together...It's not like there's anyone else out there willie hasn't worked with already biggrin
It was not in vain...it was in Minneapolis!
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Reply #11 posted 07/12/05 5:45pm

meltwithu

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Reggae:

Willie Nelson, Countryman (* ½) If it's Tuesday, there must be a new Willie Nelson album. This one, which features reggae versions of such frequently recorded tunes as Undo the Right and I've Just Destroyed the World, was started 10 years ago, then shelved in favor of 1996's Spirit. Hearing it now, it's easy to understand that decision. Nelson's heavily syncopated approach to country hardly meshes with the Jamaican style. He and the band try so hard to make space for the other's rhythmic eccentricities that too often they both wind up right on the beat. The only time this album lights up is during a duet with Toots Hibbert on Johnny and June Carter Cash's I'm a Worried Man. —Brian Mansfield
lol lol lol
you look better on your facebook page than you do in person hmph!
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Reply #12 posted 07/12/05 5:50pm

MsLegs

Hotlegs said:

COMPUTERBLUE1984 said:

This week's sign that the apocalypse is upon us music

Willie Nelson to Release Reggae Album

By JOHN GEROME, Associated Press Writer
Sun Jul 10, 1:18 PM ET



Willie Nelson is so prolific that sometimes even he forgets he has another record coming out. At a recent show here with Bob Dylan, Nelson performed a long list of hits, but not a single song from his new long-awaited reggae album.

"I keep forgetting," Nelson said a few days later by telephone from the road, which he's called home for most of the last 30 years. "The set is so short."

Nelson is indeed releasing a new reggae album, "Countryman," out Tuesday, and, at least sporadically, he's been working some of the songs into his shows.

He began work on the album in 1995 for Island Records, but the project was shelved after Universal bought Polygram, and Island founder Chris Blackwell left the company. It languished until Nelson moved to Lost Highway Records.

Produced by Don Was, who's worked with the Rolling Stones and Bonnie Raitt among others, the album includes reggae versions of Nelson songs such as "Darkness On the Face of the Earth" and "One in a Row." There also are covers of Jimmy Cliff's "The Harder They Come" and "Sitting in Limbo," and a song called "I'm a Worried Man" by Johnny and June Carter Cash that Nelson recorded as a duet with Toots Hibbert of Toots and the Maytals.

"When he (Cash) found out I was doing a reggae album, he said, 'Hey, I've got a reggae song that I wrote when I lived there,'" Nelson recalled. "Toots heard it and liked it."

That Nelson's country songs stand up so well to reggae's offbeat syncopation and upstroke guitar strums is a testament to their durability. Nelson said he recorded them about 10 years ago in Los Angeles with Jamaican musicians, including some from the late reggae star Peter Tosh's band.

"The musicians told me that reggae was invented really by listening to country music coming from the United States. They put their own rhythms to those tunes," he said.

While the music on "Countryman" might raise the eyebrows of country purists, so will the cover. With green marijuana leaves on a red and yellow background, the cover art makes the CD look like an oversized pack of rolling papers.

The marijuana imagery reflects Jamaican culture, where the herb is a leading cash crop and part of religious rites, but it also reflects Nelson's fondness for pot smoking.

Universal Music Group Nashville is substituting palm trees for the marijuana leaves on CDs sold at the retail chain Wal-Mart, a huge outlet for country music that's also sensitive about lyrics and packaging.

"They're covering all the bases," Nelson joked.

If any country star can get away with marijuana leaves on a CD, it's Nelson. Besides being an innovator and leading figure in American music, he's also been a rebel and outlaw.

After a stint in the U.S. Air Force, he moved his family from his native Texas to Nashville and tried to break through as a singer in the early 1960s. But his off-the-beat, conversational delivery was unconventional by Nashville standards.

He returned to Texas in 1970 and began building a fan base with his live shows. He grew his hair long, stripped down his sound and attracted a youthful rock audience. He made more than a dozen albums before he hit his stride with "Blue Eyes Cryin' in the Rain," "Georgia on My Mind," "Mammas Don't Let Your Babies Grow up to Be Cowboys," "On the Road Again," "Always on My Mind" and "Whiskey River."

Along the way, Nelson launched a successful film career ("Electric Horseman," "Wag the Dog"), started the annual Farm Aid concerts with John Mellencamp and Neil Young — and ran into tax trouble.

More recently, he supported liberal candidate Dennis Kucinich for the Democratic presidential nomination in 2004 and later the nominee, John Kerry.

"Dennis Kucinich was against the war, and I was against the war," Nelson said. "Everyone else seemed sort of for it one way or another. I backed a guy that had no chance in hell of winning, but that didn't matter."

He also released a rare political song, "Whatever Happened To Peace on Earth," in which he condemned the war in Iraq. The title and lyrics pretty much sum up his views on war.

"I was basing my opinion mainly on what I had been taught ever since I was growing up," he said. "'Thou shall not kill' has been around a long time."

This summer, for the second time in as many years, he and Dylan are performing in minor league ball parks all over the country. On stage the two are a study in contrast. Nelson opens with smiles and waves and a predictable, hit-heavy set. Dylan sits off to the side behind a keyboard, plays very few hits and changes the set list every night.

The two almost never perform together.

"I go on so early I can be halfway to the next town before he shows up," said Nelson, who says he and Dylan have discussed doing a song or two together, as well as sitting down for a game of chess, but haven't gotten around to either yet.

At 72, Nelson continues to record and perform at a breakneck pace. He believes his best record is still ahead of him.

"I feel like we're doing one now that's going to be better than anything else we've ever done," he said.

End ADV for July 9-10

Kudos to the old guy for trying. Should be interesting.


Well, Org let's put it this way. He can't miss b/c he definitely knows about good Ganja weed blunt stoned that's for sure . So at least Willie has the motivation down pat. Now, all he needs to do is get familiar with Jah Rastafari, and the culture of Jamaica and he'll might be able to pull the shit off. Hell, Paul Simon made Graceland which was a album which was based on South African music and featured South African Musicians.
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