Push The Button - Newcleus
Egypt, Egypt - Egyptian Lover Throwdown - Griffin Street Freeks - Jimmy Lewis and the L.A. Street Band 99 1/2 - Carol Lynne Townes Trommeltaz (Din Daa Daa) - George Kranz I.O.U. - Freeze Syberian Nights - Twilight 22 Fix It In The Mix - Pretty Tony Al-Naafiysh (The Soul) - Hashim Reckless - Chris "The Glove" Taylor and David Storrs Dynamic (Total Control) - Dynamic Breakers Looking For The Perfect Beat - Soul Sonic Force Sound Chaser - Paul Hardcastle My Love Is Alive - Chaka Khan Jam The Box - Pretty Tony Breakin..There's No Stopping Us - Ollie and Jerry Breakdancin' - Irene Cara The Party Has Begun - Freestyle Can You Rock It Like This - Run DMC Girls - Egyptian Lover Jam On It - Newcleus Freakshow On The Dance Floor - Barkays Operator - Midnight Star Nasty Rock - Garret's Crew Nasty Rock - P Crew Party Rock - P Crew 19 - Paul Hardcastle Freestyle Express - Freestyle Time Is Running Out - Jonzun Crew We Are Whodini - Whodini Andy is a four letter word. | |
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skilletnomicrowave said: AsianConnection said: Apache--Michael Viner's Incredible Bongo Band (The original artists of this song) I might be wrong but wasn't the original by The Shadows my 12'' says "arawak all stars" lol | |
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Boogie Down Bronx- Man Parish
Take A Chance- Nuance Everlasting Bass- Rodney O & Joe Cooly Surgery- World Class Wrecking Crew(Props 2 Dr.Dre 4 the beat) Rainforest- Paul Hardcastle Rockberry Jam- LA Dream Team What People Do For Money- Divine Styles Looking For The Perfect Beat - Soul Sonic Force Al-Naafiysh (The Soul) - Hashim Needle To The Groove- Mantronix Baseline-Mantronix Ladys- Mantronix Buffalo Gals- Malcolm Mclaren Beat Box- Art Of Noise Radio Activity- Royal Cash The Party Has Begun - Freestyle Hey DJ - World Famous Supreme team You know it was realy going on back then,I'ma have to bust a windmill right quick..... still got it. peace How many of you use to do the Prep? | |
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Cavern--Liquid Liquid
It's Just Begun--Jimmy Castor Bunch Din Daa Daa--George Kranz (All right! I cheated. I have "Perfect Beats" Vo1.1-4 ) | |
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vainandy said: Push The Button - Newcleus
Egypt, Egypt - Egyptian Lover Throwdown - Griffin Street Freeks - Jimmy Lewis and the L.A. Street Band 99 1/2 - Carol Lynne Townes Trommeltaz (Din Daa Daa) - George Kranz I.O.U. - Freeze Syberian Nights - Twilight 22 Fix It In The Mix - Pretty Tony Al-Naafiysh (The Soul) - Hashim Reckless - Chris "The Glove" Taylor and David Storrs Dynamic (Total Control) - Dynamic Breakers Looking For The Perfect Beat - Soul Sonic Force Sound Chaser - Paul Hardcastle My Love Is Alive - Chaka Khan Jam The Box - Pretty Tony Breakin..There's No Stopping Us - Ollie and Jerry Breakdancin' - Irene Cara The Party Has Begun - Freestyle Can You Rock It Like This - Run DMC Girls - Egyptian Lover Jam On It - Newcleus Freakshow On The Dance Floor - Barkays Operator - Midnight Star Nasty Rock - Garret's Crew Nasty Rock - P Crew Party Rock - P Crew 19 - Paul Hardcastle Freestyle Express - Freestyle Time Is Running Out - Jonzun Crew We Are Whodini - Whodini | |
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papaa said
BTW, who body pops / pop locks these days? I'm sure there are one or three orgers out there who can't resist busting those moves in 2004. Confess!!! I used to love the pop/lock era also: Shake Your Pants - Cameo Boogie Bodyland - Barkays Pop Along Kid - Shalamar Firecracker - Mass Production Computer Games - Yellow Magic Orchestra Right In The Socket - Shalamar Sexy Dancer - Prince All Night Thing - Invisible Man's Band Freaky Dancing - Cameo Get Up, Get Funky, Get Loose - Teddy Pendergrass Outta Space - Billy Preston Andy is a four letter word. | |
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Break Dance Party - BREAK MACHINE
Hey You - THE ROCKSTEADY CREW Boogie In Your Butt - EDDIE MURPHY | |
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ONE MORE BATCH...
Newcleus: jam on it's revenge newcleus: Automan Axel F: Beverly Hills Cop Sndtrk Tour De France: Kraftwerk On the Down Side: Xena Let The Music Play: Shannon One More Shot: C-Bank Rainforest: Paul Hardcastle Sound Chaser: Paul Hardcastle am/pm: paul hardcastle This should be your night: Cindy Mizelle (on Breaking 1) Is this thing love: Jay Novell Five minutes of funk: Whodini Freaks come out at night: Whodini Funky Beat: Whodini What people do for money: Divine Sounds Buffalo Gals: Malcolm McLaren Body Train: Gap Band Light years away: warp 9 Play at your own risk: Planet Patrol release Yourself: Aleem Looking for the perfect beat: African Bambaataa One for the treble: Davy DMX Oh My God: Slick Rick and Dougie Fresh Soul Makossa: Nairobi Clear: Cybotron Dancefloor: zapp Breaker's Revenge: Arthur Baker Last Night the DJ Saved My Life: Indeep When Boys Talk: Indeep 10 Reasons Why I Can't Be Free For Your Love: Indeep This is Your Night: Chaka Khan M.2.K
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RR2004 said: Break Dance Party - BREAK MACHINE
Hey You - THE ROCKSTEADY CREW Boogie In Your Butt - EDDIE MURPHY Rocksteady Crew's "Up Rock" was a fav of mine (So was Baby Love, she was cute, and a breaker too ) Many of those songs listed above was what I use to break to as a kid. Boogie In your Butt Ronny u clown Xperience the Peach & Black Podcast: http://peachandblack.podbean.com/
Become a fan: http://www.facebook.com/p...ackpodcast | |
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skilletnomicrowave said: AsianConnection said: Apache--Michael Viner's Incredible Bongo Band (The original artists of this song) I might be wrong but wasn't the original by The Shadows Yes, the original guitar riff is by the shadows (One of my all time favourite, classic samples). "Michael Viner" must have put that classic beat over the top of it & was probably the first to lift The Shadow's original and sample it. Xperience the Peach & Black Podcast: http://peachandblack.podbean.com/
Become a fan: http://www.facebook.com/p...ackpodcast | |
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paligap said: If You mean songs we used to Breakdance to: -or at least try to breakdance to!
Tour De France - Kraftwerk Planet Rock -Afrika Bambatta and SoulSonicForce Hey DJ - World Famous Supreme team Jam On It - Newcleus Beat Box - Art Of Noise The Smurf - Tyrone Brunson Apache - Sugar Hill Gang Mosquito- West Street Mob It's Just Begun- Jimmy Castor Bunch Looking for the Perfect Beat - Afrika Bambatta Soul Sonic Force Close To The Edit - Art Of Noise More Bounce To The Ounce - Zapp [This message was edited Wed Aug 4 8:19:38 2004 by paligap] Damn! You taking me back to my DJing days with these! I was bumping Beat Box, Planet Rock and More Bounce in my car not too long ago. Sounds so good thru my subs. Orgasmic! Love & Light, Quietsoul "No sex can be safer, it's a pill wrapped in a little piece of paper." | |
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sextonseven said: Regarding the breakdancing films, my friends and I went to see both 'Breakin'' and 'Breakin' 2' back in the day, but we all agreed they paled in comparison to 'Beat Street'--both the movies and the soundtracks. Leave it to the west coast to take something and water it down and make lots of money off it while the east coast would try to keep it real and not be able to sell it as well. Maybe we were just bitter 'cos we we lived in NYC and couldn't identify with all that L.A beach crap. The statement about "leave it to the west coast to take something and water it down" was ignorant. The L.A. and NYC urban dance scenes evolved simultaneously, albeit differently. Los Angeles had its own dance culture that had been vibrant since the late 1960s starting with a dance kids in Watts, Compton and the Eastside of L.A. used to do called "The Robot," which used a lot of pantomime and resembled movements from popular TV shows like "Lost In Space." In the 1970s, "The Robot" dance evolved and elevated into what would soon be known as "Campbellocking" or "Locking." Poplocking started in L.A. Re-Run, from the TV show, What's Happening! was a member of the Campbellockers (a legendary L.A. dance crew in the 70s). Among their members were "Shabba-doo" Quinones (who appeared as "O-Zone" in Breakin'), Tony Basil (who was a Campbellocker and used many of the dance moves to propel her choreography career in Hollywood). It was Re-Run, who was an original street dancer, that popularized poplocking (or "popping" and "locking") nationwide. New York had an unquestionably vibrant dance scene. Their moves were more acrobatic and gymnastic and heavily centered on floor work. L.A. "Poppin'" is essentially West Coast breaking, but it involved more freeze work and characterization. NYC mimicked stuff from the LA scene and vice versa. But to deny L.A.'s place in the history of B-boying or to simply say they "took it" from it from NYC, watered it down and expropriated it is ignorant. Actually, it was the MOVIE INDUSTRY that took breakdancing, homogenized it, and watered it down to a "flavor of the month" type fad, not the dancers in Los Angeles (who were also used by Hollywood and treated the same way). A lot of the dancers from the "Breakin'" movies are ORIGINAL (not just some actors) and are actually from the streets. The first "Breakin'" movie is actually a viable hip hop document in its own right, up there with Wild Style and Beat Street (just more scripted, polished and with bigger budget). Reason being: the hip hop sequence in the first movie featuring a rap by Ice-T was filmed at the Radiotron (a popular dance club in Los Angeles were dance crews would battle using popping, locking, and breaking. Many of the beach scenes in the film were staged, but popping and locking crews would actually hold dance battles at Venice Beach, so it wasn't pulled out of the air. To tell you the truth, L.A. hardly gets love when it comes to invention, acknowledgment and recognition in the story of b-boying. Often times, the city gets left out. New York tends to get ALL the love (which is interesting that you refer to NYC as being somehow robbed of its legacy and not "being able to sell it well" -- Hell, the Rock Steady Crew and the NYC breakers are still remembered and revered to this day) while other cities dance scenes and dance crews are labeled "cheap imitations" or rendered non-existent. If you truly examined the history of B-boying or lived in areas outside of New York around the time the movement was blossoming, you'd see that it took many parts to create the whole. Learn more about Campbellocking, locking, popping and the West Coast breakdance scene... http://tonytee.com/campbellock/ http://www.mrwiggleshipho...n_higa.htm http://www.dancemaster.com/history.html ...or run a Google search. | |
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In my area, I seem to be the only one that remembers "Street Freeks" by Jimmy lweis and the L.A. street Band! Thanks [u][b]vainandy for reminding me of that one. "19" as well! Guess I'll go ahead and add another to my list:
Play That Beat Mr. D.J.--G.L.O.B.E. + Whiz Kid | |
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JANFAN4L said: The statement about "leave it to the west coast to take something and water it down" was ignorant. The L.A. and NYC urban dance scenes evolved simultaneously, blah, blah, blah...
Yes, all that history is very nice, but it doesn't change the fact that a lite west coast film made all the money while the east coast films didn't. This corresponds to rap music a few years later when the biggest pop hits were mostly by west coast artists. And I don't recall making any statement about which city created breakdancing. | |
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sextonseven said: JANFAN4L said: The statement about "leave it to the west coast to take something and water it down" was ignorant. The L.A. and NYC urban dance scenes evolved simultaneously, blah, blah, blah...
Yes, all that history is very nice, but it doesn't change the fact that a lite west coast film made all the money while the east coast films didn't. This corresponds to rap music a few years later when the biggest pop hits were mostly by west coast artists. And I don't recall making any statement about which city created breakdancing. It wasn't a "West Coast" film. It was a Cannon/MGM film that happened to be set in L.A. They made all the money. O-Zone, Turbo, Special K and all the b-boys in the film didn't. In fact, most of them didn't really collect any major royalties although the film remains an 80s cult classic. "Wild Style" as far as video sales, word-of-mouth and critical approval was very successful. Of course it wasn't going to make "Breakin'" money right out the gate because it was released limitedly and wasn't backed by a major hollywood studio. Beat Street was backed by MGM and it made money and opened in more theaters, so I don't get what you're saying. I did not say anywhere in my initial posting that you made a statement about which city spawned breaking. I'm refering to your comment about the west coast taking breakdancing, "watering it down and making money off of it," as if L.A. people were faking the funk and stealing everything from New York. And for you to add "blah, blah, blah" in your quote implies that you didn't read for comprehension anyway. | |
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JANFAN4L said: It wasn't a "West Coast" film. It was a Cannon/MGM film that happened to be set in L.A. They made all the money. O-Zone, Turbo, Special K and all the b-boys in the film didn't. In fact, most of them didn't really collect any major royalties although the film remains an 80s cult classic. "Wild Style" as far as video sales, word-of-mouth and critical approval was very successful. Of course it wasn't going to make "Breakin'" money right out the gate because it was released limitedly and wasn't backed by a major hollywood studio. Beat Street was backed by MGM and it made money and opened in more theaters, so I don't get what you're saying.
The box office take for Breakin' was more than twice the amount for Beat Street because it was more accessible to the general public by being more lightweight and light-hearted in nature--just like much (not all) of the west coast rap music a few years later. That's what I'm saying. as if L.A. people were faking the funk and stealing everything from New York.
I never said that. That just your misinterpretation of my post. And for you to add "blah, blah, blah" in your quote implies that you didn't read for comprehension anyway.
It implies that I hate when people repost an entire overlong message in their response. | |
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sextonseven said: JANFAN4L said: It wasn't a "West Coast" film. It was a Cannon/MGM film that happened to be set in L.A. They made all the money. O-Zone, Turbo, Special K and all the b-boys in the film didn't. In fact, most of them didn't really collect any major royalties although the film remains an 80s cult classic. "Wild Style" as far as video sales, word-of-mouth and critical approval was very successful. Of course it wasn't going to make "Breakin'" money right out the gate because it was released limitedly and wasn't backed by a major hollywood studio. Beat Street was backed by MGM and it made money and opened in more theaters, so I don't get what you're saying.
The box office take for Breakin' was more than twice the amount for Beat Street because it was more accessible to the general public by being more lightweight and light-hearted in nature--just like much (not all) of the west coast rap music a few years later. That's what I'm saying. I never said that. That just your misinterpretation of my post. And for you to add "blah, blah, blah" in your quote implies that you didn't read for comprehension anyway.
It implies that I hate when people repost an entire overlong message in their response. Hopefully, someone got something out of this exchange. If you don't know, now you know. | |
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AsianConnection said: In my area, I seem to be the only one that remembers "Street Freeks" by Jimmy lweis and the L.A. street Band! Thanks [u][b]vainandy for reminding me of that one. "19" as well! Guess I'll go ahead and add another to my list:
Play That Beat Mr. D.J.--G.L.O.B.E. + Whiz Kid To this day i still need a copy of Play that beat, can anyone help? ( on 12 of course) | |
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Come on guys let's not forget OLLIE AND JERRY!
no one does it better! | |
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sextonseven said: The box office take for Breakin' was more than twice the amount for Beat Street because it was more accessible to the general public by being more lightweight and light-hearted in nature--just like much (not all) of the west coast rap music a few years later. That's what I'm saying. they were both cheesy films.....but such good cheese. | |
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TECHNICOLOR - CHANNEL ONE
YOU SHOOK ME ALL NIGHT LONG - SLINGSHOT I DIDN'T KNOW I LOVE YOU (TILL I SAW YOU ROCK & ROLL) - PLANET PATROL RETURN OF CAPTAIN ROCK - CAPTIN ROCK MIRDA ROCK - ??? I'M NOT SHOUTING, JEEZ! | |
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Clear.....Cybotron
Beatbox...Art of Noise Close to the Edit....Art of Noise Rockit....Herbie Handcock Mirda Rock...Reggie Griffen & Technofunk West Coast Poplock...Ronnie Hudson[b] [b]Looking for the Perfect Beat...Afrika Bambaataa & Soulsonic Force Planet Rock.....""""" Rockin Radio....???? Tour de France.....Kraftwerk Its Time.....???? The Beat goes on....Orbit I.O.U (a-e-i-o-u)....Freeze Surgery.....World Class Wreckin CRU Electric Kingdom....???? | |
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AQUABOOGIE said: Clear.....Cybotron
Beatbox...Art of Noise Close to the Edit....Art of Noise Rockit....Herbie Handcock Mirda Rock...Reggie Griffen & Technofunk West Coast Poplock...Ronnie Hudson[b] [b]Looking for the Perfect Beat...Afrika Bambaataa & Soulsonic Force Planet Rock.....""""" Rockin Radio....???? Tour de France.....Kraftwerk Its Time.....???? The Beat goes on....Orbit I.O.U (a-e-i-o-u)....Freeze Surgery.....World Class Wreckin CRU Electric Kingdom....???? HOW COULD I FORGET ELECTRIC KINGDOM - TWILIGHT 22 THAT WAS ONE OF THE MAIN BREAK DANCE SONGS! I'M NOT SHOUTING, JEEZ! | |
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debbiedean2 said: AQUABOOGIE said: Clear.....Cybotron
Beatbox...Art of Noise Close to the Edit....Art of Noise Rockit....Herbie Handcock Mirda Rock...Reggie Griffen & Technofunk West Coast Poplock...Ronnie Hudson[b] [b]Looking for the Perfect Beat...Afrika Bambaataa & Soulsonic Force Planet Rock.....""""" Rockin Radio....???? Tour de France.....Kraftwerk Its Time.....???? The Beat goes on....Orbit I.O.U (a-e-i-o-u)....Freeze Surgery.....World Class Wreckin CRU Electric Kingdom....???? HOW COULD I FORGET ELECTRIC KINGDOM - TWILIGHT 22 THAT WAS ONE OF THE MAIN BREAK DANCE SONGS! Yep | |
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"GOTTA ROCK IT, DON'T STOP IT, GOTTA ROCK IT, DON'T STOP....." [This message was edited Thu Aug 5 22:57:13 2004 by NWF] NEW WAVE FOREVER: SLAVE TO THE WAVE FROM THE CRADLE TO THE GRAVE. | |
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"What's your sign" | |
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AsianConnection said: In my area, I seem to be the only one that remembers "Street Freeks" by Jimmy lweis and the L.A. street Band! Thanks [u][b]vainandy for reminding me of that one. "19" as well! Guess I'll go ahead and add another to my list:
Play That Beat Mr. D.J.--G.L.O.B.E. + Whiz Kid "Street Freeks" didn't get much airplay down here back in the day. Everyone I know never remembers it until I play it for them. I would be the same way if I didn't have the 45. Back in those days, when I really LOVED the current music, if I even slightly liked it, I bought it. My grandmother was very overprotective so she would bribe me with records to keep me from going out. Every Friday, she would buy me either 3 45s or one 12 Inch. She would also do the same on Saturday. If I wanted an album, that would take the place of both days. Now when Prince released a new album, that was like an unwritten contract...she was going to buy that for me immediately. She used to call me after I was grown and ask me if Prince was coming out with something new. I built up quite a record collection. If I REALLY wanted something special...I would make up a story about a phony concert I wanted to go to so she would bribe me. Isn't it funny how manipulative we can be as kids. I think she knew but she loved me and wanted to keep me home and out of trouble. Andy is a four letter word. | |
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Yeah, it took me a long time to find a copy of that song ("Street Freeks"). A year or two ago I got a 12" on the EBAY auctions. Yeah, they remember it when you play it! In fact, there was a big break battle on stage during Cinco de Mayo celebration in '84 here in San Jose. That was the only damn song they played over and over again, literally! So, those people that were there remember it! | |
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You can find a 12" of "Play That Beat Mr. D.J." on http://www.gemm.com
oh, and I stand corrected on The Shadows being the originators of "Apache". | |
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AsianConnection said: You can find a 12" of "Play That Beat Mr. D.J." on http://www.gemm.com
oh, and I stand corrected on The Shadows being the originators of "Apache". Play that Beat is a classic!!! | |
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