Prince has re-emerged this year - gloriously
Thursday, April 22, 2004

http://www.journalnow.com...7645508978

- column by Renee Graham

Absolutely nothing in this still-nascent year in music has been as deeply satisfying as the glorious re-emergence of Prince.

Looking great and sounding even better, there he was at the Grammys, opening the show with a medley of "Purple Rain," "Baby, I'm a Star" and "Let's Go Crazy." (Oh, and Beyonce was also there to shake her hair and hog the microphone.) Normally considered publicity-shy, Prince has made several recent television appearances including The Ellen Degeneres Show and Today. And now, he's on his first major national tour in six years, which will include a stop in Raleigh at 8 p.m. Friday (see www.ticketmaster.com).

As a 2004 inductee into the Rock 'n' Roll Hall of Fame, Prince kicked off the ceremony with another sizzling medley featuring "Let's Go Crazy," "Sign O' the Times," "Kiss," plus a snippet of the Sam and Dave classic, "Soul Man." And he wasn't done. During the tribute to fellow inductee, the late George Harrison, Prince offered a blazing guitar solo on "While My Guitar Gently Weeps," which had other onstage musicians such as Tom Petty, Jeff Lynne and Harrison's son Dhani staring in wide-eyed amazement.

Did we even know how much we missed Prince? If we didn't, maybe it's because it seems he's ever-present in one form or another.

On his current tour, American Idol Clay Aiken has been performing "When Doves Cry." The Foo Fighters' cover of "Darling Nikki" has been an alternative rock radio staple since last year. On her 2001 debut, Songs in A Minor, Alicia Keys had a hit with "How Come U Don't Call Me Anymore." And the influence of Prince's musically expansive world view is stamped all over OutKast's sprawling Grammy-winning masterpiece, Speakerboxxx/The Love Below. Not surprisingly, OutKast's Andre 3000 and Big Boi and Keys were invited to induct Prince into the hall of fame.

"Back in the day, entertainers were singers, they were dancers, they had great style, they had great personality," Andre 3000 said in his introduction. "We've lost a lot of that today, and so when it comes for me to do music, Prince is definitely one of my greatest inspirations."

Before Prince, there was no one like him, and no one's come close to duplicating his daring musicality.

The precocious prodigy named Prince Rogers Nelson was only 19 when he rewrote music-industry rules with his debut, 1978's For You. He composed all the songs, played all the instruments, and produced the album. No one that young, let alone an untested artist, had ever been given so much creative freedom. But it was immediately apparent that this kid would be a legend.

His influences included James Brown, Jackie Wilson, George Clinton, Jimi Hendrix and Joni Mitchell. An expressive, versatile singer and virtuoso guitarist, Prince churned out hit song after hit song, hot album after hot album. From 1980 to 1990, he put out an astonishing 10 albums, including such classics as Dirty Mind, 1999, Purple Rain and Sign O' the Times, plus the much-bootlegged Black Album.

His music encompassed funk, soul, jazz, gospel and rock, and tipped freely between the profane and the sacred. He even produced B-sides, such as "Erotic City," "She's Always in My Hair" and "How Come U Don't Call Me Anymore," better than the A-sides of most contemporary artists.

Then after a protracted fight and finally his release from his former record label, Warner Bros., he seemed to disappear in a purple haze. He changed his name to that weird symbol, and people were ready to write him off. But the music never stopped. On albums distributed through his Web site, he continued to push himself with concept albums such as 2001's The Rainbow Children and the all-instrumental N.E.W.S., released last year. And if the records were obscure and the results were mixed, there was solace that he was still exercising his creative muscles and keeping himself limber.

Now, he's back, as resplendent as ever and with a new album, Musicology. He's ready to show everyone the way it's supposed to be done.

Mired in mediocrity and redundancy, the music industry unquestionably needs Prince's full-on musical genius now more than ever.

The Boston Globe