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How Many New Tracks Have Surfaced In The Last 2 Years? I was wondering. Much of the unreleased material that is around now has been around for quite some time. Have been any new songs that have gone into circulation only in the last couple of years?
Do people horde rare material for long periods and keep it all to themselves? How much would 1 rare, unreleased song be worth to someone who had one? I know there doesn't appear to be much leaked material from the last few years, so the tracks coming out must be older. Therefore they must have been in someone's hands for a long time. How could they keep it a secret and hold on to it for so long? | |
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I'd say about 0.
Give or take a few. | |
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There have indeed been a few...the original version of "Standing at the Altar"...and don't forget "Exploding All Over Europe." No confusion, no tears. No enemies, no fear. No sorrow, no pain. No ball, no chain.
Sex is not love. Love is not sex. Putting words in other people's mouths will only get you elected. Need more sleep than coke or methamphetamine. | |
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I've been sittin' on a copy of "Wally" for a few years... If prince.org were to be made idiot proof, someone would just invent a better idiot. | |
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squirrelgrease said: I've been sittin' on a copy of "Wally" for a few years...
with all due respect sir, you lie! | |
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fauxnewbie said: Do people horde rare material for long periods and keep it all to themselves? How much would 1 rare, unreleased song be worth to someone who had one?
Yes. It's not that they horde, but their is a collectors market/trade ring, outside that of 'commercially' released bootlegs. These people trade the tracks, and keep them to themselves. That's how tracks end up in such low quality when they are 'released' on bootleg - people change the pitch, reduce the quality, or edit/clip the tracks - to keep track of 'their' tracks - so if one does fall into the wrong hand (so to speak) then they know who it came from. I'm not saying this is right or wrong, but I can see how other fans are frustrated that they keep these tracks to themselves, and I can see that they would not want to give away something they 'worked' to get hold of, which does have a high perceived value amongst fans. When things are released, there are far more many fans complaining about the quality, or that it's not enough, or what they expected, than there are fans offering thanks and praise for giving something out to the fans outside of these 'inner' circles of fans. So I can certainly see why people would not want to give material out - In fact, I would much rather them sell them to bootleggers than give them out for free over the internet every blue-moon. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I'm a sucker for a major chord | |
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