*Thanks to Joint2joint and www.housequake.com











Hopefully these will make it back into the movie/DVD next year!

cool

chances are they won't make it onto the movie if it's re-released though

Is this an outtake from UTCM?

Marrk said:

yup.

i live about 5 blocks up the street from the skyway building! that alley she's runnin into ain't there no more, it's like a parking lot nowadays...

Handclapsfingasnapz said:

That's alright for you, you live there.I find that kind of sad.

that was cool.



PEACE N B WiLD!!!

These are great. I've always wanted to see the movie outtakes. I really hope some are included in any planned re-releases.

BEST PRINCE THREAD IN A LONG TIME

+ An under the cherry moon pic (IN COLOR)

Alright! Can we see some more of theose wonderful PR screen shots?

NWF said:

These shots are in the trailer 4 Purple Rain, always have done, the scene with Jellybean Johnson and Prince having a fight looks really good. Hopefully it is intergrated in2 the film.

Marrk said:

:Drool:

The Kid performs "G-Spot" & "Electric Intercourse"...

MORRIS
Oh, Lord...either somebody put
something in my drink, or you
are the finest (motherfucker)
I've seen in ages.

VANITY
Excuse me, what did you say?

MORRIS
Huh...you look nice tonight.

He leans in, speaks with a sexy voice--

MORRIS
It's rare that I out my cards
on the table when it comes to
meeting younq ladies, but ...
I'm going to make you love me.

VANITY
Is that a fact?

He folds his legs dramatically, his
Stacy Adams reflecting the light--

MORRIS
Just as sure as my Stacy Adams
are shiny.

Just then--

M.C. (O.S.)
Ladies and Gentlemen -- please
welcome Prince!

The CLUB erupts in CRIES! Prince hits
the stage, launches into "G-spot," a
fast, high-spirited funk tune that gets
the crowd hopping. Vanity watches as
Prince whips the crowd into a frenzy.
Morris listens with a complacent grin on
his face, his eyes searching out various
members of The Time who are scattered
through-out the club. When he connects
with one of them he makes a series of
absurd faces which sends them into
hysterics. For Prince is playing music
that The Time is noted for, and, as far
as Morris is concerned, performs better.
Not everyone in the club is dancing, or
paying attention, and this does not
escape his notice.

Suddenly "G-Spot" comes to a rousing
end. The CROWD cheers wildly. Prince
moves quickly to the piano and launches
into "Electric Intercourse," a love
ballad which, as it progresses, becomes
a personal statement for Vanity and
Prince himself.



She listens intently, her eyes fastened
on him. The words have a profound
effect on her -- and the audience.
Without being consciously aware of it,
they're moving closer to the stage,
searching for their personal fix. Prince
surrenders himself to the music totally,
releasing from himself all that is
hurtful -- releasing the sincerity and
truthfulness that escapes him in his
daily life. We are entering realm
where life and music are inextricably
bound, and the impact on the performer
and listener is profound.

He's directing his music toward her, and
she receives it gratefully, almost
anxiously. It fills a void in her, hewn
by a life of meaningless promises. He
searches her face with his magnificent
eyes, and ends the song with a
heartrending cry which connects with the
souls of all present. Everyone is
paying attention now.

The stage is plunged into darkness. The
CROWD goes CRAZY! Vanity applauds
vigorously, wipes the tears from her
eyes. Morris, who was more affected by
the performance than he'd care to admit,
doesn't like what he sees and searches
for a winning line--

MORRIS
He doesn't like girls.

She's equal to the challenge--

VANITY
I know -- he likes women.

But Morris can barely suppress a smile,
and settles himself comfortably into his
chair -- for he knows what Vanity has
lost...at least this round--

MORRIS
Well ... he don't do too good
with them either.

She flashes him a quizzical look -- he
simply smiles.


(39) INT. BACKSTAGE HALLIIAY -- NIGHT

Jubilation time! Prince and his Band
move through the hallway briskly, past
the outstretched arms of admiring fans.
There's a lot of back-slapping going on
as the Musicians bask in the glow of
well-wishers. Prince moves past Billy
Sparks, who has an angry look on his
face--

BILLY
What's this intercourse, shit?


PRINCE
Hey; man -- don't worry about
it.

BILLY
I'm warning you...

But Prince ignores him, cuts into the
dressing room--

(40) INT. DRESSING ROOM -- NIGHT

--then stops suddenly, surprised. He's
muzzle to muzzle with a cuddly DOG, held
up lovingly by Jill--

JILL
Surprise!

OOHS! and AAHS! by the entire group.
Jill hesitates, then kisses Prince's
cheek compulsively. He's surprised,
touched--

PRINCE
Hey -- wait till we're
married, now.

She fidgets, her face blushes red.
Wendy is studying the dog--

WENDY
Oh, my God -- look at this!

Everyone looks -- Jill grins like the
Cheshire Cat--

JILL
Notice anything?

PRINCE
What?

WENDY
It looks like you!

She thrusts the dog into his arms -- the
Band laughs uproariously. Jill is
beaming--

JILL
His hair ...

Prince gazes into the mirror -- and sure
enough the dog's hair has been groomed
to match his. He can't help smiling--

PRINCE
Shit ...

JILL
(softly)
I wanted to cheer you up.


PRINCE
Thanks.

MATT
I'm hungry -- where's the
food?!

He grabs the dog, 'a la The Werewolf,
starts chomping on it's neck. The Group
busts up, starts fooling around.

Prince glances into the mirror -- Vanity
is there. He whirls around to the door
-- nothing. A huge smile sweeps his
face instead. The Band continues
fooling around, and Prince joins in with
a relish.


(41) EXT. ALLEYWAY #2, REAR CLUB -- NIGHT

Vanity leans against a brick wall,
hiding in the shadows. Suddenly
FOOTSTEPS approach. Prince appears,
gets on his Motorcycle--

VANITY
Hey...

He doesn't look up--

PRINCE
We have to go to your place.

VANITY
What for?

PRINCE
I want to show you something.

She's embarrassed by her apartment--

VANITY
No...no, we can't.

PRINCE
Why -- is there someone there?

VANITY
Why do you always think
there's somebody else?

He averts his eyes -- kick STARTS his
bike--

PRINCE
Let's go.


VANITY
(Getting on)
Yeah -- but we're not going to
my place.

He remains silent, snaps the bike into
gear, blasts down the ally into the
street.
[This message was edited Sun Nov 16 14:38:50 PST 2003 by Jasziah]

Jill plays piano and sings...

(23) INT. CLUB EARLY MORNING

MUSIC wafts through the sun-drenched
CLUB. Jill is seated at the PIANO, 'a
la Marlene Dietrich, SINGING to her
heart's content. A cigarette dangles
from her lip, a police cap is perched
jauntily on her head. It's a simple bar
tune, delivered slightly off-key, but
with an openness that is endearing.
Chick is working in the corner,
chuckling to himself, stacking chairs,
sweeping up.

Suddenly she stops -- listens intently.
She jumps up, deliberately spills her
orange juice on the piano. Prince comes
around the corner, stops short--

PRINCE
(surprised)
What are you doing here?

She's a bundle of loose, embarrassing
ends -- the cigarette, hat, juice--

JILL
What...what are you doing
here?

He feels caught out -- SCANS the BOARD
earnestly for Vanity's info -- tries
to think of something to say--

PRINCE
Huh ... it's kind of dead in
here. Where is everybody?

JILL
In bed I guess...
(to herself)
Oh, God ...
(changes subject)
Guess what, I bought a dog.


PRINCE
That's nice...
(he spots vanity's card)
Ah, I guess I'll come back at
a better time. You think
tonight the the place'll be
jumping?

JILL
Well, I'll be here -- I always
like what you do.

He smiles, moves to the door -- Jill
connects with a thought--

JILL
Wait! I've got something for
you.

PRINCE
What? A subpoena?

JILL
(embarrassed)
No...

She rumages through her bag, pulls out a
cassette--

JILL
It's a song Lisa and Wendy
wrote.

He stiffens, doesn't reach for it--

PRINCE
(suspicious)
Why didn't they give it to me
themselves?

JILL
Well, I liked it and wanted to
listen to it. They told me to
give it to you when I was
done.

He puts his sunglasses on, hesitates,
then takes it from her gingerly. He
regards it for a long time--

PRINCE
You really liked it, huh?

Where are U getting all this?

The Kid's mother says some weird...

MOTHER
I'm just trapped here...

His Father's eyes well with tears. He
leans close to her, speaks softly--

FATHER
You always got a roof
overhead...

MOTHER
You don't let me have any
fun...

His Father sighs wearily, pulls himself
to his feet. He moves to the door--

FATHER
I could make you happy. Just
believe in me...

MOTHER
You never...

FATHER
I would die for you.

He leaves the room, closes the door
behind him.

PRINCE stares at the door a moment,
tears welling in his eyes. His Mother
is motionless, whimpering softly. A
scent of liquor permeates the air.

He moves toward her, reaches out
tentatively...

Suddenly she jumps up, starts pacing
franticaily--

MOTHER
It's nice here. It's a nice
house. Nothing wrong.
(a beat)
It's a good family. Believe
me, I know. Nothing wrong
here.
(a beat)
Your father is okay. He's a
good man. You could learn
somthing.


She catches a glimpse of herself in the
mirror, stops--

MOTHER
My, my! Don't you think I
have a good figure? Your
Father did.

She sits in front of the mirror, studies
her face, her eyes...her breasts--

MOTHER
I was beautiful when your Dad
met me. I was out-a-sight!

She giggles, starts applying makeup--

MOTHER
I looked just like a movie
star. The minute he saw me
singing, I knew just what he
wanted.

She fixes him with a conspiratorial
look, whispers--

MOTHER
He wanted to get into my
panties.

She makes funny, "jazzy" eyes at him,
then stops suddenly, staring. His face,
mouth, eyes...a sudden stirring in her
loins. Her lips part, she moistens them
unconsciously...

She turns from the mirror and stares at
him -- his look connects with her groin.
She rises suddenly, walks slowly toward
the bed, sits facing him--

MOTHER
You look so pretty. Just like
me, honey. You coulda been a
girl.

She outlines the mole on his cheek with
a makeup pencil, then draws one on
herself. She takes her earring off, and
puts it on his ear. They are face to
face -- identical--

MOTHER
So pretty...

She looks at him drunkenly. He tries to
hold it in, but can't. A tear, hot and
hard as a bullet flows down his cheek.
She puts her index finger in front of
his face, moves it back and forth
hypnotically. Suddenly she pulls her
hand away, stretches it to the ceiling
like an escaping bird. He swallows,
tries to smile -- she leans close --



MOTHER
(secretly)
I have to go now, see some
friends. Don't tell your
father, okay?

She gets up, leaves the room--

MOTHER
Bye, skipper...bye.

CAMILLE4U said:

Google it.

Jasziah said:

Cool

Jasziah said:

Holy Moley!

It'd be interesting to see if any of these other scenes were filmed and if they include them in the re-release.

Jasziah said:

not the near-incest scene i hope!

Marrk said:

yeah, i just read that...oy!!!

Prance as The Kidd, with Norris and Babalonia in...

The "When Doves Cry" and "Let's Go Crazy" videos also show snippits of scenes that weren't released. ...can't wait!!

Jasziah said:

...Babalonia

Wow,those are cool pics! Please tell me that these scenes will be included in a special 20th Anniversary Edition of the 'Purple Rain' DVD.

I'm kinda looking forward to the "Old Man Johnson's Farm" scene.

r1ghteousone said:

that was funny chit

the kidd,purple acid rain,should've been made in2 a movie

hisroyalbadnessfan8485 said: