JavierAlcalde said: I agree with you. I listen "SOTT" every time I can, and I don't do the same with TRC, but I like it. Thats because SOTT is easy to get used to. TRC is very complex and it only grows on you if you make the effort to listen hard. Thats what I love about it. While SOTT is a pop album (a very creative one, no question), on TRC Prince takes his quest back to the roots of black music. "Peace and Benz -- The future, made in Germany" | |
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soulpower said: on TRC Prince takes his quest back to the roots of black music.
Isn't it enough that Prince made it a 'religious' thing without ppl like you making it a 'race' thing, sad, very sad!!! | |
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Thankyou for the technical breakdown! But I still prefer Lovesexy and SOTT to TRC.
..... [This message was edited Sun Oct 26 10:59:45 PST 2003 by Lleena] | |
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I thought Wedding Feast was not a "song" per se but more like a 54 second "segue", and also not to be taken seriously. A comical, tongue in cheek bridge between Deconstruction and She Loves Me 4 Me.
It reminds me of a musical drama. A Broadway stage play. | |
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Wedding Feast is an embarrassment whether it's a song or a segue. You'd get shot drivin' through the 'hood with that playing!
I do think the "...unless it's snowing" harmony is really pretty, though. Too bad these last two seconds couldn't save the whole thing. Ὅσον ζῇς φαίνου
μηδὲν ὅλως σὺ λυποῦ πρὸς ὀλίγον ἐστὶ τὸ ζῆν τὸ τέλος ὁ χρόνος ἀπαιτεῖ.” | |
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mistermcgee said: I thought Wedding Feast was not a "song" per se but more like a 54 second "segue", and also not to be taken seriously.
A lot of Prince fans take way too much seriously. This post not for the wimp contingent. All whiny wusses avert your eyes. | |
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Lammastide said: Wedding Feast is an embarrassment whether it's a song or a segue. You'd get shot drivin' through the 'hood with that playing!
. You'd probably get shot with anything Prince playing lol. "Climb in my fur." | |
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whodknee said: Sign O' The Times was a safe album of nice pop songs. I loved it 8 years ago but now I have an appreciation for good musicianship. I still like SOTT but I only listen to it every once in a while.
It's funny some are comparing TRC to SOTT and Lovesexy, neither of which are favorites of mine. It just goes to show that everybody has their own tastes-- that's a good thing. There is NOTHING safe or "pop" about SOTT...the only songs on there that I would consider CLOSE to pop are Play In The Sunshine,Starfish & Coffee,U Got the Look & I Could Never Take The Place Of Your Man(if you take out the BEST part). I DON'T WANT TO BE NORMAL,because normal is part of the status quo,which I don't want to be a part of- Tori Amos | |
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Cloudbuster said: antoon said: thebanishedone said: rainbow children cd will 4ever sound fresh and worm.
I wonder what that sounds like... I wonder also. The worms around my area are all mute. RIP, mom. I will forever miss and love you. | |
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jolajeph said: soulpower said: on TRC Prince takes his quest back to the roots of black music.
Isn't it enough that Prince made it a 'religious' thing without ppl like you making it a 'race' thing, sad, very sad!!! "People like me"??? Can you define that? Its not my fault that Prince is turning his back to pop and is getting more into funk and Jazz. Is that a "race" thing? Or simply a matter of style? Chill, dude, and read again. "Peace and Benz -- The future, made in Germany" | |
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thebanishedone said: there are a fair amount of people
here on prince org. that still think how , the best prince albums are lovesexy and sign o the times. well that's not true, rainbow children is the best . 1)all guitar solos on sign o the times(with an exception of "i could never take the place" ) and lovesexy(with exception of anna stasia) are improvised. on the rainbow children album all guitar solos (except family name ending solo) are thematic guitar solos with begging,middle end end. 2)all the songs on sign o the times and lovesexy(except dance on) have standard 4/4 time beat. rainbow children have variations in the rhytmic depatment,take everywhere as an example. 3)some of the songs on sign o the times and lovesexy sound outdated because of the drumm programing,while rainbow children cd will 4ever sound fresh and worm. 4)many of the songs on sign o the times and lovesexy have simple chord proggresion,with only 2 chords(the cross) or 3 or 4 chords(lie anna stasia,i could never take the place of your man.) and chord progresion , is predictable on most the songs, while they arrangmants make 'em work of genios. but on the other side,rainbow children cd contain songs with unpredictable chord progression and you never know what next will happen' on those songs. also he used many unis lines(when all the instruments play the same line.)examples are family name,last december,the work. some people here complain about wedding feast.that songwas meant to be only a joke. for me starfish and coffie is children song. so those are the facts,rainbow children is musicly the best prince album the one real musician fans of prince always wanted and belived that prince could make. amen How very judicious, analytical, and utterly pretentious of you. judicious and analytical in the sense that you have correctly pointed out the differences among the 3 LPs you referenced, and the good points of TRC. Uttlerly pretentious in that you imply that "real musician fans" of Prince wanted and believed that he hadn't made an album of the scope and quality of TRC. Musically, TRC is outstanding, you are absolutely right. But if you don't think he's made anything of comparable quality, then I wonder whether you've been paying attention the last 25 years, or alternatively, whether you became a Prince fan in the 1990's, which would explain why Lovesexy and SOTT don't seem as relevant to you. It's fair to have preferences, but it's unfair for you to proclaim the truth on a matter that is one of taste, not fact. In my opinion, TRC doesn't come within shouting distance of Lovesexy in any respect, and shouldn't even be mentioned in the same class as SOTT. But again, that's my opinion. Curious that you use "amen" to conclude your statement. Could you be praying that you are right? [This message was edited Sun Oct 26 13:31:45 PST 2003 by namepeace] Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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rdhull said: Lammastide said: Wedding Feast is an embarrassment whether it's a song or a segue. You'd get shot drivin' through the 'hood with that playing!
. You'd probably get shot with anything Prince playing lol. Yeah, except for his early works, its hard trying to bump Prince in my car here in NYC. Alot of guys know me as a musician and they think its for producing or sampling. He get alot of respect as an innovator or a great musician, but many don't take he seriously. | |
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Lammastide said: Great breakdown, thebanishedone.
I guess this pretty well illustrates the underlying dichotomy between the Prince of yesteryear and the Prince of today: The former was a spontaneous creative rogue; the latter is a measured, thinking composer. I totally appreciate the merits of sophisticated arrangements and I respect where Prince has arrived, but sometimes sheer funk, instinct and ethos are more effective, I think. yes, i can see how by compositional breakdown, trc might be better, but trc completely lacks the fun, accesibility, playfullness, and funkiness of sott or lovesexy Power tends to corrupt; absolute power corrupts absolutely. - Lord Acton | |
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soulpower said: "People like me"??? Can you define that?
Its not my fault that Prince is turning his back to pop and is getting more into funk and Jazz. Is that a "race" thing? Or simply a matter of style? Chill, dude, and read again. People like you means people like me! Pop, Funk & Jazz = MUSIC | |
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jolajeph said: soulpower said: "People like me"??? Can you define that?
Its not my fault that Prince is turning his back to pop and is getting more into funk and Jazz. Is that a "race" thing? Or simply a matter of style? Chill, dude, and read again. People like you means people like me! Pop, Funk & Jazz = MUSIC Its all music, granted. But there is a different approach to all of it. Jazz is not popular music, it exists due to the creative urge to play music. Popular music however, at least today, is produced to satisfy the masses and make money. With "Rave", his last pop-album, Prince has tried one last time to write hits and please the masses. He failed, and underwent a change of mind, and that is going back to the roots of black music, as I have said above. This move did cost him many "popular votes". "Peace and Benz -- The future, made in Germany" | |
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soulpower said: Its all music, granted. But there is a different approach to all of it. Jazz is not popular music, it exists due to the creative urge to play music. Popular music however, at least today, is produced to satisfy the masses and make money. With "Rave", his last pop-album, Prince has tried one last time to write hits and please the masses. He failed, and underwent a change of mind, and that is going back to the roots of black music, as I have said above. This move did cost him many "popular votes". Well, I'd KIN-da agree with that. I'd submit that Prince has been experimenting with jazz for years. Think of Madhouse and the stuff on the Vault. Think of the 90's NPG period that produced a fuller, lusher, and at times more "soulful sound" than the more experimental 80's period. He's been playing "black" music all along; how could a black artist who makes music not play "black music"? Prince didn't discover jazz in 2001 any more than he discovered rock after 1984. Like rock, jazz has always been an underpinning of P's music. We must be vigilant against revisionism here! Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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Lammastide said: Wedding Feast is an embarrassment whether it's a song or a segue. You'd get shot drivin' through the 'hood with that playing!
I do think the "...unless it's snowing" harmony is really pretty, though. Too bad these last two seconds couldn't save the whole thing. Interesting. 'Driving through the hood' is a yardstick by which we determine if something is NOT embarrassing? | |
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thebanishedone said: there are a fair amount of people
here on prince org. that still think how , the best prince albums are lovesexy and sign o the times. well that's not true, rainbow children is the best . 1)all guitar solos on sign o the times(with an exception of "i could never take the place" ) and lovesexy(with exception of anna stasia) are improvised. on the rainbow children album all guitar solos (except family name ending solo) are thematic guitar solos with begging,middle end end. 2)all the songs on sign o the times and lovesexy(except dance on) have standard 4/4 time beat. rainbow children have variations in the rhytmic depatment,take everywhere as an example. 3)some of the songs on sign o the times and lovesexy sound outdated because of the drumm programing,while rainbow children cd will 4ever sound fresh and worm. 4)many of the songs on sign o the times and lovesexy have simple chord proggresion,with only 2 chords(the cross) or 3 or 4 chords(lie anna stasia,i could never take the place of your man.) and chord progresion , is predictable on most the songs, while they arrangmants make 'em work of genios. but on the other side,rainbow children cd contain songs with unpredictable chord progression and you never know what next will happen' on those songs. also he used many unis lines(when all the instruments play the same line.)examples are family name,last december,the work. some people here complain about wedding feast.that songwas meant to be only a joke. for me starfish and coffie is children song. so those are the facts,rainbow children is musicly the best prince album the one real musician fans of prince always wanted and belived that prince could make. amen Terrific observations!! I love TRC, but I can't say it's better than Lovesexy or SOTT. To be honest, I love all 3 of them so it's too hard for me to say that one is better than the other. | |
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Apples to oranges to bananas...all different tastes, colors, shapes. It only depends on who you are that dictates which flavor suits you best. IMHO, they all contain great music, whether "black roots" music, experimental, jazz, et al. I am MrVictor.... | |
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namepeace said: Well, I'd KIN-da agree with that. I'd submit that Prince has been experimenting with jazz for years. Think of Madhouse and the stuff on the Vault. Think of the 90's NPG period that produced a fuller, lusher, and at times more "soulful sound" than the more experimental 80's period. He's been playing "black" music all along; how could a black artist who makes music not play "black music"? Prince didn't discover jazz in 2001 any more than he discovered rock after 1984. Like rock, jazz has always been an underpinning of P's music. We must be vigilant against revisionism here! I agree with you... BUT: Up to 2001, all jazz-influenced works were side-projects. Madhouse. NPG. Unless you wanna call "Strollin" a serious attempt to play jazz, there is no real jazzy effort in Prince`s regular albums (although he`d do it live). Its since TRC that he would move away from the mainstream and allow himself to dig deeper in the crates of black music. "Peace and Benz -- The future, made in Germany" | |
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soulpower said: I agree with you... BUT: Up to 2001, all jazz-influenced works were side-projects. Madhouse. NPG. Unless you wanna call "Strollin" a serious attempt to play jazz, there is no real jazzy effort in Prince`s regular albums (although he`d do it live). Its since TRC that he would move away from the mainstream and allow himself to dig deeper in the crates of black music. that's fair, and those points are valid. Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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