Definately And what's your last name Rebecca?
I was stuck on that part for weeks when I first got the cd. The entire song Xenophobia...gotta agree w/ CalhounSq on that one. All of JIR It would be absurd to think you neva heard of it...talkin shit and every words a turd of it...It would be ludicrus to think that we are new to this...we do this, this is what we do... I'm firmly planted in denial | |
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Nothing compares to you: "i know that living with me baby, bbbaby,was sometimes hard...sometimes hard but I'M WILLIN', i'm willin', I'M WILLIN', i'm willin', I'M WILLIN', i'm willin' I'M WILLIN', i'm willin' to give it give it giveitanother try... – Yes: great moment! I like when Prince use his voice like an instrument (trumpet, that he doen't play).
Also enjoy the "I'm talkin about Theocratic Order!" – thrilling! Scaring! And The final Anastesia instrumental: A MASTERPIECE! GOSH! | |
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My favorite part is Adore. When he plays the first line...
"U ntil the end of time" then he pauses and everyone screams. Then the dialouge . . . "You can burn up my clothes, smash up my . . Uh Oh! You didn't smash up the ride did ya baby?" And especially thoward the end, "Anthing you want baby." That part especially makes me melt! I really like the How Come You Don't Call Me segment too. | |
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Another favorite moment is the funky flavor both musically and lyrically on 1+1+1...3 & also John Blackwells drum solo rocks!!! -------------------------------------------------
MENACE TO SOBRIETY | |
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JimmyNothing said: The start of the second verse on When U Were Mine where it's just Prince and the guitar! On the original recording there was a pause of around 7 seconds, but this has been edited on ONA Live. It's a lot of fun to grab a guitar and play along with!
Is it me or is one of the first chords, as he comes back in, "off"? it baffles me every time I hear it. Listen closely... I am MrVictor.... | |
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Mine would be J.I.R. I love when that guitar kicks in... I am MrVictor.... | |
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the added music at the end of how come u dont call me. the music that extends that song is great. seems like it could b another song so so smooth. stickman | |
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The distortion which kicks off Joy In Repitition followed by...
'How long you been waiting?' 'Well, I'm about to make it up to you.' | |
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Anji said: The distortion which kicks off Joy In Repitition followed by...
'How long you been waiting?' 'Well, I'm about to make it up to you.' I thought he says "I hope we can make it up to you."? But your line is WAY cooler. Like, "Alright, you've got 5 seconds to get outta here, after that you'll get educated!" I just love it how he kicks in ALL the distortion and wahwah and what else he got after he plays this one lick for some time during JIR! | |
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I like the version of free he plays on ONA Live
and "Money won't buy U happiness...But it will pay for the search" F we az a People R not.......
Then we az a people should B..... UNITED 4 LOVE THUMPER | |
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I'm definitely feelin' all y'all's moments and I'ma throw this one out there too . . . . when P sings ONA "are you ready baby . . . lemme hear you scream . . . . for one night alone with . . . .mmeee"
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How long you been waitin?...I'll try and make it up to ya. and you know he did. | |
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and the part where he says something like "leaving this place in peace in harmony" | |
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Great piano playing goin on in "The Balad Of Dorothy P"!!! -------------------------------------------------
MENACE TO SOBRIETY | |
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I like the line in 2 Nigs United 4 West Compton (or what is Peach ) when he says... I wanna sing, but it's too funky... or something like that
The congas JAMMING in Dorothy Parker. In a 'Purple' spotlight... a figure spins arooound. My daughter's votes are the "rebecca & adore skit" I've only heard those at least 500,000 times by now... LOL | |
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Anji said: Towards the end of Strange Relationship, 'Oh Rhonda, you're killing me with that bass, you're killing me.'
yes, my favourite moment too ! Oh and: 'And what's your last name Rebecca ?' yes SIR! | |
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On the aftershow disc ,alphabet street (if i recall this right) when he is playing his guitar some of the crowd goes 'yahoo' and he replies ,'i like country music too'.
I really like the medley with Musiq ,just friends. Girls & boys. Prince does a little intro and the audience takes over | |
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sojourner said: On the aftershow disc ,alphabet street (if i recall this right) when he is playing his guitar some of the crowd goes 'yahoo' and he replies ,'i like country music too'.
I really like the medley with Musiq ,just friends. Girls & boys. Prince does a little intro and the audience takes over I like that part! -------------------------------------------------
MENACE TO SOBRIETY | |
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Oh yeah, Girls and Boys breaking down into Everlasting Now revamp from the 'it ain't over' jam. 'Mr. Blackwell, when I give the cue, you know what to do.'
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Nothinbutjoy said: Definately And what's your last name Rebecca?
I was stuck on that part for weeks when I first got the cd. The entire song Xenophobia...gotta agree w/ CalhounSq on that one. All of JIR It would be absurd to think you neva heard of it...talkin shit and every words a turd of it...It would be ludicrus to think that we are new to this...we do this, this is what we do... What Nothinbutjoy said! Everybody is special. Everybody. Everybody is a hero, a lover, a fool, a villain. Everybody. Everybody has their story to tell. | |
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dawntreader said: Anji said: Towards the end of Strange Relationship, 'Oh Rhonda, you're killing me with that bass, you're killing me.'
yes, my favourite moment too ! Oh and: 'And what's your last name Rebecca ?' Both of those and of course the Xenophobia guitar breakdown, and the way Adore becomes I wanna Be Your Lover. | |
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Extraordinary, When Prince introduces Candy Dulfer, that is my favorite. That track alone is worth buying the set. | |
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"And what's your last name, Rebecca?'
The entire rendition of 'Joy In Repetition'. Stunningly good. Still get goose bumps and play air guitar when i listen to it. | |
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Phill said: Extraordinary, When Prince introduces Candy Dulfer, that is my favorite. That track alone is worth buying the set.
Damn, that part is great too | |
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