| Author | Message |
If Prince would have asked U to Help him on his Super Bowl Set List? What Prince songs would you have gave him as replacements for the other Artist/Bands song he covered?
Here is his Full Set List:
4. "Proud Mary" (Creedence Clearwater Revival cover)
5. "All Along the Watchtower" (Bob Dylan cover)
6. "Best of You" (Foo Fighters cover)
7. "Purple Rain"
Now that opening with "We Will Rock You" was pretty cool! So it can stay unless still want it to be one of his songs. And I think it should be some Hits or at least songs quite of few people had heard of. That would be something else if these replacements songs would be only Hardcore Prince fans would know.
Let me see your Replacements...
[Edited 10/2/25 19:17pm] | |
- E-mail - orgNote - Report post to moderator |
Okay, so first things first. Technically you are right that Prince was covering Dylan and Creedence. Yet, I suspect (in his mind) he was covering Jimi and Tina/Ike as those groups have (arguably?) the more famous versions of those songs. So, that's kind of the energy he seemed to be going for. - 3. Baby I'm A Star 4. U Got the Look (again hard guitar version) 5. Little Red Corvette ( the newer/bluesier verion he did later in the career) [Edited 10/2/25 22:13pm] [Edited 10/2/25 22:14pm] "New Power slide...." | |
- E-mail - orgNote - Report post to moderator |
18 minute rendition of Face Down. | |
- E-mail - orgNote - Report post to moderator |
I think his setlist was perfect. He was singing music for everyone. Civrtung Tina/CCR and Dylan/Jimi was a masterstroke. He was promoting his abundant, showing how he could blend secession genres perfectly. He picked the perfect Watchtower verse-- All along the watchtower Princes kept the view While all the women came and went Barefoot servants, too Well, uh, outside in the cold distance A wildcat did growl Two riders were approaching And the wind began to howl, hey Welcome to "the org", laytonian… come bathe with me. | |
- E-mail - orgNote - Report post to moderator |
Mostly for rednecks, IMHO, but they were the target audience after all, so I agree: it was perfect and it did the job perfectly A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
- E-mail - orgNote - Report post to moderator |
1999 intro - don't worry I won't hurt you. Let's Go Crazy 1999
All Along the Watchtower (Bob Dylan cover) into...
Best of You (Foo Fighters cover) - the mash-up also released as a single!
Controversy - featuring Housequake
Crazy (Gnarls Barkley cover)
When U Were Mine
Purple Rain
| |
- E-mail - orgNote - Report post to moderator |
1. Let's Go Crazy 2. DMSR 3. Jungle Love & The Bird (with The Time) 4. Medley of Kiss, When Doves Cry, I Would Die 4 U, Baby I'm A Star, Little Red Corvette & 1999 5. Purple Rain (with The Revolution) You get a banger opener, keep the party going with DMSR and you bring out Morris Day & The Original Time to tear shit up before bringing the lights down low for an extended version of his sampler set he was doing in concerts around that time. When the lights come back up after the sampler set we see that he's been joined on stage by the Purple Rain lineup of The Revolution and they close out the show with the song that made him world famous | |
- E-mail - orgNote - Report post to moderator |
Yes, sounds perfect. I don't know why he performed a Queen cover. He has enough material to do 20 SuperBowls, even if people don't know the songs, all that matters is the vibe. | |
- E-mail - orgNote - Report post to moderator |
Seems absolutely obvious to me: Queen, Creedence Clearwater Revival, Bob Dylan, Foo Fighters -> all white rock acts (+, of course, material from Purple Rain, the one Prince album rock audiences like, for good measure). This was part of the exact same strategy as When My Guitar Gently Weeps: target masculinist white rock audiences, send the message that "I'm not just a queer black dude with a high voice, I'm not just an R&B act, I'm also a true rocker, I'm also a real man, I play the guitar as well as any rock legend, I'm as much part of America's rock heritage as I'm part of its R&B heritage, there's no shame in buying my records if you're a redneck, thank you." Obviously it worked, and TBH this was genius: I think anyone who was in high school thru the 80s and early 90s remember those legions of masculinist dudes dissing Prince as being a weird fa**ot, and lecturing you about PR being his only decent album. Prince took real good care of deconstructing this image in the 2000s, which was key in making sure his legacy would be sort of universal in the US (and, to a lesser extent, as this was mostly an American PR operation, in the whole Western world), not just confined to Black, hip and metropolitan audiences. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
- E-mail - orgNote - Report post to moderator |
I thought he should have done a one-man "unplugged" show like the Musicology tour acoustic set. "I would say that Prince's top thirty percent is great. Of that thirty percent, I'll bet the public has heard twenty percent of it." - Susan Rogers, "Hunting for Prince's Vault", BBC, 2015 | |
- E-mail - orgNote - Report post to moderator |
I would absolutely open with America. Perfect climate/stage to do that "You know, this is funky but I wish he'd play like he used to, old scragglyhead son of a...*smack* OOH!"
"Who's the foo singing will it's would" | |
- E-mail - orgNote - Report post to moderator |
America would have been Great, totally agree... | |
- E-mail - orgNote - Report post to moderator |
| |
- E-mail - orgNote - Report post to moderator |