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Unreleased - Baby Doll (1992) So after 'Keep On Loving U' and 'No Changes' comes this surprisingly funky dance track with lyrics written by Kylie Minogue.
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barryb46 said: So after Keep On Loving U and No Changes comes this surprisingly funky dance track written by Kylie Minogue. I really enjoyed hearing this. Shame the Symbol/ D&P superdeluxe wasn't released as I gather this was on it | |
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Looking forward to this one | |
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It's so funky. Love it ! | |
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Drums and rhythm sounds a lot like Cream to me albeit sped up a bit. | |
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This is fantastic! | |
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Great song, sounds like Chic! Would have fit perfectly on their 1992 album Chic-ism! | |
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ExTAFKASoladeo1 said: Drums and rhythm sounds a lot like Cream to me albeit sped up a bit. I thought the same thing. Reminds me of Cream I will take my place, In the great below | |
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I think the drum track is closest to Carmen's "Everybody Get On Up", which makes a lot of sense since I believe they were recorded in the same sessions(?) Screaming. Panting. Making Noise. | |
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Agree, those high notes simple piano chords combined with that Nile-ish guitar lick, very Chic worthy indeed. Also knowing this is just a two-chord song, but still very rich. - And I can honestly hear Kylie sing this. Wish her version would leak too. - Nice small little funky Xmas present. Jinglesssss. [Edited 12/14/24 23:06pm] "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts." (Bertrand Russell 1872-1972) | |
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Maybe Kylie could record it. She herself admitted she would like to do something with it! | |
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NME in the UK as well as The Sun newspaper websites have both mentioned this. https://www.nme.com/news/...ed-3822315 https://www.thesun.co.uk/...resurfaces There may or may not be something coming! | |
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The german Rolling Stone mentioned it also: | |
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woohoo, finally my 15 minutes of fame lol | |
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Where's the interview, Joris? | |
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Not sure what Kylie had in mind for her next record in 1992, but it's yet another typical example of Prince the producer submitting "Prince" material to other artists without caring much about context. Sometimes, often with a little post-prod or a complete rerecording, it worked remarkably well, but at other times, the tune literally had nothing to do with where the artist was at that stage of their career. Baby Doll would have had a hard time fitting on Kylie Minogue (the 1994 album) or even as a new song on her about to be released greatest hits package. Maybe rerecorded with a different producer to the point of becoming an entirely new thing (à la Mica Paris' If I Love U 2 Nite), but even then I don't see it happening. Or Prince would have had to produce an entire Kylie Minogue album, turning her into a de facto protégée, which probably wouldn't have been the best career move for her at that point. That said, it's lovely to finally get to hear it. It's a great little tune A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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The Sun seems to think it sounds like Come Into My World. | |
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Interesting. So her label would have considered it if rerecorded? I'm sure Prince wouldn't have been stubborn when it comes to it, his policy when giving away songs to non-protégés was usually "it's now yours to do whatever you want with". Either way, I just checked the Wikipedia article for the album and apparently it went though a long process with lots of collaborations ideas and songs recorded with a lot of different producers before it finally found its identity. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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I mean she wrote the lyrics right? Why would she need the estates permission to do anything with it? Change the music a bit and she could do what she wants with it? Although if the estate had any sense at all they'd be inviting her out to Paisley Park and giving her whatever she needs to make the song into a duet. She's not particularly my kind of music, but Prince obviously had a soft spot for her, and she sells. So, I for one look forward to seeing this released in 13 years time on an obscure and un publicised collection of outtakes. In the meantime, perhaps a collection of spoons with the symbol embossed on the handle? | |
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I did some research once and found out that in theory, there's a thing such as first release permission, i.e. one cannot release a song composed or co-composed by someone without the author/co-author's consent (the Estate now being "the co-author"), though I also found sources that say the song only needs to be published (i.e. registered with a publusher such as ASCAP or BMI), not necessarily already released, to be subject to an automatic licence for covers. There's also the fact that Kylie is Australian and Prince American: copyright laws may differ from country to country in this regard. Either way, I don't think the Estate would oppose Kylie releasing it any more than Kylie would oppose the Estate releasing Prince's version. It's just a matter of courtesy, if not legalities, that the first one to release it would get the other party's permission. Then whomever wants to release it second can do whatever they want since that one would technically be a cover. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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databank said:
I did some research once and found out that in theory, there's a thing such as first release permission, i.e. one cannot release a song composed or co-composed by someone without the author/co-author's consent (the Estate now being "the co-author"), though I also found sources that say the song only needs to be published (i.e. registered with a publusher such as ASCAP or BMI), not necessarily already released, to be subject to an automatic licence for covers. There's also the fact that Kylie is Australian and Prince American: copyright laws may differ from country to country in this regard. Either way, I don't think the Estate would oppose Kylie releasing it any more than Kylie would oppose the Estate releasing Prince's version. It's just a matter of courtesy, if not legalities, that the first one to release it would get the other party's permission. Then whomever wants to release it second can do whatever they want since that one would technically be a cover. Yeah, Kylie comes across as incredibly sweet. I doubt she'd even consider any kind of legal challenge. The song is nice and all but frankly not close to being worth the effort. Still, why the estate wasn't all over this is mind boggling. It was a golden opportunity if ever there was. It could have become a duet in a week, released in two, and I doubt Kylie would've had any objections over talking to the media. Might have even been able to convince her to include a Prince cover on her next album. Instead, it's like they've got their fingers in their ears shouting "lalala I can't hear lalala". Shamefully pathetic at this point. | |
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