Did anyone apart from Isten or Maxxx attempt to answer the question? | |
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The symbol album was Prince being inspired by a new band who could play..a cohesive unit. I was a whore back then "Climb in my fur." | |
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rdhull said: The symbol album was Prince being inspired by a new band who could play..a cohesive unit. I was a whore back then I saw that album as Prince's attempt to keep elements of hardcore to his pop. | |
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Anji said: rdhull said: The symbol album was Prince being inspired by a new band who could play..a cohesive unit. I was a whore back then I saw that album as Prince's attempt to keep elements of hardcore to his pop.Hardcore musicianship...not rap or much like that. Back to badass bass, keys, songwriting etc. Back to the hardcore "organic" sound. "Climb in my fur." | |
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rdhull said: Anji said: rdhull said: The symbol album was Prince being inspired by a new band who could play..a cohesive unit. I was a whore back then I saw that album as Prince's attempt to keep elements of hardcore to his pop.Hardcore musicianship...not rap or much like that. Back to badass bass, keys, songwriting etc. Back to the hardcore "organic" sound. | |
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Anji said: Jestyr, any thoughts on this one?
I'm intrigued by your characterization of the record as 'militant'. Can you expand on this? I just believe Prince wanted to please everyone on that project. He wanted to write a rock operatic ode to introduce Mayte, follow up the commercial success of Diamonds and Pearls with a harder, more 'street' style record AND sell a 10 million dollar CD to earn his advance from Warner Bros. I think the effort it took to do all that at once muddled the whole thing and the last minute second guessing (adding Eye Wanna Melt With U and cutting the segues) made it incomprehensible. Not my favorite record as you can probably tell but I have gained an appreciation for it over the years. | |
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Jestyr said: Anji said: Jestyr, any thoughts on this one?
I'm intrigued by your characterization of the record as 'militant'. Can you expand on this? I just believe Prince wanted to please everyone on that project. He wanted to write a rock operatic ode to introduce Mayte, follow up the commercial success of Diamonds and Pearls with a harder, more 'street' style record AND sell a 10 million dollar CD to earn his advance from Warner Bros. I think the effort it took to do all that at once muddled the whole thing and the last minute second guessing (adding Eye Wanna Melt With U and cutting the segues) made it incomprehensible. Not my favorite record as you can probably tell but I have gained an appreciation for it over the years. | |
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theblueangel said: if i could go back in time and see some act I and act II shows, i would die a happy man.
Savannah said: The album was a "barbarella la la la" trip.
Some say his colorful showmanship on stage was at its finest & most energetic then. Gold was ok but I felt it was a step down from the Act I and II fun. I think we'd ALL be setting our time machines to an earlier date... Tennesse: "Chumley, Lets go see Mr. Whoopie and the way back machine.." | |
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NettieSmiles said: I am a whore , because I LOVE the Symbol album! It is everything that a Prince fan could ask for: ballads, quirkiness, rap, bohemian, and pure funkiness overall.
This is serious mind control...U WILL SAY U R A WHORE IF U LIKE SYMBOL ALBUM... Unprecedented... | |
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The start of a new creative burst ('92-'96).
Imagine how great D & P would've been with Horny Pony & Call The Law instead of Jughead And Cream? Imagine how great Gold would've been with Rippgoddazippa & Days of Wild instead of We March & MBGITW? | |
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