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The Development History of Exodus [Article] Hi everyone. I hope you are all keeping well. The Exodus Has Begun: An IntroductionLet me go back to the beginning. We’re in the sound stage. We’re rehearsing and we’re just jamming. We were just on a break and Michael and Sonny are just unbelievable at playing together. So what they were trying to do was trick each other off the groove. Michael would play a little riff, and Sonny, and they were just trying to shake the other, and they couldn’t shake each other. They were like, stop, do something, and it was just crazy to even watch it. “That is crazy what y’all are doing!” So I’m standing there, looking at them, just marvelling at the situation, me and Barbarella, and then Prince walks in and says “What’s happening?” (...) I’m like “Dude, they’re trying to trick each other off the beat.” I said “We should just be making this a record right now.” He walked to the phone right behind him. He calls in the studio head. We had a studio engineer called Ray Hahnfeldt. He’s calls Ray and says “Can you get some tape in studio A and have them move all the gear in?”, just like that, “Then we will make a record.”
The mid 90s were a turbulent, yet creatively brilliant period in Prince’s career. By 1993, Prince had become conscious of just how much leverage Warner Brothers had over his life’s work. With a huge back catalogue of unreleased material, all of which was bought and paid for by WB, Prince had decided to draw a line in the sand. He wanted to reclaim ownership of the ideas in his head, the lyrics on his papers, and the notes being recorded through his console.
For a more detailed account of the dispute between Prince and Warner Brother, I highly recommend the Prince VS Warners Blog. A comprehensive account of Prince’s career at this time, written by long term fan and Prince sessionologist, Scififilmnerd.
[Edited 10/11/23 17:57pm] | |
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Development15 May 1994The main Exodus recording session (as described above by Morris Hayes) took place at Paisley Park on the 15th May 1994. This session produced the basic tracking for what would later become the following songs. Get Wild, New Power Soul, The Exodus Has Begun, Hallucination Rain, Slave 2 The System, Count The Days and It Takes 3. Of these seven tracks, Prince would cut Slave 2 The System from the set list and construct an album from the remaining six. However, as the album developed and more tracks were added to the sequence, Prince would make different selections from this original batch of seven.
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Evidence, Leaks and Version History“Every time you want it, I'll be live, bring a date
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2011 leaks: The Exodus Has Begun
By this point, when you look at the patterns that have emerged concerning which tracks leaked alongside which others, coupled with observations on how the tracks were edited down overtime, it becomes easy to identify which versions of which tracks belong on which configurations. (See Track Versions below.) Our understanding of the June ‘94 configuration was somewhat set in stone by the time a digital only package was released entitled The Exodus Has Begun (2011), presented by the label Digital Funk Bitch. Forum user, Vitriol, from Prince.org (https://prince.org/msg/7/359470) stated at the time of the release that “it's sourced from a real unreleased cd and is not a cut&paste job with outtakes of the era”. Is that so? The 14 tracks on the album all match the June ‘94 sequence, the sound quality is of a very high level (and consistent throughout), and all the versions are the longer ones that fans had speculated to belong on the original configuration. How can we tell for certain that this is all a single source and not just a compilation of already circulating material? While investigating this further I made some interesting discoveries.
Bear in mind that the index marks created on both The Work and The Exodus Has Begun are not in the same spots as these gaps, nor are they in the same spots as eachother. Each bootlegger appears to have hand selected where they think an index mark best fits. If my theory is correct, I believe these tiny pauses may actually represent where Prince originally placed the index marks on the original June ‘94 Exodus CD, then both Thunderball and Digital Funk Bitch have sourced the audio from a near perfect CD-R copy of said album (all be it with these gaps).
However, not all of these gaps were discovered (something that both Thunderball and Digital Funk Bitch failed to achieve) as some still exist on both versions. There were some particularly tricky ones to find, especially as the album did contain some natural quiet spots between songs and segues. However, I was able to find and edit out all the remaining gaps carefully myself by increasing the volume by round 20db - 30db. This allowed me to identify gaps in the audio visually (as demonstrated above), even amongst periods of extremely quite background noise. Once all the gaps were accounted for and dealt with, the synchronization was perfect in all but one track.
Up until this point, I had no reason to believe that this copy of the album didn’t come from a single source, but I reckon that Digital Funk Bitch had to resort to salvaging the end of the album from another source, and that the area I’ve identified where the frames repeat is the point at which the splice to a second source happened. So what source did Digital Funk Bitch use? This is where I discovered something frustrating.
When compared with the data from The Exodus Has Begun, we can see that no such effects have been applied throughout the body of the track, however right at the end the black line appears again, at the exact point where I noticed the duplicate frames. I’m 99% confident that my hunch was correct. The end was indeed salvaged from H2O. I’ve also checked the final Spooky Soup segue and the outro, and it appears that whatever problem that Digital Funk Bitch had with Hallucination Rain didn’t continue onto these segues. The only segment that was substituted was the closing part of Hallucination Rain.
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Track Versions
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vaultcurator!!! | |
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The Exodus Story19 June 1994Originally, back when the album only had a six jam line up, the story told between songs was relatively coherent (all be it quite comic book). Each scene follows the antics of Sonny T and the NPG crew.
2 December 1994On the second attempt at structuring the Exodus album, the track Hallucination Rain had been cut (a mistake in my opinion, given what a fan favorite it is). As such, all references to Hallucination Rain or Spooky Soup have been cut from the story. The story now begins a few tracks into the album during the ‘Turning off the TV’ sequence. The line about ‘becoming the thing I’m rebelling against’ has also been cut. As such, this serves as a strange introduction to Sonny T. as a character.
March 1995Beyond a shadow of a doubt, the messiest sequence in the development of Exodus. On this occasion, anything goes. Although fragments of the original story do still exist, they are lost among sketches, dream sequences, fictional TV broadcasts and whatever else. Although the December sequence did commit the sin of featuring two skits back to back on one occasion, it becomes a prevalent problem during this sequence. To make matters more confusing, some segues have their own titles, and some are simply listed as ‘segue’. Everything is a mess here. A beautiful, delicious, obscene mess, but still a mess.
[Edited 10/11/23 18:01pm] | |
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Likely FakesBefore wrapping up, I just wanted to draw your attention to some likely fake inlay cards that have been circulating. I first saw these when they were shared with me on X. Initially I was very excited to see them, however as time has gone on I’ve begun to call their authenticity into question. It’s perfectly possible that there are alternate edits and sequences of Exodus that we are unaware of, at the same time I don’t believe that’s what these are. One reason I feel so strongly about calling these out is because resource site PrinceVault.com appears to have used both of these as a reference for track naming conventions and running times. I wish to set the record straight.
1) Note that both these inlay cards claim that there is a full version of NPG Bum Rush The Ship that clocks in at 3:48. The only place where I’ve ever seen this extended segue referenced is on these cards and I’ve seen no evidence to suggest that such a track exists. Bear in mind that both Thunderball and Digital Funk Bitch appear to have had access to a copy of the June ‘94 version of the album, yet this longer intro has never surfaced? One other minor detail is that “Bum Rush” is spelled out as two words (as it was on the final album), yet on both the original June ‘94 Exodus artwork, seemingly up until December ‘94 (according to the apparent Paisley Park Exodus cassette label) Prince was spelling ‘Bumrush’ as one word.
1) Lists the 7th track as DJ Seduces Sonny, when it is in fact supposed to be the Sonny Segue. Why would DJ Brother Jules attempt to bait and drug Sonny before he gets jumped by the NPG? That entire plot line revolving around the seduction and soup was cut from this version of the album completely, so why would this skit be here? Not only does it list the wrong segue, it even includes the DJ Seduces Sonny running time of 38 seconds. The Sonny segue is closer to 50 seconds. There is no doubt in my mind that these inlay cards have been fabricated. God knows why. As a result I would like the staff over at Prince Vault to consider all the evidence I have presented here carefully. I would also like to end this deep dive by presenting my final list of Exodus configurations for Prince Vault’s consideration...
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Thanks so much VasChristian. I’m admittedly mostly a lurker on the Org (for the last 20+ years), but largely in the sense of being a student taking notes in the back of the classroom. Research like this is what keeps so many of us enthralled and in awe of Prince’s canon. | |
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Awesome. Thanks. I'd gladly read this anytime over a 19 paragraph review of single D&P SDE Vault track I will take my place, In the great below | |
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Wow, that was an amazing write-up, thanks for that! One of my favorite albums, great tracks, some killer live versions too...hopefully one day somebody who actually knows Prince's music and has taste will put together a box set of Exodus and Gold Nigga, with a bunch of live rehersal sessions & concerts at Paisley Park during this time - would be killer. | |
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Oh, you're back! Sorry, it's the Hodgkin's talking. | |
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Thanks for doing the work. Formerly TheDigitalGardener etc. | |
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Formerly TheDigitalGardener etc. | |
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Epic work, Vas! Huge thanks!
By the way, there's always been one thing regarding 'Segue #4' (the one after 'Mashed Potato Girl Intro') that I have never been quite able to find any further info about. As you remember, there are a number of cars passing by playing music. No doubt the first car is playing 'Days of Wild' at 00:48. Second one plays 'Race' at 2:09, but what about the third car at 2:37?? I know Prince's released and unreleased catalogue like the palm of my hand, but those drums and bass line...? I have absolutely no idea. I open the question as well to anyone else, who may have better ears than mine or read somewhere about the title of that song. | |
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Nice job! | |
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its so cool to remember how you used to get bootlegs like this issued when material wasnt available i know you get leaks now, but idk, im nostalgic for this stuff. | |
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what I'm most interested in with this project is where Return Of The Bump Squad and Big Fun came from and what the story behind those 2 is. | |
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Great article. Literally read everyword rather than speed reading. Thank you. | |
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Sorry, it's the Hodgkin's talking. | |
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Great stuff...thank you for sharing | |
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Wow, the detail in this article is stunning!!! What a fantastic, fascinating read. Thank you! No confusion, no tears. No enemies, no fear. No sorrow, no pain. No ball, no chain.
Sex is not love. Love is not sex. Putting words in other people's mouths will only get you elected. Need more sleep than coke or methamphetamine. | |
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i didn't really pay attention before your post here, but that change in segues storyline is quite jarring, although, i like how it turned out! Prince's cabaret is still a little known gem in his cannon of talents!!! Also, i always wondered why Sonny T's "F#ck that!" was edited out while the rest of the album was jam-packed with f-bombs! Thanks for the write-up, VC! [Edited 10/13/23 10:32am] "Whatever skin we're in
we all need 2 b friends" | |
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Superb write up. The Tora Tora persona was exclusive to the Exodus album. I remember back in the 90s there were a few CD-ROM bootlegs, I forget if it was "Metropolis" or "Freedom (2.0?)". One of them had a brief video of Prince as Tora Tora facing the camera saying "Kicking the hot wax from uptown to Mars, This is Tora Tora and I'm here to say everybody's a star, you just gotta get on the big dipper, so you can be pulled back on the world" What was the official use for that? | |
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"Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything." --Plato
https://youtu.be/CVwv9LZMah0 | |
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Sooo cool. Love this album and band | |
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Whoa! Thanks for this! | |
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