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if prince had the chance to do a johnny cash style comeback what should he have recorded? I mean its doubtful he ever would have, but its an interesting idea, though i struggle to think of a song that would say something about his life and project him in a new way like cash's remake of nineiinch nails hurt did for him.
Id pick i think i just dont know what to do with myself by burt bacharach via the white stripes cover [Edited 10/26/22 0:57am] | |
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As soon as you said comeback you lost me and probably many others! He never went away. Mind you this year you might have a point! | |
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oh hey lists!
I could go on and on...let's ask LL COOL J does he have a fan site like this, I doubt it.
Welcome to "the org", heartpeacesheart…
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Prince never left until he did permanently. Sorry, it's the Hodgkin's talking. | |
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[Edited 10/26/22 11:56am] | |
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I think it's more apt to ask how they could've done Rave better. Prince wasn't off the radar for 50 years like Johnny. And I don't think Johnny's success with Hurt was the same as the success Santana saw with Supernatural. And if P really wanted to make Rave a hit, he would've had to care about the music more. I don't think he was anywhere near the right headspace to make that album because what came out was a depressing, moody (read: cranky) album that really only spoke to the people who were following him anyway - and even then, with much derision. | |
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As far as the general public went, Prince's Musicology tour was his "comeback." Loads of people went to that who hadn't been before. BUT! As was already said--he never went away... "Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything." --Plato
https://youtu.be/CVwv9LZMah0 | |
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INSERT GIF OF JOHNNY 5 with the audio "i'm standing beside myself"
there, is that how this works? is that how coding works?because that's now how this fan site works all the time;how difficult is it to be able to scroll through all the previous responses to get to the point of why i felt like responding in the first friggin place maybe i didn't want to stare at purplethunder3121 while i'm writingi better get off of here i'm about to begin heckling people again [Edited 10/26/22 13:49pm] Welcome to "the org", heartpeacesheart…
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ofc prince never 'went away', but his career was a series of ups and downs with regard to exposure, like many older artists' careers' after the mid 90s or so. he was always making music but it wasnt always getting to people, or making much of a dent. so yes musicology was a strong comeback, but who heard that actual album? the real comeback at that time was him as a live act, and that was his real switch after the mid 00s. the music kept coming, inevitably, but no one really cared about it, except for die hards, and a small number of the music buying/listneing public. again thats not unsuual for older acts, but the point is, johnny cashs rick rubin-produced stuff made his actual SONGS relevant again culturally. so that is what a 'johnny cash style comeback' means. | |
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He had to humble himself, have somebody like Jack White produce. White would give him advice, but he would have to take it. He should try to change his sound like he did post 1999. Work with innovative ideas not just sounds. Avoid the same kind of ballads. Be weird, space funky. Part old school, part new. Hard beats, shorter songs. Nother over 5 minutes. No jamming. Better lyrics. Odd time changes, play guitar in studio like you do onstage. Stay away from trends, and do not fish for hits. No bad rappers lol I'll tell U what the Eye in the Pimp stand 4! | |
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[Edited 10/27/22 22:09pm] | |
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Those Rick Rubin Cash albums are terrible. It's truly amazing what one hit single will do to obfuscate an era. Out of like a hundred attempted covers over a decade and like six albums worth literally one song resonated with the public. And forever attached to Rick Rubin's legacy as exhibit C in what a "genius" he is. | |
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The music video is what made that Cash cover work anyway. Everyone raved for years and it was like wtf, but when you pull up the video it's like "oh, okay." | |
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I think people need to really just go listen a bunch of johnny cash records and watch a bunch of johnny cash performances before answering the question and thanks to whoever pointed me in the direction of how to change my forum preferences i'll be back with late comments later Welcome to "the org", heartpeacesheart…
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Remember, only seven word responses are acceptable. Welcome to "the org", heartpeacesheart…
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an artist can still be loved and liked for old songs. but its not the same kind of relevance, or impact as having something that 'takes off'. the stones are still massive live draws. they are relevant touring artists. are they 'culturally' relevant? id say not. but they are still an inescapable presence. they are also kind of anomalies.
but a HIT is what attracts new fans, new listeners to a song, to an artist. it doesnt necessarily have to be a commercial, chart hit, but it can be a song that just gets around, that takes off. eg. kate bush's running up that hill became culturally relevant again due to it featuring in stranger things, a show i dont care about, but which a lot of people do, and talked about a lot, which means = cultural relevance. cultural relevance basically means whats cool, whats hot, whats trending, or you could say, popular with young people.
so cash's hurt, might be just one song that took off, but it was enough to remind people outside of his core audience about him. i didnt know much about him until that song came out. had that song not come out, there would have been no walk the line movie. hurt gave his career a new lease of life. | |
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tarnished? it might be unrepresentative, but one of us, and i cant make you love me, are two of the best things he recorded in the late 90s. his piano cover of case of u is again one of the best things he made in that period. this idea of a career being tarnished is silly and kind of extreme. it was prince himself who argued that he included so many covers on emancipation as warners (apparently) didnt want him to release any while he was signed to them. i.e. he might have released more covers if he was able to. supposedly. so this idea that he wanted only to be known for his self written material is kinda skewed. besides, theres no shame in a cover being your most famous songs. eg - my favourite things by john coltrane. putting your own stamp on a cover is what being a musician is about.
[Edited 10/29/22 1:11am] | |
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theyre not all terrible.
it doesnt matter that only one song was a hit.
that song drew attention to the other albums he was making at this time.
that whole period though redefined the idea of the modern comeback for vintage artists. maybe to the extent that it has become a bit corny and stale, but at the time, it was largely still a fresh idea, a new way to make an older artist mainstream again, and exploit and highlight age, rather than pretend they hadnt aged (things i cant really imagine prince enjoying doing).
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[Edited 10/31/22 17:39pm] | |
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And if it's any consolation to you Rick Rubin marks, for a decent segment his Coachella cover of "Creep" is probably ranked #2 or #3 most "known" "Prince song" after PR given how intensely kept his material offline for the internet, post-Napster generation. Between "Creep" and "While My Guitar Gently Weeps" to 90% of the general population as evidenced by sheer ratio of YouTube reaction videos vs. other tracks, those indeed were his Johnny Cash later-period "comebacks", so you can resteasy knowing the greatest artist of all time too is defined and remembered by dilettantes for mediocre, tepid cover versions. [Edited 10/31/22 19:36pm] | |
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