WhisperingDandelions said:
The Hits/The B-Sides isn't really part of any album continuity. It's a greatest hits compilation that WB Records actually paid Prince to explicitly not have any involvement in.
1996 Girl 6 OST - 3 "previously unreleased" tracks. 1998 Crystal Ball - outtakes dating back to the early 80s to mid-90s. 1999 The Vault - Old Friends 4 Sale - outtakes from the 90s.
[Edited 10/17/22 20:35pm] Thanks for the tips!! | |
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rudeboy4711 said: ShellyMcG said: My journey has officially begun. I started with For You. I don't know if I'll stick to a purely chronological order but I figure it's a decent starting point. I've listened to the whole album and my feeling towards it is kind of mixed. That first track scared the shit out of me. I won't lie. I thought my speakers were haunted . So year, I'll be skipping that track on my next listen. The standout tracks for me are "In Love", "Soft & Wet", "Crazy You" and "Just As Long As We're Together". After that, it's mostly downhill. There's nothing on there I'd say is bad, per se, but nothing really grabbed me after the 5th track. Overall, a good start I would say. I'll give it a second listen tonight when I go to bed but I'm pretty satisfied with how my Prince journey is going. And as an added bonus for myself, I hadn't heard any of these songs before so they were all brand new to me. Here’s the thing about Prince’s music- songs that you may not have liked at the first listen eventually grow on you! In my experience it’s happened after I hear the songs with good headphones. Another thing about unreleased tracks is for example, the song “My Love is Forever” may not have grabbed you at 1st but once you hear the alternate 1977 mix you’ll definitely appreciate it more because you get to hear the evolution of the song. I really like the earlier mix because it’s not as bogged down with synths like the album mix. One track that I was about to press the skip button on was " Animal Kingdom " then that beautiful chorus kicks in. I just love that jazzy psychedelic chord progression with that guitar winding it's way down on the last line. Magical. | |
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Sorry can't find the delete duplicate post button. Posted twice when post didn't appear. [Edited 10/19/22 0:39am] | |
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Graffiti Bridge (movie & album) I watched the movie last night. Before that, I watched the trailer for it and I thought it looked like a fun movie. Having now seen it... yeah, nah. But I don't think it's as bad as I've heard it described. I mean, they clearly made this movie with very little money. So I can't be too hard on Prince for this one. It's really bad but I don't know. It was almost fun in a way. Morris Day is actually the best thing about it. I'm surprised he hasn't acted more. Good soundtrack too. Which brings me to this morning, when I decided to listen to the Graffiti Bridge album for the first time. It's definitely a mixed bag but most of the Prince songs here are good. Can't Stop This Feeling I Got reminds me of Play In The Sunshine. The Question Of U and We Can Funk are by far the best two songs here though. The songs from other artists though, I'm not overly fond of to be honest. The Time songs are very disappointing compared to their older work. The Latest Fashion is interesting though. As far as I know, this is the first song where Prince is featured on a Time song, right? I didn't like the Tevin Campbell song either. I had never even heard of him but I just googled him and seen that he played Powerline in A Goofy Movie. So he's gone up in my estimation. So, I've got my first taste of Prince in the 90s and overall, I'm pretty happy with it. He's a better musician than he is an actor though | |
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GustavoRibas said: When it comes to Prince, it´s a hard answer. Sign O The Times, 1999 and Purple Rain are considered his best albums by several fans and critics, but, if you are the kind of person who doesnt like 80s sound much and prefers live instruments, I would recommend For You (although on this one he didnt have developed his trademark sound yet, but I love it), Dirty Mind or Hit and Run Phase Two. If you are in love with his guitar playing and psychedelic vibe, "Lotus Flow3r" by far (forget MPLSound and Bria Valente). . My personal fave era is the 91-95, because I loooove that NPG band, but I know I am minority. . But, overall, his most acclaimed era was from Dirty Mind to Lovesexy. [Edited 10/18/22 10:19am] When it comes to the 93-95 material, it’s tricky because I tend to like the less produced versions of songs that ended up in The Gold Experience and I lump them with the songs on Come as well as contemporary material on Crystal Ball to make my own version of “The Dawn”. A major example is The Most Beautiful Girl in the World”- I really dislike the overproduced album version but LOVE the single version! Another good example is the title track- waaay overproduced on the album but the initial acoustic version and the 2nd version with the electric guitar are awesome! When it comes to the 93-96 material you notice that Prince over indulged by having his own recording playground… he didn’t realize that sometimes less is more! Of course, that’s just my humble opinion lol | |
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rudeboy4711 said: GustavoRibas said: When it comes to Prince, it´s a hard answer. Sign O The Times, 1999 and Purple Rain are considered his best albums by several fans and critics, but, if you are the kind of person who doesnt like 80s sound much and prefers live instruments, I would recommend For You (although on this one he didnt have developed his trademark sound yet, but I love it), Dirty Mind or Hit and Run Phase Two. If you are in love with his guitar playing and psychedelic vibe, "Lotus Flow3r" by far (forget MPLSound and Bria Valente). . My personal fave era is the 91-95, because I loooove that NPG band, but I know I am minority. . But, overall, his most acclaimed era was from Dirty Mind to Lovesexy. [Edited 10/18/22 10:19am] When it comes to the 93-95 material, it’s tricky because I tend to like the less produced versions of songs that ended up in The Gold Experience and I lump them with the songs on Come as well as contemporary material on Crystal Ball to make my own version of “The Dawn”. A major example is The Most Beautiful Girl in the World”- I really dislike the overproduced album version but LOVE the single version! Another good example is the title track- waaay overproduced on the album but the initial acoustic version and the 2nd version with the electric guitar are awesome! When it comes to the 93-96 material you notice that Prince over indulged by having his own recording playground… he didn’t realize that sometimes less is more! Of course, that’s just my humble opinion lol I agree with everything except the last bits. I think Prince had well learned he had recording resources on a whim by then. I think TGE became overproduced because he wanted Purple Rain 2. He had a whiff of a hit album on his hands with TMBGITW and, like with Purple Rain, set out to make a statement and delved into the material to take it as far as he could. The work he put into those records can't be overstated. It's material he really loved and he intended for it to be a catalyst for his triumph. Purely from a listening perspective, does it always hit the mark? Well, depends on what mark we're talking about. The album had radio hits on it. The album is a masterpiece. The album was a defining statement both artistically and professionally. It coulda done without the cowbell or segues and probably "Shy" as well. But still. Gold Experience deserves to be in the same echelon as Dirty Mind, 1999, PR, Parade, and SOTT. | |
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ShellyMcG said: Graffiti Bridge (movie & album) I watched the movie last night. Before that, I watched the trailer for it and I thought it looked like a fun movie. Having now seen it... yeah, nah. But I don't think it's as bad as I've heard it described. I mean, they clearly made this movie with very little money. So I can't be too hard on Prince for this one. It's really bad but I don't know. It was almost fun in a way. Morris Day is actually the best thing about it. I'm surprised he hasn't acted more. Good soundtrack too. Which brings me to this morning, when I decided to listen to the Graffiti Bridge album for the first time. It's definitely a mixed bag but most of the Prince songs here are good. Can't Stop This Feeling I Got reminds me of Play In The Sunshine. The Question Of U and We Can Funk are by far the best two songs here though. The songs from other artists though, I'm not overly fond of to be honest. The Time songs are very disappointing compared to their older work. The Latest Fashion is interesting though. As far as I know, this is the first song where Prince is featured on a Time song, right? I didn't like the Tevin Campbell song either. I had never even heard of him but I just googled him and seen that he played Powerline in A Goofy Movie. So he's gone up in my estimation. So, I've got my first taste of Prince in the 90s and overall, I'm pretty happy with it. He's a better musician than he is an actor though In a way, I think of the Graffiti Bridge album/project as Prince's closing piece of his "classic era". Not quality-wise, since the album cannot touch the real classics, but more regarding sound and overall feel. Some of the songs were also recorded years earlier, so this may explain their mid-80s vibe. Also, the album still has that atmosphere of a magical Purple world, just like 1999, Purple Rain, Parade and SOTT. When going further on your listening trip, into the 90s, you'll probably notice the much more polished, "commercial" and generic sound, starting with the Diamonds & Pearls and the O+> albums. When I heard those for the first time, I was really struck with the new sound (but not per se in a positive way). But after repeated plays, these albums grew on me. Some of the songwriting really shows that Prince was looking for a wider audience, and that kind of work is of interest in the context of his entire output. I guess we all here look forward to your listening experience of these. | |
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Tevin had some R&B hits in the US like "Can We Talk?" and "I'm Ready" on his next album as a teen. It also features some more Prince tracks, one of which will be one of the few protege tracks he later decided to "reclaim" in a studio version on one of his own later Prince albums. Amazing slow jam, any version. | |
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Similar feelings on Graffiti Bridge (although "The Question of U", "Joy in Repetition" and "Thieves in the Temple" absolutely rank with the "real classics"), but the "80's vibe" is perhaps more pronounced over time with expanded information on tracking dates and the like...
and your 90s primer sounds so passive aggressive shady, ha... Valid or not valid. The polish is probably going to be less egregious for someone coming from a pop background/more modern context anyway... or will it? And the whole 90s isn't always like that, "wider audience" etc... D&P most so, but hey. she loved the Batman OST...
[Edited 10/20/22 5:46am] | |
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WhisperingDandelions said:
Tevin had some R&B hits in the US like "Can We Talk?" and "I'm Ready" on his next album as a teen. It also features some more Prince tracks, one of which will be one of the few protege tracks he later decided to "reclaim" in a studio version on one of his own later Prince albums. Amazing slow jam, any version. Define what we mean by featured. Prince is very clearly all over Get It Up. The Stick is the first time Prince shared lead vocals (Morris, Prince, and Lisa are clearly all up front on this song). | |
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WhisperingDandelions said:
Tevin had some R&B hits in the US like "Can We Talk?" and "I'm Ready" on his next album as a teen. It also features some more Prince tracks, one of which will be one of the few protege tracks he later decided to "reclaim" in a studio version on one of his own later Prince albums. Amazing slow jam, any version. I knew who Carmen Electra was before I knew who Prince was. In fact, it's only within the last two years or so that I even found out they were connected. | |
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Diamonds And Pearls Ok. Before I get into it I know I'm about to express some very unpopular opinions here. So I'm sorry. But I have to be honest. The female singer (I think it's Rosie Gaines?) and the rapper (I'm sure it's Tony M) completely ruin this album for me. Rosie Gaines has a very powerful voice. She's an extremely talented singer, no doubt. That being said, I don't like her voice. I never liked any of those "shouty" singing styles. Whether it's Mariah Carey, Christina Aguilera (and I love Christina) or Rosie Gaines here, I just find that style of singing slightly... annoying. And the Tony M stuff makes the songs in which he features sound really dated. And I have to apologize to my cousin on this one because she's given me countless speeches about how no music is dated and that it's either good or bad and all that. But I disagree. This sounds extremely dated. Sorry Em. But despite all of that, there are moments of pure magic here. Insatiable has secured it's place in my top 5 Prince songs and Cream, Money Don't Matter and Live 4 Love are all excellent songs. Thunder and Gett Off are also nice songs. So it's not all bad. In fact, it's actually pretty good overall. Next up is The Love Symbol album. Looking at the tracklist on Wikipedia I don't see any titles I recognize so this should be interesting. Although it's my cousin's least favourite Prince album. But I haven't come across any album so far that I would say is really bad from start to finish so I'm sure I'll find something to like. Well, fingers crossed anyway | |
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It's not an unpopular opinion at all. Nobody likes Tony M and I happen to think Rosie Gaine's is too much. I get that Prince was trying to help other artists by giving them a platform however it ruined it for him because most people are here for Prince, not Tony M, Rosie Gaines, etc... [Edited 10/20/22 9:00am] | |
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So, now that you have heard "Gett Off" with fresh ears, who do you think does the opening scream? "Whatever skin we're in
we all need 2 b friends" | |
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Worth noting that D&P was Prince's biggest post-Purple Rain commercial success. Some big hot singles and some excellent (for Prince) music videos. The video for Gett Off, the summer we first got cable, was a seminal moment for me!
I think the general opinion is that the Symbol was better overall (I certainly much prefer it) - and there's a 'movie' of sorts to go with it. The Sacrific of Victor is more like a bunch of music videos linked together, but there is an attempt at some kind of narrative, and there was money spent on parts of it. | |
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nayroo2002 said: So, now that you have heard "Gett Off" with fresh ears, who do you think does the opening scream? I just assumed it was Prince? But then again, I haven't put much thought into it. Is it not Prince? | |
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ShellyMcG said: nayroo2002 said: So, now that you have heard "Gett Off" with fresh ears, who do you think does the opening scream? I just assumed it was Prince? But then again, I haven't put much thought into it. Is it not Prince? It's Rosie Gaines. | |
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LoveGalore said: ShellyMcG said: I just assumed it was Prince? But then again, I haven't put much thought into it. Is it not Prince? It's Rosie Gaines. Good to know. The first time I heard it I didn't even realise it was a human voice. I thought it was some kind of sound effect | |
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I had planned to move onto Love Symbol when I got home from work but I've been stuck on Insatiable. I just can't get that song off my mind. I should also add that as I'm going through these albums, I'm hopping straight onto YouTube to check out the associated music videos. Mostly to give me a fuller sense of how Prince changed up his style as the years go on but I'm also just curious because when they do play Prince on TV they mostly just show the same 4 or 5 videos. So it's kind of cool to see some of these others that they never show. And again, I'm hooked on Insatiable. Both song and video. Seriously, I can't even find the words at the minute to properly express what this song is doing to me. Mesmerizing. | |
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Insatiable is one of his best vocal performances. | |
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Quite the opposite actually, your opinion on Tony M. might very well be the most popular opinion in all of org history.
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Not just "connected," he discovered her and named her. Then decided she was destined to be the next great rapper and wrote/produced an entire rap album for her. After Tony M., there was Carmen Electra. | |
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Love Symbol I had only heard bad things about this album so my expectations were low. But I have to say, it's much better than I was led to believe. It wasn't a great start to the album though. I can kind of understand why a lot of fans might have checked out during the 90s if this is indicative of the rest of the decade. It's a pretty major departure from what went before. But I don't see that as a bad thing necessarily. But the first 3 songs here had me worried. They aren't my kind of thing at all, I'm afraid. The Morning Papers really turns things around though. From there we've got The Max, Blue Light and The Continental as songs that I really like. Arrogance and The Flow bring the quality down for me though. These aren't the kind of songs I would associate with Prince and there's just something off about them. The album almost finishes on a high though. The next 3 songs are all really strong, especially And God Created Woman. The Sacrifice Of Victor is, again, not for me. Overall though, I was pleasantly surprised. Some very nice songs and even though there's nothing here that can rival Insatiable, I'd still put Love Symbol slightly above Diamonds & Pearls. It's the Hits/B-Sides for me next. It will give me a chance to listen to some of the 80s material again plus get into some of the B sides. | |
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The Hits/B-Sides The "new" songs on the Hits albums are definitely a mixed bag. Peach and Pink Cashmere are very good songs. I'm not a fan of Nothing Compares 2 U and Pope though. Not much else to be said really. The B-Sides album is really good though. I genuinely think that some of these B-Sides are better than their respective A side. 17 Days and Erotic City are way up there amongst my very favourite Prince songs so far. Plus, these two songs led me to some very interesting videos on YouTube. There's a 17 Days live performance on there that's very nice. Very nice indeed. I also stumbled on my first ever George Clinton song. I had heard the name through my cousin and a friend of ours but I don't think I ever heard any of his music prior to We Can Funk on the Graffiti Bridge album. But he has a cover of Erotic City that I think is every bit as good as Prince's original. Well, maybe not quite as good but it's close. I think the next album is called Come. I can honestly say that I've never heard anyone even mention this album. I'm not sure if that's a good thing or a bad thing. I suppose it's good because I can go in with no preconceived notions. We'll see. | |
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Once regarded by the org / general fanbase as the unquestioned "worst" of the 90s, contemporary re-analysis might indeed have it closer to the best of the 90s... Interested where you land. https://www.youtube.com/w...bS2dIADcsg [Edited 10/22/22 5:01am] | |
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WhisperingDandelions said:
Once regarded by the org / general fanbase as the unquestioned "worst" of the 90s, contemporary re-analysis might indeed have it closer to the best of the 90s... Interested where you land. https://www.youtube.com/w...bS2dIADcsg [Edited 10/22/22 5:01am] Thanks for posting this. It's cool to see Prince talking about his influences like this. I'll be sure to check out more of George Clinton in the future. That was Prince's wife, Mayte, that was with him, right? When I first moved to Ireland and my cousin was showing me to what would be my room, there was a big poster on the wall of Mayte wearing a very revealing outfit but also a big, fluffy top hat. I was like "what the hell?". Yeah, she really liked Mayte... Anyway, as I type this I'm listening to Come. I'm up to Pheromone. I'll post a full write up after I've listened to it a couple of times but I'm loving it so far. | |
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Come This is a tricky one. Three songs in I was loving it. Then came three in a row that I really disliked. Then one I liked. Then one I disliked. Then another good one before ending on a low note. So, from a 10 track album I really liked 5 songs. But I seriously dislike 5. It's hard to say where I'd place this, as an album, amongst the rest. Quality control seems to have gone completely out the window when "songs" like Orgasm start showing up. That being said, I do really like Come, Space, Pheromone, Dark and Let It Go so overall, this album gets one thumb up Next up is Exodus. My first NPG album. Then The Gold Experience to follow. I'm almost halfway through the 90s and even though I don't think it has been as strong a decade as the 80s, I don't think it's the disaster some people have told me to expect. | |
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But, Shelly, my Dear... You must take a step back and first listen to 'Goldnigga' from '93. This is the first NPG album "Whatever skin we're in
we all need 2 b friends" | |
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nayroo2002 said: But, Shelly, my Dear... You must take a step back and first listen to 'Goldnigga' from '93. This is the first NPG album D'oh!!! I missed that one. Thanks for the heads up. | |
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also check out Powerline aka Tevin Campbell's original 1993 recording of "Shhh" that Prince reclaims on The Gold Experience and many, many, many, essential, peak (and varied) live performances after.
[Edited 10/22/22 21:19pm] | |
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