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It was intended for The Time's second album What Time Is It?. A version with Morris Day on vocals was recorded but Prince didn’t like the result and reclaimed the song to use on 1999 instead. Basic tracking took place on January 14th 1982 @ Sunset Sound in Hollywood, California three days after Bold Gereration, the same day as The Walk, and the day before Colleen), during sessions for The Time's second album What Time Is It?. [PrinceVault] . 1 2 3 Darling, it appears to me
That you could use a date tonight A body that'll do you right am I qualified? yeah Darling, I know it's hard to believe
this body here is free tonight You're riding on a first class flight My plane's parked right outside, I'm an international lover,
Let me take you 'round the world I'll buy you diamonds and pearls Only if you're good girl yeah Darling, I know it's been a long time
Since you've been satisfied I can tell by the look in your eyes You need it real bad Baby, maybe if you're good girl
I'll introduce you to my ride Don't you wanna come inside? Come on baby, I won't fly too fast, I've got so much class I'm an International Lover
Let me take you around the world, I'll buy you diamonds and pearls Only if you're good girl let me say it one more time I'm an
International Lover
Baby you can be my pet
I know how to keep you wet "Peggy r u listening"
Only if you're good girl break it down
Good evening! This is your pilot Prince speaking
You're flying aboard the Seduction 747 And this plane is fully equipped With anything your body desires If for any reason there is a loss in cabin pressure
I will automatically drop down to apply more To activate the flow of excitement Extinguish all clothing materials pull my body close Place my lips over your mouth And kiss, normally In the event there is overexcitement
Your seat cushion may be used As a flotation device We ask that you please observe the
"No Letting Go" sign I anticipate a few turbulence along the way We are now making our final approach into Satisfaction
Please bring your lips, your arms, your hips Into the upright and locked position Yeah
Welcome to Satisfaction
Please remain awake until the aircraft Has come to a complete stop Thank you for flying Morris International "don't touch the cymbals" Next time you fly, fly the International Lover "give me a nice ending right here, just touch the cymbals alittle bit you know fill it out a little bit did U like that
do you want to do it again?
ahhhhhh -Take 1 (Live In Studio | |
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The Time At The Auditorium Theatre
December 9th and 10th 1982
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Girl, I called you up to say
Girl (5:36) | |||||||
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Allen Beaulieu owns the rights to that "Jamie Starr" (Prince photo). Welcome to "the org", laytonian… come bathe with me. |
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I just saw it online, you can click the links I provide and contact the seller | |
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Andre Cymone, who played bass in [Prince]'s band, had been very involved in THE TIME project from the beginning. He was also assembling a girl group, called "The Girls", and saw the side projects as an opportunity to supplement his relatively small income from being a band member only. Andre claimed that he came up with many of the ideas for THE TIME before being muscled out of the project, wich led into falling out with [Prince]. The relationship between Andre Cymone and [Prince] had been deteriorating for some time. Andre felt, that he didn't receive enough credits for his input into [Prince]'s music and stage act, even accusing [Prince] of knowing stealing his ideas. He decided to leave [Prince]'s band and embark a solo-career. He accepted to participate in the upcoming european tour, but he left the band immediately afterwards. | |
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Yep That is JANET, that was her
RIGHT ON! Magazine November 1982 issues #22540105
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Serendipity!!
"You know, this is funky but I wish he'd play like he used to, old scragglyhead son of a...*smack* OOH!"
"Who's the foo singing will it's would" |
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. JUST TODAY I received in the mail my black t-shirt with this logo.. I will enjoy wearing this & if anyone stops me - on the street or anywhere - & they know who "Jamie Starr" is.. then that's probably a knowledgeable Prince fan..!
I'll see you tonight..
in ALL MY DREAMS.. |
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. I'd be VERY INTERESTED to hear a "Morris Day/The Time" version of this track.. I could imagine Morris being.. very funny with the "pilot spoken part" : . "YEEESSSSSS.. this is yo' pilot MOWIS speakin'.. in about 5000 mo' feet - them draws is gon' be MINE ! HA HA !" I'll see you tonight..
in ALL MY DREAMS.. |
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When I think of this song and his delivery on If The Kid Can't Make U Come, I think Morris would have killed it.
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Writer(s): Prince (music) and Dez Dickerson (lyrics) (uncredited) Cool" is a song by The Time, released as the second single from their eponymous debut album. Like most of the album, the song was recorded in Prince's home studio in April 1981, and was produced, arranged, and performed by Prince with Morris Day later adding his lead vocals. The song was co-written with Revolution guitarist Dez Dickerson and contains background vocals by keyboardist Lisa Coleman, however both were uncredited. The classic video for the song is directed by Chuck Statler, who is best known for directing the early Devo videos -Wiki
Cool
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Anyone have a good copy of this Time poster?
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rel 6.26.1981
Get it up (9:08) performed by [Prince] (all instruments & vocals) with [Morris Day] (additional lead vocals) & Matt Fink (synthesizer solos) • final mixing 28th-30th april 1981 at Sunset Sound [7] • registered to [Prince] (as Jamie Starr) • 1981 on the promo 12"-Single [Get it up] • 1984 on the 12"-Single [Ice cream castles] Get it up (edit / mono) (3:05) Get it up (edit) (3:05) • 1981 on the 7"-Single [Get it up] • 1981 on the promo 12"-Single [Get it up]
Get it up, get ready for a real good time. I'm gonna try to blow your mind.
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American Bandstand -January 1983 in Los Angeles, California.
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back then,many of us wondered if they were saying something else | |
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“What time is IT!?” – Morris Day and The Time at First Avenue, March 1982.
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My stick, I just love my stick
My stick, I just love my stick Girl, your ride is bad but you can't compare
To my baby black Cadillac, oh, so rare Take a vacation, I don't care 'Cause I can get some stimulation anywhere You just come too quick, I'd rather work my stick
Get a little satisfaction, work the stick in my ride You just come too quick, I'd rather work my stick Get a little satisfaction, work the stick in my ride Get a little satisfaction, work the stick in my ride
Get a little satisfaction, work the stick in my ride Girl, you come too quick, much, much too quick Girl, you come too quick, I'll just work the stick Offer me your body, I have to pass
'Cause every time we make love, you run out of gas Girl, my car's so bad it runs on H2O No, you can't compete, it's got the cruise control You just come too quick, I'd rather work my stick
Get a little satisfaction, work the stick in my ride You just come too quick, I'd rather work my stick Get a little satisfaction, work the stick in my ride Get a little satisfaction, work the stick in my ride
Everybody get a little satisfaction, work the stick in my ride Girl, you come too quick, much, much too quick Girl, you come too quick, I have to work the stick I've been drivin', baby, since the age of thirteen
I'm the baddest driver you've ever seen You know I like it fast and I like it slow Sometimes I let the top down when I wanna let go You just come too quick, I'd rather work my stick
You just come too quick, I'd rather work my stick You just come too quick, I'd rather work my stick Get a little satisfaction, work the stick in my ride
Get a little satisfaction, work the stick in my ride Everybody get a little satisfaction, work the stick in my ride Get a little satisfaction, work the stick in my ride What time is it?
I said, what time is it? You just come too quick, I'd rather work my stick
Somebody bring me a mirror so I can
What, what song we on? You just come too quick, I'd rather work my stick
Get a little satisfaction, work the stick in my ride Get a little satisfaction, work the stick in my ride Get a little satisfaction, work the stick in my ride Get a little satisfaction, work the stick in my ride
Get a little satisfaction, work the stick in my ride Get a little satisfaction, work the stick in my ride Get a little satisfaction, work the stick in my ride Get a little satisfaction, work the stick in my ride
Get a little satisfaction, work the stick in my ride What time is it?
Alright, oh no I don't need you, baby, I'll just work the stick in my ride
I don't need your action, baby Get a little satisfaction, work the stick in my ride Get a little satisfaction, work the stick in my ride
Get a little satisfaction, work the stick in my ride Get a little satisfaction, work the stick in my ride Sing it, get a little satisfaction, work the stick in my ride
Get a little satisfaction, work the stick in my ride Get a little satisfaction, work the stick in my ride Get a little satisfaction, work the stick in my ride, everybody You just come too quick, I'd rather work my stick
You just come too quick, I'd rather work my stick You just come too quick, I'd rather work my stick It's about time to go, no
I said, I don't need you, girl Hey, somebody bring me a mirror So I can look at my stick Hey, alright? You wanna see it?
Should I take it out? Take it out, man Hey, later, y'all
nitial tracking took place in April, 1981 at Prince's Kiowa Trail Home Studio, Chanhassen, MN Morris Day - vocals and drums Prince- background vocals and all instruments, except where noted (uncredited) Terry Lewis - background vocals Dr Fink- synth solo Lisa Coleman- background vocals (listed as "various girlfriends") -PrinceVault
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Dapper brand of 'cool' still suits Time
In the '80s, when backdated attire turned a handful of street-wise musicians into sartorial hipsters, fans nationwide struggled to keep up with The Time.
Inspired by zoot suits, bygone Hollywood glamour and underworld cool, the band scoured hand-me-down shops for designer castoffs to enhance their image as swaggering funk kingpins. Porkpie hats, pleated trousers, wide-shouldered long coats, Morris Day's gold jacket with the tiger-print lapels. OK, not every outfit screamed panache. Some just screamed. . . Little has changed, except now they can afford new threads. "Our first clothing budget was $100," Jesse Johnson remembers. "For all of us." Sporting flashy suits, shades and fedoras, The Time continues to pride itself on fashion sense. And in typical Time fashion, the band is still behind the times, opting for a Godfather vibe over today's sloppy chic. It all started with sprees at Minneapolis vintage shops Ragstock and Tatters Clothing. "We were interested in being cool," Jimmy Jam says. "It was about attitude and feeling good about ourselves, even though we didn't have the money." Morris had to overcome his retail snobbery. "I ain't going to lie: I was a little apprehensive about going into a used-clothing store," he says. "But that original Presley (suit) came out of Tatters, and I wore it till it fell off." No designers or stylists played a role in The Time's flamboyant early press photos or videos. At concerts during the first tour, "every kid was dressed like us, because they could do it cheap," Jesse says. "The prices at Ragstock went way up." The Time's dapper-duds scheme soon backfired. Says Jerome Benton, "By the end of the tour, used suits at Aardvark's (in L.A.) were $300."
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What time is it?
Hangin' by the backstage door, decked out like a queen
Your body's sayin' 21, but your face says 17 My intuition tells me, that you're waitin' for the band Before you get your hopes up, one thing understand Wild and loose, that's how it's got to be
'cause that's the only kind of dame that appeals to me Wild and loose, the only life I know Just havin' one big party from show to show Talkin' trash to Jimmy Jam, tell us where the party's at
We don't care who you came with, we'll take care of that Just meet us at the motel, room 602 Tell your mama you won't be home, 'cause we got plans for you Wild and loose, that's how it's got to be
'cause that's the only kind of dame that appeals to me Wild and loose, the only life I know Just havin' one big party from show to show Universal freak delight, where'd you get those thighs?
Where did you get the nerve to wear that miniskirt so high? Don't worry, baby, I can keep a secret for as long as snow is white Hey Jesse? Yeah, come here man, guess what I did last night? Wild and loose, that's how it's got to be
'cause that's the only kind of dame that appeals to me Wild and loose, the only life I know Just havin' one big party from show to show Baby, you ain't no saint, 'cause there ain't no in-between
Either you come or you can't, now get loose, let me hear you scream Baby, you ain't no saint, 'cause there ain't no in-between Either you come or you can't, now get loose, let me hear you scream Wild and loose, that's how it's got to be
'cause that's the only kind of dame that appeals to me Wild and loose, the only life I know Just havin' one big party from show to show Wild and loose, ah pardon me, say it one more time
Wild and loose, I can't hit it baby, maybe I'm blind Wild and loose, everybody know you got to be Wild and loose, 'cause ain't nobody cool but me, slap me Wild and loose, somebody, somebody sing it
Wild and loose, tell your mama you won't be home Wild and loose, everybody know you got to be Wild and loose, ain't nobody cool but me, now break it down "Kim, wasn't the concert great?"
"Oh yeah, it sure was" "Did you see Jesse up there, wasn't he fine?" "Oh yeah" "Morris looked so good" "Yeah, but I think Jesse is cuter" "Oh yeah" "I wonder what they are doin' after the concert" "Oh yeah, I got a strange feelin' they're nasty" "Yeah, I bet I'll remember this concert for the rest of my life" "So will I" "Did you see Jesse's eyes, aren't they pretty?"
"Oh, they're so pretty" "No one at school will ever believe I talked to Morris" "On the phone last night" "Oh, I believe you" "His voice was so soft, he sounded so sweet" "Oh yeah, he's so cool" "Yeah, but now I want to meet him in person" "What's happening? You girls don't want to go party tonight"
"Jerk" "Get out, get away, eh yuck" "Kim, you ain't gonna believe it" "The guys from the time are right behind you" "Are you serious?" "No, I'm not look, I, I mean yes I am! Over there" "Oh my God"
"Can you believe it? Look" "Should I look?" "Should I go over and see if he remembers me?" "Oh yeah" "But what should I say?" "Say somethin'" "Hi, hi Morris"
"Excuse me, hello, do I know you?" "Yeah, you talked to me on the phone last night" "Is that right? Well, you sure don't look like you sound" "Well, excuse me" "It's okay baby, I got things to do, I'll talk to you later" "Jerk! That was the worst concert I've ever been to" Wild and loose
Wild and loose Wild and loose Wild and loose Wild and loose, that's how it's got to be
'cause that's the only kind of dame that appeals to me Wild and loose, the only life I know Just havin' one big party from show to show Wild and loose, I can't hear you singin'
Wild and loose, help me out, help me out, hey Wild and loose, baby, I got plans for you Wild and loose, everybody get loose Fellas? Yeah? Where the party at?
Right here under your shoes Fellas? Yeah? What time is it? Time to get wild and loose Show time fellas? Yeah? Where the party at?
Right here under your shoes Fellas? Yeah? What time is it? Time to get wild and loose Fellas? Yeah? Where the party at?
Right here under your shoes Fellas? Yeah? What time is it? Time to get wild and loose Fellas? Yeah? Where the party at?
Right here under your shoes Show time fellas? Yeah? What? Time to get wild and loose Fellas? Yeah? Where the party at?
Right here under your shoes That's right fellas? Yeah? What time is it? Time to get wild and loose, tonight Fellas? Yeah? Where the party at?
Right here under your shoes Fellas? Yeah? What time is it? Time to get wild and loose Somebody bring me a mirror
Wild And Loose is the first track on The Time’s second album What Time Is It? The song was written by Prince and Dez Dickerson, although the song is officially credited to The Time. It was produced by Prince (as The Starr Company), but was credited to Morris Day and The Starr Company. Basic tracking took place on 19 January 1982 at Sunset Sound in Hollywood, California (four days after Colleen, and the day before Turn It Up). As with much of the What Time Is It? album, the recording features only Prince and Morris Day.
-PrinceVault
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I need to look it up, but I remember Jill Jones saying that one of the voices on Wild & Loose was her
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