Not my thread. "Whatever skin we're in
we all need 2 b friends" | |
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Eye c it as each cd is meant 2 be absorbed not necessarily all 3 at once .. they all have kinda different vibes .. so if cd 1 is a double vinyl that's not a whole lot different than 1999 | |
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TrevorAyer said: Eye c it as each cd is meant 2 be absorbed not necessarily all 3 at once .. they all have kinda different vibes .. so if cd 1 is a double vinyl that's not a whole lot different than 1999 Except that 1999 was a double album, whoae lenght was 75 minutes. You don't make a double album with only 60 minutes. | |
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i feel ANY Listening experience is ruined when you have to flip sides every 3 songs. i will never get the appeal of vinyl | |
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I love vinyl but this set is pointless on vinyl imo. Too many sides and it intrupts the flow of the album. But honestly can't remember when I listened to it straight through on CD.
I agree with whoever said we all make our own playlists out of the set anyway. I have had my own Emancipation playlist for years and that one works for me | |
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If it's the vinyl version, then i really like disc four. But, noone listed the sequence, so noone knows what those songs are or what the hell i'm on about.
"Whatever skin we're in
we all need 2 b friends" | |
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nayroo2002 said: If it's the vinyl version, then i really like disc four. But, noone listed the sequence, so noone knows what those songs are or what the hell i'm on about.
i do. | |
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I cannot get my head around the idea that by flipping a record, you're somehow 'interrupting the flow' of an album.... that just does not make sense to me.
If anything, listening on vinyl intensifies the listening experience, because each sequence of songs is more clearly defined. And all this 'oh, it's too hard to get up and change a record every few songs'. As Eddie Murphy would say, 'get the f out my face with that bullshit!'
Seriously, people, what are you smoking?
The vinyl sounds 10 times better than the original CDs... it is currently the only way I know of to listen the music of Emancipation, in a setting where the music is not damaged by brickwalling.
And all the nonsense of 'it's not what Prince intended?' Better burn/delete all those bootlegs Prince never intended for you to hear, then. The concept is loose, at best.
Emancipation on vinyl is a true ride! It sounds great, and the sides divide up the tracks in a way that makes you appreciate the songs all the more.
Like someone said, listen to it how you want, but don't diss on the vinyl. At the very least, for the first time in its history, the album SOUNDS great.
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It’s like no one heard if 45’s | |
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I almost bought this set when I saw an unboxing video on YouTube.The artwork is very impressive.But then I figured that this is just too much vinyl.My 3-CD set works just fine plus,it’s simply not one of my favorite Prince albums anyway.There are some great songs here,but there are also many tunes that I’m not crazy about. | |
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This actually begs the question: are sides interruptions a part of the artistic statement? . The very concept of "sides" comes from a technical limitation indeed, but artists had to take the LP (then CD) limitations into account when conceiving their albums. The limitation was part of the artistic process and the way you'd organize the record around the "pause" you'd choose to have between one side and the next was a very deliberate structural decision, that had an impact on the overall "mood" of a record. . On the other hand, unless you put a 30 seconds silence at the end of side 1's last song to simulate changing sides, this artistic consideration is entirely lost with the next format. . I "know" there's a change of sides between Venus De Milo and Mountains, and even if I can't hear the "pause" anymore, it's still there in my head to this day, because that's how I experienced the record (on cassette) for years before I finally got it on CD. Had I been born 20 years later, I'd only have know Parade as a CD or files, and I wouldn't even have a notion of such a break taking place. Hell, had I been born 20 years later, I'd only know Emancipation as an uninterrupted 3 hours record, instead of still hearing the pause between each CD in my head when I listen to my files. . So IDK. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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databank said:
This actually begs the question: are sides interruptions a part of the artistic statement? . The very concept of "sides" comes from a technical limitation indeed, but artists had to take the LP (then CD) limitations into account when conceiving their albums. The limitation was part of the artistic process and the way you'd organize the record around the "pause" you'd choose to have between one side and the next was a very deliberate structural decision, that had an impact on the overall "mood" of a record. . On the other hand, unless you put a 30 seconds silence at the end of side 1's last song to simulate changing sides, this artistic consideration is entirely lost with the next format. . I "know" there's a change of sides between Venus De Milo and Mountains, and even if I can't hear the "pause" anymore, it's still there in my head to this day, because that's how I experienced the record (on cassette) for years before I finally got it on CD. Had I been born 20 years later, I'd only have know Parade as a CD or files, and I wouldn't even have a notion of such a break taking place. Hell, had I been born 20 years later, I'd only know Emancipation as an uninterrupted 3 hours record, instead of still hearing the pause between each CD in my head when I listen to my files. . So IDK. I was born in 1986, and I always wondered on my pre 90 albums, at what song it would cut and silence. A vinyl had to have at least 4 strong songs : the beginning and ending of each side. That's a constraint that was inexistent in the 90's and 2000's when artists did albums. That's clearly something Prince never thought about when conceiving Emancipation. As I am making "music" now, to make a tracklist, it s fun to think about it. | |
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. i am not online to listen to any music. there are other formats besides vinyl. and the sound , lol.... i wont even get into that asinine arguement. [Edited 5/15/21 5:43am] | |
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. Impractical although vinyl could yield interesting sound qualities over CD. Pills and thrills and daffodils will kill... If you don't believe me or don't get it, I don't have time to try to convince you, sorry. | |
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. Most albums are conceived with one "main medium" in mind, though, aren't they? e.g. "Parade" was still sequenced with vinyls/LPs being the main medium of the day (although CDs had existed for years at that point), but "Love Symbol" was clearly sequenced with CD as the main medium of the day (although still released on LP as well). I mean, it's pretty safe to say Prince never sequenced an album with 8-tracks in mind. . Anyway, that concept of technical limitation influencing the way an album is sequenced is interesting, but it's definitely not the most important aspect of an album for me. If I feel like listening to a couple of songs from an album, I will do it. I'm not a purist in that sense. | |
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My main beef is how we downplay how great this album is. The thing is excellent. All you others say Hell Yea!! | |
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We're talking about music, an AUDIO medium, and sound quality is an asinine argument to you?
How odd.
And yes, the vinyl is the only version of the album that is not brickwalled to hell and back, so, there's that.
Just depends if you want your music to sound good or to sound like shit. Not saying vinyl pressings are always better than CD pressings, but in this case (and in the vast majority of cases with Prince albums, actually) the vinyl is definitely the best sounding version of the album..... by many many miles.
Also, someone else mentioned that everyone has their edited version of the album. I do not. I have the album,on vinyl and digitally (ripped in lossless from vinyl), and I listen to it - the whole thing - when I want to hear it. It's a good album. [Edited 5/15/21 13:16pm] | |
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Has it been proven the vinyl is not brick walled? I'd like to hear it if so... Though idk if that will improve the album that much really.... | |
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There is no big difference in sound quailty between vinyl and cd. Its a myth. I play both and thats the truth. You cannot make a songs lyrics better with a slight improvement in sound. Emancipation suffers from not being able to play it continuely in my view on vinyl. As time goes on, Emancipation is the album I play the least from his discography. There is too much filler on each cd. I find it hard work to get through either on vinyl or cd. I keep trying though. | |
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It depends on the mastering, many original pressings beat out the CD versions from especially the 20th century because of digital transfering technology being in its infancy and the vinyl using closer gen stampers | |
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No there is a plain diff between vinyl and CD CD is thinner and cleaner Vinyl is a bit fatter and warmer But vinyl can be bricjwalled and too loud too A lot of modern pressings are too loud for me | |
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Whether you like the music on the album or not is a totally different thing and your own choice, of course, but to say there is no difference between the vinyl version and the CD version is just plain nonsense, I'm afraid, and untrue. | |
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antonb said: There is no big difference in sound quailty between vinyl and cd. Its a myth. I play both and thats the truth. You cannot make a songs lyrics better with a slight improvement in sound. Emancipation suffers from not being able to play it continuely in my view on vinyl. As time goes on, Emancipation is the album I play the least from his discography. There is too much filler on each cd. I find it hard work to get through either on vinyl or cd. I keep trying though. If you have the same output sound System for your CDs than for your vinyls, I can confirm there is no difference, if difference at all. | |
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You have just demosntrated unequivocally, that you have absolutely no idea what you're talking about.
Okay, I could search for the facepalm emoji, but life's too short.
I don't know what other words to use to explain it to you... fine, there's no difference between a massively brickwalled CD mastering and a non-brickwalled vinyl mastering.
Okay? That work for everyone?
No wonder the record companies get away with this shit. | |
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I actually appreciate it more broken up honestly. It forces me to think about those three songs at once before moving on and in ny opinion makes it more fluid. I always thought each disc was too long for its own good. Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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My thing is that there is some magical big difference. There is NOT. Its A fact And a proven fact. Look it up. Its the vinyl lovers that make it up thats there a big difference. I know I have both and 3 different systems. I wish there was A big difference for the price you have to pay for vinyl. I do all my vinyl buying in carboots and 2nd hand shops now. I very rarely buy new anymore because of the prices. .
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I did a comparison with the AOA vinyl and the mastering was just as shit as any other post 80s album .. considering the butcher job on the deluxe remasters it’s likely a good “sounding” prince album will never be released again .. emancipation sounded like the drums came right off of a cheap kids keyboard with preset drum loops .. there is just no improving no matter the format .. there are only a handful of good tracks on emancipation anyway .. not worth the effort in any format and certainly not the level if artwork that deserves larger print | |
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