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Reply #30 posted 10/24/20 3:42am

databank

avatar

funkbabyandthebabysitters said:

Lol. You hardly presented any evidence. You just stated there was a bidding war. Based on what I dont know. So not much to go on except your insistence there was one. I asked as I'm genuinely interested. How the industry works these days and how deals are made are things I'd like to know. I dont know why there was a sony single and two wb albums. Maybe prince struck a few deals, one for a single,one for two albums with warners, in return for them re releasing purple rain with bonus material. Who knows. But I'd like to know. [Edited 10/24/20 2:34am]

err blunt

I only said it twice. You are being so disrespectful it's getting insulting. Databank out.

A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/
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Reply #31 posted 10/24/20 4:45am

funkbabyandthe
babysitters

Disrespectful? So sorry your majesty!
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Reply #32 posted 10/24/20 6:00am

heartpeaceshea
rt

Take the era anyway you want and stop reading into the media's "jist" of things is is usually my personal mantra. It was cringy to watch interviews with Prince justifying it because I felt like I was drawn to his artistic boldness and that there was something else he wanted to say.

Just look at the style how he drew it. I think he was implying that he was a little car like a "YUGO". Think of his penchant for writing backwards and see the word "EVALS". Now if you do what you do and you get a lot of money for it but don't know what all the fuss is about, you might want to question credentials. Then again, if his face is what sold his records, he should have showed it more.

Some might say it's awfully bold to evaluate, dissect even, the life and career of a dead guy but clearly too much too little too late was a reality. The important thing is what are the parallels and what do we want to do about it?

PEOPLE AREN'T SUPPOSED TO BE CRASH TEST DUMMIES"!
[Edited 10/24/20 6:02am]
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Reply #33 posted 10/24/20 6:05am

heartpeaceshea
rt

funkbabyandthebabysitters said:

Lol. You hardly presented any evidence. You just stated there was a bidding war. Based on what I dont know.
So not much to go on except your insistence there was one.
I asked as I'm genuinely interested. How the industry works these days and how deals are made are things I'd like to know.
I dont know why there was a sony single and two wb albums. Maybe prince struck a few deals, one for a single,one for two albums with warners, in return for them re releasing purple rain with bonus material. Who knows. But I'd like to know.
[Edited 10/24/20 2:34am]


You want to know how the industry works these days and how record deals work?

Orgnote me please.
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Reply #34 posted 10/24/20 6:14am

heartpeaceshea
rt

databank said:



funkbabyandthebabysitters said:


Explain to me how there would be a bidding war?

Oh it's easy! My 2 options are:


.


1/ A witness account from a Prince collaborator in the context of a police investigation, without apparent cause for coming-up with a story + the fact that Sony released a single early in 2014, followed by WB releasing 2 albums later that same years (funny, isn't it?).


.


2/ Prince fans who don't know anything theorizing against all evidence because said evidence does not fit the narrative they wish to adhere to.


.


My choice is easily made!! It's pretty much the same way I'd explain the Earth isn't flat, BTW, but of course if you choose to believe the Earth is flat, I can't possibly convince you of the opposite.



.


But to be honest, I had already explained it when you asked me to explain it, which means that you were dishonest when you asked and that you clearly aimed at creating an endless loop conversation, which is a form of fallacy. Therefore, I will not discuss the matter anymore unless evidence (not opinion and conjecture) contradicting the facts I offer is presented.


.


And to be clear: I refuse to debate with people who equal facts with opinions and conjecture. Same with Flat Earthers BTW, so don't even try to go there lol


.


No offense meant, I ain't mad at u, just fed-up with this kind of time-consuming nonsense. Peace hug


.

[Edited 10/24/20 0:33am]



Lesson number one:. Time consuming nonsense IS the way it works. Brilliant databank! What's the matter, Has technology gotten the best of you? Imagine our brains for a minute (gather round folks)...

And play 2010 and read this thread and think about the line "ohhhh sticky like glue". OMG please release 2010 next at LEAST include it with that crazy coffee table book that was sold that had the same artwork.

I have to admit I'm not one to maintain a collection but I'll repurchase stuff one day.
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Reply #35 posted 10/24/20 6:16am

heartpeaceshea
rt

Oh and speaking of bidding wars does anyone listen to the radio anymore?
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Reply #36 posted 10/24/20 7:07am

herb4

I was proud of it then. I didn't always "get it" entirely but all that, including the name change, was utterly fascinating to me and I just continued to find Prince so god damned interesting. Also, to my ears, he was still bringing the music, especially if you were paying attention and knew where to look.

Very safe to say that his behavior back then makes more sense to everyone now.

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Reply #37 posted 10/24/20 7:31am

funkbabyandthe
babysitters

Re me not being black, I see this as a thing where he suddenly really felt like he was one of the artists like chuck, Richard,fats, etc. Who got shafted by labels. Like he felt he was carrying their struggles. It wasnt just about him, but being a black artist inside a white industry. which is potentially a good thing, he could fight the fight for black artists. and artists, full stop.

That said, I think his case was a bit different.

when he signed his new 1992 deal, he was not a newbie to the industry, he was not on his first deal, with no idea of what contracts were about, or how a major label worked like chuck berry signing to chess or little richard signing to speciality, he was not a poor artist with no business education or experience, he was a big pop star, a millionaire, who could have had any number of expert lawyers looking over his contract.

so he cant use the plea that it was his ignorance, that the big bad white major label system was trying to exploit him or take advantage, when he could have negotiated it a year earlier, and got something better, more to his liking. he was in a position to do that. and if he didnt get what he wanted, he could have exited warners.
[Edited 10/24/20 8:26am]
[Edited 10/24/20 8:27am]
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Reply #38 posted 10/24/20 8:02am

heartpeaceshea
rt

I'd really like to do this topic live and in person with people because I'm on my cell phone and it's ruining my eyesight.

To be continued....
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Reply #39 posted 10/24/20 8:35am

kingricefan

I think that the standard record deal with a major label back then was the artist gets .10 cents on the dollar for every unit sold. As Prince became more popular he probably was given .12 cents per dollar. The record company kept the rest (some of it was used for promotion, etc. but the bulk of it went into the executives pockets). Yes, Purple Rain was heavily promoted but what about the albums that came after? Not much was done for those after WB realized that Prince wasn't going to give them another Purple Rain album/movie. So, would you build a house and expect to be paid 12% on the dollar when it gets sold by a realtor? And hand them the blueprints too? No way was I embarrassed by what the 'Slave' era involved. I was behind Prince 100% and am proud of what he accomplished. He was ridiculed by the Press and other artists back then but the next generation of 'artists' are reaping the benfits for his stance now (if they've done their homework that is). As for Purple Rain- I remember Prince saying that he would never know how much that record sold because WB had changed the ISBN/UPC numbers in Europe at different times and couldn't account for the units sold. I believe this was around the time that he was asking fans to send copies of 'unauthorized' copies of albums and maxi-singles to Paisley Park for him to destroy. So am I embarrassed that he stood up for what he believed in? Nah.....

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Reply #40 posted 10/24/20 9:16am

funkbabyandthe
babysitters

Dude, no artist can sell mega numbers year on year
Esp not when youre changing style year on year
That's not how the industry works
Also not how fans and the public respond

In 94 he complained letitgo wasnt a hit and blamed WB
A year later eye hate u went top ten

Not every single is going to be a hit
[Edited 10/24/20 9:22am]
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Reply #41 posted 10/24/20 9:22am

heartpeaceshea
rt

kingricefan said:

I think that the standard record deal with a major label back then was the artist gets .10 cents on the dollar for every unit sold. As Prince became more popular he probably was given .12 cents per dollar. The record company kept the rest (some of it was used for promotion, etc. but the bulk of it went into the executives pockets). Yes, Purple Rain was heavily promoted but what about the albums that came after? Not much was done for those after WB realized that Prince wasn't going to give them another Purple Rain album/movie. So, would you build a house and expect to be paid 12% on the dollar when it gets sold by a realtor? And hand them the blueprints too? No way was I embarrassed by what the 'Slave' era involved. I was behind Prince 100% and am proud of what he accomplished. He was ridiculed by the Press and other artists back then but the next generation of 'artists' are reaping the benfits for his stance now (if they've done their homework that is). As for Purple Rain- I remember Prince saying that he would never know how much that record sold because WB had changed the ISBN/UPC numbers in Europe at different times and couldn't account for the units sold. I believe this was around the time that he was asking fans to send copies of 'unauthorized' copies of albums and maxi-singles to Paisley Park for him to destroy. So am I embarrassed that he stood up for what he believed in? Nah.....



It also wasn't their job to account for how many units, it would have had to have been the EU's job and look what happened with that.

At the end of the day, nobody accounts for anything but themselves. There's definitely a learning curve that has to happen though. Does belief make one a slave? Maybe only as long as one believes it does.
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Reply #42 posted 10/24/20 9:27am

heartpeaceshea
rt

"Don't I keep the heat on"!?!?!?!
fatalbert
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Reply #43 posted 10/24/20 9:34am

heartpeaceshea
rt

BartVanHemelen said:



JoeyCococo said:


Especially now. There is so much awareness now about this kind of thing....this dude gave up a lot to battle.





.


Prince didn't "battle" anything. He whined like a sulky teen and stomped his foot, that's all.



Of course he did 🤣🤣🤣🤣
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Reply #44 posted 10/24/20 9:53am

heartpeaceshea
rt

funkbabyandthebabysitters said:

For years I thought this was an embarrassing era


[Edited
[b][Edited 10/22/20 16:38pm]

[Edited 10/22/20 22:16pm]


Just Eat It
[Edited 10/24/20 9:55am]
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Reply #45 posted 10/24/20 11:48am

funkbabyandthe
babysitters

Ok.

lol
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Reply #46 posted 10/25/20 6:57am

olb99

avatar

databank said:

BartVanHemelen said:

The reality is that while Prince was whining, REM and Metallica both struck deals with WEA companies where they gained control of their master recordings. Prince did absolutely nothing and all he did was care about himself and never built anything to support other artists. He used his celebrity status to score deals with other majors, and when they realized he was more trouble than he was worth, he resorted to cheap stunts (free CD with newspaper, free CD with concert ticket), and when that ran out there was... nothing. Didn't release an album for four years cuz nobody would touch him.

While you are right about Prince "enslaving" Paisley Park artists (the Estate still owns quite a few masters, including George Clinton's), your long debunked theory about Prince not being able to get a record deal is getting tiresome, and I really wish you'd call it a day.

.

So once again (sigh):

.

In one of the leaked police interviews recordings, someone from P's camp (whose name I can't recall, I'm sorry, but many here have these recordings so it'd be easy to find the name) revealed that in 2014, Prince found himself in the middle of a bidding war between WB and Sony regarding the release of his next albums, and that WB finally won the bidding war, i.e. the privilege to release AOA and Plec.

.

From this, it is easy to infer that:

.

1/ Prince was more or less always in a position to get a distribution deal with a label (anyway, if not a major, there were the indies, and most indies would have sucked dicks to get a deal with a big artist such as Prince: he could get any indie label he wanted as long as he didn't ask for a bigger advance than they could afford).

.

2/ He wasn't dumped by Kobalt like you used to claim (without a single bit of evidence and despite Kobalt hosting dozens of totally obscure artists who don't sell much, the list is on their website), but quite the opposite (he dumped them in favor of the 2 majors' bidding war, if only because Kobalt is a distribution-only label that probably doesn't pay advances to their artists).

.

That's it. End of discussion. Don't even try.

.

popcorn

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Reply #47 posted 10/25/20 7:13am

homesquid

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NO!!!

Worst point in his career. Just completely wrong-headed in every sense of the word.

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Reply #48 posted 10/25/20 7:14am

tab32792

When he signed these deals back then, evidently he didn’t read the fine print. Hundreds of artists have fell victim to that. So he probably didn’t know he didn’t own his work nor did he know that there were all these people getting paid off him that didn’t do much of anything pertaining to creating the music.

Secondly, he wanted to release more than that current model of industry/record company could promote. They saw it as over saturation. Which I understand however he looked at it like how can you tell me what is too much? They then waved the contract in front of him like you signed this and we essentially own you so you do what we say. In a historical context what does that sound like to you? Slavery. So there’s that.

If you didn’t get it? Fine. That’s cool. But to question whether or not we should be proud of it is a whole other thing; especially coming from someone that isn’t apart of the long line of slavery. It way beyond him being a millionaire etc. it’s about ownership control etc. if you have no historical context you won’t get it and will only look at it as embarrassing and silly.

He started something that is still being talking about and discussed to this day and doesn’t get proper credit for it. Ownership and independence
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Reply #49 posted 10/25/20 8:17am

kingricefan

heartpeacesheart said:

kingricefan said:

I think that the standard record deal with a major label back then was the artist gets .10 cents on the dollar for every unit sold. As Prince became more popular he probably was given .12 cents per dollar. The record company kept the rest (some of it was used for promotion, etc. but the bulk of it went into the executives pockets). Yes, Purple Rain was heavily promoted but what about the albums that came after? Not much was done for those after WB realized that Prince wasn't going to give them another Purple Rain album/movie. So, would you build a house and expect to be paid 12% on the dollar when it gets sold by a realtor? And hand them the blueprints too? No way was I embarrassed by what the 'Slave' era involved. I was behind Prince 100% and am proud of what he accomplished. He was ridiculed by the Press and other artists back then but the next generation of 'artists' are reaping the benfits for his stance now (if they've done their homework that is). As for Purple Rain- I remember Prince saying that he would never know how much that record sold because WB had changed the ISBN/UPC numbers in Europe at different times and couldn't account for the units sold. I believe this was around the time that he was asking fans to send copies of 'unauthorized' copies of albums and maxi-singles to Paisley Park for him to destroy. So am I embarrassed that he stood up for what he believed in? Nah.....

It also wasn't their job to account for how many units, it would have had to have been the EU's job and look what happened with that. At the end of the day, nobody accounts for anything but themselves. There's definitely a learning curve that has to happen though. Does belief make one a slave? Maybe only as long as one believes it does.

Honestly, if WB is making .88-.90 cents on every dollar they most definately knew how many units were being sold, even if the market was in Europe. That's a lot of money for their accountants to just say 'Hey, who cares how many units we sold.'. They changed the barcodes/UPCs so that the amount of units sold could get 'lost' somehow. But they knew exactly how many were sold at the end of the day.

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Reply #50 posted 10/25/20 8:46am

jaawwnn

jdcxc said:

BartVanHemelen said:

The reality is that while Prince was whining, REM and Metallica both struck deals with WEA companies where they gained control of their master recordings. Prince did absolutely nothing and all he did was care about himself and never built anything to support other artists. He used his celebrity status to score deals with other majors, and when they realized he was more trouble than he was worth, he resorted to cheap stunts (free CD with newspaper, free CD with concert ticket), and when that ran out there was... nothing. Didn't release an album for four years cuz nobody would touch him.

REM and Metallica...hmmm. It took Prince 5 albums before he was marketed like they were from Day 1.

Name a Black artist who gained control of their Masters. Study the history of Black artists and the apartheid nature of the music biz...racist record labels, radio segregation and ownership. Of course Prince had missteps and strategic errors in battling a huge multinational corporation and anti-artist industry norms. U have been carrying the water for music biz practices for years, but the current state of the industry has proven Prince to be ahead of his time.

What? Circa Murmur and Kill 'Em All?? lol

Metallica had those Megaforce Records bucks bringing in the big PR guns.

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Reply #51 posted 10/25/20 8:48am

muleFunk

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funkbabyandthebabysitters said:

Dude, no artist can sell mega numbers year on year Esp not when youre changing style year on year That's not how the industry works Also not how fans and the public respond In 94 he complained letitgo wasnt a hit and blamed WB A year later eye hate u went top ten Not every single is going to be a hit [Edited 10/24/20 9:22am]

I'm not going to disagree with your point but when Prince was banished to the Black Music Division of Warner Brothers they cut 50% of his base and 70% of his radio airplay.

It's very easy to blame WB after that happened.

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Reply #52 posted 10/25/20 8:54am

jaawwnn

muleFunk said:

funkbabyandthebabysitters said:

Dude, no artist can sell mega numbers year on year Esp not when youre changing style year on year That's not how the industry works Also not how fans and the public respond In 94 he complained letitgo wasnt a hit and blamed WB A year later eye hate u went top ten Not every single is going to be a hit [Edited 10/24/20 9:22am]

I'm not going to disagree with your point but when Prince was banished to the Black Music Division of Warner Brothers they cut 50% of his base and 70% of his radio airplay.

It's very easy to blame WB after that happened.

Really? When was that?

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Reply #53 posted 10/25/20 9:15am

funkbabyandthe
babysitters

tab32792 said:

When he signed these deals back then, evidently he didn’t read the fine print. Hundreds of artists have fell victim to that. So he probably didn’t know he didn’t own his work nor did he know that there were all these people getting paid off him that didn’t do much of anything pertaining to creating the music. Secondly, he wanted to release more than that current model of industry/record company could promote. They saw it as over saturation. Which I understand however he looked at it like how can you tell me what is too much? They then waved the contract in front of him like you signed this and we essentially own you so you do what we say. In a historical context what does that sound like to you? Slavery. So there’s that. If you didn’t get it? Fine. That’s cool. But to question whether or not we should be proud of it is a whole other thing; especially coming from someone that isn’t apart of the long line of slavery. It way beyond him being a millionaire etc. it’s about ownership control etc. if you have no historical context you won’t get it and will only look at it as embarrassing and silly. He started something that is still being talking about and discussed to this day and doesn’t get proper credit for it. Ownership and independence

when he signed these deals back when? in 1992? when he had 14 years of experience being signed to a major? when he had enough money to afford the right lawyers and advisers?

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Reply #54 posted 10/25/20 9:17am

funkbabyandthe
babysitters

jaawwnn said:

muleFunk said:

I'm not going to disagree with your point but when Prince was banished to the Black Music Division of Warner Brothers they cut 50% of his base and 70% of his radio airplay.

It's very easy to blame WB after that happened.

Really? When was that?

yes id like to know that too.

seeing as eye hate you was a top 20 hit in the US in 1995, a mere year before he left the label.

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Reply #55 posted 10/25/20 9:37am

muleFunk

avatar

funkbabyandthebabysitters said:

jaawwnn said:

Really? When was that?

yes id like to know that too.

seeing as eye hate you was a top 20 hit in the US in 1995, a mere year before he left the label.

It happened in 92 when he signed that contract.

One of the interesting things about Prince's career is that he only had 5 Number one hits. When you start looking at it further you start to see that he had a very interesting run of Number 2&3 hits. Songs in my biased opinion should have been Number 1.

Purple Rain went to Number 2 on the Billboard chart.

Raspberry Beret went to Number 2 on the Billboard chart.

Sign O The Times went Number 3 on the Billboard chart.

U Got the Look went Number 2 on the Billboard chart.

Two of the weakest Prince singles went Number 1 after this Batdance in 89 and Cream in 1991.

Diamonds and Pearls went to Number 3.

Then 7 was either Number 3 or Number 7 on Billboard depending what chart Billboard wanted to use.

Not saying he was wrong or right but he blamed WB for this and he took a dive when he was put in the WB division. I have the USA Today paper that said this. It's in a box somewhere and if I find it I will put it up.

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Reply #56 posted 10/25/20 1:50pm

jaawwnn

92... interesting. I suppose white music was going full Nirvana at that time and Prince was moving away from rock music.
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Reply #57 posted 10/25/20 1:55pm

PennyPurple

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Something to be proud of now?

Who was ashamed of it, before?

It was nothing that Prince was or should have been ashamed.

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Reply #58 posted 10/25/20 1:57pm

PennyPurple

avatar

BartVanHemelen said:

JoeyCococo said:

Especially now. There is so much awareness now about this kind of thing....this dude gave up a lot to battle.

.

Prince didn't "battle" anything. He whined like a sulky teen and stomped his foot, that's all.

You must've had your blinders on, again.

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Reply #59 posted 10/25/20 6:04pm

AvocadosMax

Yep. He tore down walls. Heavily ahead of his time.
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