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Metoo it's a beautiful one, he looks contemplative, it fits well the lyrics of IIWYGF | |
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So I never got what the big deal was with SoTT/Cat and why anyone would care until I realized...huh...what do you know? | |
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I appreciate it for how much harder it was to pull off back then - film and double exposures. [Edited 8/3/20 15:07pm] | |
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Yep, there are certain cultural issues some groups have more or less with gender.
Prince was a blend and very attractive human, some people got it others didn't
That cover (If I Was Your Girlfriend) I always thought would have worked better for the SOTT cover, it was very contimplative.
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I have this vinyl and if you play "Hot Thing" back at 33 1/3 the slowed down groove is banging. | |
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Play In the Sunshine
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Play In The Sunshine
PrinceVault
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An underrated gem. | |
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I remember seeing the SOTT film in a movie theatre.It was brilliant! It was hard to sit still in my seat.I wanted to stand up and dance in the aisle | |
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You should've | |
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Love this song both live and on record. Wish so badly he would've brought this back just once after this tour. I know he would do the call and responses from the song in concert. Another appreciation note on this one is drum programming mixed with live drums. Pure Prince! | |
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DRS: I like every song on the album. I think “Play In The Sunshine” was a cool song even though it wasn’t released as a single.
SR: That was one of those songs that we knocked off very quickly. Prince did what most people do. When he would conceive of an album there were core songs that were the heart and the skeleton of the album. “Purple Rain” was a core song on the album Purple Rain, and of course “Sign O’ The Times” was one of the fundamental songs for that album. So when we would sequence a record sometimes we’d take our core songs and a few other tracks and we would sequence them together just to hear how the album was going to sound. If there was something missing, if there needed to be a song that would transition between two of the core or the more important songs, Prince would actually write something specifically to serve in the sequence. So in that sense there were the most important songs and then there were the album cuts–the things that were almost interludes on the record. So the songs were never intended to be singles or even have any important message. That’s what “Play In The Sunshine” was; it was just a bridge to get us out of “Sign O’ The Times” and into the rest of the record. “Slow Love” was another one of those…that was an old one from the vault.
RUUD SCHOUTEN
Susan Rogers in Rotterdam on June 29, 1987, while on the “Sign ‘o the Times” tour.
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Lemmy, Bowie, Prince, Leonard. RIP. | |
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i must also add, if i may, that the font was the most striking of all of LiPuma's designs. i still write like that sometimes "Whatever skin we're in
we all need 2 b friends" | |
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Good thread I just want to know if there are outtakes of the live footage shot for the film. There have to be | |
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MINNESOTA - 1987: Sheila E. in Minnesota in 1987. (Photo by Jim Steinfeldt/Michael Ochs
MINNEAPOLIS - APRIL 1987: Record producer and former drummer with Prince and The Revolution Bobby Z (aka Bobby Rivkin) at the Minnesota Music Awards in Minneapolis, Minnesota in April 1987.(Photo by Jim Steinfeldt/Michael Ochs Archives/Getty Images)
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Released in April 1987, SIGN ‘O’ THE TIMES was previewed two month earlier by the single of the same name. Written, recorded and mixed in a single day, I’d love to know the date so I could look up the newspapers to see what inspired it.
15 SIGN ‘O’ THE TIMES (3:42)
13 LA, LA, LA, HE, HE, HEE (3:21)
(Dares must have been in the air when Easton was around because their other collaboration, LA, LA, LA, HE, HE, HEE, resulted from Prince being asked to prove he could indeed get a full song out of those simple syllables.)
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