I have never understood the "I don't pay for streaming - I want to own it" argument. My guess is well more than half of folks here have Netflix, Hulu, Disney+, YouTube TV, Apple TV+, Sling, Direct TV Now, even cable or similar TV service to watch shows when you want - but guess what, you don't OWN them. You stop paying monthly, and they disappear. Check out The Mountains and the Sea, a Prince podcast by yours truly and my wife. More info at https://www.facebook.com/TMATSPodcast/ | |
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It’s an interesting proposition, I think it will happen in some way once they have exhausted the popular era albums as SDEs and Originals volume 10. I think the lesser known/cared for era late 90s onwards will be offered in some capacity to the hardcore fans. I would love to get unknown songs every month (if I could Download them would be better, but streaming is probably the way it will happen). I would pay around 10squid a month for such a thing or more depending on what was offered. | |
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nextedition said: Why not put it on spotify? Why a seperate subsciption? Prince isnt alive anymore, why does the estate have to make a lot of money? 77 per month to straam prince songs is crazy. They have to make tons of money to keep maintaining cleaning up the vault songs Support paisley and pay taxes | |
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Physical is best and always gets my $. Don't hate your neighbors. Hate the media that tells you to hate your neighbors. | |
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Fair enough. Appreciate the honest response and you not taking any offense since I didn't intend to offend | |
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RIP | |
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I forgot to add to my post that I am one of those who prefer having an actual physical product in my hot, sweaty hand when it comes to Prince. I have downloaded content that wasn't available physically (such as The Chocolate Invasion and others that were issued in digital form only) but I immediatly turn around and burn them onto a disc. You never know when your computer/phone will crash and lose all that music. | |
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well, technically, i think i might still have one or two lifetime memberships to prince music websites and true love lives on lollipops and crisps | |
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Got mine too! A thing of beauty! | |
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Older generation I think.
Intersting to see how profitable this venture could be- suspect production costs of something as beautiful as 1999 deluxe vs sales might decide on the strategy going forwards.
The publicity won't do the rest of the cataloge any harm. | |
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agreed. If that was delivered how much would you be happy to pay? | |
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sorry to say 100% yes I would! Thinking about my annual spend back in the day on shit quality bootlegs, magazine interviews, offical releases etc. If I was guaranteed regular, quality - HOLY GRAIL type content then hell yeah I would pay that! Bearing in mind how much each physical deluxe edition would cost then £50.00 per month IMHO is a price worth paying. I've spent a fortune on the man since 1983! | |
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That is just crazy unrealistic and I am glad they aren't offering such a service as it would drive people to illegally download at best and, at worst, avoid his music altogether (priced out of sight, and out of mind). . That is equal to over $700USD and simply not reasonable for the majority of American fans. In this economy? In this industry?? No no. Plus, they aren't releasing 3 SDEs a year. It's not comparable. Maybe if you snap up every single reissue and variance that exists on all formats, but I also don't even have space for all that junk nevermind the fact I don't need crap like Versace Experience on vinyl and cassette. . Subscription services like Spotify, Tidal, Netflix, Apple Music, Amazon Prime, Disney+, CBS, HBO, etc all manage to provide premium service for prices that fit the market. Let's be real - at $65USD a month, the estate is sticking its dick into your wallet and impregnating it. Not with tiny Prince babies, but with gremlins that eat your retirement account. | |
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Half the world is on spotify, the other half is on tidal, apple music or amazon music. But the people vocal here don't like streaming services... . I wonder how much revenue for Purple Rain deluxe and 1999 deluxe is from the streaming services and youtube, relative to physical cd sales. . In any case, imagine something like NPGMC, but done right. (Prince isn't here to make it go away after he lost interest and the industry has learned a thing or two about streaming since then) . A service where you are part of the club, for say, €100/year. Instead of getting the cds on release day, you'd be guaranteed to get them earlier by a few weeks. You'd also be able to buy the companion cds (1999, it ain't over! containing extraloveable and lust U always and some other tracks, more alternate versions of album tracks, etc) and you'd get access to a slowly expanding streaming service with only Prince related music. Maybe a few rehearsals, special live shows, etc. Discount (and early access) to celebration tickets, maybe even a special session for club members. Access to soundchecks for the traveling Prince band tours (NPG, Revolution, etc) There's a lot more possible here. . To me that sounds like a sound business model. Continuous cash coming in to pay for Paisley Park upkeep and digitizing the vault as well as proper mixing/mastering/remastering, guaranteeing a constant stream of releases and for the diehards also stuff that normally wouldn't be released because it isn't ecomically feasible. . And that €100/year? They might start a bit higher.. or do a lot of market research to get the right price point. . The rest will have to be "illegally" downloaded. Copyright infringment is never theft and will never be. It may be illegal, that's another matter. As to it being morally right or wrong... The current system of copyright is also wrong. Most of us have paid any number of times over to play "the ladder" (how many versions of Around the world in a day do you have? How many LP versions, how many CD versions, maybe even cassette?), just to name a track, is that ok? . In the uneasy equilibrium between art and commerce in the current situation, I feel that a revamped NPGMC could be the best situation for the estate (or whoever currently owns the rights and access to Paisley Park) and the fans alike. Paisley Park is in your heart - Love Is Here! | |
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Honestly, the biggest factor that could erode my willingness to pay (and pay well) for the estate to thrive is if I feel like they’re trying too hard to cash in or they’re withholding large piles of musical gold for future releases to maximise commercial value.
I legally own a majority of Prince’s released catalogue, and frequently listen to whatever else I can find online, so I’m willing to pay for a monthly subscription service that essentially doubles my Prince catalogue. For me, I’d pay $10 a month for an all-access pass to the vault. I’d consider a loyalty access structure. As your subscription time increases, your access to the rarer material in the vault increases. This also restricts access to some of his material that he didn’t want published for whatever we reason to his most loyal fans who would understand/appreciate the music in context, and it allows the estate to ensure lengthy subscriptions to music in a world where nobody pays for music. Otherwise, I could see myself paying for the odd month when I felt like it, but unlikely to pay regularly. $10 a month is probably my limit for a regular, monthly payment though. I might get a higher-priced option for one month, once a year, at most - but I’d also feel a little frustrated about the cost. If I was mega rich, I’d happily donate a large sum of money with no strings attached, which I imagine is an indication of the complicated sense of value I have for this topic. But in reality, I could also see myself not be willing to pay $10 a month if the amount of content was too restricted. I’m not too fussy about how frequently the touched-up material is released to be honest, as long as I feel like Prince’s music (all of it) is being preserved for the future. I’m willing to pay a little more over the years if I feel confident in the motives of the estate. It’s okay to be a little lax with marketing or monetisation, as an overly calculated treatment of his music could mean more of us wouldn’t feel bad about not paying for it, if that makes sense. [Edited 12/9/19 1:06am] Nobody I know gun' bite | |
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I reckon this is about the right amount, I would certainly pay that | |
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andrewm7 said:
I reckon this is about the right amount, I would certainly pay that It's affordable and still nets the estate £120 annually from each subscriber. I pay £10 per month for NOW TV and WWE streaming services, so I'd certainly pay that for Prince. | |
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- 150 EURO / year - But they need to make CD's/Vinyls available - "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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I'll pay whatever they charge me. But I want downloads not streams. NPGMC style. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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Streaming for something like this is pointless if you're a collector. . I think having a "vault subscription" is a fan pipedream and would only devalue the unreleased material. | |
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and true love lives on lollipops and crisps | |
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We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
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Ultimately I would pay anything under $100 a month for this, but my preference would absolutely be to have phsycial media, it just completes the overall experience. [Edited 12/9/19 8:40am] "You always get the dream that you deserve, from what you value the most" -Prince 2013 | |
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and true love lives on lollipops and crisps | |
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Not gonna happen. | |
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What I dream about for so long is a web app with a timeline, and when you pick a date you have access to what he has done on this particular date (the songs he recorded, the rehearsals, live shows and after shows). And each would be put in context, with descriptions, photos and videos if there’s one available. Like Princevault but more powerful with a real search engine and well designed.
To have access to this, I would pay whatever they want !
"You can skate around the issue if you like,
But who's gonna get you high in the middle of the night?" | |
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Making love and music are the only things worth fighting for. | |
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We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
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