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Engineer Ordered to Pay $4M to Prince's Estate Over Unauthorized 'Deliverance' EP source A sound engineer has been ordered to pay Prince's estate nearly $4 million for releasing an unauthorized EP of songs by the late musician, it was ruled in Minnesota federal court on Monday (April 8).
Boxill was additionally ordered to return to the estate all materials obtained through his work with Prince. Boxill caused a stir when he announced that the six-song EP consisting of previously-unreleased material would be released through the independent label Rogue Music Alliance (RMA) on April 21, 2017, the first anniversary of Prince's death. But just hours after the title track was released on streaming services in advance of the full collection, Prince's estate and Paisley Park Enterprises filed a federal lawsuit against Boxill, claiming he was in violation of a contract he signed with the singer stating that the recordings were Prince's sole and exclusive property. They requested a temporary restraining order against the EP's release, which a judge granted, though the title track remained online for longer after RMA initially claimed the ruling did not apply to the single.
According to a press release put out in advance of Deliverance's release, Boxill claimed the recordings on the EP were cut between 2006 and 2008 when he and Prince worked together. He further stated that he had co-written and co-produced the tracks alongside the singer and spent a year completing them following his death.
Sorry, it's the Hodgkin's talking. | |
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Too bad for Boxill. Despite the work that was done after Prince's death, it's really a great EP. [Edited 4/9/19 0:54am] | |
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That's kind of a shame. I know he was wrong to do what he did but the Deliverance EP is the only worthwhile posthumous release there's been. | |
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It was a really stupid move from Boxill to release it in the first place in the way he did, and his claims of co-authorship and co-ownership were ridiculous. But the thing is, the 'Deliverance' EP is brilliant (despite the fact that Boxill added some tracks to the mixes) and 3 years after Prince's passing, it's still the ONLY genuine new release from the Vault (that wasn't sourced from cassettes) that we got. Friends don't let friends clap on 1 and 3.
The Paisley Park Vault spreadsheet: https://goo.gl/zzWHrU | |
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4 millions ? Thé estate can't even sell 100.000 copies of PR deluxe or Piano 1983 worldwide, and they want 4 millions? They just had to release it themselves I stead of cashing on a poor engineer. Without him this would have never seen the light of day | |
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. Because you gotta scare other chancers who were planning to do the same. © Bart Van Hemelen
This posting is provided AS IS with no warranties, and confers no rights. It is not authorized by Prince or the NPG Music Club. You assume all risk for your use. All rights reserved. | |
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I actually wanted to ask that: has it been established that either he did or did not co-compose the songs? Was this part of the ruling? Thx for the info A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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How do you manage to find 4M when you're a regular folk?? And what happens if you don't? A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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. I haven't read the ruling, but Boxill tried to claim co-authorship on the basis of having added certain parts to the mixes, a chorus in 'Deliverance' and some synth lines in 'Man Opera', for example. He claimed that he composed those added parts so he's a composer too, but that's a ridiculous claim, it's not how it works. What he did (regardless of whether Prince asked him to do so or not) is arrangement, but arranging does not entitle you to a composer credit, arranging is simply a work-for-hire. Friends don't let friends clap on 1 and 3.
The Paisley Park Vault spreadsheet: https://goo.gl/zzWHrU | |
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. You go bankrupt. Friends don't let friends clap on 1 and 3.
The Paisley Park Vault spreadsheet: https://goo.gl/zzWHrU | |
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I see. It makes no sense indeed, thx A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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I'm not sure I understand what it means technically. They take everything you own, which is peanuts, then what? A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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I can't remember a post you wrote that wasn't about sales Why are you so obsessed with records sales? It's your right and it's cool, we all have our little obsessions, but it's an unusual one so I'd be really curious to know why A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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RIP | |
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. Friends don't let friends clap on 1 and 3.
The Paisley Park Vault spreadsheet: https://goo.gl/zzWHrU | |
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I know but even if we were discussing, IDK, Prince's wardrobe or diet, ROD would still manage to slip in a reference to sales A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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So basically if a regular person has to pay a 4M fine, they can just keep enough money to barely survive and any extra income has to be paid off until they die (because one doesn't make 4M in a lifetime)? Better run away to Venezuela then A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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. Friends don't let friends clap on 1 and 3.
The Paisley Park Vault spreadsheet: https://goo.gl/zzWHrU | |
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BVH makes a good point re scaring others off. Sadly though the EP is exactly the kind of vault music we crave. It's a bloody marvellous piece of work especially Deliverance...& in places is funky as fuck!
The estate are so messed up it will be years if ever that we get to hear gems like these. | |
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Yes, IIRC he claimed in the court papers he recorded a choir and added their vocals to The Twinz on Deliverance | |
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Him and feeluup must have loved Top Trumps as kids | |
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Well as we all know no Prince release (probably since the '80s) has generated 4M! | |
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Stupid decision to release it, but Im glad he did. I love it. (Insert something clever here) | |
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This is too bad. I respect him for releasing it, but I don't like that he altered it. Prince gave the record companies and the Estate an invisible deed. They are spending almost as much money as they are making trying to profit off of his work. He left a complicated web for a reason. This is all by design. | |
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[Edited 4/10/19 6:40am] | |
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donnyenglish said: This is too bad. I respect him for releasing it, but I don't like that he altered it. Prince gave the record companies and the Estate an invisible deed. They are spending almost as much money as they are making trying to profit off of his work. He left a complicated web for a reason. This is all by design. p> I never thought about it this way before but I think you are right. He was a very intelligent man and not haphazard about anything. It makes sense to me now. | |
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Universal, Warner Brothers and others got invisible deeds. When they tried to cash in, they didn't own what they thought they owned. He appreciated the fact that he had multiple vaults in disarray and that some of the material was literally deteriorating and it would cost a lot of money to organize and restore. Prince was not going to spend his life fighitng against the industry profiting from his work and have it all be for nothing after he passed. Thus far, the industry has not generated much profit from his work. That is pure genius and by design. | |
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"Climb in my fur." | |
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All I say is thanks Ian for releasing it, it was a real comfort to hear genuine 'new' music a year after P's death. The Deliverence EP was actually very good. I think the amount, 4m is rather excessive, i doubt it could have made that much, also I think Ian's intentions were not purely selfish but altruistic, knowing the fans were desperate for music the estate weren't releasing. However, the estate shouldn't crow about winning this but forgive him, get him on board and maybe he can help them engineer the Vault sessions. The estate need to get their act in order. If they had then we wouldn't need to rely on bootleggers or Ian to do their job for them! Releasing P&M last year was a cyncial cash in exercise with minimal effort put in. Compare what the estate have released to what Bowie's estate has released already! Even Dylan has an amazing set of releases and he's not even dead yet. I know people will say, yes it's the estate, it's legal stuff, but come on it's nearly 3 damn years now! No more stuff we already heard but new stuff from the vault. 1999 DELUXE with a full disc of unreleased gems would be a start!
'Leggers if you're listening, please fill in the gaps with some 'new' music. 2015, 2016 and 2017 were a feast of unreleased gems but since then it all seems to have gone dead now?!
[Edited 4/9/19 9:49am] | |
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