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December 11th 1987 Sheila E birthday music Ce soir, la chante all night long
Le Grind Bob George 2NigsUnited4WestCompton
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He painted a picture
He had allowed
2 Nigs United
Camille and his ego.
Bob George.
Why?
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Serve it up, Frankie Squirrel Meat! Uh! Don't try it! Cat, what's happening babe? (Bitch, would you play something?) Get out of my face! (Honey, it's not that type of party) (Talk to me, talk to me - do you remember me?) What cha mean? (Honey, he could teach you the answer to life) Honey, you see these pumps? (Bitch!) (Answer? Honey, you ain't gonna quit) I want to, I want to: (Who you calling bitch? Ho bitch!) I want you to meet some friends of mine (Bitch!) (Frankie, play somethig - shit!) (Who you calling ho bitch? Black ho bitch!) No, no - You'll like them They're, they're musicians
2nigsUnted4WestCompton
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I love The Black Album. The music is clever and complex, but still has a punch. It's both funny and dark. Pure Prince. Great stuff. The wooh is on the one! | |
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I love the Black Album too - it has "fermented" well over time. It's so dark and claustrophobic but funky and primal. The way it was recorded in a way reminds me of "There's A Riot Going On" - dark and murky and deep. Prince was so in control of his gift at this point that in a way he could only progress by being abstract. "Le Grind", "Cindy C"and "Rock Hard" - wow what an underground Purple treasure. I think it would have fared slightly better than "Lovesexy" only because it was rude and street. I think the real miss in that period though was "Camille" - that would have been a great Prince album. | |
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I wonder if this is the 'dark opener' has a sinister feel to it. A lot of people miss it lol in that deep voice
So, U found me
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I love imaging what a Black album era could have been like. I think more like the Lovesexy aftershows than the tour
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"That's when stars collide. When there's space for what u want, and ur heart is open wide." | |
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OldFriends4Sale said:
I love imaging what a Black album era could have been like. I think more like the Lovesexy aftershows than the tour
I think the New Years Eve show in 87 might be a good indication. The wooh is on the one! | |
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no one realizes to include this album in the first golden era 80-88...
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That was just the SOTT show with extra, that was safe I would think the Black album shows might render darker dangerous themes lightly touched on during the Lovesexy tours, BobGeorge and SuperfunkiCalifragiSexy
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I ALWAYS do
I wish when his albums are listed they in mags or online articles that it would be posted between SOTT/Lovesexy
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Basic tracks were recorded on 10 December, 1986 at Sunset Sound, Hollywood, CA, USA (the day after 2 Nigs United 4 West Compton). The track, along with Bob George and 2 Nigs United 4 West Compton, was recorded for a birthday party Prince was hosting for Sheila E. on 11 December, 1986. It is likely that the low voiceover in the song's introduction was added later (starting with "So U found me, good..." and ending with "So come vibe with us / Welcome 2 the Funk Bible / The new testament"), as it clearly serves as an introduction to the album. It is known that he completed work on the album in early October, 1987 at Paisley Park Studios, Chanhassen, MN, USA, which is probably when this part was recorded.
1. Le Grind So, U found me
People get ready We're gonna do the grind y'all, uh All the boys grab a girl Baby, I gotcha where I wantcha now (Grind) {repeat in BG} Grind {x4} (Woo!) All the boys say - "Yeah, yeah" (Yeah, yeah) Grind {x3} People get ready (Hey yeah) (Grind) {repeat} Up and down, up and down feels so good People get ready
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PHILADELPHIA DAILY NEWS
Friday, November 25, 1994 DISCS
'BLACK' IS GOLDEN FOR PURPLE ONE by Jonathan Takiff, Daily News Staff Writer
Just before its scheduled debut in December 1987, Prince suddenly decided to cancel his new album release. It was a time of heavy censorship agitation against pop music, and evidently Prince (or his advisers) didn't want to supply more fuel for the fire with this patently sexy set, which was never officially titled but known by its monochrome, type-free cover as "The Black Album."
Prince paid off Warner Brothers to have all 400,000 copies of the initial pressing destroyed. Yet a few copies escaped and fell into the wrong (or right) hands. Almost overnight, "The Black Album" became, according to Prince's label, the most bootlegged album in history.
As well it should have. The set is one of the hardest, funkiest works Prince has ever cranked out. Its eight solid jams hark stylistically to the scorched scorings of James Brown and Sly and the Family Stone, tip a hat to the hip-hop community and allude to the progressive jazz-rock horn charts of Frank Zappa. And like Zappa, Prince boldly mixed the musically sacred with the lyrically profane.
The electro-percolating "Le Grind" is a definition of dirty dancing that leaves nothing to the imagination. "Up and down, up and down like a pony would," pants our boy.
Elsewhere, Prince espouses the aphrodisiac powers of squirrel meat (who knew?) in "Superfunkacalafrajasexy" and encourages guys to excite the sisters by licking on their knees (who knew that was a hot spot?) in the rapping, rapturous "On It."
The bold one begs a beauty mark-festooned model named "Cindy C." to let him "see you in your birthday suit tonight." Look out, Richard Gere! The set also is home to the Prince concert favorite "When 2 R N Love," a pretty ballad that encourages romantics "nothing's forbidden and nothing's taboo."
Designed to spark even more controversy was a hard-bitten gangsta rap called "Bob," in which Prince processes his voice to sound like Barry White, and plays the ugly part of a gun-wielding, chauvinist pig.
I could do without the last track. But the rest are a kick and a half. And the double good news, as you may have guessed already, is that you finally can hear this music officially. Prince and Warners have struck a unique deal to issue "The Black Album" for a limited, two-month span, commencing this week and ending Jan. 27. So if you want it, come and get it fast.
Amusingly, Warner Bros. is offering "amnesty" to buyers of the bootleg. The first 1,000 felons who turn in their "naughty, counterfeit" copies will receive a new official CD or cassette copy. To participate, send your contraband album to Amnesty Offer, Warner Bros. Records, Box 6868, Burbank, Calif. 91505.
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1986 "Keep on shilling for Big Pharm!" | |
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? | |
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12.1.1987 Tonight Show
1. Nows The Time 2. Drum Solo
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Who is the guy in the bottom pic looking at Sheila? LOL
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Prince would have never gotten away with the stuff he pulled with women in this day and time, he so would have been accused of sexual exploitation and abuse of them, right or wrong? | |
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"That's when stars collide. When there's space for what u want, and ur heart is open wide." | |
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It does look like Patrick!! He was sure getting an eyeful, wasn't he? | |
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1986: the year of Sheila's Party for which Le Grind, Bob George, and 2NigsUnited4WestComptond were recorded...
"Keep on shilling for Big Pharm!" | |
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Right. But the culmination of the evolution I took it to her 1987 around the time the Black album was going to be released.. Wasn't really trying to be too technical about it.
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I will always include this one as a Black Album outtake...
Walkin' In Glory is an unreleased gospel track recorded on 7 December 1986 at Sunset Sound in Hollywood, California (on the same day as Bob George). Engineer Susan Rogers said he may have recorded Walkin' In Glory that day "to compensate" for Bob George.
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In addition, she sang backing vocals on several Prince songs and was the featured rapper on two Prince cuts: the hit single "Alphabet St." in 1988 --where Prince gave her a memorable introduction-- and "Cindy C," which was recorded in late 1987, but, not officially released until 1994 on The Black Album.
The Black Album was the first time Prince got me on tape recording. It was intense. I can't even go into that right now, because, it's too intense. The album didn't really have any production. It was spur of the moment. The Black Album was about personal things he was going through, which is why I don't want to discuss it.
http://beautifulnightschitown.blogspot.com/2013/05/sexy-dancer-cat-glover-talks-2.html | |
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Cat said her line 'serve it up Frankie' was her nod to Frankie Knuckles(godfather of House music)
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that irish freak from ireland has this song | |
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