Good, glad you like it so much! | |
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Phase One bangs btw. Fact. STD in particular. I wouldn't come anywhere to close to saying this album is his best but I can see why people might like it and, so far, no one has really offered a rebuttal beyond "it sucks" and most fail to say why. I like about half of it well enough | |
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RodeoSchro said: Good, glad you like it so much! π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯ βThe people that will end up defining βHate Speech Lawsβ are the very people you donβt want to define the Hate Speech Lawsβ β Jordan B Peterson | |
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I've only listened to it once on Tidal, but I enjoyed it. It was produced by someone else, but he managed to retain the "Princeness" while adding some modern sounds and textures, and the arrangements were tight. It's like he just took Prince's ideas and arrangements and replaced the sounds. A much more successful collaboration than Art Official Age, I couldn't stand how that was produced and it didn't sound anything like Prince music to me. | |
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It reminds of that thread I opened on MPLSound stating it was fucking fantastic. The Colors R brighter, the Bond is much tighter
No Child's a failure Until the Blue Sailboat sails him away from his dreams Don't Ever Lose, Don't Ever Lose Don't Ever Lose Your Dreams | |
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Personally one of my favourite Prince albums, although I totally understand why a lot of the 'classic' fans wouldn't like it, with it heavily tapping into current trends. For me, I like it because it's the kind of experiment I was always interested to hear him try, which he never quite did until the Funknroll remix and then the full on album with Phase One. Throughout his career Prince has always changed with the times (for better or for worse), but he was a bit late to the game with this particular style. He was tapping into current pop trends and imo did it alot better than most of the artists in the charts for whom the EDM/dubstep/trap etc styles are their bread and butter. Taking the kids to school, as it were! I've always thought that if this album was promoted correctly to the commercial demographic, it would have been a hit (as opposed to sneaking it into stores with zero promotion - a reverse shoplifting approach). Fallinlove2nite and Funknroll were big hits in the context of his later work but the album had potential to be an actual big hit. If you ever lose someone dear 2 U, never say the words "they're gone". They'll come back. | |
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- dearly Belieber, did the elevator bring you down ? get through this thing called life and look for the purple banana then wait 'til they put you in a truck -
"The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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Meh...not sure I agree entirely but I know what you're saying. | |
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Trolling. | |
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file under...crack thread | |
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I'm more of a Phase Two kinda guy, TBH. Love the percolating, laidback feel of it. And its more 'Princey', obviously. Phase One has its definite moments, though. | |
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iLike the energy that surrounds last phases of Prince career, among them Ph.1, which is irresistible. It's far from 'greatest album' he made, but that run of songs, especially from new mix of 'This Could B Us' 'till 'June' is just freakin' awesome -- full of life. Besides, who can just play in the studio and pull off sweet little jam like 'HardRockLover'? He makes it look so easy... [Edited 9/16/18 13:42pm] [Edited 9/16/18 13:44pm] | |
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I pretty much love all of his albums. (I know folks here would ask me to turn in my fan papers on that alone, but I really couldn't care less.) H&R1 is no different. Always liked it. Xs Face is so cool. . I'll say this in particular for this album, to me, IMHO, it stands out as the one album that has the best song openers. Just song after song, launching into powerful, distinct, attention-grabbing intros. | |
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