I haven't seen any 'directly' but indirectly I've seen clips from certain documentaries
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That had to a fun stage setup, that helped take the show into fantasy mode | |
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Life Matters | |
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Steve is quite talented. He's from my town - Baltimore, and we both lived in the city during those years. When I found that out I thought, dang - if we had been friends I could have hitched a ride with him to MN | |
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Seems this would be Prince's writing as it is very specific to the show. He may have learned some French doing UTCM since he was in France for quite a while. He also incorporated the French spoken word in Girls and Boys... | |
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^Thank you. Yes, I guess that's very possible, he always seemed to have a soft spot for the French culture. Life Matters | |
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1988 was just crazy weird.
I saw the show, bought the album (and sought out The Black Album too) and while it's all mystifyingly great, to me, it was a bit of a let down from the heights of SoTT. I dug a lot of it - most of it really - but the show felt too choreographed, over produced and synthetic a lot of the time. Piped in, pre-recorded, unspontaneous, stiff and over thought. For instance, if you watch Livesexy, Prince is NOT playing that keyboard solo during Anna Stesia when the riser goes up. A LOT of the show was obviously pre-recorded.
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Your points are well taken. The album wasn't very well received, and I think that had to do with the general public not knowing what to make of the music in relation to the message he was trying to convey. Looking at the footage of the concerts, it definitely has that "over the top" feel to it - more of a theatre/musical then rock concert. But, that is what Prince really gravitated toward - he always wanted to tell a story or send a message with his music. I agree, the outfits were crazy and "loud", but then again, it was the 80's - the era of "big and loud" styles!! | |
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I remember sitting on the grass outside Birmingham NEC listening to the soundcheck. A transit van pulled up in front of me and 2 girls jumped out the of the back doors followed by Noddy Holder. Surreal. I put my memories of that nights performance on face cloth the day prince died. I was blown away by that show. It was out of this world. | |
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You had a full on Prince day there, to rank up there with the best of them any of us have had I reckon. Great memories no doubt. How time flies. My password is what | |
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herb4 said: 1988 was just crazy weird.
I saw the show, bought the album (and sought out The Black Album too) and while it's all mystifyingly great, to me, it was a bit of a let down from the heights of SoTT. I dug a lot of it - most of it really - but the show felt too choreographed, over produced and synthetic a lot of the time. Piped in, pre-recorded, unspontaneous, stiff and over thought. For instance, if you watch Livesexy, Prince is NOT playing that keyboard solo during Anna Stesia when the riser goes up. A LOT of the show was obviously pre-recorded.
Agreed, I have a bit of a love-hate relationship with this tour myself. On one hand: you had a monster setlist, perhaps the most talented band prince ever worked with and an especially ambitious setup. _ Yet, all things considered, the Lovesexy tour went too far and placed emphasis on showing off above the music itself. I will always adore the 1988 Small Club aftershow, I have even learned to appreciate the Lovesexy album over time - but this tour still has a nasty habit of making me more exhausted than excited by the end of it. What was that?
Aftershock! | |
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