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CONTROVERSY would have been much more successful if... Private Joy was the first single. Discuss. A much more poppy, catchy, and innovative song than the title song or Let’s Work... | |
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I could see it cracking the Top 20... | |
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Oh wtf... Prince was just the kind of guy who needed a few albums to get going. When 1999 was released, he called Controversy "a little erratic." He was right. With 1999, he was getting ready to be big... With Purple Rain, he was huge. Having said all of this, I think it's a real shame that When You Were Mine never was a single. If there was any song that would have fit with the early 80s pop scene, this is the one. | |
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Totally agree re When You Were Mine!!!!!!! | |
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It would have been more successful if he put more care into crafting the era for promotion. I think Dirty Mind 1999 era ATWIAD and Parade, not to mention Purple Rain could have been even bigger if he paid more attention to crafting it. | |
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I wrote this some time ago. And yes, don't school me about Wierd Science.
"To me "Private Joy" was 4-5 years ahead of it's time. Hear me out. This song is one of the most un-Princely songs ever released by him. Don't you agree that this song would have fitted perfectly in some teen comedy from the mid eighties or in that slot? It totally sounds so funny and not serious at all, in the production. When watching movies from that period, it's obvious that it mostly contains sappy love ballads OR a funny non-caring pop tune on the soundtrack. And I for one consider Private Joy to be exactly that. I'm picturing a mid movie montage scene with Private Joy playing over. What I'm saying is that this doesn't sound 1981 at all. But it sure as hell sounds like 1985-1987 in my ears." | |
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Wolfie87 said: I wrote this some time ago. And yes, don't school me about Wierd Science.
"To me "Private Joy" was 4-5 years ahead of it's time. Hear me out. This song is one of the most un-Princely songs ever released by him. Don't you agree that this song would have fitted perfectly in some teen comedy from the mid eighties or in that slot? It totally sounds so funny and not serious at all, in the production. When watching movies from that period, it's obvious that it mostly contains sappy love ballads OR a funny non-caring pop tune on the soundtrack. And I for one consider Private Joy to be exactly that. I'm picturing a mid movie montage scene with Private Joy playing over. What I'm saying is that this doesn't sound 1981 at all. But it sure as hell sounds like 1985-1987 in my ears." Great take!!!!! | |
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Yep,When You Were Mine could have been a massive hit that crossed Prince over from a funk and R&B audience to a new wave one. It fits in well with what Blondie, The Cars, and Elvis Costello were doing at the time. I wonder if that's why it wasn't put out as a single, because the execs thought that it wasn't the right time for a song like that to be released as a single by an artist that was considered part of the black music scene (for want of a better phrase)? [Edited 3/22/18 17:21pm] | |
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...radio wasn’t so racist back then. | |
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It would've been more successful if it had better songs. Only it doesn't. It's got more than enough for a GREAT album, but for a PRINCE album nah. Least favorite album in the Canon and thats just a matter of taste. Plus the album artwork is pretty flat and generic looking. Dirty mind was generic but in a good way. It's just not a dynamic look. Song wise; lose Annie Christian, Ronnie Talk to Russia, Private Joy, and while Jack U Off is funny and nasty, it really sucks and its a cheesy silly riff. *For a Prince album*...that's all I'm sayin ♫"Trollin, Trolling! We could have fun just trollin'!"♫ | |
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Indeed | |
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I agree with the idea that it was ahead of its time. It was 1981 but sounds like it was firmly planted in 1985 radio. Using the Linn the way he did reminds me of how gated reverb was accidentally discovered, and later greatly exploited in songs like "In The Air Tonight" a few years later. Sorry, it's the Hodgkin's talking. | |
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EnDoRpHn said: ...radio wasn’t so racist back then. I agree. And if his videos were played on MTV pre 1983 | |
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ShaggyDog said: Yep,When You Were Mine could have been a massive hit that crossed Prince over from a funk and R&B audience to a new wave one. It fits in well with what Blondie, The Cars, and Elvis Costello were doing at the time. I wonder if that's why it wasn't put out as a single, because the execs thought that it wasn't the right time for a song like that to be released as a single by an artist that was considered part of the black music scene (for want of a better phrase)? [Edited 3/22/18 17:21pm] Yes! When You Were Mine was on most of my tape mixes and my New Wave friends would really jam to it. It would have been a great choice for a single. | |
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no, controversy was a great song, i wasn't yet a fan when i was entranced by it, i listened to the whole album but that song was special. | |
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ya, i think some reviewer, maybe kurt loder, called when you were mine "perhaps the catchiest thing he ever wrote" it's true. some other reviewer said it was written in the vein of the 60's girl groups which is possible, maybe Prince intended it for the girl group he was just starting to put together, either way, from the first time i heard it I loved it, i can't name too many songs in my life that i've liked on first listen. | |
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i heard he did the album in a little over a week, incredible if true. some filler, but do me baby, controversy, let's work maybe sexuality should be in the Prince classics realm. the look on the cover is moving towards a more refined look than what was on the dirty mind through the purple rain style. The hair looked better and better styled, the clothes went from looking like second hand store bought to tailor made and form fitting. Even his physique went through some changes, he was pretty buff by the purple rain tour, at least to my 16 year old eyes. | |
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I have always felt that “Private Joy” should have been a single....maybe the second single and then save “Let’s Work” for the third single. “Private Joy” is a fun,bouncy track.It would have appealed to the pop audience,too.What a missed opportunity. | |
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I’ve always loved Controversy as a project. I wouldn’t be as big a fan today if I hadn’t heard Private Joy... stellar Prince track Prince: 1958-infinity. Thank U for everything. | |
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TrivialPursuit said: I agree with the idea that it was ahead of its time. It was 1981 but sounds like it was firmly planted in 1985 radio. Using the Linn the way he did reminds me of how gated reverb was accidentally discovered, and later greatly exploited in songs like "In The Air Tonight" a few years later. | |
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Sorry, it's the Hodgkin's talking. | |
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TrivialPursuit said:
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do you mean Controversy would have more successful on the pop charts, and/or getting Prince to "mainstream" more quickly? First I'm trying to determine what you define as "successful, because according to allmusic (can't find it for verification on billboard), the LP was number 3 on the R&B charts.
As everyone on here already knows, Prince albeit against his desires if you are to believe what is written, was placed in the R&B genre; so if his lead off would have been Private Joy, IMO, NO I don't think Controversy would have been more "sucessful" if it were the lead single. Private Joy doesn't have the funkiness of Controversy and isn't even in the same league as Let's Work. Now if you're talking about would it have been popular on pop stations, of course.
I will admit that I'm biased because God, I LOVE funky Prince the most. [Edited 3/23/18 10:04am] [Edited 3/23/18 10:27am] | |
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to those who say they weren't too fond of the album as a whole, i think some of the tracks were a bit weak, jack u off, ronnie talk to russia and annie christian weren't as good as the rest but.., those songs did help to fulfill a vision that prince was trying to express more fully and which he did on 1999, that solitude and loneliness and despair, so, to me, annie christian is a bridge to songs like lady cab driver, automatic and later songs like darling nikki where the female protaganist is somehow deadly, either physically or romantically, she even crops up on albums as far away as lovesexy (anna stesia). ronnie talk to russia was a tune getting more in touch with prince's kinda contradictory conservative and his political self which would change dramatically through the years (remember how he praised reagan as having balls?) It also was in keeping with the earlier, self conscious statement on dirty mind of him knowing he was a star, a theme that would be revistited in baby i'm a star. All of these themes, obsessions seemed to be genuine in his head at the time all in addition to the sex and religious talk which ironically, might have been even more a pose than the rest. | |
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Well said PS.
I lived in a small town and ended up getting Dirty Mind and Controversy within months of each other. Controversy is the album that got me to "fanatic" level. I was 13 and I was blown away. It's sily to look back and say 'he should have worked on it more...etc.'. He labored too much on For You and Prince was equally well produced. Dirty Mind and Controversy were to break that mold and start new. Not to mention he was working on the Time's first album too. | |
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i was 13 too, my stepdad bought a set of stolen tapes off of a thief who came by every couple weeks. It looked like a white guys set from most of the tapes, but I heard controversy, it was really one of those first tunes that i would play over and over again and just be fascinated by, fascinated by how something that simple could move me like it did. i liked the rest of the album too, and even though annie christian wasn't that great a song, it was creepy, i used to get scared as fuck listening to that in the dark. | |
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TrivialPursuit said:
It was the Low album by David Bowie from 1977 that first had that big drum sound. The producer, Tony Visconti, was playing around with a piece of equipment called the Eventide Harmonizer that could pitch shift the sound of the Snare drum downwards depending on how hard the drummer hit it. Viscoti described it to Bowie and Brian Eno by saying that it "f---S with the fabric of time"! | |
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The world's problems like climate change can only be solved through strategic long-term thinking, not expediency. In other words all the govts. need sacking!
If you can add value to someone's life then why not. Especially if it colors their days... | |
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That doesn't sound right. Gated reverb isn't a "big drum sound". Hell, if someone wants big drum sound, listen to "Kasmir" from Zeppelin. Sorry, it's the Hodgkin's talking. | |
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I must say I agree with the OP on this one: I've always wondered why it wasn't released as a single at all. It was a no-brainer: a strong, accessible pop song with a catchy melody, it would have been an obvious choice. It was covered at least twice in 1984 (by La Toya Jackson and Cheynne), so others saw potential in it soon after. IDK, it was a maybe bit ahead of its time in terms of synthpop and WB felt it wouldn't work, but on the other hand The Human League's Don't You Want Me blew up the charts in late 81/early 82, so they could have seen an opportunity. . On the other hand the R&B target audience argument mentioned above makes sense. It's easy to forget how segregated music was in the US in those days. But then they should have released it at least in Europe, as they did with the punkish Sexuality: UK would probably have been quite receptive to it given what was going on there musically at the time. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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