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Putrid might be strong word. With such a great album musically, this cover could have been so great. Instead, it just screams so much "I don't give a **** what anyone including Warner Brothers thinks, I'm going to make a cover that most people will hate, because I'm Prince damn it and I can do whatever I want. To me, it just screams arrogance and I've always hated it and always will. | |
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I think you take it way too seriously. "I wish we all were nude", remember? It's a serious statement about pureness for Prince. Naked, you have nothing left. [Edited 12/16/17 14:41pm] The Colors R brighter, the Bond is much tighter
No Child's a failure Until the Blue Sailboat sails him away from his dreams Don't Ever Lose, Don't Ever Lose Don't Ever Lose Your Dreams | |
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Hmmm...funny? I've never looked at that album cover and thought funny. Other people thought it was funny when I bought it though.
You think *I'm* taking it too seriously, you should read your post.
I love Prince and they way he dealt with sexuality, in many ways he taught me more about sex than anyone else. Still, this album deserved better IMO, and it really felt like Prince wanted to be outrageous for the sake of being outrageous. | |
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Unfortunately, I have to agree. About Lovesexy, yes, it´s controversial, but it had good art direction. [Edited 12/19/17 12:00pm] | |
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Yeah, I highly doubt Prince intended the Lovesexy Cover to be humorous. He seemed rather serious about the whole concept of the album - something he wouldn't do again until TRC. | |
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For me all of the ones by Steve Parke are terrible. I love his book Picturing Prince but what Prince saw in his art direction is beyond me. | |
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. You beat me to it. The design department of Warner was good, but when he moved to Parke, it never really recovered, although I like The Rainbow Children and One Nite Alone... Live! Paisley Park is in your heart - Love Is Here! | |
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At the Salford conference in May, the keynote speaker put that cover next to a number of album covers by female soul singers of the time, and suggested that Prince was riffing on that aesthetic. Donna Summer's One Upon A Time was a specific example.
That made me look at it as subversive - especially considering people thought it was a woman singing on his early songs (on the radio - before he was known), and Camille, and how much he pushed gender norms of the time (particularly for an African American man in 1970s United States).
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