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Shania Twain: "Prince Wanted to Produce My Album"
June 16th
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Of course, all the beautiful women...Prince wants all of them. Just like every man...
Shania is no exception. | |
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Obviously most of us know this, but he did cover Twain's You're Still the One as a duet with Marva King, and streamed it on Love4OneAnother. Pretty poor quality sound, and it was a stream--I always hoped there was a more finished version that might show up in an actual real release. Not that it was a great track--it really wasn't, and I can't say he really added anything to the original--but I still liked hearing the times he did covers, even if most of them never really gelled for me. I can't really imagine a Prince-produced Shania Twain album, honestly. | |
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Nice.she has perfect pop vocals. How good is Jill Jones first album and Jilly hasnt got a real vocal range at all,imagine what he couldve done with Twain. | |
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I do worry about her just being a voice on a Prince production, opposed to what Robert "Mutt" Lange did for her (and what any great producer does) in pulling out and highlighting her best bits, finding great songs to rework and make their own. He did that so excellently with Def Leppard on Hysteria. Some of the original hooks for things like "Pour Some Sugar On Me" or "Women" were different and uninteresting, until Mutt got a hold of them. He was producing 3 version of any particular Shania album back in the day. There was a country, pop, and euro version of each album while she worked with him. It was a lofty approach, but it worked. Sorry, it's the Hodgkin's talking. | |
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is anyone else thinking what I'm thinking?
For Prince,that was probably a familiar line that he used with women,lol | |
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Clearly, she didn't want to work with Prince. She knows to well, as everyone in the music industry, that working with Prince will end in infinite complications. | |
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The One U Wanna C could've been a Shania Twain song. I'm pretty sure he wrote that with her in mind. | |
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ludwig said: The One U Wanna C could've been a Shania Twain song. I'm pretty sure he wrote that with her in mind. Stand at the crossroads, and look, and ask for the ancient paths...(Jeremiah 6:16) www.ancientfaithradio.com
dezinonac eb lliw noitulove ehT | |
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Sounds like a pop-country song to me.
Aw. She missed out on being sprinkled with purple glitter.
Well, at least she has a cute P story to tell.
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If it was pretty and even remotely in the business, Prince wanted to produce them. So many fine ladies, so little time, I think the word 'produce' could be substituted with a few other colorful words.
Nobody chased the ladies like Prince. "You always get the dream that you deserve, from what you value the most" -Prince 2013 | |
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To be honest it's a good thing career-wise that she never hooked up with him producing her record "Climb in my fur." | |
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Seems to me that pretty much every female he ever 'worked' with had their careers disappear afterwards. Where's Sheena Easton? Where's The Bangles? Of course it could also be said that they had their time as 'stars' which in the music industry usually ends up being 7 years.
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kingricefan said: Seems to me that pretty much every female he ever 'worked' with had their careers disappear afterwards. Where's Sheena Easton? Where's The Bangles? Of course it could also be said that they had their time as 'stars' which in the music industry usually ends up being 7 years.
Nah because many of the ones he worked with in the 80s had great success with his music. Sheena had some of her biggest hits with his sugar walls etc.. bangles too..Sheila, Chaka even though indirectly...but in the 90s and on not so much And let me qualify by stating that I loved his version of Still The One. Like he said, it needed more power and he gave it to the song imho. I was disappointed he never released his version in clarity . [Edited 6/17/17 15:07pm] "Climb in my fur." | |
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pimps gonna pimp | |
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Sorry, it's the Hodgkin's talking. | |
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ludwig said: The One U Wanna C could've been a Shania Twain song. I'm pretty sure he wrote that with her in mind. What makes you think so? These two lines don't seem to fit her: "I know you're in a hurry baby" "Too tall to be talked down to" | |
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Laydown said: Nice.she has perfect pop vocals. How good is Jill Jones first album and Jilly hasnt got a real vocal range at all,imagine what he couldve done with Twain. (yes) I think he really wanted to help her but she did not or could not take the opportunity when it arose. | |
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leadline said: If it was pretty and even remotely in the business, Prince wanted to produce them. So many fine ladies, so little time, I think the word 'produce' could be substituted with a few other colorful words.
Nobody chased the ladies like Prince. You think he wanted to get in the sack with Shania? Paisley Park is in your heart
#PrinceForever 💜 | |
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Thank you!
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That's something for Prince to want to produce Shania's album because she was regarded as a country singer. Guess Prince was a fan of some country music.
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Sorry, it's the Hodgkin's talking. | |
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ASS + MAKING MUSIC + SHANIA MONEY $$$ = HAPPY PRINCE! [Edited 6/18/17 10:55am] | |
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Or another way to look at it is that he put Vanity on the cover of Rolling Stone, put Appolonia in a Hollywood movie, put Wendy and Lisa in the Revolution and on the path to their own careers, gave Sheila E her biggest hits, gave Sheena Easton notoriety, gave Susannah a band, gave the Bangles one of their biggest hits which put them on the path to even more success later, ditto Sinead, gave Carmen Elektra her name and put her on the path to celebrity, put Mayte on stage at major award shows, etc. Cat, Boni, Rosie, Tamar, Monae, Candy, Shelby, 3rdEyeGirl... so many women had careers boosts because of Prince. Even Susan Rogers has a pretty decent media profile for an academic/sound engineer because she's an authority on Prince and one of his major collaborators. Yeah, these poor "females" who made career missteps getting tractor beamed into Prince's orbit... just look how collaborating with Prince deep-sixed Madonna's career.
Fuck, Lisa Barber is more famous than 90% of people on Earth because Prince took her to a movie one time thirty years ago. | |
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mtlfan said:
Or another way to look at it is that he put Vanity on the cover of Rolling Stone, put Appolonia in a Hollywood movie, put Wendy and Lisa in the Revolution and on the path to their own careers, gave Sheila E her biggest hits, gave Sheena Easton notoriety, gave Susannah a band, gave the Bangles one of their biggest hits which put them on the path to even more success later, ditto Sinead, gave Carmen Elektra her name and put her on the path to celebrity, put Mayte on stage at major award shows, etc. Cat, Boni, Rosie, Tamar, Monae, Candy, Shelby, 3rdEyeGirl... so many women had careers boosts because of Prince. Even Susan Rogers has a pretty decent media profile for an academic/sound engineer because she's an authority on Prince and one of his major collaborators. Yeah, these poor "females" who made career missteps getting tractor beamed into Prince's orbit... just look how collaborating with Prince deep-sixed Madonna's career.
Fuck, Lisa Barber is more famous than 90% of people on Earth because Prince took her to a movie one time thirty years ago. I agree. "Climb in my fur." | |
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Ὅσον ζῇς φαίνου
μηδὲν ὅλως σὺ λυποῦ πρὸς ὀλίγον ἐστὶ τὸ ζῆν τὸ τέλος ὁ χρόνος ἀπαιτεῖ.” | |
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RODSERLING said: Clearly, she didn't want to work with Prince. She knows to well, as everyone in the music industry, that working with Prince will end in infinite complications. But that is not what she said. | |
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Prince could produce any genre of music, honestly. He was prolific at writing and producing for female singers with pretty voices while creating such beautiful melodies. No disputing that fact. It didn't have to be about getting someone in bed, he was Prince afterall, and he probably could've easily dated her without a production. So don't hate, appreciate! | |
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