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I'm with you here, IstenSzek. I love much of the later stuff and listen to it a lot. RIP | |
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and true love lives on lollipops and crisps | |
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I quite like the three Touch Me, Sunrise Sunset and Noone Else. I am is ok too. Not so keen on Deliverance. The wooh is on the one! | |
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I didn't say that Prince wanted his music to be public domain. I am saying that I think it should be. I don't understand why a group of people he didn't place in his will (the family he wasn't particularly close to) have more of a right to music than anyone else who worked with him? they may not have signed agreements, but they are violating his privacy, auctioning his stuff, and going against his wishes already. I believe however that his wishes are less important than his legacy and reputation right now.
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I really like this ep Once again it proves that Prince chose no to release some of his best material in recent years [Edited 4/19/17 3:43am] Welcome 2 The Dawn | |
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what would he say/do when someone making $€£ from his name/music. what would he say/do if someone messed with his craft. Don't bother with the lawyers they drag ish out and get rich from his craft Upload for people to download for free then smile. If I was the estate I would put all music on official paisley park website that this guy is trying to sell and invite all to download for free. All Sit back and smile think to urself that you got Prince's back. | |
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Did the twinz do singing? I thought they were just dancers. And yes, Tamar would go well here. RIP | |
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swoonfed said: To (not so) briefly weigh in on the "putting his music on Spotify against his wishes" etc etc argument...
P's issue was always "they wasn't in the studio", regarding folks profiting off of his creations.
Who is there left to protect??
Do we not all benefit from allowing his music/performances to reach anyone and everyone from now un.til.the.end of time??
Spotify, Youtube, wherever. Let's see it. Let people hear it.
How many thousands (millions?) of folks have been exposed to live performances, rare tracks, OFFICIAL tracks, that they otherwise never would have been, and have come away in awe.
Isn't that what we want? To spread the word? His message? Let it be known?
People are like, WOW! I never knew!!
Who are we protecting? The estate?? Those that opened up his house and had people parading though, what, nine months after he left us??? Oh, I think they'll do just fine. For better or worse.
They wasn't in the studio.
Let the man's creativity breathe. Finally! Spread the love. The world needs it. The example, if nothing else.
.....
And again, the idea of anyone not named Prince "finishing" tracks, as in writing/arranging/producing withOUT him... oh, man. Has he ever had that arrangement with ANYone?? He'd never allow it. Especially not now. Not there to approve the finished product? No way. None. Ever.
I cna agree with the concept that he is gone now and the music needs to be free so that the world can hear it. Perhaps streaming services are now a part of that now that he is gone. So is some dude that helped engineer some tracks for him that has the tapes releasing the stuff on his own. If the end result is the world gets to hear Prince's gifts then it is a good thing. Not sure how the Prince police are saying Deliverance is disrespectful but that hideous urn at Paisley is official and sanctioned? With that said, the video is very disrespectful. Free the music. [Edited 4/19/17 3:55am] [Edited 4/19/17 3:56am] | |
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. Leave them the fuck alone. Or at least give us those versions besides the "improved" ones. © Bart Van Hemelen
This posting is provided AS IS with no warranties, and confers no rights. It is not authorized by Prince or the NPG Music Club. You assume all risk for your use. All rights reserved. | |
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. This is the equivalent of bitching about not getting enough of a discount in a shop and praising the shoplifter who gave it to you for next to free. © Bart Van Hemelen
This posting is provided AS IS with no warranties, and confers no rights. It is not authorized by Prince or the NPG Music Club. You assume all risk for your use. All rights reserved. | |
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BartVanHemelen said:
. Leave them the fuck alone. Or at least give us those versions besides the "improved" ones. I'm conflicted. On the one hand I'm concerned what someone might do and these no longer are Prince songs. On the other hand if some of this stuff is really rough and not a final product he would have released but has potential to be great I'd like the final product to show that greatness. The question is who's overseeing this? I know guys like Dave Hampton and Scott Baldwin have offered their services. I don't want someone who wasn't there at the time reinterpreting things. 🤔 Paisley Park is in your heart
#PrinceForever 💜 | |
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Kara said: rogifan said: Well and this is the question...what if there are a lot of unfinished tracks in the vault? What if some of the best stuff in the vault is like Deliverance? That's why they need the right people overseeing the vault so if there are songs that need to be 'finished' the right people are doing it. While I think this EP is shady as hell listening to Deliverance it sounds like a Prince song to me. It sounds like something he could have released. I am enjoying it a lot and on social media a lot of people are like "wow this is good". I prefer that over another search warrant story... In my opinion, Prince's unreleased songs are historical documents that should be left just as he left them. That's how I want to hear them. No finishing compositions, adding stuff, etc. Art shouldn't be altered in that way. They're in the vault for a reason. Either he didn't think it was good enough to release or it was unfinished and he didn't get back to finishing it or couldn't find other things to go with it. I'm hoping the people brought on board to oversee the vault are ones that worked with him and have an understanding of the music. Maybe there are some things that just need a little finishing salt to be great. I don't want stuff to be released that everyone hears and the first thing they think is wow this sounds unfinished, or worse this sounds awful (because it's an incomplete thought). Paisley Park is in your heart
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Finally some music to talk about. Can anyone confirm these are remixed or stuff was added?
https://twitter.com/candyTman/status/854519171559825408
"I've had these as part of a "Planet Earth" 5/2007 sequence and kept it secret out of respect. These are remixed but how crazy for him to do"
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MMJas said:
This is a very poignant question. Deliverance sounds like a Prince track to me also, but who's to say he'd want the choir in it? Whoever works on those unfinished tracks (and here's hoping there are far less unfinished ones than not) needs to be the right person. I remember orgers discussing the possibility of songs bering worken on by specific collaborators from specific times, like The Revolution working on tracks form their era, etc. That would probably make sense. I don't think the Estate will have any problem getting people to offer their services. But I don't want some big name producer who never worked with Prince in charge. What makes most sense to me is catalog the songs by era/year they were recorded and bring in the engineers who were around for that time frame and have them oversee those songs. Paisley Park is in your heart
#PrinceForever 💜 | |
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and true love lives on lollipops and crisps | |
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IstenSzek said:
I would be really interested in seeing this as well | |
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Exactly. | |
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Honestly, that argument could be made for everything else that ever comes out--none of the money will ever go to either the creator (Prince) or his designated heirs (since there were none). BUT... the only reason (or at least main reason--let's be honest again) that stuff will receive OFFICIAL release is that money will be going to someone. So, if none of us pay (or if only a few of us pay), there's not much chance we're gonna hear much music. [Edited 4/19/17 4:45am] | |
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and true love lives on lollipops and crisps | |
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Was this recorded at Paisley Park? Paisley Park is in your heart
#PrinceForever 💜 | |
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IstenSzek said:
Do you have a source or link to this? This one slipped past my radar but I would love to see it. Couldn't find anything on Sam's Twitter | |
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You're talking nonsense. Those 6 tracks will never be released officially in your lifetime. We are now 1 year after P's death, and there is only 1 track officially released - taken from the same source than the bootleg. Such a shame for an artist who recorded hundreds of unreleased tracks, if not thousands. .
Personnaly, I didn't even bother to listen to the DELIVERANCE tracks. I listened to some unreleased bootleg, and I didn't like them. Just my opinion. But objectively, I support this "release" because of the reasons stated above. . It hurts me to say that, but even MJ's estate was way better handled than Prince's. And god knows that MJ's estate was very badly handled - and still is. . I think it would have been smart to release last year the P and M tour on CD, the BLACK IS THE NEW BLACK album and the PR Deluxe, in order to maximize interest in Prince for the largest audience possible. Now, ( I hope to be proved wrong ) the interest is dead. Like with MJ. They waited way too long. [Edited 4/19/17 5:03am] [Edited 4/19/17 5:04am] | |
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This stuff takes time when the artist didn't leave a will. | |
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and true love lives on lollipops and crisps | |
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RODSERLING said:
You're talking nonsense. Those 6 tracks will never be released officially in your lifetime. We are now 1 year after P's death, and there is only 1 track officially released - taken from the same source than the bootleg. Such a shame for an artist who recorded hundreds of unreleased tracks, if not thousands. .
Personnaly, I didn't even bother to listen to the DELIVERANCE tracks. I listened to some unreleased bootleg, and I didn't like them. Just my opinion. But objectively, I support this "release" because of the reasons stated above. . It hurts me to say that, but even MJ's estate was way better handled than Prince's. And god knows that MJ's estate was very badly handled - and still is. . I think it would have been smart to release last year the P and M tour on CD, the BLACK IS THE NEW BLACK album and the PR Deluxe, in order to maximize interest in Prince for the largest audience possible. Now, ( I hope to be proved wrong ) the interest is dead. Like with MJ. They waited way too long. [Edited 4/19/17 5:03am] [Edited 4/19/17 5:04am] Who had the authority to release music last year? Paisley Park is in your heart
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It's sad that someone would think they have the right to release these when they don't. . In the last twelve months all we have had is exploitation and very little reflection. . Sadly the estate haven't delivered anything of value and have fuelled this. . | |
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My god it feels so good to hear him. I don't really care how it's come to us. I've seriously missed this. | |
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BartVanHemelen said:
. Leave them the fuck alone. Or at least give us those versions besides the "improved" ones. Totally agree! | |
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rogifan said: Kara said: In my opinion, Prince's unreleased songs are historical documents that should be left just as he left them. That's how I want to hear them. No finishing compositions, adding stuff, etc. Art shouldn't be altered in that way. They're in the vault for a reason. Either he didn't think it was good enough to release or it was unfinished and he didn't get back to finishing it or couldn't find other things to go with it. I'm hoping the people brought on board to oversee the vault are ones that worked with him and have an understanding of the music. Maybe there are some things that just need a little finishing salt to be great. I don't want stuff to be released that everyone hears and the first thing they think is wow this sounds unfinished, or worse this sounds awful (because it's an incomplete thought). I care much less about other people's opinions of his music than I do about hearing Prince's music in it's unadulterated form as he intended it to sound in that moment in time. Incomplete thoughts can be interesting, too. I love hearing demos/alternate versions, hearing the progression of a song, and gaining insight into the creative process. Someone completing his thoughts for him after his death is artistic sacrilege to me. | |
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