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lol...I like the cut of your jib, Sausage King | |
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If Boxill had just left the tracks alone or just did some minor mixing (I doin't know the technical term) then that would have been fine. But, the fact that he went in and changed things like removing the Twinz vocals and replacing it with a choir after Prince passed bothers me. I like unfinished tracks. There is an unfinished version of Gold circulating that almost sounds better than the album version. Anyway, if there is a crime of disrespect it is the dumb ass video and the Boxill messing with the music. Take a look for yourself.
https://www.documentcloud...rized.html
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I'm not going to comment on whether the guy had any legal rights over this music, the lawsuit can sort that out. But it speaks a lot about his character the fact that he's selling three songs and charging for six. The non-extended version of I Am is a joke, and Sunrise Sunset, Touch Me and No One Else are just one song split into three bits. But I guess it is easier to sell an E.P. with six songs than with three. About the music itself, I would like to hear it with no added bits, just the way Prince left them; having said that... I quite like these three songs! Deliverance may sound a bit like Wow, but it is distinct enough to be considered a good song on itself. I Am is brilliant. It reminds me a bit of he Judith Hill album, which is good, in my books. And the Sunrise Sunset songs are also quite to my taste. Sweet, but with a darker sound towards the end. While we wait for something better, this is a very welcome distraction. I just wish I hadn't paid for it... | |
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and true love lives on lollipops and crisps | |
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IstenSzek said:
Me too. What? | |
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and true love lives on lollipops and crisps | |
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The world's problems like climate change can only be solved through strategic long-term thinking, not expediency. In other words all the govts. need sacking!
If you can add value to someone's life then why not. Especially if it colors their days... | |
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leadline said:
IDK. What if non-diehards hear it, and think, "Oh, it's nothing special. Maybe I won't be interested in future releases?" I feel like the first thing from the vault should blow people away, so as to whet peoples' appetites for future releases, and also build an audience for them. I guess if this thing doesn't end up reaching far and wide, maybe it doesn't matter. Listening to it in its entirety, I think it's really cool. Considering the circumstances, and lyrical themes, it does sort of sound like he's transmitting from beyond, which is eerie. I don't think it's better than AOA or HNR2, or even as good. But it's quite interesting, and enjoyable, and a wonderful surprise on the anniversary of his death. "That's when stars collide. When there's space for what u want, and ur heart is open wide." | |
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Anybody else has the problem with the Touch Me - Sunrise, Sunset transition? There's a slight imbalance with the channels. I wonder if this was intentional or not. | |
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IstenSzek said:
Turn It Up, that's the one. Couldn't remember the title! | |
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I find it interesting that a year ago today, I was reading comments here saying that Prince was washed up, his career was in the $hitcan, it was done, etc. Two days later he was dead. Almost a year later, and you're all fighting amongst yourselves again. Nothing of any substance has transpired with regard to Prince's music in the past year. I don't agree with this release. I wouldn't say I'm conflicted, but it is nice to hear his voice in a new vein. But before anyone falls into the trap of thinking that the estate or WBR or Universal or whoever just needs to get their act together and start releasing stuff, don't hold your breath. None of them respected Prince when he was alive, and they still don't today. If you think otherwise, read this: http://m.startribune.com/...419710153/ | |
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Hold on a minute, let's forget the new songs and why you have or haven't listened to them and pop back to the only listening Sinatra thing for a minute. Now there's nothing wrong with Frank, but what the hell has happened to golden boy D'Angelo?!! RIP | |
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IstenSzek said:
Shit you're right about Turn Up, It was bugging me as well what it reminded me of ๐๐ป | |
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For every latter day release they should release an early period release until they meet/end in the middle
like
1977 Demos + Loring Park Sessions 1977 + Black is the New Black the Rebel Sessions + Rainbow Children pt 2 2nd Coming movie + 3121 movie etc | |
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Everything new the Estate will put out I will buy, that's for sure. | |
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We donโt mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
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Regardless of the inevitable legal fiasco, I'm enjoying this. 'Deliverance' reminds me of 'Still Would Stand All Time' in parts as others have remarked. Something about the lyrics leads to 'Sacrifice of Victor' as well.
I wish he'd done a proper, fuck off, blues album.
It doesn't sound massively like the 3121 period to me, maybe I'm wrong. [Edited 4/19/17 12:11pm] | |
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donnyenglish said: If Boxill had just left the tracks alone or just did some minor mixing (I doin't know the technical term) then that would have been fine. But, the fact that he went in and changed things like removing the Twinz vocals and replacing it with a choir after Prince passed bothers me. I like unfinished tracks. There is an unfinished version of Gold circulating that almost sounds better than the album version. Anyway, if there is a crime of disrespect it is the dumb ass video and the Boxill messing with the music. Take a look for yourself.
https://www.documentcloud...rized.html
This is interesting. Seems like Boxill changed the arrangements quite a bit. The wooh is on the one! | |
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TheEnglishGent said:
Hold on a minute, let's forget the new songs and why you have or haven't listened to them and pop back to the only listening Sinatra thing for a minute. Now there's nothing wrong with Frank, but what the hell has happened to golden boy D'Angelo?!! I'm just building up tension for next album in 2028! "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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Let go of the drama and live in the music. | |
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TrcikyChristopher said:
The chord progression is different. Yeah, it's cut from the same cloth alright but "exactly the same" ha, wash out your ears. Its like saying Crucial and Adore are exactly the same. | |
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. Just to add to what I posted above, Ian is a great guy, and these songs are "healing" to hear. Yeah, he decided to monetize it, which another story, but I actually approve of what he did in those edits/additions. I could identify them before reading the affidavit. There's a horn section that really stood out, and definitely heard the added strings. . I have NO problem with the gospel choir added to 'Deliverance'. . There are a two vocal tracks where P screams, then says "C'mon!" He would've likely edited or retracked those. Other than that, this sounds like P oversaw nearly all the way. From the affidavit, it shows that Ian and P were still making changes collaboratively 1-2 years after the initial tracking. "He's a musician's musician..." | |
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I have to admit, the actor sillouhette had me fooled at first. I thought maybe they had found an unreleased video to go with the unreleased song, but clearly no. Hearing the song does make me realize how much I miss Prince, but I digress.
Wait, so who owns this? Who owns the princerogersnelson.com website? What contract/deal is this being released under? I'm totally confused here. "I know I hold you too tight, but I just can't seem to get close enough." | |
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These songs are great, and to me they sound very consistent with Prince's latest output. I have no issue whatsoever with Boxill adding things, at least he didn't put beats all over the place like Joshua on AOA. This sounds much more 'princey' to me. It's the kind of thing Prince might have come up with now, indie label and fake video included. Even the cover has 3 symbols! Very grateful for this. Prince is alive. [Edited 4/19/17 12:58pm] | |
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I've been of two minds since i heard this come out...
On one hand I think Prince would be very angry if someone else put out his music. That is obvious. However, at the same time, the song Deliverance and it's subject matter seems like something he'd be ok to release. It has all that holy Prince thing happening. It's a realy good song and he smokes on guitar.
I don't like what Ian Boxhall has done but I also think it's good. I felt the same when the bootleggers released Montreux 2013 videos this year. These are great works of a genius who often refused to put out his best stuff. The world needs to hear all of this. Look at it this way...Prince himself believed himself to be a vessel of a higher power. If so, his genius is owed to this higher power and so his works are for the world to hear.
So, while I won't pay for this b/c it makes no money for anyone associated with Prince, I will definitely get it and will play it loud as a celebration of him.
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Hmmm.... http://www.npr.org/sections/therecord/2017/04/19/524682589/new-music-from-prince-set-for-release-friday-the-subject-of-a-suit-from-his-esta
"I know I hold you too tight, but I just can't seem to get close enough." | |
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Reading that affidavit. If Boxill actually owned the masters to the song, I'm sure Prince knowing him....have had a copy. Find it hard to believe that Prince let Boxill have the complete masters to himself. Thus being said, Prince would have been against this release had he been alive. I'm sure Boxill would have continued to work on these tracks throught his career or releasing them eventually. Now what i am wondering is ....would the Estate have wanted Boxill to just submit his masters to them? Would they have struck a deal? If you are a sole owner of an high profile artists music, are you obliged to give it to them? Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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terrig said: Let go of the drama and live in the music. Yes! I like this view, totally agree. | |
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Sunrise Sunset ... beautiful.
I love all of the songs ... | |
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