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Prince and the U.K. - Why? I'm watching my taped show of "Rock Legends: Prince" which has been airing on AXS TV lately. I'm noticing once again what I've seen of course by looking at record sales charts and other general observations, that the U.K. seemed to really embrace Prince.
This seems to me to have been an almost career-long thing, especially post-Purple Rain, when a lot of us Americans were not watching him as closely anymore. Was Prince was more loved by the U.K. (and even other countries as well...seems to be a HUGE Australia following as well...)? And why is this? This happens with other musicians too I've noticed. They seem to do better after their commercial peak outside of the US. So was there a special connection between Prince & the U.K.? And why? [Edited 10/26/16 17:23pm] | |
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Because other countries weren't totally taken over by rap and grunge music. The appreciated his music and style and didnt call homophobic slurs and expect him to play only the oldies but goodies | |
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It has a queen..I think Prince was her adopted son. ![]() Baby, you're a star.
Meet me in another world, space and joy | |
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The United Kingdom is 243,610 square kilometers or 94,060 square milesThat’s about 57% the size of 'California'.
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Me ![]() "We just let people talk & say whatever they want 2 say. 9 times out of 10, trust me, what's out there now, I wouldn't give nary one of these folks the time of day. That's why I don't say anything back, because there's so much that's wrong" - P, Dec '15 | |
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There is a long history of musicians, especially balck ones, being more embraced in western Europe than the US, especially supporting tours of people who no longer were having hitsl In addition to prince, other examples were Nina Simone and TinaTurner (before her US comeback with What's Love Got to Do With It), I once read an atricle about this and they named several other prominent black musciains in the past for whom this was true. I am not aware that this has extended to hip hop artists, | |
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I think there are a number of plausible reasons:
3) The UK loves its freaks and weirdos (my ex-boyf is an American and he used to comment on how the Brits have this facade of a stiff-upper-lip but are actually the most freakish and naughty behind closed doors, lol). When the USA dismissed Prince (in the 90s) as being too bizarre with which to bother, a lot of people in the UK just accepted his behaviour as par for the course for someone of an artistic temperament! [Edited 10/27/16 3:58am] | |
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And me! Life Matters | |
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Interesting points Dibbleskin, ultimately, I think Prince didn't really care whether he was a winner or not, he seemed focused on spending time on stage and delivering good live music to the fans, and enjoyed playing for them, which he did extensively in the UK, and the UK public was very grateful for it. Also it is possible that one of his first experiences of a big audience might have left a bad taste in his mouth (I'm thinking with the Rolling Stones in 1981) and perhaps made him apprehensive, if only a little, about US audiences for the rest of his career. He did say in a very early interview in Holland that everything felt different in Europe, and that he was more at ease there... Interview on here Life Matters | |
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. I agree with you in many ways - I think he cared more about owning his material, having integrity, and being successful on his own terms than towing the party (record company) line and being more 'popular' (a commercial 'winner') as a result. [Edited 10/27/16 5:15am] | |
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Life Matters | |
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Nice analysis Dibblekins. Just want to make a point about your comment about various factions. I think his appeal was more general to the UK population and not as niche as you state. His audience was and still is very diverse. Judging by his audience at various shows, the crowd was mixed across races and genders. I feel that he didn't appeal to "groups" of people but more to the general public as a whole. There never seemed to be any division amongst the audience.
London is a melting pot and naturally the audience would be more diverse there but that demographic was also representative of the country as a whole, i.e no boundaries, all ages, races and genders. A side note: Audiences had no qualms with his lyrics (the sexual ones) and would sing them back to him. I think he felt they were comfortable with this. Eccentric behaviour is embraced and people are not as shocked by it in U.K. The press would report his outlandish behaviour but the public have always understood odd characters and have an affection for them. He had an affection for London, his second home. ![]() [Edited 10/27/16 5:52am] Baby, you're a star.
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Simple..... 'Mericans have shit taste in music. ![]() | |
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CherryMoon57 said:
And me! Me too ![]() | |
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I have actually thought about this and think UK fans in general are more open minded to support artists that do not fit in a particular one genre. This is because historically we had radio and Tv music programmes (Top of the Pops) that had and catered for everyone rather then fully specialist. Note we did however have specialist programmes for certain music genres but the general pop stations had everything that was considered good and popular. Obviously today we do now have more specialist radio and Tv programmes.
But in general I think the UK audiences do have good memories and have strong core audience that have sense of support and loyalty to certain artists. Especially the Artists they love and have grown up with. UK also tend to show strong support for artists that the US now consider to be more nostalgia acts. I tend to think most US pop audiences seem to forget certain artists if they fall out the mainstream or radar in certain ways. [Edited 10/27/16 7:31am] | |
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And your point is? | |
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I think it's fair to say that the dominant musical styles in the '90s US migrated away from what Prince was doing -- especially with the rise of hip hop and perhaps country.
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We love him in the UK and we also appreciated his post 80's music. Only thing that gets me down is he only had one number 1. Blame those with no music taste just look at the number 1's in the Uk since the 80's
Bryan Adams number 1 for 26 weeks for the song (Everything i do) I do it for You.
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. I feel the same, but this has often been the case with a lot of other great artists, musicians and others, who - probably being ahead of their time - don't necessarily fit the majority's expectations or get the widest recognition during their lifetime but whose work grows steadily posthumously. . Having said that, charts classments are also based on sales and that also relies on the frequency of singles releases, and marketing methods.
[Edited 10/27/16 8:47am] Life Matters | |
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MD431Madcat said: The United Kingdom is 243,610 square kilometers or 94,060 square milesThat’s about 57% the size of 'California'.
What's your point? Baby, you're a star.
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This. Always cry 4 love, never cry 4 pain. | |
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bluegangsta said:
This. I knew somebody was going to come out with this. ![]() Baby, you're a star.
Meet me in another world, space and joy | |
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And how many #1 singles did he have in the UK? Most have been many many #1 hits since the UK love for Prince is boundless. So how many? | |
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I think the point is that he doesn't understand the difference between size and population. Not like I love my guitar.... | |
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jayseajay said:
I think the point is that he doesn't understand the difference between size and population. Let's give him a lesson in basic geography. California population: 38.8 million United Kingdom population: 64.1 million Baby, you're a star.
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PR3121 said: CherryMoon57 said:
And me! Me too ![]() ![]() "We just let people talk & say whatever they want 2 say. 9 times out of 10, trust me, what's out there now, I wouldn't give nary one of these folks the time of day. That's why I don't say anything back, because there's so much that's wrong" - P, Dec '15 | |
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Already answered above. Having one number has nothing to with the UK loving Prince and vice versa. [Edited 10/27/16 8:40am] | |
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One very simple reason is that both countries have the same language which makes a crossover much easier! And of course England has been influenced by American rock and blues since the days of The Stones and The Beatles. French chansons for instance were never popular in England. They were popular in Holland in the 50s and 60s, but since then the influence of English in our culture has grown immensely. It's worth noting that Prince's popularity is much bigger in northwestern Europe (where people usually speak English very well) than in the southern countries. | |
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Some good points made. I will agree with these: We like underdogs, eccentrics, mavericks etc. Quite a few US black artists have found a large and loyal audience in the UK and Europe, often better than back home. . I think Prince also toured here a lot which helped and liked the reception he got here. | |
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Forgive me - that's what I was trying to say (albeit not very well)! | |
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