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Love Symbol - The Unreleased Singles Three singles were planned, but never ultimately released from the Love Symbol album in 1993. 2. Walk Don't Walk Always cry 4 love, never cry 4 pain. | |
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We'll never know, but maybe Blue Light could have been a succes because it's something completely different than he did before. I think it could have gotten a lot of airplay on mainstraim radio. | |
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Love 2 The 9's may have done well and the edit may have appeased fans if it was Tony M free. . Would have been good to have Damn U (Sax Mix) | |
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THE CONTINENTAL should have been released instead of DAMN U, it's obvious to everyone. Prince and WB were utterly crazy to not understand it. GOD CREATED WOMAN could have been next. BLUE LIGHT could have been a moderate success in Europe, but not in the US. | |
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Well, obviously. It was 23 years ago. Isn't that the point of a forum? Discussion and speculation? Always cry 4 love, never cry 4 pain. | |
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Love 2 The 9's is probably the one song in which I think Tony M (and Mayte...) actually have a place. Always cry 4 love, never cry 4 pain. | |
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Well I'm very sorry about those 3 words that are obvious indeed. Djeez man.. Just read the rest of that post for my speculation. | |
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I don't think I can forgive you immediately. But, maybe in time I can reconcile the horror you've bestowed upon my thread. Always cry 4 love, never cry 4 pain. | |
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I always thought "Morning Papers" would have had legs as a single, but if it was a b-side to "2 the 9s" I'm not so sure. | |
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Although they are all (very) good Prince songs I don't really see them as possible successful singles. The Continental would have been a better choice IMO. RIP Prince: thank U 4 a funky Time... | |
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Wow! For me, this is the song most destroyed by the appearance of Tony M. RIP | |
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The full length version of Damn U (Sax Mix) has been circulating for some while now. It's even on YouTube...
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Well, there we go! I can't believe I missed that! Always cry 4 love, never cry 4 pain. | |
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RIP | |
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So what's with the 4:04 version I am listening to right now?
ETA: Just read the rest of the thread and see it was already posted. This version is on both WOW and iVault 1995, FYI. [Edited 10/8/16 11:48am] Gimme some horns ... uh! | |
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http://img.cdandlp.com/2015/09/imgL/117664854-2.jpg
the morning papers was released in uk, with love 2 the 9s as a b-side. | |
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i don't care what songs he could have or should have released, of his associated artist albums on his a-sides.
and true love lives on lollipops and crisps | |
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IstenSzek said: i don't care what songs he could have or should have released, of his associated artist albums on his a-sides.
Good point. | |
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I think Continental could have been a really big hit. I can't tell you how many times I wore that song out. That should have been the first single hands down. | |
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Well we don't know that WB didn't want it released... I read a long time ago that Prince insisted on the singles for this album and that WB was not happy with the choices but relented after his success with D&P. WB wanted 7 as the lead single, for example... | |
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Wasn't The Continental planned at some point, too? I'm sure I've read that somewhere. As I said in a recent thread, the actual singles had issues: Sexy MF: Too 70's when the 70's were not yet back in fashion (it would very soon, hell Jamiroquai was only a few months later, but P was a bit ahead of his time here - it had worked for Lenny a year earlier, though), and of course the airplay issue due to profanity in the US. MNIP: No melody but no real hip-hop either, and the lyrics were too arrogant not to antagonize the average listener. TMP: A really catchy melody but it lacked a true chorus. 7: Very obscure lyrics, way too abstract for the average listener. . In that sense, at least Blue Light and Sweet baby were more simple songs, with a classic structure and accessible melodies and lyrics. + reggae was pretty hot in 93. I believe they would have been better choice. As for Love 2 The 9's it'd have been a hit or miss. I clearly remember at the time that the song was deemed as absolutely visionary in the way it merged a warm and melodic classical soul sound with a cold-hearted hip-hop, all in a single track. This was still quite groundbreaking in 1992. So it may have blown everyone's mind or it may have been too edgy. But nevertheless it would certainly have been praised by critics. Another issue though was the the song was hard to edit for radios without defeating its purpose. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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Doesn't matter to me if they were released or a hit. I absolutely love that album and every track on it. (Insert something clever here) | |
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