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101 - Prince & Sheena Easton Prince gave away many great cuts. 101 by Sheena Easton is one of the very best. Please express your love for this great track. Has anyone heard the original version sung by Prince? What do you think of the extended version produced by Prince? | |
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I always rated this among the very best tracks he gave away to affiliates and proteges myself. . Allegedly, this song underwent a key change between the demo and the final product, due to Easton's singing it incorrectly, and again, Prince liked the result enough to keep it. . [Edited 9/7/16 9:45am] | |
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This is one that I would pay to hear the demo of. Love this track and the instrumental version of it (was the b-side). I didn't like the 12" remixes quite as much. It's a simple but smoldering video too. Remember hearing the title of the track as a Prince penned thing, waiting for the video to show up as listed on Friday Night Videos ( I think), and then setting the VCR to tape it. Then seeing and hearing it for the first itme and thinking it was far better than I expected. My art book: http://www.lulu.com/spotl...ecomicskid
VIDEO WORK: http://sharadkantpatel.com MUSIC: https://soundcloud.com/ufoclub1977 | |
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101 ~Joey Coco (featuring Sheena Easton) 1989
For every night that you've been gone
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101 is the eighth track on Sheena Easton's ninth album The Lover In Me, and, eight months after the album's release, 101 was released as the album's third single. 101 was written and produced by Prince (credited as Joey Coco). Initial tracking took place on 10 January, 1987 at Sunset Sound, Hollywood, CA, USA (four days before Jaguar). In a 2012 interview, Sheena Easton discussed the song's recording: In the same interview, she declared that: "of all my songs I've ever done, that's my favorite." -PrinceVault
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OldFriends4Sale said:
101 is the eighth track on Sheena Easton's ninth album The Lover In Me, and, eight months after the album's release, 101 was released as the album's third single. 101 was written and produced by Prince (credited as Joey Coco). Initial tracking took place on 10 January, 1987 at Sunset Sound, Hollywood, CA, USA (four days before Jaguar). In a 2012 interview, Sheena Easton discussed the song's recording: In the same interview, she declared that: "of all my songs I've ever done, that's my favorite." -PrinceVault
Thank you! The video is awesome too. | |
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I mentioned this in the other thread. THEY WROTE IT TOGETHER! He didn't fucking GIVE IT AWAY.
[Edited 9/7/16 12:51pm] Always cry 4 love, never cry 4 pain. | |
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Sheena doesn't legitimately arrange, compose, or produce. Although she may have contributed broad artistic ideas and lyrics to the design of the track, the demo and production are squarely P's. Her vocal talents are noted, and, in this case, employed in the 'production' side under P's direction. .
[Edited 9/7/16 13:10pm] | |
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Source?
I read this the other day. Sheena Easton says the complete opposite.
http://www.drfunkenberry.com/2012/08/14/80s-singer-sheena-easton-talks-about-working-with-music-icon-prince/
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Check the CD-single of this song. It has the Uptown version. That Uptown version is the best version of this song. Pills and thrills and daffodils will kill... If you don't believe me or don't get it, I don't have time to try to convince you, sorry. | |
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Always one of my favourites, I love the way it builds & builds.... | |
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Bought the album back in the day just for this one track. Loved it then and love it now. Nice bonus of having Cool Love on the album too. | |
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I love this song. As far as I know, the demo and the released version are very similar with no major changes being done between the two.
Other tracks were changed for Sheena, but on this one, I don't think much if anything was altered. The expanded version of my book PRINCE and The Purple Rain Era Studio Sessions 1983-1984 was released in November 2018. (www.amazon.com/gp/product/1538114623/ref=dbs_a_def_rwt_bibl_vppi_i0) or www.facebook.com/groups/1...104195943/ | |
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And hey, am I the only one who looked at the tracking date and assume it's another (maybe the last) Susannah song? I normally don't care who he wrote songs "for." but, hey, "Adore" and "101." Easily his two most passionate songs on different sides of the light and dark spectrum. | |
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WhisperingDandelions said: And hey, am I the only one who looked at the tracking date and assume it's another (maybe the last) Susannah song? I normally don't care who he wrote songs "for." but, hey, "Adore" and "101." Easily his two most passionate songs on different sides of the light and dark spectrum. Lol! Love your quote at the end. | |
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udo said: Check the CD-single of this song. It has the Uptown version. That Uptown version is the best version of this song. Yes! This extended version produced by Prince is the best. | |
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Uptown version watered it down and made it more generic (maybe more lightweight pop) to my ears. Prince was all over the album version which is more dark and dense. This and "Cool Love" are totally Prince even in the album versions. (The bootleg Prince version of "Cool Love" is just like the Sheena version minus the switch in lead vocals.) My art book: http://www.lulu.com/spotl...ecomicskid
VIDEO WORK: http://sharadkantpatel.com MUSIC: https://soundcloud.com/ufoclub1977 | |
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ufoclub said:
Uptown version watered it down and made it more generic (maybe more lightweight pop) to my ears. Prince was all over the album version which is more dark and dense. This and "Cool Love" are totally Prince even in the album versions. (The bootleg Prince version of "Cool Love" is just like the Sheena version minus the switch in lead vocals.) Love them all, except for the house remix that was released with a sound that had nothing to do with Prince. Unfortunately, the sound quality of the reissued version of her album is not that good. Last year, a remastered compilation of different dance songs was released that included an extended version of 101 & had great sound quality, but they choose to include some house remix of the song which is not good and not Prince! [Edited 9/8/16 18:09pm] | |
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Incredible song. Love the Prince sound he was playing with at this time with 101, So Strong, The Future, Yo Mister.
Yet the remixes of Prince tracks at this time were the absolute worst he ever released. He would release bland generic club versions that had absolutely nothing to do with the songs but maybe a blip of sound and a slight passing similarity with the lyrics. But 101 is an absolute Prince classic. So moody. I grew to hate William Orbit, Shep Petibone, and Jellybean Benitez will all the hate a teen could muster. They were very popular in some scenes at the time, but their sound is comically bad today. I thought it was comically bad then because of course I was a Prince fan and have better taste that most, but I think today no one can call the trash these goofballs created as anything but garbage. I only say all this because the remix is a TRAGEDY what they did to his song. It only sullied the greatness of the original track. [Edited 9/8/16 19:10pm] | |
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